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Posts Tagged ‘Budget’

Film Fridays: How to get started developing B&W film on a tight budget

12 Sep
Photo: Sroyon Mukherjee

The two responses we most often hear when citing the virtues of developing B&W film at home are ‘Isn’t it hard?’ and ‘Isn’t expensive?’. We’ve covered the first question extensively in our guide Developing film at home: everything you need to know to get started (the answer is a resounding, ‘No!’).

As for the second, our friends over at 35mmc have proof that with just a little bit of cash and by making use of common household items, you too can begin your journey into home development without breaking the bank. For around $ 30, you can pick up the core equipment you’ll need, plus around another $ 25 to get set up with chemistry. That’s about the cost of lab developing 4 rolls so… you do the math.

Read: How to get started developing B&W film at home for £25 (or less)

About Film Fridays: We recently launched an analog forum and in a continuing effort to promote the fun of the medium, we’ll be sharing film-related content on Fridays, including articles from our friends at KosmoFoto and 35mmc.

Articles: Digital Photography Review (dpreview.com)

 
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Best Action Cameras for Every Budget: Are Cheap Action Cameras Any Good?

11 Sep

Action cameras have become more common in the past few years, and for a good reason. Originally created by GoPro, many big brands have also jumped in the action camera space. As the action camera space grew, there came along a lot of cheap copycats. With multiple brands and tens of models to choose from, it has become difficult to Continue Reading

The post Best Action Cameras for Every Budget: Are Cheap Action Cameras Any Good? appeared first on Photodoto.


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Tested: Four travel tripods for every budget

26 Jul
From left to right, the MeFoto BackPacker S, Manfrotto BeFree Advanced, Peak Design Travel Tripod and Gitzo Traveler Series 1.

Although image stabilization technology has come along in leaps and bounds over the past few years, there are few things you can do to improve your low-light or telephoto images more than mounting your camera on a tripod. But many tripods are heavy and bulky, making them inconvenient to bring along on longer hikes or when traveling by air. That’s where the humble travel tripod comes to the rescue.

In this review we compare the following travel tripods:

  • MeFoto BackPacker S – $ 159.95 list / ~$ 120 street
  • Manfrotto BeFree Advanced – $ 324.99 list / ~$ 280 street
  • Peak Design Travel Tripod – $ 599.95 list / ~$ 600 street
  • Gitzo Traveler Series 1 – $ 1014.99 list / ~$ 600 street

Travel tripods are available across a very wide price range, from consumer models that cost not much more than $ 100 to professional-grade ones that can run into the high hundreds of dollars or more. But is it worth spending that extra cash, and can you expect a significantly better experience from a more expensive tripod? To find out, we rounded up a selection of name-brand carbon-fiber travel tripods spanning the pricing gamut for an in-depth, side-by-side comparison.

In many respects, all four tripods have a lot in common. They all come with quick-release plates that you can leave attached to your camera for quicker setup, for example. And they all have reversible center columns which also let you shoot straight downwards, something that can be handy for macro shooting in particular.

They also share locks and/or safety pins to help prevent your camera accidentally being disconnected, and sandbag hooks either at the end of the center column or on the side of the spider, from which you can hang some weight for extra stability. (Just remember to include this weight along with that of your chosen camera and lens when determining your required payload!)

In this review, we’ll focus mostly on how these four tripods differ from each other, and their advantages and disadvantages in real-world shooting. Read on to find out how they performed, and which was our favorite.

MeFoto BackPacker S Manfrotto BeFree Advanced Peak Design Travel Tripod Gitzo Traveler Series 1
MSRP $ 159.95 $ 324.99 $ 599.95 $ 1014.99
Street price ~$ 120 ~$ 280 ~$ 600 ~$ 600
Length and diameter (folded)* 33.5 x 9.5cm 41.0 x 10.5 cm 39.1 x 7.9 cm 42.5 x 1 cm
Max. height (with center column)* 140.0cm 151.0cm 153.5cm 164.5cm
Max. height (no center column)* 108.0cm 127.0cm 131.0cm 141.0cm
Min. height (standard center column)* 33.5cm 40.5cm 34.5cm 42.5cm
Min. height (short center column)* N/A 19cm (optional extra) 15.5cm (included) 33.0cm (included)
Weight with accessories* 1017g** 1268g*** 1342g**** 1489g*****
Load limit 6kg 8kg 9.1kg 10kg
Number of leg angles 3 3 2 2
Converts to monopod? Yes (143.0cm max.)* No No No
Bubble level? Yes No Yes Yes
Panorama control? Yes, with degree scale Yes, lacks degree scale No Yes, with degree scale
Swappable head / feet? Head only Head only Both (with optional head adapter kit) Both
QR plate type ARCA Manfrotto RC2 ARCA ARCA
Special features N/A EasyLink attachment Smartphone holder N/A
Warranty (with registration) 5 years 10 years Lifetime 7 years

* All sizes and weights based on in-house measurements.
** Includes ball head, QR plate with safety pins, center-column hook and hex key
*** Includes ball head, QR plate, EasyLink / center-column caps and hex key
**** Includes ball head with safety pins, QR plate, full center column with hook and phone holder, hex tool and tool holder
***** Includes ball head with safety pin, QR plate, long and short center columns and three hex/Torx keys

Articles: Digital Photography Review (dpreview.com)

 
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How to Create a Budget Tabletop Photography Setup for Shooting Food and Products

31 Mar

The post How to Create a Budget Tabletop Photography Setup for Shooting Food and Products appeared first on Digital Photography School. It was authored by Jackie Lamas.

It can feel like photography is a money vortex and unless you have an unlimited amount, many types and styles of photography may seem out of reach. We’re here to tell you that you can create your own tabletop photography setup on a budget and still create some amazing food and product photography.

tabletop photography setup
The white paper in this setup is used to help bounce light back ono the products as the window (the main light source) is at camera left.

All you need is a trip to your local dollar store and craft store, and you’ll have a set up ready to go that won’t break the bank. It will also let you create the images your clients will love.

What is a tabletop photography setup?

A tabletop photography setup is generally used to photograph products and food for commercial or marketing services.

tabletop photography setup
1/20 sec; f/3.2; ISO 1600 using a 50mm lens. The product is the coffee mug and to get this shot I used a table I already had, a bright window to camera right, and notebooks to give it more height.

In recent years, tabletop photography setups have moved away from the Lightbox and toward more authentic setups thanks to social media.

The basic tabletop photography setup is a table, backgrounds, tabletop backgrounds, and nice light source that you can use to light your products and food.

What you need for a basic setup

A tabletop photography setup doesn’t have to be complex or involve a lot of materials. You can have a simple setup that offers you a variety of backgrounds, looks, and setups all in the same spot, at the same table.

tabletop photography setups
There is a big window to camera left and here we can see the basic setup with kraft paper and white paper taped to the wall.

You’ll need:

  • a table or any stable surface to place items onto of
  • a few backgrounds like a white paper, kraft paper, black paper, foam boards, different types of fabric and textures
  • depending on your products/food you’ll need some stands, dishes, and plates, or other styling items
  • tape
  • a large window for window light
  • clips or clamps to hold things down
  • a tripod for max aperture and depth of field to avoid camera shake.
tabletop photography setup
1/10 sec; f/14; ISO 400 using a 50mm lens.

This basic setup will help you to create your tabletop photography setup without the need to be in a big space or rent a studio. It will also keep costs down.

Get creative with backgrounds

While a table, solid plain wall and a good light source are the basic set up, it can often get boring. As you get more clients, you’ll want to have different setups to help you get more interesting photos.

tabletop photography setup
These were just a few of the backgrounds and items we had for styling. We didn’t use all of them but get creative with what you already have in your home.

A quick trip to the dollar store can help keep costs down. You can get items that can give your tabletop the right look and style for the product that you’re photographing.

How to Create a Budget Tabletop Photography Setup for Shooting Food and Products
1/15 sec; f/11; ISO 400 using a 50mm lens. You can see the window in the reflection of the watch.
How to Create a Budget Tabletop Photography Setup for Shooting Food and Products
Here is a behind the scenes shot of the watch. Using a lace dress for the background made for a moodier photo.

Choose different patterns for backgrounds, like this shower curtain I used to give the tabletop photography setup more of a marble texture and style. The watch stands out against the colors and pattern and creates a more interesting effect.

How to Create a Budget Tabletop Photography Setup for Shooting Food and Products
1/10 sec; f/14; ISO 400 using a 50mm lens. I took photo using a shower curtain and big sliding glass doors as the main light source. Both watch photos were taken minutes apart at the same table and distance from the window.

Different placemats work really well as backgrounds and tabletops for food photography as well as product photography. Letting you change the tabletop photography setup without having to directly paint or change your table.

How to Create a Budget Tabletop Photography Setup for Shooting Food and Products
Here we used a placemat and bowl from the dollar store and a kitchen towel already owned.

Posterboard can be really useful in creating a faux cyclorama wall for products giving the illusion of a seamless background. Taping fabric to the wall also works to help keep the backgrounds in place and creates seamless backgrounds.

Placemats of various textures and prints can also be perfect for food photography and work in many different settings for products as well.

tabletop photography setup
1/20 sec; f/8; ISO 400

Kitchen towels can also serve as props for your food styling as well as backgrounds.

Find the light

The biggest concern is getting enough light and that is what a big window is for.

How to Create a Budget Tabletop Photography Setup for Shooting Food and Products
1/200 sec; f/2.2; ISO 200. For this image, I used an external flash (580EXII) pointed at the ceiling for added light. If you have a flash, you can use it off-camera to create images with more pop.

If you don’t get lots of light in your home, go outside! Take your tabletop setup out onto your patio or yard. Find some good indirect shaded light to work in.

tabletop photography setup
1/20 sec; f/5.6; ISO 400. Using a plastic dollar store plate and the wood textured placemat as a background, this photo has a different feel. We even get a little reflection on the plate. The light source is a big window at camera left.

The idea is to create an evenly-lit tabletop setup so that you’re able to set your camera to the correct settings and get the look you want.

Having enough light to work with, lets you take away light with flags or create shadows with different items. You’re also able to get different exposures to your products or food.

How to Create a Budget Tabletop Photography Setup for Shooting Food and Products
Both of these images are shot at different times of the day with the window at opposite sides of the camera. The photo on the left has the window to camera-right, and was shot later in the day with twinkling Christmas lights behind. The photo on the right was shot with the window at camera-left during the morning.

Different times of day can give different types of lighting for your tabletop photography setup too. Take advantage of the lighting changes and experiment to see what light is best for the items you’re photographing.

tabletop photography setup
This photo was created a bit darker on purpose to create a more cozy effect and to capture the twinkle lights. Taken in the same location as the bowl photo above with the window to camera left. Settings are 1/20 sec; f/6.3; ISO 400.

Using available ambient light can really help keep costs down while doing tabletop photography and can offer lots of different types of lighting.

Don’t limit yourself to a table

With a lifestyle component, you can take your tabletop photography setup on the go. Take your backgrounds, fabrics, and styling items to different locations to get different types of photographs.

How to Create a Budget Tabletop Photography Setup for Shooting Food and Products
Taken outside under a covered area with bright sunlight behind the camera. I used a found bark branch to style the product. Settings are 1/400 sec; f/3.5; ISO 400.

You can photograph in a park, trail, cafe, or in front of an interesting wall in your neighborhood.

How to Create a Budget Tabletop Photography Setup for Shooting Food and Products
Taken on my sofa with settings as 1/500 sec; f1.8; ISO 400. The window is at camera-right.

Using your creative eye, you can photograph food and product photography just about anywhere that will save you money, while also giving you amazing results.

In conclusion

How to Create a Budget Tabletop Photography Setup for Shooting Food and Products
I created this on location at the restaurant where the food was photographed. It used ambient light ,which was a combination of window light and overhead daylight lamps. I adjusted the white balance to suit. f/160 sec; f2.0; ISO 400.

As you can see, creating a tabletop photography setup doesn’t have to mean spending loads on lighting, space, styling equipment or backgrounds. With a trip to your local dollar store and craft store, you can create stunning product and food photography for a fraction of the price.

tabletop photography setup
Aluminum foil and other kitchen supplies can work great to create a background that is interesting and fun. Settings are 1/20 sec; f/5.6; ISO 400 with window to camera left.

Your clients will love their photos and you will have a setup that you can use anywhere!

Do you have any other tips for creating a tabletop photography setup? Share with us in the comments section.

The post How to Create a Budget Tabletop Photography Setup for Shooting Food and Products appeared first on Digital Photography School. It was authored by Jackie Lamas.


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DPReview TV: Best budget lenses for Canon APS-C DSLRs

14 Mar

New lenses are getting better than ever, but sometimes it feels like prices are rising to stratospheric levels. Chris and Jordan share their picks for the best budget lenses for Canon APS-C DSLRs.

Want us to make similar videos for other brands? Let us know in the comments! Also make sure to check out our sample galleries for some of the featured lenses below.

Subscribe to our YouTube channel to get new episodes of DPReview TV every week.

  • Introduction
  • The kit lens
  • Ultra-wide
  • Normal primes
  • Standard zooms
  • Telephoto
  • Super telephoto
  • Telephoto prime
  • Conclusion

Canon EF-S 10-18mm F4.5-5.6 IS STM sample gallery

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Canon EF 50mm F1.8 STM sample gallery

$ (document).ready(function() { SampleGalleryV2({“containerId”:”embeddedSampleGallery_5718563873″,”galleryId”:”5718563873″,”isEmbeddedWidget”:true,”selectedImageIndex”:0,”isMobile”:false}) });

Sigma 17-70mm f/2.8-4 DC Macro OS C sample gallery

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Tamron 70-210mm F4 Di VC USD sample gallery

$ (document).ready(function() { SampleGalleryV2({“containerId”:”embeddedSampleGallery_9414440590″,”galleryId”:”9414440590″,”isEmbeddedWidget”:true,”selectedImageIndex”:0,”isMobile”:false}) });

Articles: Digital Photography Review (dpreview.com)

 
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5 DIY Macro Photography Hacks for Stunning Macro Photos (on a Budget)

23 Aug

The post 5 DIY Macro Photography Hacks for Stunning Macro Photos (on a Budget) appeared first on Digital Photography School. It was authored by Jaymes Dempsey.

Do you want to take stunning macro photos…

…on a budget?

In this article, I’m going to show you exactly how you can capture amazing macro photos (without breaking the bank). You’ll discover 5 DIY macro photography hacks which you can use for consistently gorgeous images.

5 DIY Macro Photography Hacks for Stunning Macro Photos (on a Budget)

Sound good?

Let’s dive right in, starting with:

1. Use a board for a stunning macro photography background

First things first:

In macro photography, the background matters almost as much as your main subject. Because the background is what makes your main subject stand out.

One of my favorite backgrounds is a solid, uniform color:

Dark black.

Black backgrounds allow you to capture somber, moodier macro photography. Like this:

5 DIY Macro Photography Hacks for Stunning Macro Photos (on a Budget)

Now, achieving a natural black background in nature can be tough. Which is why this DIY hack is so valuable. Because you can use it to create a deep black background in all of your macro photos.

Here’s what you do:

Step 1: Go to your local hardware store and purchase a plywood board. I’d suggest something ultra-thin (because wood can get heavy, fast). I’d also go for a decent size: at least two feet on all sides.

Step 2: Purchase black paint and primer. I recommend getting a sample paint pot (one should be more than enough). These are cheap and work just fine. The primer is to prevent the wood from tainting the color.

Step 3: Add the primer and paint the board. I’d recommend two coats of black paint for that ultra-dark look.

Step 4: Let the board dry.

Now comes the fun part:

Actually taking the photos!

You should choose a main subject that’s fairly light (e.g., yellow and white flowers). Position your main subject so that it’s in the sun, with the black board in the shade, a foot or so behind it. You want to create as much contrast as possible between the board and your subject. That is, you want a light subject on a dark board.

DIY-macro-photography-hacks

The goal is to lose absolutely all detail in the background. If you don’t fully achieve this in-camera, you can use an editing program to drop the blacks in your images.

You can still make this work with diffused (i.e., cloudy) light. But you’ll need to do a bit more work in post-processing to bring down the blacks.

Bottom line?

You can work some serious magic with just a board and some paint.

Try it yourself! And watch as you capture amazing macro images.

2. Use a lightbox for a stunning high-key, transparent look

Have you ever wanted to capture macro photos that look bright and high-key? Maybe even transparent?

With this DIY hack, you can!

All you need is a basic lightbox, often used by artists for tracing. You can purchase one for around 20 dollars on Amazon. While a bigger lightbox is generally better, anything A4 and above should work fine.

Once you have your lightbox, you’ll need to choose a main subject. Flowers with translucent petals work best. And the flatter the flower, the better.

You’ll want to work in a room that has only diffused ambient light. You want your flowers to have a soft, even look.

Then turn on the lightboard, and place your flowers on top of it.

DIY-macro-photography-hacks

I recommend shooting parallel to the lightbox from above. While you can do everything handheld, I don’t recommend this, especially if your flowers are more three dimensional. Instead, mount your camera on a tripod and use a narrow aperture (i.e., f/8 and above) to ensure perfect sharpness.

Once you have your shots, you’ll probably need to do a bit of post-processing. I recommend increasing the whites, to give a slightly brighter, airier look.

3. Shoot with one flower in a vase for powerful compositions

There’s no doubt about it:

The way that flowers are positioned can make a macro shot look amazing…or terrible. If several flowers are overlapping, your photo may fall flat.

But if you can isolate a single flower…

…that’s when things start to look really compelling.

Now, when you’re shooting in nature, you don’t have much control over this. You have to work with what you’ve got.

But if you use this DIY macro photography hack, you can capture a gorgeous set of macro flower photos.

Guaranteed.

Here’s how it works:

Go to your local grocery store, and purchase a bouquet of your favorite flowers. I like to work with tulips, but you can really use anything!

When you get home, check over the flowers for blemishes and other issues. Find the biggest, best-looking flowers of the bunch.

And then put them all in separate vases (or cups).

5 DIY Macro Photography Hacks for Stunning Macro Photos (on a Budget)

Note: You want the flowers to extend pretty far over the top of the vase, which is why I suggest you avoid taller vases.

The next time the light is good, take all the vases outside. Place them in front of a gorgeous background.

(I often use an orange sky at sunset.)

And then photograph all the flowers, individually. Because they’re in separate vases, they’ll all be perfectly isolated. And this will allow you to easily capture powerful compositions.

Try it.

You’ll love the final product.

5 DIY Macro Photography Hacks for Stunning Macro Photos (on a Budget)

4. Detach your lens for an artistic macro look

If you’re bored of getting the same macro look over and over again, then this DIY macro photography hack is for you.

It’ll help you capture photos with brilliant light leaks, like this:

macro-photography-DIY-hacks

If you’re familiar with the concept of freelensing, it’s like that, but with a twist.

Here’s how you do it:

Choose a backup camera body and a cheap camera lens in the 50mm range. (There’s a slight risk of exposing your camera sensor to dirt.)

Focus your lens to infinity.

Then turn off your camera, and detach the lens.

Next, turn the camera back on, and pull the lens just slightly away from the camera (it should still be detached!).

This will actually magnify your subject, while often giving you some amazingly artistic light leaks.

DIY-macro-photography-hacks

And while the technique may require a bit of experimentation, you’ll get the hang of it pretty quick, and you’ll capture some gorgeous macro photos.

5. Use fairy lights for amazing background bokeh

Here’s your final DIY macro photography hack (and it’s one of my favorites):

Use fairy lights for gorgeous macro backgrounds. They’ll get you photos like this:

DIY-macro-photography-hacks

To start, grab a set of fairy lights on Amazon (for around 10 dollars). I recommend a neutral or warmer color.

Go out to shoot around dusk, when the light is really starting to fade.

Find a nice subject, and position the fairy lights directly behind it. You can dangle them from surrounding vegetation, or you can hold them with your left hand.

Now, you don’t want to position the fairy lights too close, or else you’ll capture the wiring in your photos. Instead, you want them to show some nice bright light without being prominently featured.

You should also make sure to use a shallow aperture, in the area of f/2.8 to f/5.6. That way, the fairy lights will be fully blurred, creating some stunning bokeh.

The trick is an easy one, but it’ll get you amazing macro photos!

DIY-macro-photography-hacks

DIY macro photography hacks for stunning macro images: Conclusion

You’ve now discovered five DIY macro photography hacks.

And you can use them for stunning macro photos all the time.

So go ahead and start. Make your black board. Grab yourself some fairy lights.

And take some amazing macro photos!

Do you have any DIY hacks of your own for beautiful macro shots? Share them in the comments!

 

DIY-macro-photography-hacks

The post 5 DIY Macro Photography Hacks for Stunning Macro Photos (on a Budget) appeared first on Digital Photography School. It was authored by Jaymes Dempsey.


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Z Cam launches budget E2-F6 and E2-F8 6K and 8K cinema cameras for pre-order

16 Aug

Chinese company Z Cam has launched its new full-frame 6K E2-F6 and full-frame 8K E2-F8 cinema cameras for preorder. The models, which were first introduced during NAB 2019, follow the previously launched E2 4K, offering consumers budget-tier high-resolution versions of the company’s professional cinema camera. Both models will start shipping in October.

The Z Cam E2-F6 and E2-F8 are cube-shaped cinema cameras sold without accessories, making the total cost to set up a fully workable cinema camera higher than the models’ respective $ 4,995 and $ 5,995 prices. Both the E2-F6 and E2-F8 are available with EF / PL lens mounts, and both models likewise feature Gigabit Ethernet connectivity, ZRAW support and full-frame CMOS sensors.

The E2-F6 model can shoot 4K / 120fps and 6K / 60fps footage with 15 stops of dynamic range, whereas the E2-F8 model can shoot 4K/6K/8K at 30fps with a claimed 14 stops of dynamic range. Both models feature 5G and 802.11n WiFi with an external antenna port, built-in stereo microphone, 3.5mm audio-in and audio-out stereo sockets, HDMI 2.0 Type-A, USB-C, two serial ports and aluminum alloy construction.

The E2-F6 is slightly smaller than the E2-F8 at 91.2 x 99.2 x 89.1mm (3.5 x 3.9 x 3.5in) versus 91.2 x 99.2 x 99.1mm (3.5 x 3.9 x 3.9in) — the company hasn’t disclosed the weight of either camera model. Both models can record in 8-bit H.264 and 10-bit H.265 with a max 300Mbps bit rate and 24-bit 48kHz audio. Likewise, both models are compatible with Sony NP-F series batteries, but they’re not included with the cameras.

Both the Z Cam E2-F6 and E2-F8 are available to order through B&H Photo.

Articles: Digital Photography Review (dpreview.com)

 
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DIY Food Photography Props on a Budget

09 May

The post DIY Food Photography Props on a Budget appeared first on Digital Photography School. It was authored by Charlie Moss.

With the rise of Instagram, every meal has become a potential subject for a photographer. We’re sharing our food through photographs like never before, and higher quality imagery gets more likes in the world of #instafood.

But how do you create that styled look to your food photographs when you’re on a budget? Not everyone has the cash to drop on a whole styling kit of tableware, linens, and backgrounds. ‘Necessity is the mother of invention,’ as the proverb says, so let me tell you about a few creative ways I’ve made the money go a little further when it comes to food photography.

Take the suggestions in this article as a starting point and be creative with your own ideas. Bring in skills you’ve already got (or would love to learn) in your quest to DIY your food photography on a budget!

Shop your home

It seems so obvious, but you’d be amazed at what you can find at home (or in the homes of your friends and relatives). The best thing about shopping your home is that everything is free! Take a minute now to take a look around your house and see what you already own that might work for food photography.

The kitchen is the first place to start – but don’t just stop at crockery and flatware! Ancient old baking trays make fabulous backgrounds, and interesting glassware can make great detail in an out-of-focus background.

Don’t neglect the bathroom as you make your shopping trip. More than once I have put food on a (clean) soap dish that happened to be beautiful in color or texture. From the living room, vases can hold a freshly cut flower for a food photography scene. Bedrooms are a treasure trove of trinket dishes, baskets, boxes, and fabrics (more than one evening dress has found its way into my shots as a textile element). Finally, check outside – weathered old plant pots or interesting bits of wood can really bring life to your food stories (once they’ve been scrubbed, of course).

On a similar note to shopping your home, don’t forget to visit your local thrift shops regularly! The staff in my local shops know me so well that they put interesting flatware, linens and ceramics aside for me now. Moreover, each item costs very, very little compared to buying them new.

Creating backgrounds and surfaces with interest

When you’re setting your scene for a styled food photograph, the background can really make or break the shot. You can purchase pre-made background boards designed especially for photographers that replicate various textures. They’re very and good, and I use them often, but they’re also quite expensive! While homemade boards don’t replace textures such as wood or marble they can be very effective for the right shot.

Top: pink stripes created with a child’s foam painting roller.
Bottom: blue, black, and grey emulsion paints applied with a kitchen sponge.

Head along to your local DIY store that sells sheet materials. There you can buy sheets of plywood. If you are lucky, the store will also cut these sheets of plywood into manageable chunks either for free or at a minimal cost.

It works out to be extremely cost-effective to create backgrounds using these boards as a base. A sheet of plywood that is 2.4m by 1.2m costs about £25 here in the UK and that makes eight neat 60cm square boards. You can paint both sides too, so it works out to about £1.50 per background (plus whatever paint you use).

Usually, I use cheap emulsion paint samplers to create backgrounds. Don’t be restricted to brushes for applying the paint either – a sponge is my favorite tool followed closely by children’s painting toys! Go bold with your designs; once you’ve made the background out of focus with a shallow aperture, you won’t see small details. Experiment with color – dark backgrounds can be as interesting as light backgrounds.

Build the set

Once you’ve created some backdrops, put one on a table next to a window and prop the other up behind it vertically like a wall. You now have a table set for a fraction of what it would cost you to buy special backdrops marketed to photographers!

Floor tiles used as backgrounds for food photography.

While you’re at the DIY store buying your plywood, check out the flooring section too. Very often DIY shops will sell sample flooring tiles for people to try at home. For just £1.50 I bought all three of the flooring tiles in the pictures above. The boards are often quite small, but if you’re shooting close-ups, they can still work really well (they’re also good for jewelry photographs).

Customised table linens

Beautiful linens can help to make a food shot pop. They feel luxurious because they’re something you usually only use for special occasions. Plus if you keep your eye out, you can often find linens with unusual textures to the fabric or fancy trim around the edge, and these can help elevate your shots to be something quite special.

Two different colours of linen fabric used for food styling. Consider the mood of your final image when selecting colours.

Table linens are, at their most basic, just a square of interesting (or not-so-interesting) fabric. To create the simplest DIY napkin that really packs a punch, head to a fabric store that sells dressmaking fabrics. Have a look through their linen selection. You’re after something heavy with lots of texture, and you’ll want half a meter of the fabric. Use sharp scissors to cut it into a large square (you should get at least two out of half a meter of fabric) and you’ve created your first designer napkin!

You can either turn the raw edges over and sew them with some matching thread or start pulling the threads away to fray them. Both styles give a different look to your shots as you can see in the shots above. Think about color when you are purchasing fabric; it can really make a difference to the mood of your shots. I’d suggest purchasing neutral colors first and then venturing out into colors when you have some good basics.

Many shops sell a ‘fat quarter’ of fabric (it is a meter of fabric cut horizontally and then vertically to make a rectangle). These cuts are the perfect size for a single oversized napkin. Once you’ve built up a stash of beautiful plain napkins, you can try venturing out into something a little more complicated.

Embellish your DIY props

If you browse the designer homeware stores, you’ll find that table linens often have intricate detailing like trim or hand-stitching on the edges. Back to the fabric shop again, and this time shop for some coordinating trim that matches some fabric you’ve got.

You can sew the trim around the edges of your napkins, or you can take some fabric glue to it. Food styling props for photography don’t have to be perfectly functional; they just have to look good on camera! Make sure you arrange your props so that any mistakes are facing away from your camera!

In the photograph above is white linen. The linen was made with very cheap white cotton fabric with fancy pompom trim stitched around the edge. It cost me around £3 in total. Considerably less than buying the fancy version I’d had my eye on in a shop! Photography is all about illusion. If the trim is particularly expensive just buy enough to go around two edges. You can style it when you shoot so that the other side doesn’t show.

The proof is in the pudding

In any good food photograph, success is measured by how much your viewer wants to eat the subject. I followed my own advice: shopping at my house, creating backdrops, buying fabric and trim, and then I photographed the results.

For under £15, I put together two completely different food photography sets that I can reuse time and time again. Moreover, the bonus is that if I don’t like the backgrounds in the future, I can paint over them time and time again!

Now it’s your turn; have a go at building yourself some props and shooting some food photos. I’d love to see what backgrounds and props you create for your food photography shots. Perhaps you can apply a skill you already know and create something really special that you just can’t buy in the shops.

Please share with us in the comments below.

 

The post DIY Food Photography Props on a Budget appeared first on Digital Photography School. It was authored by Charlie Moss.


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How to Achieve Monitor Calibration on a Budget

27 Feb

The post How to Achieve Monitor Calibration on a Budget appeared first on Digital Photography School. It was authored by Glenn Harper.

Photographers will often tell you to buy a calibration device for your monitor. It’s the pro thing to do. But do you need one? After all, most of the photo world manages without such a device and still enjoys its pictures.

Monitor calibration X-rite i1 Display Pro

Even among “serious” photographers, many do not have a workflow that fully utilizes calibration. Plus, there are differences between monitors and other devices that calibration cannot always bridge. Color management is not a perfect science.

Calibration versus Profiling

Before going any further, it’s useful to distinguish between calibration and profiling. If you use a hardware device (e.g. colorimeter), it will calibrate your monitor. It then builds a profile based on the calibrated state you just created.
 
A profile describes the monitor so that color-managed programs display colors accurately. Included among calibration settings are black level (brightness), white level (contrast), white point (color temp) and gamma.
Monitor calibration - 3D gamut profile

A custom profile reflects the output of your monitor. This image shows the gamut of my monitor enveloping (mostly) the sRGB color space.

If you don’t own a calibration device, you can still calibrate a monitor manually, but you can’t profile it.

The disadvantages of calibrating a monitor without a device are as follows:

  • Human eyesight is unreliable, so the more you “eyeball” during the calibration process, the further astray you may go.
  • You cannot physically measure the monitor’s condition (e.g. luminance in cd/m2). That means you can’t return it to the same state with each calibration.
Monitor calibration weakness of human vision

This optical illusion demonstrates how easily deceived the eyes are. Squares A and B are identical in tone. Image source: Wikimedia Commons

Do you need a calibration device?

A calibration device isn’t expensive compared to camera bodies and lenses, but the best can cost a couple of hundred dollars or more. The $ 200 question, then, is do you need one?

Yes: if you use an inkjet printer and want “what-you-see-is-what-you-get” results. In that case, a calibrator is vital. You need accurate profiles for soft-proofing, where you preview print colors before printing.

Yes: if you’re a pro or semi-pro shooting color-critical subjects (e.g. products, fashion).

Probably: if you pay for Photoshop CC, otherwise you are undermining its color capabilities. That said, many Adobe features are not dependent on pin-point color accuracy.

Maybe not: if you’re a stock photographer, since there is no direct client or color-managed chain. One of the world’s biggest libraries, Alamy, has millions of non-color-managed photos on its website.

Maybe not: if you get your prints done at the mall or via the Internet. In that case, the need for a calibration device is less. Why? Because most labs are not color managed. So, a disconnect exists even if you calibrate and profile.

Monitor calibration soft proofing

In Photoshop CC, the ability to “proof colors” depends on an accurate monitor profile as well as an output profile. If you identify a need for this feature, you also need a calibration device.

The need for a calibration device might hinge on your approach. Content is almost everything in photos. Most people viewing your pictures will not be privy to the color you saw on your monitor.

Black & white level calibration

The less you do to a monitor, the less you cause problems like banding, and the better it performs. You needn’t adjust all the settings a monitor has. Even when using a calibration device, many people leave gamma and white point in their “native” condition.

monitor calibration gradient test

You’ll be in a minority if you can view this gradient without seeing any banding, lines or colors (it’s in grayscale). The more you adjust your monitor, the worse this effect will be. But it will only rarely affect photos.

With the above in mind, you could just calibrate the black and white levels. This ensures you can see shadow and highlight detail while editing, preferably in subdued lighting. The process would be something like this:

  • Reset the monitor to default settings.
  • Using black level patches, lower the brightness setting until the darkest patch (#1) is not visible, then brighten it so it is — barely.
  • Using white level patches, adjust contrast if necessary to make the brightest patch (#254) just about visible.

(The #254 pattern on the Lagom site is hard to see except under very subdued light, so #253 will suffice.)

The numbers used to set black and white levels are the same as in an 8-bit image or a levels adjustment (i.e. 0-255). Thus, “0” is pitch black and “255” is the whitest white. All levels in between should be visible.

Most monitors are too bright out of the box. Aside from being poor for editing, this reduces the lifespan of the backlighting.

Free calibration software

There are a couple of free software-only calibration programs. Although they create a profile for you, this profile is not based on the output of your monitor since no measuring takes place. At best, it will be a generic profile taken from your monitor’s EDID data, which may be better than the sRGB alternative.

QuickGamma (Windows)

QuickGamma is a free program that lets you calibrate gamma and black level, but I’d suggest calibrating the latter as described earlier. (I think scrutinizing individual patches is less error prone than squinting at a ramp.) One benefit of QuickGamma v4 is that it can calibrate multiple monitors.

Budget monitor calibration - QuickGamma software

Screenshots of the QuickGamma utility program.

 
If you want to adjust gamma, follow the instructions supplied with the download. I’d advise against adjusting red, green and blue levels unless you see a color cast in the gray bands. Stick to adjusting the gray level if possible. Should you want to adjust the red, blue and green levels, try using this page with the software.

QuickGamma creates a profile based on generic monitor EDID data or sRGB. The first should be more accurate. The profile carries the calibration data, which loads separately on startup. (Windows Desktop does not use the profile.)

Calibrize (Windows)

Calibrize is a simple utility for adjusting black level, white level, and gamma. Unlike QuickGamma, it can only handle single monitors. It doesn’t let you set gray gamma, so you are forced to tweak red, green and blue levels. Adjusting these RGB levels is easier than in QuickGamma, but you’ll still need to squint at the screen to do it.

To build a profile, Calibrize also uses the EDID color data within most monitors. If this is unavailable, I’d guess it uses sRGB.

Budget monitor calibration - Calibrize software

The first and second screens of Calibrize software.

Windows & Mac built-in calibration

Apple and recent Windows operating systems have built-in calibration tools. Personally, I find third-party calibration tools and pages to be better than the Windows utility, particularly regarding the target images used.

I’d suggest these choices for Apple calibration: generic monitor profile, native or 2.2 gamma, native white point. Note again that native settings better preserve the capability of the monitor.

Budget monitor calibration - Windows calibration

This is the image for setting black level (brightness) in Windows. To me, the black “X” seems too bright, which results in a screen that’s too dark.

A paradox exists in calibration in that, the less you do, the better a result you may get. Ironically, you often have to pay for the privilege of doing less in calibration software. Basic programs don’t always allow it.

DisplayCal

Another way you can save money is to buy a basic calibration package and pair the included device with DisplayCal software. In some cases, it’s the complexity of the software that dictates the cost of the calibrator. DisplayCal is one of the best calibration programs, so you’ll gain all the features you need for less money. Be sure to check its compatibility with any device you intend buying.

(DisplayCal is free, though you may wish to contribute towards its upkeep.)

Budget monitor calibration - DisplayCal powered by ArgyllCMS

Screenshots from DisplayCal, which pairs with many calibration devices on the market.

Your call

The aim of this article is not to talk you out of buying a calibrator. If you’re just starting out in photography, you needn’t rush into buying one. Equally, if you don’t like color management or can’t get to grips with it, there is less need to gauge monitor output.

Calibration devices aren’t so expensive, but anyone on a budget has my sympathy. Photography isn’t so cheap. I can also understand the desire to keep things simple. If you can identify with any of that, I hope this article has given you some useful low-cost calibration ideas.

The post How to Achieve Monitor Calibration on a Budget appeared first on Digital Photography School. It was authored by Glenn Harper.


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Meike releases 50mm F1.7 full-frame budget lens for Canon EOS-R, Nikon Z cameras

23 Jan

Hong Kong-based company Meike has launched its 50mm F1.7 lens for the Canon EOS-R and Nikon Z6 / Z7 full-frame cameras. This manual focus full-frame lens features 6 elements in 5 groups, 0.5m / 1.6ft minimum focusing distance, a nanotechnology multi-layer coating, and 310 gram / 11oz weight.

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The Meike 50mm F1.7 lens, which is designed for portrait photography, sports a dust- and water-resistant design with a brushed metal housing and metal bayonet. The model is available now with an included front and rear lens caps, a lens hood, pouch, and cloth for $ 139.99 USD through Amazon (EOS R, Nikon Z).

Articles: Digital Photography Review (dpreview.com)

 
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