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Posts Tagged ‘Canon’

Canon Unveils a Dual Fisheye Virtual Reality Lens, the RF 5.2mm f/2.8L

08 Oct

The post Canon Unveils a Dual Fisheye Virtual Reality Lens, the RF 5.2mm f/2.8L appeared first on Digital Photography School. It was authored by Jaymes Dempsey.

Canon unveils a dual fisheye VR lens

Canon has announced a one-of-a-kind lens for EOS R cameras: the RF 5.2mm f/2.8L Dual Fisheye lens, which looks exactly as strange as it sounds:

RF 5.2mm Dual Fisheye lens side view

And check out the lens again, this time mounted to the Canon EOS R5:

virtual reality lens mounted to a Canon EOS R5

So what is this bizarre new lens? What’s it’s purpose? 

The RF 5.2mm f/2.8L is designed for virtual reality (VR) recording; it’s “the world’s first digital interchangeable dual fisheye lens capable of shooting stereoscopic 3D 180° VR imagery to a single image sensor.” In other words, the twin fisheye lenses offer two frames covering a huge field of view in total; when processed, this footage turns into a single, 180-degree image, and with the proper equipment (the press release mentions the Oculus Quest 2), viewers can feel truly present in the scene.

It seems that, when the RF 5.2mm f/2.8L debuts, it will be available solely for EOS R5 cameras, though this could change once the lens hits the market. Such a unique lens is bound to turn heads, and Canon has certainly been hard at work, offering a product with an outstanding form factor – for filmmakers who record on the go or who simply prefer to minimize kit size – along with weather resistance, a very nice f/2.8 maximum aperture, and most importantly, Canon’s in-built filter system. The latter allows you to use neutral density (ND) filters when recording, essential for serious videographers.

Unfortunately, processing dual fisheye images isn’t done with standard editing software. Instead, Canon is developing several (paid) programs capable of handling VR footage: a Premiere Pro plugin, and a “VR Utility.” The company explains, “With the EOS VR Plug-In for Adobe Premiere Pro, creators will be able to automatically convert footage to equirectangular, and cut, color, and add new dimension to stories with Adobe Creative Cloud apps, including Premiere Pro,” while “Canon’s EOS VR Utility will offer the ability to convert clips from dual fisheye image to equirectangular and make quick edits.”

So who should think about purchasing this new lens? It’s a good question, and one without an easy answer. Canon’s decision to bring out a dedicated VR lens suggests a growing interest in creating VR content. But the day when most video is viewed through VR technology seems a long way off, at least from where I’m sitting. 

That said, if VR recording sounds interesting, you should at least check out this nifty new lens. Canon suggests a December release date with a $ 1999 USD price tag, and you can expect Canon’s VR post-processing software around the same time.

Now over to you:

Are you interested in this new lens? Do you do (or hope to do) any VR recording? Share your thoughts in the comments below!

The post Canon Unveils a Dual Fisheye Virtual Reality Lens, the RF 5.2mm f/2.8L appeared first on Digital Photography School. It was authored by Jaymes Dempsey.


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Canon Announces the EOS R3: Dual Card Slots, 30 FPS, and 6K Video

25 Sep

The post Canon Announces the EOS R3: Dual Card Slots, 30 FPS, and 6K Video appeared first on Digital Photography School. It was authored by Jaymes Dempsey.

Canon announces the EOS R3 mirrorless camera

Last week, Canon launched its EOS R3, a sports-centric mirrorless model billed as “the company’s most technologically advanced full-frame mirrorless camera.”

The EOS R3 has generated plenty of hubbub, and rightfully so; on spec sheets, it outclasses the (already formidable) action capabilities of the EOS R5 and the EOS R6. The EOS R3 should even give Canon’s flagship DSLR, the 1D X Mark III, a run for its money, though Canon has deliberately refrained from naming the EOS R3 as the 1D X Mark III’s mirrorless twin. Instead, the company claims that the EOS R3 “bridges the gap between the immensely popular EOS R5 and the world-renowned Canon flagship EOS-1D X line,” which leaves open a spot for Canon’s true mirrorless flagship, the (presumed) EOS R1. 

Of course, the EOS R1 won’t debut until 2022 at the earliest, and in many ways, the capabilities of the EOS R3 make you wonder why an action-ready EOS R1 is even necessary; if the EOS R1 sits above the EOS R3, what could it possibly offer beyond the R3’s standout features?

And indeed, the EOS R3 is a standout. You get the expected professional features: top-notch weather sealing (“equivalent to EOS-1D camera models,” according to Canon), an in-built body grip, and dual card slots, perfect for sports and other action shoots. Thanks to Canon’s new 24 MP backside illuminated sensor, you’ll see improved high-ISO performance, perhaps even a stop or two better than the EOS R6, Canon’s most impressive low-light performer to date.

But you also get additional class-leading features. Autofocus is outstanding, bolstered by a whopping 1053 AF points plus a newly developed automobile and motorcycle AF. Then there’s the much-talked-about Eye Control AF, which is simply cool, no matter its final performance; look toward the rightmost subject and your camera will focus right, look toward the leftmost subject and your camera will focus left. There’s even a fully articulating screen, which allows for the low-angle compositions and smooth video monitoring appreciated by professionals.

Canon EOS R3 with a fully articulating screen

Action photographers will love the 30 frames-per-second continuous shooting (via the electronic shutter), and the 5.5 stops of in-body image stabilization will improve handheld photography (Canon promises “the world’s most effective image stabilization”).

While the Canon EOS R3 has been teased as a powerful stills camera, its video capabilities are certainly impressive. You get 6K/60p and 4K/120p shooting, along with all the standard video features (e.g., Canon Log, focus peaking, etc.). 

Is the Canon EOS R3 the best mirrorless camera currently available? That’s tough to say, especially when faced with more detail-focused cameras such as the Sony a7R IV, the Sony a1, and the Nikon Z7/Z7 II. But it’s certainly impressive, and if you can afford the $ 6000 USD cost, the EOS R3 is currently available for preorder. 

The cameras will begin shipping in November, so if you’re after one of the best action models on the market, then take a look!

Now over to you:

What do you think about the Canon EOS R3? Is it everything you hoped for? Is it missing any features you would’ve appreciated? Share your thoughts in the comments below!

The post Canon Announces the EOS R3: Dual Card Slots, 30 FPS, and 6K Video appeared first on Digital Photography School. It was authored by Jaymes Dempsey.


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Canon teases September 14 launch event, calls is ‘the most exciting announcement of the year’

07 Sep

It looks like September 14, 2021 is going to be a busy day. First, Apple announced it will be hosting a livestream event. Now, Canon has announced that it too will be hosting a livestreamed event on YouTube at 12pm CEST (+2 UTC).

Canon doesn’t say what we can expect to see at the event, but the animated graphic in the teaser video shows an illustration of an RF camera mount. Make of that what you will.

You can click through on the video to set a reminder on YouTube to be notified when the event goes live.

Articles: Digital Photography Review (dpreview.com)

 
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How to Use the Canon Camera Connect App (in 2021)

30 Aug

The post How to Use the Canon Camera Connect App (in 2021) appeared first on Digital Photography School. It was authored by Suzi Pratt.

how to use the Canon Camera Connect app in 2021

In this article, I’m going to share everything you need to know about using the Canon Camera Connect app, including:

  • How to connect your camera to the app
  • The ins and outs of the app interface
  • What the app can do for you as a photographer

So if you’re struggling to get your camera connected to the app, or you simply want to know how you can use the app to revolutionize your photography, then you’ve come to the right place.

Let’s jump right in.

Step 1: Check for compatibility and download the app

Canon Camera Connect is a free app available for download on Android and iOS devices. To get started, head to the Play Store or the App Store and hit Install.

The app is compatible with a broad range of Canon digital cameras, including:

  • Over a dozen Canon PowerShot models
  • Plenty of Canon DSLRs, including the 5D Mark IV, the 6D Mark II, and the Rebel SL3
  • Canon’s mirrorless lineup, including the EOS RP, the EOS R, the EOS R5, and the EOS R6

If you’re not sure whether your camera is compatible with the Canon Camera Connect app, you can check the full compatibility specs here, though bear in mind that the compatibility list hasn’t been updated to include Canon’s latest camera models. Alternatively, you can download the app and search for your camera:

selecting your camera

Step 2: Connect your camera to the app

The specifics of this step will vary depending on your camera model. Fortunately, the Canon Camera Connect app offers startup instructions that take into account these variations.

In the app, select Easy Connection Guide:

activating the Easy Connection Guide

Then hit Connect another camera/camcorder:

picking your camera in the Canon Camera Connect app

Next, search for your camera model:

searching for your camera model

Depending on your camera’s capabilities, you may have the option to connect via Bluetooth, Wi-Fi, or NFC. Canon recommends Bluetooth for the best connection, but any of the three options should work.

selecting your connection method

Finally, head through the setup instructions.

By the time you’ve finished, your camera should be paired with the app and ready to go.

follow the instructions to connect your camera

Step 3: Explore the interface of the Canon Camera Connect App

After you have successfully connected your phone to your camera, head back to the app home page. The menu is minimal and pretty straightforward.

the Canon Camera Connect app interface

While the app offers several functions – including the ability to automatically download photos from your camera to your phone – you’ll generally stick to the top two options:

  • Images on camera
  • Remote live view shooting

Let’s take a look at each of these items in turn:

Images on camera

viewing images on your camera via the app

Selecting Images on camera will show you a gallery of all the images on your connected camera (i.e., on the camera’s memory card), sorted by the date they were taken.

images on the camera

To open an image, simply tap it with your finger. You’ll see it displayed large.

viewing a camera image

At the bottom of the screen, you’ll find several useful options, including Info (which lets you view camera settings for the file), Rating (which lets you give your file a rating between one and five stars), Import (which lets you download the file to your phone), and Delete (in case you want to erase the image from your camera on the spot).

Remote live view shooting

selecting the remote live view shooting option

Selecting Remote live view shooting will give you a live camera feed on your phone. Hit the big circle at the bottom of the screen to fire the camera shutter.

viewing a live view feed

You can make adjustments to settings, too; for instance, from your phone, you can change the point of focus, the shutter speed, the aperture, the ISO, the white balance, the AF area mode, and more.

When to use the app for amazing results

Now that you’re familiar with the Canon Camera Connect app basics, let’s discuss some common situations where the app can help your photography, starting with:

1. Photographing landscapes without a dedicated remote trigger

When shooting landscapes, it’s best to avoid using the shutter button to take photos. After all, most landscape photography occurs at slow shutter speeds, where the action of pressing the shutter button can introduce unwanted blur.

So what do you do?

Well, most landscape shooters rely on one of two options: They either carry a remote trigger, or they use the camera self-timer.

Unfortunately, both these methods come with significant drawbacks. It’s easy to forget a remote trigger at home, plus it requires batteries of its own, and it introduces yet another element of uncertainty into a camera setup. And the camera self-timer fails when you’re trying to photograph moving objects, such as a wave coming in on the beach; thanks to the delay, you rarely end up with the result you envision.

Enter the Canon Camera Connect app, which lets you fire your camera remotely, straight from your phone. You don’t need to carry anything extra (except for a smartphone, of course, but these days, who doesn’t?). And you don’t have to worry about self-timer delays.

2. Photographing from odd angles

If you’re the type of photographer who shoots from down low, up high, or any other uncomfortable positions, you’re going to love the Camera Connect app.

Simply turn on the remote live view shooting option, then position your camera without hurting your neck or scraping your elbows.

Preview the composition and exposure through your smartphone feed, then take your photo.

3. Doing street photography from the hip

In street photography, the goal often is to shoot without being noticed by your subject.

This has led street photographers to develop various techniques for shooting inconspicuously, including shooting from the hip, which involves blindly firing your camera without looking through the viewfinder.

Unfortunately, shooting from the hip, while discreet, results in very few keepers – unless you preview images through the Camera Connect app first.

In other words:

Set up your shots the way you normally would, with your camera held below eye level. But hold your phone in one hand and surreptitiously check the remote feed for framing information. That way, you can ensure your compositions look good before firing the shutter button, and your keeper rate will immediately skyrocket.

Make sense?

4. Product photography from a distance

If you like to shoot products (or any still life subjects, really) with studio lighting, you probably spend a lot of time walking to your lights, then back to your camera, then back to the lights, and back to your camera, and so on.

It may not seem like a lot, and if you’re just starting out, it probably isn’t. But over time, moving back and forth between camera and lights can become frustrating, and you’ll wish you had some way to simplify the process – such as the Canon Camera Connect app.

With the app, you can preview images and fire off test shots while standing next to your lights, then simply reach over and make adjustments to your light settings without needing to journey to your camera and back.

How to use the Canon Camera Connect app: final words

Well, there you have it:

How (and why) to use the Canon Camera Connect app. Hopefully, you can now confidently connect your camera to the app – and use it to improve your photography workflow!

Canon Camera Connect app

The post How to Use the Canon Camera Connect App (in 2021) appeared first on Digital Photography School. It was authored by Suzi Pratt.


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Canon XF605 professional 4K camcorder and new 8K broadcast lens announced

18 Aug

Canon has unveiled a new professional 4K camcorder and a new 8K-suitable pro BCTV zoom lens. The Canon XF605 is a ‘compact’ 4K camcorder designed for solo shooters. The XF605 is 10% smaller and 600g lighter than the Canon XF705. The new lens is the 10×16 KAS S, an addition to Canon’s 1.25″ 8K broadcast camera lens lineup that includes 10x optical zoom from 16mm to 160mm.

Looking first at the XF605 camcorder, it includes a 1″-type CMOS image sensor paired with Canon’s DIGIC DV7 processor. The camera records 4K UHD video at up to 60p. The XF605 records 4:2:2 10-bit in XF-AVC and MP4 formats. FHD video can be recorded at up to 120p. The camera includes Canon Log 3 and HDR.

The XF605 includes a built-in 4K L-series 15x optical zoom lens with 30x Advanced Zoom (digital zoom) in FHD resolution. The lens has a 35mm equivalent range of 25.5mm to 382.5mm. Its minimum focus distance is 10mm at the wide end and 60cm across the zooming range. Its maximum aperture is F2.8, and it accepts 58mm filters. The lens also includes optical image stabilization.

Autofocus is provided via Canon’s Dual Pixel CMOS AF technology. The XF605 offers Eye Detection AF and provides intelligent head tracking. Focus is controlled via a lens ring and using the camera’s 3.45″ touchscreen, which has a resolution of 2.76M dots. There is a peaking assist function for manual focus. You can customize AF speed, response and frame size, plus you can use AF to assist with manual focusing.

The XF605 records to a pair of SD card slots and Class U3 V90 cards are recommended. The camera records externally via HDMI or 12G-SDI, and simultaneous recording is possible. When using the XF-AVC format and the maximum bitrate of 410Mbps, the camera can record for 39 minutes. By dropping bitrate down to 260Mbps, recording time increases to 100 minutes. Using MP4 and H.265 codec, you can record up to 118 minutes. In H.264 at 8Mbps, you can record for 2,006 minutes. Full recording time, framerate and quality information can be viewed on the XF605 specifications page.

In addition to the touchscreen, the XF605 includes a 0.36″-type EVF with 1.77M dots. The camera’s full offering of inputs and outputs includes two XLR 3-pin jacks with 48V phantom power, line and mic. The camera includes a 3.5mm mic input jack with 2.4V DC supply voltage. The camera includes a built-in mic as well. For audio monitoring, there’s a 3.5mm stereo mini jack. Plus, the camcorder includes a built-in speaker. There’s a full-size HDMI Type A port and a pair of USB ports, one Type A and the other Type C. As mentioned, there’s a 12G-SDI output with BNC connector. The camcorder also includes LAN, a remote controller terminal and 3.4mm DC input. The XF605 includes built-in Wi-Fi, too.

The camcorder includes a total of 11 assignable buttons which can be used for over 100 assignable functions. Also, there’s a custom dial that includes Av, Tv, M, AGC Limit, exposure compensation, and more. The camera includes auto ISO and auto gain control functionality. The ISO range is 200-12,800, and the gain range is -6.0dB to 21.0dB. The shutter speed can go up to 1/2000s, and the shutter angle goes from 360° to 11.25°. The XF605 includes a built-in neutral density filter.

For the full details on the XF605, visit Canon. The XF605 is available for preorder now and has a suggested retail price of $ 4,500.

The Canon 10×16 KAS S adds a telephoto lens to Canon’s 8K broadcast series, complementing the 7×10.7 KAS S. It’s targeted at broadcasters of major sporting events. The 10x zoom lens has a constant F2.8 aperture from 16mm to 160mm. It offers the same operability as Canon’s 4K portable lens line while adding 8K camera compatibility.

The lens includes special elements such as fluorite, Hi-UD lenses and wide-diameter aspherical lenses. The specialized glass elements reduce chromatic aberrations, spherical aberrations and other image quality defects. The lens weighs 2.94kg, which is reasonably lightweight for an 8K zoom lens. It’s designed for handheld 8K broadcasts. Pricing varies by dealer, but it’s reasonable to expect the lens to be costly.

Articles: Digital Photography Review (dpreview.com)

 
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The Canon EOS R3’s Megapixel Count Revealed By EXIF Data

30 Jul

The post The Canon EOS R3’s Megapixel Count Revealed By EXIF Data appeared first on Digital Photography School. It was authored by Jaymes Dempsey.

The Canon EOS R3's resolution revealed by EXIF data

For months, Canon has teased the upcoming EOS R3 and its groundbreaking features, but – as with the release of the EOS R5 and R6 last summer – the company has remained silent regarding resolution. 

Speculation and rumors have abounded, at times suggesting a 30-megapixel sensor like the Canon EOS R or even a 45-megapixel sensor to match the EOS R5. But thanks to Canon Rumors, we now have what appears to be a definitive answer:

The Canon EOS R3 will be 24 megapixels.

This specification is backed by significant evidence coming out of the Tokyo Olympics, where the Canon EOS R3 has made an appearance. First, Canon Rumors reported “multiple mentions, likely from people in and around the Tokyo games, that the resolution is ‘closer to’ or ‘around’ 24 MP.” This 24 MP rumor was followed by an EXIF data report showing 6000px by 4000px (i.e., 24 MP) dimensions on EOS R3 Olympic files.

Yes, it falls short of the lofty resolutions suggested above and will slot in behind several of Canon’s top mirrorless cameras, but 24 MP is certainly respectable and hardly unprecedented. After all, the EOS R3’s closest DSLR sibling is the Canon 1D X Mark III, Canon’s flagship DSLR, which features a “mere” 20 MP. And “fast processing, low megapixels” has long been the name of the game for sports-focused models, where high-resolution sensors threaten continuous shooting speeds, camera buffer depths, and more.

A 24 MP sensor also assures superior noise performance over higher-resolution models like the EOS R5; the lower megapixel count (and consequently larger pixel size) combined with Canon’s new backside illuminated sensor technology should be a sight to behold.

At present, here’s what you can expect from the EOS R3:

  • A fully-articulating touchscreen
  • 30 frames-per-second shooting (using the electronic shutter)
  • In-body image stabilization
  • 4K video
  • Eye Control AF
  • Top-notch weather sealing
  • Dual card slots

While pricing information is yet to be released, don’t be surprised if the EOS R3 surpasses even the Canon 1D X Mark III, which debuted at a whopping $ 6500 USD.

Fortunately, you won’t have long to wait; Canon Rumors promises an official announcement in September, and I’d wager that the camera itself will ship before 2021 is out, if not significantly sooner.

Now over to you:

What do you think of a 24 MP EOS R3 sensor? Is the resolution disappointingly low? Is it just right? Too high? Share your thoughts in the comments below!

The post The Canon EOS R3’s Megapixel Count Revealed By EXIF Data appeared first on Digital Photography School. It was authored by Jaymes Dempsey.


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Canon announces ambitious plans for equipment and support for pros at Tokyo 2020

20 Jul

Canon Inc. and Canon Marketing Japan Inc. have announced their plans for the upcoming Tokyo 2020 Olympic and Paralympic games. Canon will set up a photo service center for professional photographers at the Main Press Center (MPC). The MPC is where international press gathers during Tokyo 2020.

Canon’s photo service center will ensure professional photographers are well-equipped to capture iconic imagery during the games. In addition to providing Canon’s best cameras and lenses, the photo service center will offer photographers a network of service and support.

’Thus far, Canon has provided on-site support for press photographers, including camera and lens maintenance and technological support, behind the scenes at major sporting events around the world,’ Canon said. ‘The Tokyo 2020 Games are no exception—there too, Canon will apply its professional support know-how acquired over its long history to provide flexible and appropriate support for photographers and the various requests and equipment troubles they may have.’

Credit: Canon

Located at the Tokyo Big Sight Convention Center, Canon’s photo service center will be the largest photo service center during the event. Canon is a Gold Partner for Tokyo 2020, supplying still cameras and printers.

The photo service center will operate under a principle of ‘zero downtime,’ ensuring photographers won’t miss their opportunities to capture iconic moments during the games. Canon writes, ‘Canon will provide speedy maintenance service, equipment repairs and loaning of replacement equipment so that photographers can always be ready and in the best possible condition.’

Canon 1DX Mark III

Equipment on hand will include DSLR and mirrorless cameras and lenses, including EOS-1DX III and Canon EOS R5 and R6 cameras. Many lenses will be available, including Canon’s telephoto and super-telephoto optics, ideal choices for sports photography.

Spectators will be sure to see many white lenses in photographer bays and around the events. Canon’s white lenses are iconic, and their origins are traced back to the 1970s. Canon writes, ‘Canon developed the signature white of its lens barrels as a tool for photographers at international sporting events. The first such lenses* produced by the company, the FD600mm f/4.5 S.S.C. and FD800mm f/5.6 S.S.C. large-diameter super-telephoto lenses, were released in June 1976.’

Credit: Canon

White paint reflects heat better than black paint. This is especially important on large lenses, such as telephoto optics. When a lens heats up, the increasing temperatures can adversely affect optical performance.

To learn more about Canon’s services at Tokyo 2020, including Canon’s robotics, read the company’s announcement.

Articles: Digital Photography Review (dpreview.com)

 
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Canon May Release a “$799 Full-Frame Camera” in 2022

18 Jul

The post Canon May Release a “$ 799 Full-Frame Camera” in 2022 appeared first on Digital Photography School. It was authored by Jaymes Dempsey.

Canon may release a $  799 full-frame camera

A full-frame, RF-mount camera for the price of an entry-level, crop-sensor model. Could it be done?

It sounds outlandish, but according to Canon Rumors, such a camera may not be far off. As CR reported earlier this week, while Canon’s plans aren’t yet set in stone, the company “is aiming to release a full-frame, RF-mount camera for under $ 800 in 2022.”

Of course, Canon Rumors is all about, well, rumors, and any official confirmation from Canon is many months out. But this $ 799 camera tidbit comes from “a pretty solid source with a decent track record,” and CR notes that they “do believe there is something to this just by what [they] have been shown.”

And if the rumor is true and Canon does succeed in creating a full-frame mirrorless camera for $ 799 USD? It would be a revolutionary move, pushing the boundaries of affordable, entry-level models beyond anything done before.

At the time of writing, a significant divide exists between full-frame cameras on the one hand and APS-C cameras on the other. With few exceptions, APS-C cameras are aimed at the beginner-to-enthusiast crowd, as reflected in their prices, lens offerings, and other specifications; most of Canon’s APS-C cameras, for instance, debut for less than $ 1000, including recent mirrorless models such as the M50 Mark II and M6 Mark II (body only).

Full-frame cameras, on the other hand, start where APS-C cameras leave off. Canon’s cheapest full-frame mirrorless model to date, the EOS RP, clocked in at $ 1299 when released. And Canon’s cheapest full-frame DSLR, the Canon EOS 6D Mark II, currently goes for $ 1399, body only. For plenty of beginners and even many serious enthusiasts, these price points are prohibitive, especially when factoring in the cost of full-frame lenses.

Sure, the crop-sensor models of 2021 are powerful. And there are reasons to pick crop-sensor models over full-frame models, as cameras like the Canon 7D/7D Mark II show. But APS-C cameras struggle to compete with their full-frame counterparts in one key area, and it’s a big one:

Image quality.

Because that’s what this is all about: full-frame sensors are larger, which means (all else being equal) better high-ISO performance, improved dynamic range, and the opportunity for higher resolutions. If Canon could pack full-frame quality into an entry-level-priced body, it would open up the advantages of full-frame imaging to everyone, beginners and professionals alike.

As Canon Rumors points out, “Even launching a new full-frame camera at $ 999 would be quite welcomed…If Canon could get the camera and a kit lens for under $ 1000 USD, they’d have themselves a winner.”

2022 is a long way off, and plans can fail, but let’s hope that Canon forges ahead. Keep an eye out for more information, and in the meantime, share your thoughts in the comments below!

What do you think of a sub-$ 800 full-frame, RF-mount camera? Would it interest you? And if Canon is successful, would it be the beginning of the end of APS-C cameras?

The post Canon May Release a “$ 799 Full-Frame Camera” in 2022 appeared first on Digital Photography School. It was authored by Jaymes Dempsey.


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Canon to “Soon” Announce Three New RF Lenses (Including the 14-35mm f/4L)

26 Jun

The post Canon to “Soon” Announce Three New RF Lenses (Including the 14-35mm f/4L) appeared first on Digital Photography School. It was authored by Jaymes Dempsey.

Canon to announce 3 new RF lenses

Over the next handful of months, Canon will release at least three new RF-mount lenses, according to Canon Rumors. They are:

  • The Canon RF 14-35mm f/4L IS USM
  • The Canon RF 70-400mm IS USM (maximum aperture unknown, but potentially f/5.6-7.1)
  • The Canon RF 16mm f/2.8

While the new glass is unconfirmed by Canon, Canon Rumors shares a few details (as well as some helpful guesses). 

Let’s take a closer look at each item, starting with:

Canon RF 14-35mm f/4L IS USM

As explained by Canon Rumors, “expect to see a Canon RF 14-35mm f/4L IS USM as a little brother to the Canon RF 15-35mm f/2.8L IS USM.” 

On the wide end, the lens will offer a breathtaking perspective for landscapes, urban scenics, and architectural photos; on the long end, the lens will feature a conventional 35mm focal length, perfect for tighter landscapes and even the occasional portrait. Plus, you’ll get a respectable f/4 maximum aperture – not enough for easy ultra-shallow depth of field effects or astrophotography, but absolutely usable for standard landscape scenarios assuming you bring your tripod.

Note that the 14-35mm will feature Canon’s “L” lens designation, so you can expect top-notch image quality rivaling some of the best glass on the market. Add in the image stabilization, and you’ve got yourself a relatively versatile wide-angle zoom, perfect for landscape photographers, travel photographers, and more.

Canon RF 70-400mm (maybe f/5.6-7.1) IS USM

The RF 70-400mm will be Canon’s second super-telephoto zoom designed for the RF mount, following in the footsteps of the powerful RF 100-500mm f/4.5-7.1. 

But while the 100-500mm is an L lens – designed for professionals and with a price to match – the 70-400mm will likely be a more casual, portable option. According to Canon Rumors, there’s no “L” label on the 70-400mm, though you can expect image stabilization and a (consistently fast) USM autofocusing motor for wildlife and sports. 

While I can only speculate, I suspect the 70-400mm is designed for frequent travelers in need of a portable “do-anything” telephoto, as well as for enthusiast bird and wildlife photographers. Interestingly, Canon offers an EF-mount counterpart, the much-loved 100-400mm f/4.5-5.6L IS II USM. Yet the 100-400mm is an L lens, offers an f/5.6 maximum aperture at 400mm, and is very pricey, none of which is likely for the 70-400mm. It’ll be interesting to see how the two lenses stack up and whether Canon’s new lens will venture into the sub-$ 1000 “budget” superzoom range.

Canon RF 16mm f/2.8 

The RF 16mm f/2.8 “is a non-L prime lens,” explains Canon Rumors, and will be especially useful as “a nice and compact 25mm f/2.8…if an APS-C RF-mount camera is coming.”

Still, expect a lens compatible with Canon’s full-frame mirrorless stable. At 16mm, you’ll capture beautiful landscapes and architecture, as well as travel and street photos with an unusually wide perspective. And thanks to the f/2.8 aperture, the RF 16mm should be suitable for serious astrophotography. 

At the very least, you can expect a relatively inexpensive, compact lens for Canon’s up-and-coming mirrorless shooters.

Canon to announce three new lenses: final words

Assuming Canon can deliver on expectations discussed above, these three lenses should satisfy plenty of enthusiasts and even the occasional professional. 

If you’re a photographer seeking a nice wide-angle perspective for serious landscape work, keep an eye out for the RF 14-35mm, which will cover all but the widest of landscape focal lengths and offer top-notch image quality to boot. 

For enthusiasts in need of an all-purpose telephoto zoom, the 70-400mm will be the lens to beat, though I’d recommend you consider image quality reports before buying.

And if you’re in need of a compact, lightweight, ultra-wide prime, the 16mm f/2.8 should be worth a look.

Now over to you:

What do you think of these rumored lenses from Canon? Do any interest you? Do you wish that Canon had prioritized different lenses? Which ones? Share your thoughts in the comments below!

The post Canon to “Soon” Announce Three New RF Lenses (Including the 14-35mm f/4L) appeared first on Digital Photography School. It was authored by Jaymes Dempsey.


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Video: A ‘Retro Review’ of the 20-year-old Canon Pro90 IS, Canon’s first digital camera with optical image stabilization

12 Jun

Gordon Laing, Editor of Camera Labs, is back again with another episode of ‘Retro Review.’ In this video, he puts the Canon Pro90 to the test to see how well it holds up two decades after it was released.

At the time of its release, the Canon Pro90 IS was Canon’s flagship PowerShot camera. It retailed for $ 1,300, used a 3.3MP sensor and had a design similar to its Pro70 predecessor, but featured a 10x zoom lens compared to the 2.5x zoom lens on the Pro70. It was also Canon’s first camera with optical image stabilization.

As impressive as the optics were though, the camera had an interesting design quirk—the image circle of the lens didn’t fully cover the 1/1.8″ sensor, so the resulting images were digitally cropped down to just 2.6MP. Incredibly, the camera featured a Raw capture mode though, in addition to JPEG support (with various compression ratios) as well as QVGA (329 x 240 pixel) video recording.

To find out more, set some time aside to watch the entire 12 minute video. To see more Retro Review content and other interesting insights on vintage tech, head over and subscribe to Laing’s Dino Bytes YouTube Channel.

Articles: Digital Photography Review (dpreview.com)

 
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