RSS
 

Posts Tagged ‘Booth’

NAB 2018: Watch these high-speed camera robots ‘dance’ at the Nikon booth

11 Apr

Nikon-owned Mark Roberts Motion Control (aka MRMC) brought its high-speed Bolt and Bolt Junior ‘cinebot’ camera robots to NAB this year. And in a fit of “just because we can, probably means we should,” the company decided to choreograph a little dance number for the two robots on the showroom floor.

DPReview decided to skip NAB this year, but friend of the site Jim Goldstein graciously allowed us to share his two videos of the bots in action. To quote Jim, it seems it’s “Out with ‘booth babes’ at NAB and in with ‘booth bots’.” We 100% support this change.

You can see the full routine from two angles in the video above and below.


Videos by Jim M. Goldstein and used with permission.

Articles: Digital Photography Review (dpreview.com)

 
Comments Off on NAB 2018: Watch these high-speed camera robots ‘dance’ at the Nikon booth

Posted in Uncategorized

 

Review: Simple Booth Event Edition photo booth app

20 Aug

Simple Booth Event Edition iOS App
$ 60/£45 | www.simplebooth.com 

Photo booths are a pretty popular item to have at your event these days. Weddings, parties, fundraisers – you’ll find a photo booth at many of them. From a simple camera on a tripod with a remote to fancier automated systems that take multiple images and print instantly, people seem to love being able to control their own image making. Could it be the result of selfie-obsession on steroids? Or is it nostalgia for the chemical-photography based photo booths of our past? Either way, people are fascinated by them. Because of this, having the ability to set up your own booth could make you the star of your office holiday party, PTA fundraiser, or child’s birthday.

Into that popularity steps Simple Booth. Simple Booth is an iOS app designed to place all of the software you need to take, layout, share and print photo booth images into the hardware of your iOS device. There are four versions of the app with varying capabilities (one for the iPhone and three for the iPad): iPhone, Event Edition, Pro Edition 2, and Enterprise. Simple Booth Event Edition is the version I focus on in this article. It is the best choice for a photo enthusiast who wants to set up a photo booth. The iPhone version is pretty limited and while the Pro and Enterprise versions offer a number of additional options, they are probably overkill for anyone who isn’t running a photo booth business.

What does Simple Booth do?

When you start the Simple Booth app, you are presented with a setup screen with a number of options for how the app will work and your images to be laid out. You can choose 2/3/4 image photostrips for the classic booth style. For a more modern look, there are also a number of other multi image options in square or rectangular layouts. You have are options for setting background color, auto cropping, custom logos, and even Instagram-style film effects. You can also give your users the ability to crop, change the layout, and apply effects once the photos are taken. Though, to be honest, this doesn’t lend itself to the quick in-and-out pace of photo booths and I would suggest leaving that option off. I tend to feel the same way about the “retake” option, it encourages picky people to monopolize the booth trying to get the perfect photos.

For output, you can set up a printer (more on that option below), send to various social media services, email, or sync to dropbox. You can also tell the app to save each individual image taken to the camera roll as well as saving the photostrips. Honestly, the print option is the winner here. The social media options require people to mess around logging into their accounts, thus taking up time in the booth when others are waiting, and the email has to use the iOS mail app. Now, if you have an extra iPad handy, you can use Simple Booth’s free companion app Live Booth Lite to create an “out of the booth” interface for people to use for emailing, sharing, and even printing. In order to connect with any of the social or output options, you will need to have access to an active wifi network. One odd thing for a photo app in this day and age is that there is no Instagram sharing option. The Simple Booth crew explains that this is because Instagram doesn’t offer an API that would enable uploading. You can choose to use either the front or rear camera on the iPad but there is no option to use an external camera. In all honesty, the front-facing camera is the one you are going to want to use. Using the rear camera has advantages as far as resolution and image quality, but it means that someone has to stand there operating the booth because users will not be able to touch the screen to do so themselves. And if you are having someone standing there, you might as well have them take the photos with a real camera. Part of the allure of a photo booth is that it can operate unattended. 

Once you have decided on your initial settings, you put the app into booth mode, and it’s ready to go. Users cannot get back to the settings page and muck things up. Okay, well that isn’t completely true, if they think to double tap the home button and shut down the app, then restart it, they could get to the settings. But that is why you will probably want to use Guided Access to limit the iPad to just running Simple Booth.

From the user POV, the app is really quite simple. Clear “tap to start booth” and “look here” messages instruct them on what to do. A visible countdown timer and beeps mark the pace between the images being taken. Once complete, the photostrip appears on screen with the various edit/print/sharing options. If anything can be described as foolproof in the digital age, at least as user interface for the end user, Simple Booth is pretty darn foolproof.

What equipment will you need? 

At the very least, you will need an iPad. The newer iPads with improved cameras will have better resolution and low light performance. But just about any recent vintage iPad will work. A tripod and mount capable of holding your iPad will make interacting with the app much easier for your subjects and safer for your iPad. You’ll need a neutral backdrop of some sort, though a plain wall could be used as well. And you will probably want some lights. Unless you are outdoors in open shade on a bright day, you will likely find ambient light to be too dim for the iPad’s camera. This is one area where having the ability to use a DSLR would be an improvement, both for the improved low light performance and ability to connect to strobes. But as is, you can solve the problem with something as simple as a couple clip on fluorescent work lights.

Using a printer…

While the social media sharing features are handy in this day and age, having a printer on site is really the way to go with a photo booth. You increase the smile and fun quotient 1000% when someone is able to walk away from the booth with an image in their hand. While an inkjet printer will work, as any event photographer can tell you, a dye-sublimation printer is the way to go in this situation. The speed and toughness that dye-sub prints can offer over inkjets is significant in an event environment. 

When looking at dye-sublimation printers, you have options on either end of the market, and not much in between. Both offer excellent prints, but at vastly different prices. At the one end is the Canon Selphy series of printers. At around $ 100, the compact Selphy 1200 won’t break the bank. With wifi connectivity and AirPrint, connecting to iOS devices is easy. Print speed is a somewhat slow 47 seconds and it can only hold 18 sheets at a time. Finally, print prices are a fairly inexpensive $ 0.28 cents per 4×6.

At the other end of the market is the $ 1000 DNP DS620A. Designed for the high volume, high speed needs of event photography printing, the DS620A prints a 4×6 in as little as 8.3 seconds and can print up to 400 images without needing the paper roll replaced. The dye transfer is all done internally and the image only pops out once it is completely done. This makes it perfect for an unmanned both, you can set the DS620A up and leave it running all night. Print prices for a 4×6 work out to $ 0.14 a piece.

Inkjet or dye-sublimation connecting Simple Booth to a printer needs to be done in one of two ways. If you have an AirPrint compatible printer, like the Canon Selphy 1200, the app can connect directly to the printer as long as both are on the same Wi-Fi network. If you have a printer that isn’t AirPrint compatible, such as the DNP DS620A, you’ll need to connect it to a computer and run an app to make it available via AirPrint. I used Printopia, a dead simple $ 20 utility app that works perfectly for sharing a printer with your iOS devices. 

How does it work in the real world?

While I was working on this review, my son received an invitation to a classmate’s birthday party. So, I offered to bring along a Simple Booth setup and printer (in this case, a DS620A) for the kids to play with. Partially, I was just helping a dad-buddy put on a party. But I also wanted a chance to see how Simple Booth worked in real life with people who had never played with it before. Would 6-8 year olds be interested in something as retro as a photo booth? Would they have trouble operating it? Would the printer jam or run out of paper? 

Since this was a sunny summertime party, I had been planning to just set up a backdrop and tripod in some open shade and let the kids have at it. But my friend is a carpenter and decided at the last minute that he wanted to knock together a real “booth”. A few trips to the hardware store later and we had a low rent copy of an old school photo booth. It was nothing fancy, but the ipad was mounted and the printer delivered the print through a slot into the grubby over-sugared hands of the party goers. 

Did it work? It couldn’t have worked better. Being an old-man tech-nerd, I insisted on showing the first group how to do it. But with much eye-rolling, they made it clear that I might as well have been teaching them to drink a glass of water. They had no problem understanding how to make it work. The DNP DS620A printer was outstanding for this sort of use. Having a print in their hands in less than 10 seconds was pretty exciting for the kids and knowing that I could go hundreds of prints without having to reload the printer was pretty relaxing for me. The kids piled in and out of the printer in group after group. They giggled, laughed and loved it completely and all went home with handfuls of photo strips.

What’s the bottom line?

Simple Booth is a pretty amazingly full featured solution to creating a photo booth out of gear that many photographers already own. It is simple enough for children or technophobes to use, but offers enough options to allow customization of layout and operation.

At $ 59.99, it is likely more expensive than most any other iOS app that you own. That said, when you consider what you are getting and what it would cost you to figure out a way to do it without Simple Booth, it starts to look like a bargain. Perhaps more importantly, the proof is in the pudding. Even our hastily knocked together photo booth was a huge hit with the kids at the party – plenty of smiles and laughs and threats of tantrums if I didn’t print out duplicates for the kids in the group shots.

Tired of bringing meatloaf to your local block party every year? Bring Simple Booth and a printer instead and watch yourself turn into the neighborhood hero. 

What we liked:

  • Easy to set up
  • Customizable layouts
  • Pretty fool-proof in operation
  • Saves individual images as well as the “photo booth strips”
  • Print, email, social media integration

What we didn’t like:

  • iPad rear camera offers limited resolution and quality, using higher resolution front camera eliminates the viewing screen
  • No options for flash lighting, must use constant lights
  • While inexpensive for a photo booth, somewhat expensive for an app

Rating

Articles: Digital Photography Review (dpreview.com)

 
Comments Off on Review: Simple Booth Event Edition photo booth app

Posted in Uncategorized

 

CP+ 2016: A look inside the G Master lenses at the Sony booth

27 Feb

CP+ 2016: Sony stand report and G Master action

Earlier this year, Sony announced a trio of new lenses dubbed G Master, which include the Sony FE 24-70 F2.8 GM, the Sony FE 70-200 F2.8 GM and the Sony FE 85mm F1.4 GM. These three lenses helped to fill noticeable gaps near the higher end of Sony’s lens lineup.

And, no, we didn’t Photoshop in that gap in the lens lineup above just to make a point.

CP+ 2016: Sony stand report and G Master action

The G Master lenses are chock-full of new and advanced technologies meant to maximize image quality, autofocus speed and accuracy, durability, and bokeh. Let’s take a look inside…

CP+ 2016: Sony stand report and G Master action

Here’s the 24-70mm F2.8 GM lens cut in half. This lens comprises 18 elements in 13 groups, and features three aspherical elements, including an extreme aspherical (XA) element – more on that later. An ED (extra low dispersion) and Super ED glass element help minimize chromatic aberration while maintaining high resolution and bokeh characteristics. We believe it – our initial samples show very well-controlled chromatic aberration, and bordering on eye-popping sharpness even on a 42MP sensor, when shooting this lens wide open.

A 9-bladed aperture helps confer a circular shape to out-of-focus highlights, but it’s the autofocus system in this lens that most excites us. A Direct Drive SSM (super sonic wave motor) positions a relatively small group of focus elements accurately and quickly, and when we say quickly we mean with nearly unprecedented speed for this type of lens. We’ve become fans of Direct Drive SSM for AF ever since we saw the speed it confers in the FE 35mm F1.4. Focus, including continuous tracking, is nearly instantaneous on this 24-70 GM, which is fairly unexpected considering its counterparts in the DSLR arena. Focus is also both smooth and quiet, making it a great lens for video as well as stills.

CP+ 2016: Sony stand report and G Master action

The new XA (extreme aspherical) element is claimed to reduce aberration and deliver high resolution throughout the entire zoom and aperture range, across the entire frame. Sony claims to have achieved this via extremely high surface precision, maintained to within 0.01 micron tolerances. This should help reduce imperfections that can lead to onion-ring bokeh, typically an issue with aspherical lenses. 

And speaking of high precision, Sony claims to iterate their internal development of optical design by looking at actual lens MTF performance at 50 lines/mm. That doesn’t mean the lens only resolves to 50 lines/mm, it means that Sony’s threshold for acceptable performance in designing these lenses is quite high. Judging from the sharpness wide open on an a7R II, we’re inclined to believe it’s working for Sony.

CP+ 2016: Sony stand report and G Master action

Sony has also recently announced the FE 85mm F1.4 GM, shown here cut in half. This lens comprises 11 elements in 8 groups, and features a new XA (extreme aspherical) element as well as three ED (extra low dispersion) elements that help optimize both resolution and smooth transitions to out-of-focus areas. It’s also got a ‘Nano’ anti-reflective coating on its front element to reduce flare and ghosting, particularly useful for maintaining contrast in backlit portraits. 

The 85mm GM lens utilizes a ring drive SSM (super sonic wave motor) to drive the lens’ large, heavy focus group. In other words, this lens is much like some of its DSLR counterparts in terms in focusing speed – very fast, but not quite as fast – in our initial impressions – as Sony’s own Direct Drive SSM combined with a relatively small focusing group in the 24-70mm F2.8 GM. Two position sensors support accurate positioning of the focus elements, which should ensure accuracy of focus.

CP+ 2016: Sony stand report and G Master action

Particularly nice is the 11-blade circular aperture in the 85mm F1.4 (and 70-200mm F2.8) GM lenses. The more blades you have, the more circular the aperture remains even when stopped down significantly – especially with the curved blades typical of almost all lenses today. Most modern lenses have between 7 and 9 blades these days, with 9 blades being reserved more pro-level lenses. 11 takes it a step further and, indeed, the opening retains a circular, less polygonal shape as you stop down (here it is in action). This should ensure circular out-of-focus highlights and increased quality of bokeh, even at smaller apertures.

And why go from 9 to 11 blades, skipping 10? Odd numbers of aperture blades are generally better for their more favorable sunstar rendition, creating sunbursts with twice the number of rays as aperture blades when stopped down. Even-numbered designs only create sunbursts with as many rays as aperture blades, so while a 10-blade aperture would produce 10-ray stars, an 11-blade aperture would produce 22-blade stars. Of course, longer focal lengths and circular aperture designs are less prone to creating sunstars at all – and we have no idea if this was the actual thinking behind the choice – but it’s still nice to see the general trend toward odd numbers of aperture blades.

CP+ 2016: Sony stand report and G Master action

Pictured here is the new FE 70-200mm F2.8 GM OSS telephoto zoom lens Sony recently announced, cut in half of course. This lens, like the 24-70mm GM lens, features XA, Super ED, and ED glass elements to help achieve high resolution and desirable bokeh characteristics. It’s got 23 elements in 18 groups. A ‘Nano’ anti-reflective coating ensures reduced flare and ghosting. An additional fluorine coating to the front of the lens help keep it clean, and the lens is dust and moisture resistant.

OSS (Optical Steady Shot) is built into the lens, despite the availability of IBIS in a7-series cameras, because for longer focal lengths, it’s beneficial to do a certain amount of the stabilization in-lens, because of how much the sensor would have to move to compensate for even slight angular displacements. The two systems – OSS and IBIS – theoretically work together to provide even more effective stabilization than any one method might provide.

CP+ 2016: Sony stand report and G Master action

The autofocus system on the FE 70-200mm GM OSS is quite intriguing: it’s a floating focus system, which sees its debut in an ? lens. This floating system design contributes to its impressive minimum focusing distance of 0.96m, and also helps control aberrations that might otherwise be problematic when focusing at close distances. 

Pictured on the left is the more traditional ring-drive SSM motor that’s required to drive the large, heavy glass elements typical of this type of lens. The double linear motor of this system, pictured on the right, allows for effective ‘wobbling’ actuation (typically used in contrast-only AF), which is useful when shooting video. The entire focusing mechanism is also very quiet – and smooth – which ensures AF performance is optimized for both stills and video shooting. 

The 70-200mm F2.8 GM OSS lens also functions with Sony’s newly announced 1.4x and 2x teleconverters, which may somewhat make up for the lack of longer telephoto lenses (for the time being anyway).

CP+ 2016: Sony stand report and G Master action

Lifting our heads back up from the tech demos and turning our attention to other things (wait, where’d Rishi go?), we see that in typical trade-show form, Sony’s provided some subject matter for eager attendees to test the latest tech. But if you were to show up to CP+ hoping to capture some model mayhem using the new GM lenses, you’d have to make do with the 85mm F1.4 GM, the only new GM lens available in front of this display.

And don’t worry, if you’re already missing the lens-cut-in-half thing, you can get your fix when our Editor Barney returns with many more things cut in half later this week. Like nicely packed, and then cut in half (naturally) sandwiches.

CP+ 2016: Sony stand report and G Master action

At first glance, the 85mm F1.4 GM looks a little unwieldy on an a7-series camera, but in hand, the pair balance remarkably well. The lens has a pleasingly solid heft to it without feeling too front-heavy. At 820g, it’s significantly heavier than, say, Nikon’s counterpart (595g), but our initial impressions are that the sharpness wide open – even off-center – and lack of chromatic aberration might make the weight more than worth it.

CP+ 2016: Sony stand report and G Master action

Beyond the price of a CP+ admission ticket, there’s no charge to try out the new 85mm F1.4 GM – but to get one of your very own, you’ll need $ 1800 when it goes on sale in March. Also of note for video shooters is the ability to de-click the aperture dial for smoother operation.

CP+ 2016: Sony stand report and G Master action

Although you’re a little ways away from the real models, you can try out the FE 24-70mm F2.8 GM on some beleaguered Sony reps behind the counter. And though it appears a bit hefty on the smaller a7-series bodies, it balances well – particularly if you have a vertical grip attached. At 886g, it’s not unreasonably heavy, and the extra heft may be well worth it anyway – our preliminary impressions are that this is the sharpest 24-70mm zoom (particularly wide open) we’ve ever seen.

It will be available in March for $ 2200.

CP+ 2016: Sony stand report and G Master action

Last up is the FE 70-200mm F2.8 GM. As you can probably tell from this image, the lens itself isn’t overly large, but it’s definitely got some weight to it. At 1480g, it’s around the weight of Canon’s equivalent lens, which means you’ll really want a grip on an a7-series camera to balance the weight well. The FE 70-200mm F2.8 GM OSS will be available in March, and the price is still TBD.

Overall, the G Master lenses appear to be solid additions to Sony’s FE lens lineup, potentially addressing the need for professional-level lenses for the system. We’ve shot a few shots with these lenses on a 42MP a7R II, and it’s clear from the sharpness and chromatic aberration results, as well as AF speeds, that Sony is clearly targeting professionals, and high-end enthusiasts, with these lenses. And we expect them to compare favorably against even the best counterparts offered by the stalwarts in the industry. We’ll reserve judgement until we’ve had time to do more rigorous, side-by-side testing, but for the time being, it’s safe to say we’re very impressed.

Articles: Digital Photography Review (dpreview.com)

 
Comments Off on CP+ 2016: A look inside the G Master lenses at the Sony booth

Posted in Uncategorized

 

Get Spooky With a DIY Halloween Photo Booth!

27 Oct
Halloween DIY

Photo booths are a must for Halloween parties and we’ve got all the tricks and treats you need to make a screamin’ good one using either your phone or DSLR.

(…)
Read the rest of Get Spooky With a DIY Halloween Photo Booth! (0 words)


© Erin for Photojojo, 2015. |
Permalink |
No comment |
Add to
del.icio.us

Post tags:


Photojojo

 
Comments Off on Get Spooky With a DIY Halloween Photo Booth!

Posted in Equipment

 

Panasonic Osaka offers 3D figurine portraits via imaging booth fitted with 120 Lumix GH4s

24 Jul

The Panasonic Center in Osaka has installed a photo booth that uses 120 Lumix DMC-GH4 cameras to create a three-dimensional impression of the occupants, which can then be turned into a plaster figurine. Panasonic claims that what makes its booth stand out is that the ‘scan’ is created in just 1/1000sec. That means the subjects can be in motion and the image will still be sharp. Read more

Articles: Digital Photography Review (dpreview.com)

 
Comments Off on Panasonic Osaka offers 3D figurine portraits via imaging booth fitted with 120 Lumix GH4s

Posted in Uncategorized

 

Guide to DIY Photo Booth Backdrops

21 Nov

Extra photos for bloggers: 1, 2, 3

Party time! Excellent!

‘Tis the season for some serious partying and these days no party is complete without a photo booth.

Setting up a photo booth is as simple as providing a backdrop and encouraging your pals to point their smartphones toward it.

We’re here to help you with that first part (you herd your own friends in front it).

We’ll teach you three easy-peasy ways to craft a party poppin’ backdrop.

Give your party photos that extra schwing and have your friends chanting “we’re not worthy! we’re not worthy!”

Learn to Make 3 Simple Festive DIY Backdrops

(…)
Read the rest of Guide to DIY Photo Booth Backdrops (490 words)


© Karla for Photojojo, 2013. |
Permalink |
No comment |
Add to
del.icio.us

Post tags:


Photojojo

 
Comments Off on Guide to DIY Photo Booth Backdrops

Posted in Equipment

 

Retro Redial: 8 Creative Phone Booth Conversion Projects

15 Jan

[ By WebUrbanist in Technology & Vintage & Retro. ]

phone booth banksy art

As you may recall (and please, forgive the pun), pay phones used to be ubiquitous – in many places they remain a physical presence, but without a use. As Banksy‘s work (above) points out, their primary purpose is arguably quite dead – but, on the upside, that leaves room for all kinds of radical rebirths.

phone booth data hub

Around the world, old phone booths are also becoming high-tech data hubs. Consider New York City, which has just unrolled a pilot program to turn 250 old phone booths into information centers, providing basic maps, directions and directories to tourists, but also up-to-the-minute emergency information and safety alerts in case of serious storms or other natural disasters.

phone booth library nyc

Local architect John Locke has come up with another, lower-tech, even-easier reuse project for some of the 10,000+ remaining unused public phones on the streets of Manhattan – easily-fabricated micro-libraries that can be slotted into existing boxes, taking advantage of their robust framework and shelter. No fasteners needed for this efficient and inexepensive flat-pack solution.

phone booth media swap

Across the pond, iconic red-box phone booths of England may be even more well-suited to this particular kind of conversion, being closeable and thus, while not 100% weatherproof, still more completely sealed from the elements. The result is one of “the country’s smallest lending libraries – stocking 100 books. Villagers from Westbury-sub-Mendip in Somerset can use the library around the clock, selecting books, DVDs and CDs. Users simply stock it with a book they have read, swapping it for one they have not.”

phone booth charging station

Turning back toward the high-tech, Telekom Austria is tackling over ten thousand disused phone booths, turning them into recharging stations for the nation’s estimated growth toward over a half-million electric vehicles in the next decade. But enough about functional conversions – what about the artistic side? See below for homeless shelters, aquariums, even outhouses made of old phone booths.

Next Page:
Retro Redial 8 Creative Phone Booth Conversion Projects

Share on Facebook





[ By WebUrbanist in Technology & Vintage & Retro. ]

[ WebUrbanist | Archives | Galleries | Privacy | TOS ]


WebUrbanist

 
Comments Off on Retro Redial: 8 Creative Phone Booth Conversion Projects

Posted in Creativity

 

Action Figure Booth: 3D Printer Creates Custom Figurines

16 Nov

[ By Steph in Art & Photography & Video. ]

Let’s hope this concept catches on: a photo booth alternative that, instead of printing photos, creates an instant 3D action figure that looks just like you. Opening to the public at Tokyo’s EYE OF GYRE gallery space on November 24th, the world’s first 3D printing photo booth is perhaps one of the most fun examples of 3D printing yet.

OMOTE 3D’s pop-up store features a conventional-looking photography studio with a modern, geometric backdrop. Portrait subjects are asked to stand still for 15 minutes while their entire bodies are scanned in 360 degrees with a hand-held 3D scanner.

This data is then entered into a computer, where the ‘photographers’ add such details as clothing color and texture. The 3D color printer then produces the original figurines, which are available in sizes ranging from 10 to 20 centimeters.

While most of the figures already produced are pretty straight-forward portraits, it would be fun to do them in custom superhero costumes and unexpected poses (assuming you can hold them for the required amount of time.)


Want More? Click for Great Related Content on WebUrbanist:

Best Print This: 12 High-Tech & 3D Printer Design Ideas

Concept designs that use coffee dregs or pencil stubs instead of ink, forgo paper altogether or even produce 3D objects bring printers into the 21st century.
3 Comments – Click Here to Read More »»



3D Printing Goes Giant: Print Your Own Home?!

Imagine programming a large-scale, 3D-printing robot to simply print your entire home, from top to bottom, within a matter of hours.
4 Comments – Click Here to Read More »»



Share on Facebook





[ By Steph in Art & Photography & Video. ]

[ WebUrbanist | Archives | Galleries | Privacy | TOS ]


WebUrbanist

 
Comments Off on Action Figure Booth: 3D Printer Creates Custom Figurines

Posted in Creativity

 

3DTV without Glasses: Alioscopy 3DTV at Intel Booth

19 Mar

The TV on the top right is an Alioscopy 3D TV. Showing off auto-stereoscopic (no-glasses) 3D content playing on a proprietary HD TV at the Intel booth. It was by far the most interesting 3D TV I saw because it was the only TV that was in 3D with the use of glasses. AMAZING!
Video Rating: 5 / 5

 
7 Comments

Posted in 3D Videos