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Posts Tagged ‘Bill’

Bill Dane Pictures …it’s not pretty. 50 Years of Photographs I’m Still in Love

21 Feb

“It seems to me that the subject of Bill Dane’s pictures is the discovery of lyric beauty in Oakland, or the discovery of surprise and delight in what we had been told was a wasteland of boredom, the discovery of classical measure in the heart of God’s own junkyard, the discovery of a kind of optimism, still available at least to the eye.” John Szarkowski, director of photography, Museum of Modern art 1962-1991

I received Bill Dane’s wonderful book, Bill Dane Pictures …it’s not pretty.  50 Years of Photographs I’m still in love, in the mail today.  

For those unfamiliar with his work, Dane has been actively photographing the world around him for over 50 years.  Since 1969 he has generously mailed over 50,000 of his photographs as postcards to people.  More recently he has been active on Flickr where he continues day in and day out to share his world with the rest of us.

Yesterday he shared a diner scene from Tracy, California in 1970, earlier today he shared a bit more abstract flower from Oakland in 2011.  

As you work through his flickstream you find yourself moving from Las Vegas in 1972 to Mexico City in 1974 to Olympia, Washington in 2018.  The one constant thing is that Bill is there with his camera walking you through his unique view of the world.  His view of the world, as his book title admits, is not always pretty, but it is like no other photographer you’ve probably ever seen.  It’s not easy work to get through but it’s rewarding when you do.

Accompanying his images in the book are his own sttaccato like typed words.  Like a beat poet Bill opines on his own photographic path as well what he sees around him — words to go with the pictures.  It’s part personal history/biography, part documentary, part politics, part life vision — always poetic.

“Hunt treasure   strike-snap-gather   edit   judge

I still photograph like it’s 1969   sort of

Advancing  weaving  focused scanning   dam  Bill  hold still

Leica Rangerfinders  straightforward refinement  guess settings real good

Film has wonder dept   forging Tri-X  darkrooms   mail

Costco for color prints to edit  send

2007 My last film camera  Contax SLR zoom-macro

Digital  Nikon D80 with the 28-105 macro”

In my own artist’s statement, I quote the great Charles Bukowski who once said that endurance is more important than truth.  As far as endurance goes Bill’s got it.  He’s got it in spades and you have to admire that.  Bill’s spent time hanging out at workshops with Friedlander and Arbus.  He’s had shows at MoMA, his photographs hang in the permanent collections of MoMA, SFMOMA, the Art Institute of Chicago — and yet here he is day in and day out still putting work up out there for the public where?  At Flickr? Yes, at our beloved Flickr.

Interestingly enough the title of Bill’s book actually comes from Bukowski’s poem “I Met A Genius.”  The poem is about a 6 year old boy on a train ride with Bukowski who sees the sea for the first time and remarks upon seeing it that “it’s not pretty.” It’s the sort of innocent honest insight that can come from a child who has not been saddled down with society’s version of the sea as a remarkable and beautiful scene, the way most artists might present it.

Bill gives us a messy world, it’s not always pretty, but it’s worthwhile to see it as he shares it. It is a bit of a junkyard as Szarkowski suggests, but there is beauty in the junkyard as well.

Weighing in at over 300 pages of high quality printing and limited to only 500 copies, do yourself a favor and pick this one up before it sells out and before one of these big name museums decides to do a retrospective. You’ll have an original collector’s item. Bill Dane is a treasure — and so are his flickrstream and book.

Some photos from Bill’s Flickrstream below.

1974 Mexico City
1970 Tracy
1974 Berkeley
1970 Point Richmond_
Hamburg 1971


Thomas Hawk Digital Connection

 
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New UK bill would enable police to stop, search and seize drones

30 Jan

The United Kingdom is cracking down on the unsafe and potentially illegal use of drones via the new Air Traffic Management and Unmanned Aircraft Bill, which went before the UK’s Parliament for a second reading on January 27. According to an announcement from Parliament, this bill would give UK Police the power to order a drone to land, inspect it and, when applicable, seize it.

This new bill would grant the UK police a variety of new powers, including the option to stop and search drones being operated around airports and prisons, both sensitive locations where drones can be used for everything from drug smuggling to wreaking havoc on society.

As part of an amendment to the Police Act 1997, UK Police forces, as well as ‘senior prison authorities,’ will be granted the powers to use counter-drone measures in cases where drones are being used illegally. As well, this bill would make it possible for police to fine drone operators ‘on the spot’ if they commit certain offenses, including failure to prove that they have the right permissions or exemptions that authorize them to violate any rules they’re caught breaking (flying too close to a particular building, for example).

The UK government stresses that this bill would only impact drone operators who are illegally flying UAVs and who are putting other people at risk. Photographers are specifically mentioned as one of the groups of people who will still be able to operate drones, assuming they follow all of the local laws and regulations, of course.

The full bill, as well as minutes of the proceedings, can be found on Parliament’s website.

Via: DroneDJ

Articles: Digital Photography Review (dpreview.com)

 
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NPPA sues California over controversial ‘freelancer’ bill that harms photojournalists

19 Dec

The National Press Photographers Association (NPPA) has announced its new lawsuit against California’s Assembly Bill 5 (AB5), which forces some independent contractors (freelancers) to become employees of their clients.

The AB5 bill was passed in September but won’t go into effect until next month. Though the law aims to prevent companies from exploiting workers by falsely declaring them as independent contractors, critics say it unfairly restricts people like freelance photojournalists who desire the freedom and copyright benefits associated with being an independent contractor.

In a statement published on Wednesday, the NPPA claims this law ‘discriminates against some visual journalists’ who wish to work as freelancers but are instead forced to become employees ‘whether they desire this working relationship or not.’

The NPPA argues that this legal requirement violates the U.S Constitution because, in part, only certain freelancers are covered by it; others, including graphic artists and marketing photographers, are allowed to retain their independent contractor status.

Photojournalists who also shoot video are forbidden from acting as freelancers under Assembly Bill 5, as well, which the NPPA alleges is ‘a content-based restriction on speech.’ Other issues introduced by AB5 include a limit of 35 assignments or submissions per year per client for still image photojournalists. The organization notes that many other types of freelancers also face similar restrictions, including freelance writers and freelance editors.

The NPPA lays out the negative impact this law will have on freelancers, stating:

NPPA members impacted by the law range from retirees who will be losing extra income to mid-career professionals whose journalism clients are part of their overall business model. All of the impacted members are experienced journalists, trained in ethics and professional standards, who keep their local community informed on matters of public concern. Their voices will be silenced when the impact of AB5 hits their businesses. Some NPPA members report that their income from certain clients is expected to drop by 60-75% next year due to AB5.

In addition to earning concerns, the organization also points out that by forcing photographers to work as employees, these photojournalists will lose the copyrights to the images they capture under their employment, whereas freelancers retain the copyrights unless they choose to surrender them to their clients.

Ultimately, the organization claims that it repeatedly attempted to get the bill modified so that it won’t negatively impact freelance photojournalists, but that California lawmakers have been ‘unsympathetic and unresponsive to our pleas.’ The lawsuit was filed in Los Angeles, California; the full legal complaint can be accessed on the NPPA’s website.

Articles: Digital Photography Review (dpreview.com)

 
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California will debate a bill amendment changing how photo shoot employees are paid

06 Jun

Last month, the California Senate unanimously passed Senate Bill 671, which proposes an amendment to the state’s labor law related to ‘print shoot employees.’ Under the change, California would fix a ‘discrepancy in payment timelines’ between crew hired for short-term photo shoot work and employees working on a TV or movie production.

The bill was sponsored by California State Senator Robert Hertzberg, whose office was alerted to the payment timeline discrepancy, according to his press secretary Katie Hanzlik speaking to PDN.

The proposed amendment revolves around existing California labor law, which requires the majority of short-term workers be classified as employees and receive their full wages on the last day of the job. There’s an exception for employees working on a movie or TV production, however, who receive the wages for their work on the next regularly scheduled payday.

Under the proposal, the definition of ‘print shoot employee’ is changed from a short-term worker involved with a print shoot to a short-term worker involved with a ‘still image shoot, including film or digital photography, for use in print, digital, or Internet media.’

The proposed amendment would allow photographers, directors, and other to pay ‘print shoot employees’ their wages on that same timeline, meaning photo shoot crew members will receive their checks on the next regularly scheduled payday like everyone else.

Under the proposal, the definition of ‘print shoot employee’ is changed from a short-term worker involved with a print shoot to a short-term worker involved with a ‘still image shoot, including film or digital photography, for use in print, digital, or Internet media.’ Photo assistants, stylists, and other crew members involved in a photo shoot would be covered by the change.

Now that it has passed the California Senate, the bill will be debated by the State Assembly’s Committee on Labor and Employment on June 12. The bill may then be passed on to the Assembly for a vote, potentially being passed into law.

Articles: Digital Photography Review (dpreview.com)

 
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New Pennsylvania bill will fine drone operators up to $300 for invading privacy

14 Oct

A new Pennsylvania bill, signed by Governor Tom Wolf, will impose a financial penalty for drone operators who use their drone to spy on people or otherwise endanger the physical wellbeing of someone.

As reported by Pittsburgh’s WTAE, House Bill 1346, which goes into effect 60 days after signing, says that any drone operator “who uses a drone to invade someone else’s privacy or puts someone in fear of being physically harmed” will face a fine upwards of $ 300.

“With the rise in popularity of drones with video cameras, this is a commonsense step to prevent the use of drones to invade someone’s privacy,” says Governor Wolf. “Drones should not be a tool to spy on someone in their yard or through their window.”

According to Pennsylvania Republican Jeff Pyle of Armstrong County, a sponsor of the bill, the wording used in the bill was written with the help of the Federal Aviation Administration (FAA).

In addition to the $ 300 fine, the bill also addresses the issue of using drones to smuggle contraband into prisons. Individuals who use a drone to sneak items to a prison inmate can face upwards of ten years in prison and a fine up to $ 25,000.

The statewide bill also prohibits local governments from coming up with their own drone regulations and also provides exceptions to first responders, law enforcement officials, government employees and utility companies who are using drones in an official work capacity.

This bill adds Pennsylvania to the growing list of states that have already addressed issues surrounding drone privacy and the many others who are currently working on solutions.

Articles: Digital Photography Review (dpreview.com)

 
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US Congress approves bill granting warrantless private drone take-downs

06 Oct

Following approval by the House earlier this year, the United States Senate has passed the Federal Aviation Administration (FAA) Reauthorization Act, which was delivered to the White House on October 3, 2018. Under this bill, which grants the FAA federal funding through 2023, law enforcement officials are given the authority to shoot down and/or confiscate private drones if they’re deemed a credible threat.

As noted recently by The Washington Post, the new bill allows officials to shoot down private drones if they’re “identified as high-risk and a potential target for unlawful unmanned aircraft activity.” In these cases, law enforcement isn’t required to have a warrant to take down or confiscate the aerial vehicle.

Last month, the Electronic Frontier Foundation (EFF) expressed concerns over the reauthorization bill, stating that it had been “stuffed with last-minute provisions that would strip people of their constitution rights.”

Among other things, the EFF pointed toward the warrantless downing of private drones, as well as the lack of a requirement to warn operators when they’re flying in restricted airspace. As well, “the bill still has no process for clearly stating what areas are “covered facilities,” so that the public can know where they are allowed to fly,” the EFF explains.

Critics worry the new authority will enable the Department of Homeland Security and other agencies to take down camera drones used during protests and by reporters, activists, and photographers, all without a warrant. Private drone owners also risk losing possession of their drone if it is confiscated without warning due to being labelled a “threat.”

Articles: Digital Photography Review (dpreview.com)

 
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NASA photographer Bill Ingalls’ camera melted in fire caused by rocket launch

30 May
Credits: NASA/Bill Ingalls

Last week, a tweeted image of a melted camera belonging to NASA photographer Bill Ingalls caught the Internet’s attention. In a statement clarifying the matter, the space agency explained the story behind the image, saying, “His creativity and efforts to get unique images are well known within the agency and to those who follow it.”

Ingalls has worked as a NASA photographer for 30 years. In its statement published Friday, NASA explained that Ingalls knows where to setup his cameras, and that a grass fire caused by the GRACE-FO launch on May 22 was behind the damage. Though Ingalls had placed two cameras outside of the launch pad safety perimeter, the melted camera was one of four placed within the perimeter.

Speaking with NASA, Ingalls said, “I had six remotes, two outside the launch pad safety perimeter and four inside. Unfortunately, the launch started a grass fire that toasted one of the cameras outside the perimeter.”

Despite the camera casualty, NASA says the memory card within the camera survived the fire. The space agency published a GIF of the fire as it moved toward the camera, which recorded its own demise. NASA says it’ll “likely” display the melted device at its Washington DC headquarters.

Via: NASA

Articles: Digital Photography Review (dpreview.com)

 
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Proposed UK bill will let police officers ground and seize drones

28 Nov

The UK has unveiled another drone bill proposal, one that will grant officers the power to seize drone parts when they are necessary for proving that the drone was used to commit an offense. Under the bill, officers will also have the authority to order a drone operator to ground their drone when needed.

This marks the latest bill out of the UK that focuses on tightening drone security and safety. Back in July, the UK government revealed that it would soon require drone operators in the nation to register their UAVs and to complete a safety test before operating the device.

The new proposed legislation, simply called the Drone Bill, snowballs into the previous announcement, with UK officials saying in a statement that mandates will require operators to register their drone and also to use apps for planning a safe flight. The upcoming law may also include a ban on operating drones near airports or above 400ft.

The Drone Bill is scheduled to be published next spring.

Articles: Digital Photography Review (dpreview.com)

 
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Congress is considering a copyright small claims bill you should know about

07 Oct
Photo by Dennis Skley

A bill has reached Congress that aims to establish a cheaper route for those seeking settlement of small claims in copyright infringement cases. Put forward by a bypartisan group of representatives, the Copyright Alternative in Small Claims Enforcement Act of 2017 (CASE) intends to provide a more viable alternative to federal courts for those making relatively small claims in cases where the cost of pursuing compensation deters individual photographers and small to medium sized business owners.

The current system can cost professional photographers wishing to file a claim for unauthorized use of an image almost a year’s earnings, according to a report by Copyright Defence, and copyright lawyers are unwilling to take on a case in which damages would be less than $ 30,000.

Copyright Defence says that the average claim made by photographers is $ 3,000 or less, making the pursuit of offenders impractical and letting infringers off scot-free.

The new bill proposes that a small-claims style panel be set up within the Copyright office that would allow these low-value, high-volume disputes to be heard. Such an introduction would benefit not only photographers and artists, but also musicians, film makers and anyone who produces creative work.

Bought to Congress by Hakeem Jeffries of the Democrat Party and Tom Marino, a Republican, the bill is supported by the American Society of Media Photographers, American Photographic Artists, National Press Photographers Association, Professional Photographers of America, North American Nature Photography Association, among others. The bill was first proposed by a collection of visual artists groups in February 2016.

Press release from Hakeem Jeffries:

Reps. Jeffries, Marino Lead Bipartisan Effort to Help Musicians and Artists Protect Their Creative Work

WASHINGTON, DC – A bipartisan solution to help artists, photographers, filmmakers, musicians, songwriters, authors and other creators protect their life’s work from unauthorized reproduction has been introduced today by two key members of the House Judiciary Committee — U.S. Representative Hakeem Jeffries (NY-08), a Democrat, and U.S. Representative Tom Marino (PA-10), a Republican.

The Copyright Alternative in Small-Claims Enforcement (CASE) Act of 2017 will create a Copyright Claims Board (“CCB”) in order to provide a simple, quick and less expensive forum for copyright owners to enforce their intellectual property. The majority of the copyright owners that are affected by piracy and theft are independent creators with small copyright infringement claims. The CCB will establish an alternative forum to the Federal District Court for copyright owners to protect their work from infringement.
A broad coalition of legislators have co-sponsored the bill, including Democratic Congresswoman Judy Chu (CA-33), Republican Congressman Doug Collins (GA-9), Democratic Congressman Ted Lieu (CA-33) and Republican Congressman Lamar Smith (TX-21).

Rep. Jeffries said: “The establishment of the Copyright Claims Board is critical for the creative middle class who deserve to benefit from the fruits of their labor. Copyright enforcement is essential to ensure that these artists, writers, musicians and other creators are able to commercialize their creative work in order to earn a livelihood. The CASE Act will enable creators to enforce copyright protected content in a fair, timely and affordable manner. This legislation is a strong step in the right direction.”

Representative Marino said: “Creators, solo entrepreneurs, photographers, and artists often struggle to enforce their copyright in a timely and cost efficient manner. This can hinder creativity and prevent these professionals from being able to sustain a profitable livelihood. The CASE Act provides a boost to copyright holders and allows a forum for timely resolutions. This is a positive step in the right direction.”

Representative Collins said: “America’s economic leadership depends on its commitment to protecting intellectual property, and I’m proud to work with my friend Congressman Hakeem Jeffries to provide another tool to make this possible. A copyright small claims system would offer small creators a simple, effective forum for defending their property rights against infringement. We’re working to modernize the Copyright Office to meet the needs of today and tomorrow—including music licensing structures—and this bill is a critical step in strengthening intellectual property protections for creators who find themselves disadvantaged by existing policies.”

Representative Lieu said: “More than 2 million hardworking artists in the United States rely on the U.S. Copyright Office to protect their livelihoods. For too long, our legal system skewed in favor of low-volume, high-value industries. But for many independent artists, whose claims of infringement often total a few thousand dollars, it is far too expensive to sue in federal court – essentially forcing creators to forfeit their rights. The Small Claims Board is an important step toward ensuring that digital photographers, graphic artists, illustrators, and others have a way to resolve disputes quickly and affordably. I commend my colleagues on both sides of the aisle for supporting this crucial effort.”

Representative Smith said: “Our founders enshrined copyright protection for creators’ works in the Constitution. The Copyright Alternative in Small-Claims Enforcement Act offers creators an efficient and cost-effective process to protect their creations. I look forward to working with the authors of the bill to protect the intellectual property of all innovators.”

Representative Chu said: “Creators like artists, photographers, and songwriters contribute over a trillion dollars to our economy each year. But intellectual property theft makes it difficult for creators to earn a living. This is especially true for small and individual creators who depend on licensing and copyright, but lack the resources to adequately challenge copyright infringement claims in federal court. I’m proud to support the CASE Act because it proposes a common sense solution that will make it easier for creators to protect their intellectual property and continue to share their works and grow our economy.”

Participation in the CCB will be voluntary, and respondents will have the ability to opt out. The CCB will be housed within the U.S. Copyright Office, and its jurisdiction limited to civil copyright cases with a cap of $ 30,000 in damages. A panel of three Copyright Claims Officers will be designated to adjudicate and settle copyright claims. The simplified proceedings do not require the parties to appear in-person and will permit them to proceed pro se – i.e., without an attorney.

The bill is supported by the Authors Guild, American Society of Media Photographers, American Photographic Artists, National Press Photographers Association, Professional Photographers of America, North American Nature Photography Association, Songwriters Guild of America, Nashville Songwriters Association International, National Music Publishers Association, Digital Media Licensing Association, Graphic Artists Guild, Creative Future, and the Copyright Alliance.

Articles: Digital Photography Review (dpreview.com)

 
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Photographer Bill Frakes loses university position after sexual harassment report

12 Aug

Photographer Bill Frakes, whose career has included shooting for the likes of Sports Illustrated and Coca-Cola, has been removed from his position as visiting professor at the University of Nebraska – Lincoln. The decision was made by the university after it judged that a report claiming sexual harassment against Frakes was credible. News of the allegations first surfaced in documents obtained by The World-Herald.

University of Nebraska spokesman Steve Smith confirmed the report to PDN, saying Frakes was originally appointed to teach through the Fall semester, but that following the university’s decision, “Prof. Frakes is not teaching any courses at Nebraska this Fall.” Additional details weren’t provided for the sake of privacy.

The matter revolves around a report filed by student Calla Kessler. According to those who have viewed the leaked documents, Frakes was accused of violating university sexual harassment policies by commenting on female students’ bodies and clothing, as well as calling female editors “bit***s” and browsing photos of “scantily clad” women using his phone while in a car that contained female students. His actions are said to have only applied to women, not men.

In addition, Frakes was accused of making threats to students that included the ability to “end their careers” and advising that students shouldn’t “piss [him] off.” The university reportedly corroborated the accusations with other witnesses to these alleged actions and statements. Following the investigation, UNL decided to remove Frakes from his role as visiting professor.

For his part, Frakes has remained silent on the matter, stating the confidential nature of the proceedings. “The final hearing has not taken place,” he told PDN. “The university has directed the process be confidential, and I intend to honor that request.” Though he didn’t offer any further statements on the matter, he did reveal that he is appealing the university’s decision.

Articles: Digital Photography Review (dpreview.com)

 
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