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Posts Tagged ‘Bringing’

Fujifilm releases major 4.00 firmware update for X-T3, bringing dramatic autofocus improvements

29 Oct

As it said it would at the beginning of October, Fujifilm has released a firmware update for its XT3 camera that it claims will dramatically improve autofocus performance.

Firmware version 4.00 for the XT-3 claims to triple the autofocus speed from 0.06 seconds down to 0.02 seconds, bringing it in line with the autofocus speed of the newer X-T4. The algorithm that predicts the location of subjects has also been improved, according tot he changelog.

Overall autofocus tracking performance has been doubled (compared to firmware version 3.30), with faster and more accurate subject acquisition. Both Eye AF and Face Tracking have also been given a performance boost with this firmware, doubling the tracking speed according to Fujifilm.

As noted in its initial announcement, this firmware also allows for autofocus performance down to -7 EV when using the new Fujifilm XF 50mm F1 and adds a focus limited option for pre-determining specific focus ranges.

Although much less exciting, the Fujifilm X-H1 has also received a firmware update (version 2.11) that addresses minor bugs.

You can download and find out more information about firmware version 4.00 for the Fujifilm X-T3 and firmware version 2.11 for the Fujifilm X-H1 on Fujifilm’s website.

Articles: Digital Photography Review (dpreview.com)

 
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Fujifilm to improve X-T3 AF performance with new firmware, bringing it more in line with X-T4

15 Oct

In addition to announcing a camera, lens and more, Fujifilm has also revealed it will soon release a free firmware update for its X-T3 that will improve autofocus performance and more.

The firmware update will go live on October 28, according to Fujifilm’s press release. The improvements should see autofocus speeds more than double, taking focus times drop from 0.06 seconds to 0.02 seconds, bringing the X-T3’s autofocus performance more in line with the X-T4.

Fujifilm says it’s also improved the algorithm for predicting subject movements, which should result in a >90% ‘hit rate.’ The Face Tracking and Eye AF algorithm has also been re-written to double the tracking performance in continuous shooting modes.

Other improvements include the ability to use AF in low light levels down to -7EV with the new Fujinon XF 50mm F1.0 R WR lens, a new ‘Focus Limiter’ feature for setting pre-determined focus ranges, the ability to change the size of Single AF points while recording video and improvements that make it possible for third-party programs to read the ratings applied to pictures in-camera.

We will update this article when the firmware is released.

Articles: Digital Photography Review (dpreview.com)

 
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Canon releases 1.2 firmware update for 1DX Mark III, bringing improved AF, connectivity and more

28 Aug

In addition to the EOS R5 1.1 firmware update, Canon has also released firmware version 1.2 for the Canon 1D X Mark III. The new firmware improves a number of features and addresses a handful of bug fixes for Canon’s flagship DSLR.

Specifically, Canon says firmware version 1.2 improves face and eye recognition autofocus (AF) at greater distances, improves FTP connectivity during transmission and improves Wi-Fi connectivity when using the Canon EFT-E9 Wireless File Transmitter.

Canon has also improved the experience when using the Browser Remote and addressed a number of ‘phenomenons’ — AKA bugs — that can occur during viewfinder shooting when specific settings are selected. You can see a full list of the bug fixes in the changelog below.

Firmware version 1.2.0 for the Canon 1DX Mark III is available to download from Canon’s product page.

Changelog:

Firmware Version 1.2.0 incorporates the following enhancements and fixes:

  • Enhancements when using Browser Remote:
    • The image list displayed will be refreshed automatically on the browser.
    • On the shooting screen of the browser, you can set the movie resolution and a high frame rate.
    • On the shooting screen of the browser, you can change the movie shooting mode.
    • On the shooting screen of the browser, Live View will be displayed as soon as you select the movie shooting button.
  • Enhances Auto Focus (AF) for improved face and eye recognition at greater distances.
  • Fixes a phenomenon that may occur during viewfinder shooting, in which the shutter may not be released or the camera may not operate in the following settings:
    • In One-Shot AF mode, when the AF Area Selection Mode is set as Zone AF, Large Zone AF or Automatic Selection AF.
    • In AI Servo AF, when direct AF point selection is made using the smart controller.
    • When the Register/Recall Shooting Function is assigned to the AE Lock button, in the Custom Controls.
  • Connectivity during FTP transmission has been improved.
  • Improves Wi-Fi connectivity when using the Wireless File Transmitter WFT-E9.
  • Fixes a phenomenon, in which the card access time may take longer when using certain CFexpress cards.

Articles: Digital Photography Review (dpreview.com)

 
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Fujifilm gives X-A7, X-T200 webcam mode via firmware, bringing X Webcam utility to macOS next month

22 Jun

Fujifilm has released firmware updates for its X-17 and X-T200 camera systems that makes it possible to use the mirrorless cameras as webcams without the need for extra software. Additionally, Fujfiilm has announced its X Webcam program will be launched for macOS next month.

Screenshot of the USB webcam option within the Fujifilm menu system.

Firmware version 1.30 for the X-A7 and version 1.10 for the X-T200 adds the option to use the camera as a webcam when connected to a computer via a USB cable. To access this setting, go into the menu, navigate to ‘Connection Setting,’ enter ‘USB Mode’ and plug in the camera to a computer via USB. Once connected, the camera should appear as a camera option on compatible video conferencing and messaging programs, such as Google Meet, Skype and Zoom.

A collection of screenshots showing how cameras should appear as input options for Zoom, Skype and Google Meet.

Fujifilm says this functionality should work on Windows 10 (x64), macOS 10.14 Mojave and macOS 10.15 Catalina. You can download firmware version 1.30 for the X-A7 and version 1.10 for the X-T200 on Fujifilm’s website.

On the topic of macOS, Fujifilm has also announced announced it’s working on bringing its Fujifilm X Webcam utility to macOS. First launched on PC back in May, the utility will allow macOS users to turn their compatible X and GFX cameras into webcams. Fujifilm says the program will be available in mid-July.

Articles: Digital Photography Review (dpreview.com)

 
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Sony replaces RX100 V with RX100 VA, bringing RX100 VI processor and firmware

14 Jul
Look familiar? The RX100 VA is a subtle refresh of the RX100 V with a change of processor the only hardware difference.

Sony has quietly updated its RX100 V, bringing a couple of the goodies from the RX100 VI travel zoom. The updated RX100 VA gains a new processor and various firmware tweaks but misses out on the VI’s other hardware improvements.

The updated processor brings some performance benefits but it also means the VA gains the latest Sony menu system, which has been restructured, has clearer indicators of where you are in the menu and, most significantly, has a customizable ‘My Menu’ tab. This allows you to group the settings you regularly change, rather than having to remember which sub-section of which tab they’re buried in.

On top of this, the camera’s Eye AF and subject tracking performance should be improved. The refresh rate of the viewfinder is also said to be uprated. In addition, these are some of the differences we found:

  • Deeper buffer (233 files, up from 150)
  • Proxy movie mode (captures 720p footage alongside 4K capture)
  • ‘Zone’ AF area mode
  • Variable size spot metering, Entire Screen Average and Highlight Spot metering
  • Add ratings to images (with ability to customize which ratings are available)
  • Three Auto WB options (Std, Ambience or White)

However, the RX100M5A does not get the improved one-touch viewfinder, nor the touchscreen added in the RX100M6. Its rear screen tilts down by 45°, not 90. Nor does the VA gain all the firmware improvements from the VI: there’s no sign of Hybrid Log Gamma or the ability to capture S-Log3 footage, for instance.

The RX100 VA also loses compatibility with Sony’s in-camera ‘PlayMemories Camera Apps.’

The updated Sony menus are a little easier to navigate and gain a custom ‘My Menu’ tab.

There’s been no press release from Sony of the changes but the VA appeared on Sony’s Japanese site last week and has replaced the RX100 V if you visit the Sony US website. This is the first time Sony has made any update to an RX100 model, rather than simply replacing it, perhaps offering hope that the company will continue to develop both the long-zoom and short, bright-zoom models in the lineup.

Articles: Digital Photography Review (dpreview.com)

 
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Kodak Alaris is bringing back T-Max P3200 high-speed B&W film

24 Feb

Film photographers are celebrating today after news broke that Kodak Alaris will resurrect another popular product: Kodak T-Max P3200 high-speed black-and-white film. After teasing the resurrection on Twitter, a brief press release confirmed the news this morning, revealing that the debut will happen some time next month.

Kodak originally discontinued T-Max P3200 film in October of 2012 due to a severe drop in demand, directing its customers toward the T-Max 400 as an alternative. However, the film photography market has seen an increase in demand over the last few years, and Kodak Alaris is using that demand as proof that products like T-Max P3200 and the soon-to-be-rereleased Ektachrome film deserve another shot.

The ‘rebirth’ of T-Max P3200 began on social media. In a tweet posted yesterday, Kodak shared an image that reads “Are you in the dark?” followed by a series of numbers that total 3200. The combination hinted at the T-Max P3200 film, which Kodak says can be push processed up to ISO 25,000.

Though the company didn’t provide any additional details via that tweet, someone did spot an image shared by Australian film store Ikigai Camera on its Instagram account. The image—which has since been removed, hinting at an ‘accidental’ leak—showed the T-Max P3200 film box alongside the words, “Welcome back March 2018.”

Screenshot from the Kodak Alaris website.

Fortunately, it’s not just teasers and leaks anymore. The company followed up the unofficial news with an official announcement earlier today, saying it will begin shipping the product to US stockhouse dealers and distributors starting in March, followed by other markets “shortly thereafter.”

The company says the resurrected film is best suited for handheld street photography, as well as night shots and work in any “dimly lit venues where you can’t use a flash.”

Press Release

{PressRelease}

Kodak Alaris Revives KODAK PROFESSIONAL T-MAX P3200 Film / TMZ

Multi-Speed B&W Film to be Available in March, 2018

ROCHESTER, N.Y. February 23, 2018Kodak Alaris announced today that it is bringing back KODAK PROFESSIONAL T-MAX P3200 Film / TMZ, a multi-speed panchromatic black-and-white negative film. While the nominal film speed of P3200 TMZ is ISO 800, the “P” means it’s designed to be push processed to EI 3200 or higher. This film excels when shooting in low light or when capturing fast action. It is ideally suited for handheld street scene photography, night work, and in dimly lit venues where you can’t use flash.

“It’s no secret that we’ve been looking for opportunities to expand our portfolio” said Dennis Olbrich, President – Kodak Alaris Paper, Photo Chemicals and Film. “Darkroom photography is making a comeback, and B&W Film sales are clearly on a positive trajectory. Given these very encouraging market trends, we believe P3200 TMZ will be a great addition to our lineup”.

Kodak Alaris plans to offer KODAK PROFESSIONAL T-MAX P3200 Film in 135-36x format. Shipments to Distributors and Stockhouse dealers will begin in March in the U.S., with other regions around the world following shortly thereafter.

To learn more, please visit www.kodakalaris.com/go/profilms

Follow us on Twitter @kodakprofilmbiz and Instagram @KodakProfessional

Like us on Facebook www.facebook.com/kodakprofessional

{/PressRelease}

Articles: Digital Photography Review (dpreview.com)

 
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Kodak reveals how and when it’s bringing back 35mm Ektachrome film

17 Nov
Photo: Kodak

Kodak first announced the rebirth of Ektachrome way back in January at CES. Along with Kodak Alaris—who will distribute the 35mm Kodak Professional Ektachrome film for stills shooters—the company said it would bring back Ektachrome by the end of 2017… and then promptly stopped talking about it.

But if you were worried that Kodak had given up on the idea, fear not: in a new episode of the Kodakery podcast, a few of Kodak’s higher ups (including Marketing and Product Manager Diane Carroll-Yacoby) updated the world on the progress of the Ektachrome reboot, how they’re making it, and what testing still stand between your hands and a fresh 36-shot roll of the stuff.

You can listen to the entire Kodakery podcast update below:

The first half of the podcast is mostly a photography and history lesson: discussing the origins of Ektachrome, its ‘characteristics’ (read: limitations), and how Kodak has managed to bring it back to life after discontinuing it in 2013. But if you want to get into the “how and when” of the matter, you’ll want to skip to the 22 minute mark.

That’s where we get to learn about how difficult it is to bring back a film like Ektachrome—which is made up of 80 ingredients, some of them no longer available to purchase—and how Kodak is making the economics of Ektachrome work by creating it in smaller, more sustainable batches.

You’ll want to listen to the discussion to really get the details of how the film is made, but here are a few of the most interesting tidbits about the revival process (for us anyway):

  • Kodak has managed to either find or manufacture all 80 ingredients required to make Ektachrome.
  • Much of the process so far has involved retooling the formula so it will work on the machines available to them, because they no longer have all of the equipment they had when Ektachrome was being developed previously.
  • They’ve already produced some ‘pilot coatings’ that they are testing to ensure they’re ready to mass produce Ektachrome that’s up to snuff.
  • When they’re ready to go, they will be making rolls using a coater that produces the film on sheets that are 4 feet wide and 6,000 feet long. The first of these ‘wide’ rolls will be produced before the end of 2017, and will be used for internal testing.
  • Kodak will be making a single (4ft x 6,000ft) roll for the first production run, so they don’t have to hold on to too much inventory at one time.
  • Kodak Ektachrome’s market release is planned for 2018.

Eastman Kodak itself will produce all of the film and plans to distribute the Super 8 cinema version of Ektachrome, while Kodak Alaris will distribute the 35mm slide film for stills shooters. For now, we still don’t know exactly when Ektachrome is coming back in 2018, but as soon as we do, we’ll let you know so you can mark your calendars.

Articles: Digital Photography Review (dpreview.com)

 
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Profoto is bringing TTL and HSS to Fujifilm cameras with new Air Remote TTL-F

08 Sep

Profoto is expanding its AirTTL product family for Fujifilm cameras, the company has announced, with the release of a new Profoto Air Remote TTL-F. This wireless radio transmitter is designed for use with a Fujifilm camera’s hot shoe, lending full HSS and TTL support with the Profoto Pro-10, D2, B1, B1X, and B2 flashes.

This version of the Air Remote TTL was optimized for Fujifilm cameras in collaboration with Fuji itself, joining a lineup that includes Air Remotes for Sony, Canon, Nikon and Olympus cameras. The Fujifilm variant will retain all of the features of the existing Air Remote TTL models, meaning the Air Remote TTL-F will work from as far away as 1,000ft (300m), is capable of remote manual firing, and will offer three groups per channel with eight frequency channels.

Profoto plans to start shipping the Air Remote TTL-F by the end of 2017.

Press Release:

Profoto TTL and HSS now for Fujifilm – Empowering your creativity

Profoto today announces collaboration between Profoto and Fujifilm to offer optimized compatibility between Profoto flashes and Fujifilm cameras.

When the unique Profoto AirTTL was first announced in November 2013, it revolutionized the photography industry by enabling a lean workflow and making it possible to seamlessly merge your camera with your flash. Now we are proud to include Fujifilm shooters in the AirTTL family, empowering photographers to be more creative and focus less on settings.

“Together with Fujifilm, we are proud to announce our latest family member – the Air Remote TTL-F. Light is the essence of every image and the Profoto AirTTL makes light shaping easier. It unlocks new creative possibilities and helps you go from idea to final image faster. We are happy to help the world’s most ambitious image creators turn their ambition into reality,” says Anders Hedebark, President of Profoto.

Profoto Air Remote TTL-F is a small, wireless radio transmitter that can be attached to the Fujifilm camera’s hot shoe. The remote offers full TTL and HSS capability with Profoto’s B1X, B1, B2, D2 and Pro-10 lights.

The Air Remote TTL-F will start shipping at the end of the year.

Key Features

  • Attach to your Fujifilm camera’s hot shoe to wirelessly connect camera and AirTTL light into one.
  • Shoot in TTL Mode for fully automatic point-and-shoot shots.
  • Shoot in HSS Mode to shape light in broad daylight.
  • Switch from TTL Mode to Manual Mode with the automated TTL settings intact – a huge time saver.
  • Sync and manually control any Profoto light that is compatible with Air.
  • Intuitive and easy to use user interface.
  • Long operating range of up to 300 m (1,000 ft).
  • 8 digital channels.
  • Controls up to 3 groups of lights on each channel.
  • USB port for firmware upgrades.
  • Collaboration with Fujifilm for future proof compatibility with new cameras.
  • Approved for world wide use.

Articles: Digital Photography Review (dpreview.com)

 
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Sony bringing Alpha SLT-A68 to the US and Canada

18 Dec

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Sony is bringing its Alpha SLT-A68 DSLR camera – announced in Europe back on November 5th – to the US and Canada this spring.

The a68 uses the company’s Translucent Mirror Technology, which allows for 8 fps continuous shooting with full-time autofocus, without any blackout between shots. The ‘4D’ autofocus system is borrowed from the more expensive a77 II and features 79 points, 15 of which are cross-type.

The a68 has a 24MP CMOS sensor, which tops out at ISO 25600, and is paired with the not-as-new Bionz X processor. As with all of Sony’s A-mount cameras it has built-in image stabilization, so every lens you attach has shake reduction. 

From a design standpoint the a68 has a curvy, SLR-style body with a 3″ (461k-dot) tilting LCD and SVGA OLED electronic viewfinder. It has twin control dials as well as an info display on the top plate. Also included is a Multi Interface Shoe that supports both flashes and advanced microphones.

The a68 can record Full HD video at 30p with continuous AF using the XAVC S codec, with a top bit rate of 50Mbps. The camera can output clean video over HDMI and also has a jack for an external mic.

Preorders for the SLT-A68 begin in March for shipment in April. The body only kit is priced at $ 599/800 CAD, while adding an 18-55mm F3.5-5.6 lens brings the price up to $ 699/950 CAD. 


Press release:

Sony Announces ?68 A-mount Camera for US and Canada Markets

New Model Features Ultra-Fast 4D FOCUS, Translucent Mirror Technology and more

SAN DIEGO, Dec. 17, 2015 – Sony Electronics, a worldwide leader in digital imaging and the world’s largest image sensor manufacturer, has today introduced the ?68 (model ILCA-68) camera with ultra-fast 4D autofocus to the US and Canada markets.

The new camera, which was announced for the European market last month, is the latest model to feature native compatibility with Sony’s extensive collection of A-mount lenses.  Inheriting many pro-style features from the acclaimed ?77 II, the ?68 features Sony’s unique 4D FOCUS system that delivers extraordinary AF performance under any shooting conditions – even in lighting as low as EV-2 where many other cameras struggle.

This system utilizes 79 autofocus points – the most AF points on any interchangeable lens camera with a dedicated phase-detection AF sensor1.  Included are 15 cross points as well as a dedicated F2.8 AF sensor point for dimly-lit scenes.  This all adds up to extremely fast, wide area AF with predictive tracking that locks faithfully onto fast-moving subjects.  Additionally, the camera utilizes Sony’s unique Translucent Mirror Technology to deliver constant AF tracking at up to 8 fps2.

The camera features a 24 MP3 APS-C Exmor CMOS sensor with a wide ISO 100 – 25,600 sensitivity range4, allowing it to produce outstanding image quality for both still images and video.  The sensor is teamed with a powerful BIONZ X image processor that uses Detail Reproduction and Diffraction-reducing Technologies plus Area-specific Noise Reduction, resulting in pristine, finely detailed shots every time.

Full HD movies use the efficient XAVC S5 format, enabling high bit rate recordings at up to 50 Mbps with outstanding detail and low noise. With Translucent Mirror Technology, shooters can enjoy non-stop continuous autofocus with accurate subject tracking during video shooting, producing crisp, professional looking footage.  With a powerful array of advanced controls and capabilities, the ?68 has plenty to offer experienced amateurs as well as step-up photographers and first time interchangeable lens camera customers.  

Framing stills and movies is a pleasure through the clear, bright OLED Tru-Finder, which features 100% frame coverage with high contrast and accurate color reproduction.  Complementing the Tru-Finder, the 2.7-type LCD monitor tilts up to 135 degrees upwards or 55 degrees downwards for comfortable composition from a wide variety of shooting angles. Serious photo enthusiasts will also value the backlit top display that allows quick confirmation of camera settings, whether shooting handheld or on a tripod.

As found on the critically acclaimed ?7 series, the ?68 has a control wheel on the camera’s rear that allows quick fingertip adjustment of camera settings, as well as 10 customizable buttons6 that frequently-used functions can be assigned to.  There is also a front control dial for quick adjustments of settings and a sturdy grip to ensure a balanced shooting experience, even when using heavyweight prime or telephoto lenses.

The new camera features SteadyShot INSIDE stabilization to reduce the effects of camera shake and allow for blur-free handheld shooting at all focal lengths, with any compatible lens.  Additionally, the inclusion of a Multi Interface Shoe and Multi Terminal lets users expand their creative options with a wide range of optional accessories, including flashes, lights, microphones and remote commanders.

Pricing and Availability

The Sony ?68 interchangeable lens camera will be available in April at authorized Sony retailers in the US for about $ 600 body only or about $ 700 in a kit along with the DT 18-55mm F3.5-5.6 SAM II lens.  In Canada, the body and kit will also be available in April and will be sold for about $ 800 and $ 950 CAD, respectively.

1. According to Sony research, as of December 2015
2. In Tele-Zoom Continuous Advance Priority AE
3. Approximate effective megapixels
4. Still Images: ISO 100 – 25600, Movies: ISO100 – 12800 equivalent
5. An SDXC memory card with a Class 10 or higher speed rating is required for XAVC S recording
6. Total 10 customizable buttons including two dedicated custom buttons + 8 assignable buttons


Sony Alpha SLT-A68 specifications

Price
MSRP €600 (body only), €700 (with 18-55mm lens)
Body type
Body type Mid-size SLR
Body material Composite
Sensor
Max resolution 6000 x 4000
Other resolutions 3:2 (4240 x 2832, 3008 x 2000), 16:9 (6000 x 3376, 4240 x 2400, 3008 x 1688)
Image ratio w:h 3:2, 16:9
Effective pixels 24 megapixels
Sensor photo detectors 25 megapixels
Sensor size APS-C (23.5 x 15.6 mm)
Sensor type CMOS
Processor Bionz X
Color space sRGB, AdobeRGB
Color filter array Primary color filter
Image
ISO Auto, 100-25600
White balance presets 9
Custom white balance Yes (3 slots)
Image stabilization Sensor-shift
Uncompressed format RAW
JPEG quality levels Super fine, fine, normal
File format
  • JPEG (DCF v2.0, EXIF v2.3)
  • Raw (ARW 2.3)
Optics & Focus
Autofocus
  • Contrast Detect (sensor)
  • Phase Detect
  • Multi-area
  • Center
  • Selective single-point
  • Tracking
  • Single
  • Continuous
  • Face Detection
  • Live View
Autofocus assist lamp Yes
Digital zoom Yes (1.4x – 8x)
Manual focus Yes
Number of focus points 79
Lens mount Sony/Minolta Alpha
Focal length multiplier 1.5×
Screen / viewfinder
Articulated LCD Tilting
Screen size 2.7
Screen dots 460,800
Touch screen No
Screen type TFT LCD
Live view Yes
Viewfinder type Electronic
Viewfinder coverage 100%
Viewfinder magnification 0.88×
Viewfinder resolution 1,440,000
Photography features
Minimum shutter speed 30 sec
Maximum shutter speed 1/4000 sec
Exposure modes
  • Auto
  • Program
  • Aperture Priority
  • Shutter speed priority
  • Manual
Built-in flash Yes
Flash range 12.00 m (at ISO 100)
External flash Yes (via hot shoe)
Flash modes Flash off, Auto, Fill-flash, Slow sync, Red-eye reduction, Rear sync, Wireless, High Speed sync
Drive modes
  • Single-frame
  • Continuous high/low
  • Continuous advance priority AE
  • Self-timer
Continuous drive 8.0 fps
Self-timer Yes (Yes (2 or 12 sec))
Metering modes
  • Multi
  • Center-weighted
  • Spot
Exposure compensation ±5 (at 1/3 EV, 1/2 EV steps)
AE Bracketing ±3 (3, 5 frames at 1/3 EV, 1/2 EV, 2/3 EV, 1 EV, 2 EV steps)
WB Bracketing Yes (3 shots, low/high selectable)
Videography features
Resolutions 1920 x 1080 (60i, 30p, 24p), 1440 x 1080, 640 x 480
Format MPEG-4, AVCHD, XAVC S
Videography notes Supports XAVC S with 50Mbps bit rate (30p, 24p)
Microphone Stereo
Speaker Mono
Storage
Storage types SD/ SDHC/SDXC, Memory Stick Pro Duo
Connectivity
USB USB 2.0 (480 Mbit/sec)
HDMI Yes (micro HDMI)
Microphone port Yes
Headphone port No
Remote control Yes (wired or smartphone)
Physical
Environmentally sealed No
Battery Battery Pack
Battery description NP-FM500H lithium-ion battery and charger
Weight (inc. batteries) 610 g (1.34 lb / 21.52 oz)
Dimensions 143 x 104 x 81 mm (5.63 x 4.09 x 3.19)
Other features
Orientation sensor Yes
GPS None

Articles: Digital Photography Review (dpreview.com)

 
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Bringing Photography to the Homeless

26 Aug

Being creative is often considered a luxury. However, the folks at Café Art are taking steps to make art accessible for everyone.

Back in July, they handed out 100 dispo cams to homeless individuals around London. Allowing many of them a much needed creative outlet and the opportunity to be featured in a calendar being put together via Kickstater.

Check out a few of the photos and stories here. Contribute to the Kickstarter and receive your own calendar or original print. Proceeds go toward the artists, production costs and donations to offset the ecological impact of printing and shipping the calendars.

Wow. Café Art seriously knows how to be the good in this world.

Photo by 16 Year Old, Ellen Rostant


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