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Posts Tagged ‘Blackmagic’

Blackmagic Design announces update to Video Assist monitors

20 Nov

Blackmagic Design has announced a software update to its 5-inch Video Assist and 7-inch Video Assist 4K monitor/recorders. Video Assist 2.3 allows users to load up to six 3D LUTs when monitoring on their devices, making it possible to view output from cameras in a form that approximates the final color grade of the footage.

In addition, the update adds several features to the 5-inch Video Assist that were previously only available 7-inch Video Assist 4K model. These include the ability to record DNxHD and DNxHR files in MXF format, improved compatibility with Avid systems running on Windows, false color monitoring to accurately judge exposure in different parts of the image, and additional options for customizing focus peaking indicators.

Video Assist 2.3 can be downloaded from the Blackmagic website.

Press release:

Blackmagic Design Announces New? Video Assist 2.3 Update

Major update adds new 3D LUTs, focus assist features and improved DNxHD and DNxHR support!

InterBEE 2016, Tokyo, Japan – November 18, 2016 – Blackmagic Design today announced Video Assist 2.3, a major new update for Blackmagic Video Assist customers that adds 3D LUTs to both models. This update also adds features to the 5” Blackmagic Video Assist including improved DNxHD and DNxHR support, false color monitoring, expanded focus options and new screen rotation features. The Video Assist 2.3 update is available for download now from the Blackmagic Design website and is free of charge for all Blackmagic Video Assist customers.

Video Assist 2.3 Update is being demonstrated at InterBEE on the Blackmagic Design booth 8216.

Customers using the Video Assist 2.3 update can now load up to six 3D LUTs when monitoring video on set with their 5” or 7” Blackmagic Video Assist. 3D LUTs have become an important part of digital filmmaking because they transform the camera images into a look that closely approximates the final look the director wants. The benefit of monitoring with 3D LUTs is that the crew can see the footage as the director intends it, and it’s completely non destructive because the original camera footage remains untouched. The six x 3D LUTs can be stored and recalled at any time by the user and this new feature is available on both the 5” Blackmagic Video Assist model and the 7” Blackmagic Video Assist 4K model.

For customers using the 5” Blackmagic Video Assist model, this update adds new features that were previously released only on the 7” Blackmagic Video Assist 4K model.

These new features include the ability to record to DNxHD and DNxHR files in MXF format which improves compatibility with Avid systems running on Windows. In addition, customers can now choose between DNxHD 220, 145 and 45 bit rates, or between DNxHR HQ, SQ and LB formats when recording.

The Video Assist 2.3 update also adds false color monitoring exposure tools to the 5” Blackmagic Video Assist model. False color exposure tools make it easier to properly set exposure in different parts of the image by highlighting specific color ranges of luminance with a solid color overlay. For example, green indicates neutral grey, while pink tones are good references for skin, which is typically one stop over neutral grey. Using false color helps camera operators keep exposure consistent from shot to shot.
In addition, Video Assist 2.3 update also expands the options for focus assist so customers can now choose whether they want to see red, green, blue, black, white or traditional focus peaking indicators. This makes it easier for customers to accurately adjust focus in a wider range of scenes and under a variety of different lighting conditions. Customers will now also have the ability to manually control the screen orientation and turn off the auto rotate feature which makes it easier for customers to use the 5” Blackmagic Video Assist model with handheld gimbals and other equipment designed to move the camera and rig simultaneously.

“Blackmagic Video Assist is perfect for customers that need better monitoring and higher quality recording,” said Grant Petty, CEO, Blackmagic Design. “This new update adds incredible LUT monitoring to both models, and brings some of the same powerful high end features from the 7” Blackmagic Video Assist 4K model to customers that have the 5 inch Blackmagic Video Assist model. We think the massive number of features on the 5 inch Video Assist model is amazing when you consider it only costs $ 495! Thats why Blackmagic Video Assist has become an essential part of every filmmakers toolkit because they help customers shoot and capture higher quality video with everything from DSLRs to older tape based camcorders, and even the latest digital film cameras!”

Availability and Price

Blackmagic Video Assist 2.3 update is available now and is a free download from the Blackmagic Design website.

About Blackmagic Video Assist 4K

Introduced at NAB this year, the Blackmagic Video Assist 4K is a portable all in one monitor and video recorder that can be used to add professional recording and monitoring to any SDI or HDMI camera. It features a bright, high resolution 7 inch screen for checking focus and framing, two high speed UHS-II recorders that work with the latest high performance SD cards for non-stop HD and Ultra HD recording. Blackmagic Video Assist 4K has multi rate 6G-SDI BNC connectors for input and output, HDMI in and out, two extremely high quality XLR microphone inputs for professional audio recording, a built in speaker, DC power, dual slots for two LP-E6 batteries and more.

About Blackmagic Video Assist

Blackmagic Video Assist is a portable professional monitor and recorder that can be used with any SDI or HDMI camera. It features a 5” full resolution HD monitor that helps you get perfect focus and framing, along with a professional ProRes and DNxHD recorder that uses high speed SD cards and saves files compatible with all modern NLE software. Blackmagic Video Assist has multi rate 6G-SDI inputs and outputs via DIN 1.0/2.3 connections, as well as HDMI in and out. It features a single SD card slot for recording HD resolution video. The touchscreen allows settings, histogram, audio meters, timecode display and much more. Blackmagic Video Assist works with DC power and has dual slots for two LP-E6 batteries.

Articles: Digital Photography Review (dpreview.com)

 
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Blackmagic Design shows off Video Assist monitor/recorders

23 Sep

We dropped in on indie/pro video camera and grading software maker, Blackmagic Design and were impressed by their Video Assist monitor/recorders.

Alongside demos of various cameras (which now range from Micro Four Thirds mount drone-ready cameras up to the PL-mount, 4.6K global shutter Super 35 URSA) and the latest version of its DaVinci Resolve grading software, Blackmagic Design has a display of its Video Assist models.

The Video Assist and Video Assist 4K are external monitors (HD and 4K respectively) that can be mounted on DSLR and mirrorless cameras to boost their video features and make them easier to work with.

The touchscreen panels are connected via HDMI or SDI connectors (with the option to then output the signal over either connection) and add zebra warnings and focus peaking, regardless of whether that feature is offered by the host camera. With the recently-announced firmware, they also add false color overlays for an alternative means of judging expose.

The units also act as external recorders, meaning you can capture your camera’s HDMI output to SD cards (UHS-II in the case of the 4K model) in more sophisticated codecs than most cameras can, including Apple ProRes 422 HQ or LT, or Avid DNxHD and DNxHR.

At a cost of €549/$ 495 and €979/$ 895 respectively, we think they make an interesting option for the videographer looking to expand beyond their camera’s immediate limitations. We’re hoping to get hold of a sample to see the results, as soon as we can.

Articles: Digital Photography Review (dpreview.com)

 
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Meet the Blackmagic Micro Cinema Camera, a Super 16 action camera with a Micro Four Thirds mount

14 Apr

Blackmagic revealed the Micro Cinema Camera today, a lightweight professional-grade action camera with a Micro Four Thirds lens mount and a Super 16 sensor. GoPros may be good enough for your extreme family vacation and your cousin Jeremy’s POV skateboard videos, but Blackmagic is counting on pro filmmakers needing more. Read on

Articles: Digital Photography Review (dpreview.com)

 
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Blackmagic Design introduces PL Mount options for Production Camera 4K and Cinema Camera

13 Sep

Blackmagic Design has announced the addition of two new PL mount options to its line of professional motion picture cameras. The Production Camera 4K and Cinema Camera are now available with a PL mount, complementing existing EF and passive Micro Four Thirds models. Read more

Articles: Digital Photography Review (dpreview.com)

 
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Blackmagic releases firmware 1.8 for all cinema cameras

27 Jun

Blackmagic Design, maker of a range of high-end compact cinema cameras, has announced a firmware update for all of their models. Available today, the new firmware provides an entirely new code base for the Blackmagic cameras and will enable the company to roll out new features to their devices. The new update claims to provide improved performance and introduces a new user interface. Learn more

related news: Digital Photography Review (dpreview.com)

 
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Blackmagic releases firmware 1.8 for all cinema cameras

26 Jun

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Blackmagic Design, maker of a range of high-end compact cinema cameras, has announced a firmware update for all of their models. Available today, the new firmware provides an entirely new code base for the Blackmagic cameras and will enable the company to roll out new features to their devices. The new update claims to provide improved performance and introduces a new user interface. Learn more

News: Digital Photography Review (dpreview.com)

 
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Blackmagic Design announces Blackmagic URSA with 10-inch screen

10 Apr

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Blackmagic Design has unveiled its latest and most expensive camera to date, the URSA. The camera features a changeable sensor design, allowing the user to swap out the Canon EF lens mount and 4K Super 35 image sensor for a similar sensor with a PL mount. The URSA features touch screens for operator control – including a 10-inch flip-out screen. It also has another 5-inch screen showing timecode, histogram, and other indicators such as a spectrum scope for checking focus. Learn more

News: Digital Photography Review (dpreview.com)

 
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Blackmagic Design launches Blackmagic Studio Camera

08 Apr

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Touted as ‘the world’s smallest broadcast camera with the world’s largest viewfinder’, Blackmagic Design has announced its new Studio Camera. The Studio Camera employs a 12.48mm x 7.02mm sensor and a Micro Four Thirds lens mount. It also has a 10-inch viewfinder and a four-hour built-in battery. Learn more

News: Digital Photography Review (dpreview.com)

 
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Blackmagic Production Camera 4K available now for $3000

11 Feb

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Blackmagic Design has announced it is shipping its 4K, global-shutter camera for $ 1000 less than originally suggested. The Blackmagic Production Camera 4K is built around a Super 35mm (roughly APS-C-sized) sensor and can shoot 4K and 1080p footage in Apple ProRes 422 (HQ) or Adobe CinemaDNG Raw formats, direct to SSD. The camera offers 4K at 30p, 25p, 24p and NTSC equivalents. It has a Canon EF-compatible lens mount, offering electronic aperture control with Canon and Zeiss lenses. It is available for $ 2,995.

News: Digital Photography Review (dpreview.com)

 
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Metabones now available for Blackmagic Pocket Cinema Camera

03 Dec

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Metabones has introduced two new versions of its Nikon-F to Micro Four Thirds mount Speed Booster adapters. This time they are designed specifically for the Blackmagic Cinema and Pocket Cinema cameras. The new 0.64x Speed Booster reduces the full-frame crop factor of the Blackmagic Cinema Camera from 2.39x to 1.53x. The 0.58x Speed Booster reduces the crop factor of the Blackmagic Pocket Cinema Camera from 2.88x to 1.75x. Learn more

News: Digital Photography Review (dpreview.com)

 
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