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The Biggest Legal Mistake Photographers Make

11 May

Whether photography is your bread and butter, or something that you’ve started out doing casually with machinations of eventually picking up a few paid gigs, you’ll want to acquaint yourself with a sexy little document we lawyers like to call, the Client Service Agreement (or CSA, for short).

Lucas

By Lucas

CSAs are, as their name suggests, agreements that you, as a photographer, make with anyone who wants to pay you for your photography. Again, we’re not just talking to the professionals here. We’re also talking to those of you with your entry-level DSLRs shooting your friends’ weddings or head-shots on the occasional weekend. Food, selfies, and your niece’s birthday party might be the only things in front of your lens at the moment, but as your skills improve, so will recognition for your photography. It might not be long before folks start offering you money here and there for your work. When that moment comes, you want to be prepared to accept the gigs offered to you, while presenting yourself as a professional, and covering your rump in case things go wrong. How do you do that? You guessed it – with a CSA. It is a huge legal mistake photographers make not having a formal agreement or contract.

Why we all need CSAs. Yes, even you, part-timer.

Before we get into what a CSA should contain, let’s first take a brief trip down scenario lane so you get a good idea of what we mean about covering your tuckus in case things go wrong. If we lawyers know anything (and we don’t know much), it’s that everything’s all smiles and giggles until somebody’s wedding photos get lost in the cloud storage ether, or someone else demands a full refund because the head-shots you spent three hours shooting and imaging “just don’t look right.” Take it from us, whenever somebody is paying somebody else for a service, especially a service like photography where the outcome can be pretty subjective, things can get all Judge Judy real fast. People have certain expectations about the outcomes of products and services that they pay for (as they should), and unfortunately, sometimes those expectations are unreasonable. If you have your policies clearly set forth in a CSA, you’ll have something concrete to point to when someone comes complaining about the work that you produced, making unreasonable demands.

But, CSAs aren’t just for governing complaints from unreasonable clients. CSAs also exist to inform your clients – at the get-go – of how your engagement as their photographer will proceed, and what they should expect from the relationship. By having a CSA in place, your client has some peace of mind in knowing when, how, and at what cost you will perform your services and deliver your product. Likewise, you have peace of mind knowing that you have a legal document to lean on if their payment is late, or you make a mistake, or a seagull makes off with your lens during a beach wedding shoot.

Mirsasha

By mirsasha

Okay fine. We all need CSAs. But how do I make that happen?

Now that we’ve scared you into getting a CSA (we lawyers feed on fear and gummy-bears, as you probably know), here’s a list of what a decent CSA should contain, so you can draft it yourself if need be. This is just a general list of the most important points, there may be other things relevant to you that aren’t included here. At a minimum, make sure you include this stuff. Because, as important as CSAs are, a crappy CSA can really cramp your style.

  • What happens when a client fails to show up at their appointment?
  • How many calls/emails/meetings with you can the client expect?
  • When and how will the photos be delivered?
  • When and how will the client pay you?
  • What happens if payment is late?
  • Will you provide hair and makeup?
  • What rights to the photos is the client purchasing?
  • What are the terms of the client’s license to use the photos?

But what about all that legal gibberish?

You know when you are asked to sign a contract, or some kind of release, and you skim through the top bits, then you get to the bottom part, where the words get long and tiny and sound like they were written four hundred years ago, so you just stop reading and sign the damn thing already? Well, all of that stuff – the stuff you never read – that’s called “boilerplate” and it’s actually a really important part of your CSA. The boilerplate bit is the bit that controls what happens when the parties to the agreement (that’s you and your client) disagree.

Judit Klein

By Judit Klein

Important examples of boilerplate clauses include:

  • Limitation of Liability Clause, which limits the amount of liability you could have if an issue arises with your client. In other words, this is the bit that might keep you from having to pay crazy amounts of money if you lose a lawsuit.
  • Recovery of Litigation Expenses (aka Attorney’s Fees), which usually allows the winning party of a lawsuit to recover their attorney’s fees and other costs incurred to bring the lawsuit to enforce the agreement. In other words, as long as the judge is cool with it, the winner of the suit has their attorney’s fees paid by the loser. Which is awesome, because attorneys aren’t always cheap.
  • No Guarantees Clause, which states that you can’t guarantee a particular outcome (for those, “these photos just don’t look right” moments).
  • Transfer of Intellectual Property, which states how, and under what circumstances, the intellectual property is transferred from the service provider to the client (i.e. who owns the photos). This one is really important for photographers. Typically, you want to maintain ownership of your photos and merely grant your client a license to use the photos in limited ways (like display them in their home or on their website).
  • Entire Agreement; Modifications; and Waiver. This clause states that what is written in the contract is the entire agreement between the parties. So, whatever else you agreed with the client outside of the contract via email, in conversation, etc., doesn’t apply. This section also requires that any modifications to the agreement be done in writing.

One other thing

The terms of your CSA should be reasonable, and the way you deal with clients is an important part of building your reputation and your business. So, try to strike a balance between protecting yourself and respecting your time, and pleasing somewhat picky clients. It’s okay to go above and beyond what you’ve promised in your CSA from time to time (so long as it isn’t to the client’s detriment).

P.S. What to do when you forget to bring a pen

24oranges.nl

By 24oranges.nl

Here’s one last tip to make this CSA thing super easy: use HelloSign or a similar app to have all of your clients electronically sign your CSA. Electronic signatures are totally legit and they’ll help you get your agreements signed quickly by every single client.

Now, go get your Client Service Agreement together. Your conscience (and your bank account) will thank you.

Rachel Rodgers is a New Yorker, wife, mama to 2 toddlers and IP lawyer (not necessarily in that order) who works with creative professionals in her online-based law practice, Rachel Rodgers Law Office P.C. Rachel co-authored Legal Nunchucks: For Photographers, THE resource for making sure your photography business is protected, legit, and overflowing with moola. Download her FREE cheat sheet on the 10 most common legal mistakes that photographers make.

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Assembled in 3 Days: Biggest Cargo Container Restaurant in US

10 Apr

[ By WebUrbanist in Architecture & Offices & Commercial. ]

cargo container riverside building

Comprised of 19 shipping containers, this record-breaking restaurant has reclaimed a riverside wasteland in the River Arts District of Asheville, North Carolina, turning a brownfield site into an eatery accessible by boats, buses, bikes, pedestrians and, of course, cars.

cargo container assembly process

The Smoky Park Supper Club was put together in just a few days, its various modules modified offsite then shipped in by truck for assembly. The project’s architects boast that energy cost of melting down used containers is close to 20 times what it takes to simply adapt them for reuse.

cargo container module assembly

cargo container space enterance

Aside from the cost and power savings, using cargo containers as building blocks makes them easy to transport and obviates the need for construction workers, material trucks and other traffic that can cause consternation in the neighborhoods through which the building pieces pass.

grilling riverfront

shipping container restaurant design

The restaurant itself features a “local farm-to-table menu built around wood-fired based cooking and classic American fare that chef Rosenstein describes as simple, direct, and live-fired.” It will also showcase local art.

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[ By WebUrbanist in Architecture & Offices & Commercial. ]

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My Biggest Photography Failures and What I Learned

12 Dec

Success 1

“Success is a poor teacher. We learn the most about ourselves when we fail, so don’t be afraid of failing. Failing is part of the process of success. You cannot have success without failure.” – Rich Dad, Robert Kiyosaki

I was at a high-pressure shoot recently, and one of my clients was watching me make adjustments to my camera and lighting. They commented, “How do you remember all that stuff? You make it all look so effortless.”. The truth is that after thousands of photo shoots it has become second nature, but this wasn’t always the case.

Success 2 1

I broke a wedding.

Why am I always checking and rechecking exposure? Because I broke someone’s wedding. Yep, broke it.

The wedding was ten years BD (before digital) and very early in my career. I was so inexperienced that I didn’t realize the flash tube on my external flash was only emitting about 1/4 of its power and, as a result, I underexposed all the images by three to four stops. They could not be salvaged. I only managed to get one useable frame.

At the time, I just wanted to crawl into a hole and stay there, but this nightmare scenario defined the style of fill flash lighting I still use today.

I also developed a pre-shoot protocol that ensured I would never have this kind of disaster again. I always test all my equipment before a shoot and check and recheck exposure as I’m shooting.

“Fears are nothing more than a state of mind. Most great people have attained their greatest success just one step beyond their greatest failure.” – Napoleon Hill

If I had not experienced this crushing blow early in my career, I might have become more slap dash as a photographer and prone to more failures, steering my career to go in another direction.

Trevor Dennis

By Trevor Dennis

Why do I always use a light meter? Because I ruined the shot of my life by looking at my camera screen for the exposure and my hair light ended up being three stops over exposed. That shot should have stopped traffic. Instead, I lost a client.

Why do I back up twice while I’m shooting? Because an assistant (accidentally) dumped an entire shoot into the trash. I’m still in need of therapy over that one.

I’m proud to admit that I have failed spectacularly on countless occasions.

The aftermath was always the same. I’d have a complete meltdown and become a bit tired and emotional. I’d then spend a week at home curled up in the fetal position watching entire seasons of One Tree Hill and consuming my body weight in Nutella.

Janine

By Janine

As painful as each failure is, I learned something new each time, and I never made those mistakes again. They became burned into my brain.

“Failing is one of the greatest arts in the world. One fails toward success.” – Charles Kettering

You need to go out and fail, time and time again. Get up, cry for a bit, learn, grow, and move on.

At the time, these failures were devastating but I now know that my spectacular failures and toughest moments have been my greatest teachers and have molded me into the photographer that I am today.

I’m also proud to be part of a massive club of spectacular failures who have all gone on to achieve remarkable success.

Here are a few of my favorites:

  • Comedian Jerry Seinfeld completely froze during his first stand up gig and was booed off stage. He went back the next night was a huge success and went on to become one of the most successful American comedians in history.
  • Elvis Presley got fired from one of his first gigs and was told, “You ain’t goin’ nowhere, son. You ought to go back to drivin’ a truck.” Elvis Presley is one of the greatest recording artists of all time.
  • Oprah Winfrey (my hero) was fired from her television reporting job because TV executives thought she wasn’t fit to be on screen.
    She went on to create and star in “The Oprah Winfrey Show” the most watched talk show in the world, turning Oprah into a billionaire.
  • Winston Churchill failed grade six and lost every government position he ran for. He went on to become British prime minister at the age of 62.

Success 3 1

And one of my all time stories of how failure led to success is Apple founder, Steve Jobs. He was devastated after being removed from the company he started. Years later in a commencement speech at Stanford University he reflected:

“I didn’t see it then, but it turned out that getting fired from Apple was the best thing that could have ever happened to me. The heaviness of being successful was replaced by the lightness of being a beginner again, less sure about everything. It freed me to enter one of the most creative periods of my life.”

When he returned to Apple, he created some of the most iconic products in the world, including the iPhone, iPad, iPod, and he went on to become one of the richest men in the world.

“Never, never, never give up.” – Winston Churchill

Have you experienced any spectacular failures, and what have you learned from them? What are your strategies for coping with failure? I’d love to hear from you.


Gina is the author of four dPS eBooks including:

  • Portraits: Making the Shot
  • Portraits: Striking the Pose
  • Portraits: Lighting the Shot
  • Portraits: After the Shot

You can buy one for $ 19.99 or grab the whole bundle for only $ 49.99 (save 38%) from any of the links above.

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Big Game Hunting: The World’s 9 Biggest Board Games

21 Sep

[ By Steve in Gaming & Computing & Technology. ]

Biggest Game Boards
Board games may be old fashioned to some but they’re anything but boring no matter how big a board they’re played on. Here are 9 of the biggest.

Triple (Size) Letter Score

Biggest Scrabble Game Board 1

Biggest Scrabble Game Board 2

Biggest Scrabble Game Board 3

Popular word game Scrabble celebrated its 50th anniversary in 1998 and in honor of the occasion, two teams from the United Kingdom’s armed forces played the biggest Scrabble game EVAR, turning London’s Wembley Stadium into a ginormous Scrabble board. The reinforced fiberglass letter tiles measured 2 x 2 meters (about 6 feet per side) and were 40cm (almost 2 inches) thick, requiring two team members to shift each one into position… and you thought soccer was a slow game! On the bright side, just be glad Welsh words weren’t allowed.

Take A Walk On The Boardwalk

Monopoly in the Park 1

Monopoly in the Park 2

Monopoly in the Park 3

Do you know the way to San Jose? Make a left at Baltic and don’t forget to bring your Get Out Of Jail Free card! We’re talking Monopoly here; Monopoly In The Park to be exact. The 930 sq/ft permanent Monopoly board offers anyone a chance to make it big on Silicon Valley real estate. I want the iron… darnit!

Ukraine Not Weak!

Biggest RISK Game Board 1

Biggest RISK Game Board 2

Biggest RISK Game Board 3

Beloved by Kramer and Newman, RISK is the classic game of world domination where the board is as big as the world… or so the players wish! Everyone from be-suited gentlemen to cosplaying geek gamers has tried to imitate Vladimir Putin playing larger-than-life RISK but there’s a drawback: the bigger the board, the harder it is to take the game with you on the New York subway.

Next Page – Click Below to Read More:
Big Game Hunting The Worlds 9 Biggest Board Games

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[ By Steve in Gaming & Computing & Technology. ]

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Your Biggest Photography Fears (And How To Beat Them)

16 Dec

It’s not the quality of your images that’s stopping you from making more sales and building even a part-time photography business. It’s your fears. To get them out of the way and create the growth you deserve, you first have to identify them — then squish them. You’ll probably find at least one — and possibly five — of those fears here.

Fear of Specialization

This isn’t a fear that’s unique to photography; it applies to just about everyone entering an industry for the first time. You don’t know where the best opportunities lie. You’ve got an empty schedule book and no sales to your name. You’re afraid that stating that you specialize in one topic or one style will limit your opportunities. So you create a website that declares you’re available for any work at all. You offer portraits and weddings, seniors and baby shots. And you create a portfolio of generic images that are attractive but predictable. They have no particular style that marks them out from the competition.

That’s an approach that might work for a while. But it should soon become clear which images clients like the most, and are willing to pay the most for. Once you’ve figured that out, you can earn more by specializing. When Christian Keenan switched from news photography to wedding photography, for example, he stuck with the documentary style that had won him a World Press Photo award. His images are black and white. There are no formals, no family photos and no engagement shots. His approach is clear and it won’t suit everyone. Clients looking for traditional color photography won’t use him. But there are enough couples who want the kind of unique images that he supplies to make him one of the UK’s most successful wedding photographers.

Fear of Rejection

Thousands of outlets are looking to buy and sell images created by talented photographers. Photo editors at magazines care less about who shot the photo than what that photo will do for their readers. Gallery owners love nothing more than discovering and nurturing new talent. It’s what brings them into the business. The Photographers Market, a guide to publications, agencies and galleries that buy images, is nearly 700 pages long and in its print form could double as a house-brick.

Somewhere among those pages are enough buyers to keep you shooting and earning from your photography for as long as you want.

But to reach them you’re going to have to contact a lot of people who won’t want your photos.

They won’t want them because they don’t match their market or their readers. They won’t them because they already have a list of image suppliers that they’re happy to buy from or because they only buy from professionals or because they couldn’t be bothered to wait for your website to load.

They won’t want them because they don’t think your pictures are good enough.

You’ll hear all of those reasons and they’ll hurt every time you hear them. And every now and then, you’ll hear a yes. “Yes, we’ll take that picture.” “Yes, we can put your photo in an exhibition.” “Yes, I like that. Do you have any more?”

Rejection will happen. But it’s just something you have to hear to land acceptance.

Fear of High Prices

Take a look through photography section of craft site Etsy and you’ll find plenty of the kinds of images that you could shoot easily. There are pictures of places (which tend to sell well) and of people, of animals and of flowers. They’ve usually been carefully edited to make them more artistic and to suit the site’s buyers, but the prices for prints usually fall somewhere between $ 30 to $ 60.

It’s no surprise that if you pitch the prices too high, sales will fall off. But it’s also true that if you pitch them too low, sales will fall off. As one photographer on the site has told us:

It’s important not to lowball yourself even if you think it might help you sell at first (it usually won’t!). Buyers will only value your work if you value it yourself.

Demanding an amount for your images that would make you think twice about buying them can feel scary. But you have to cover your costs, including the printing, the framing and the delivery charges. And you have to show that your work is rare enough and good enough to be attractive. Look at what other photographers are charging in the same outlet and keep your prices in the same range — even if those prices look high to you. They won’t look high to the buyers.

Fear of Investment

Photography costs money. Cameras have come down in price but they’re not free and lenses aren’t cheap. Once you’ve laid out on the basic equipment, you still have to pay for a website, travel costs and advertising.

If you’re serious about earning from photography, you will have to make those investments.

There are ways you can reduce them. Time on Facebook can spread the word about your business cheaper than an ad in The Knot. SEO can win your site clicks for less money than experimenting with AdWords. Renting, borrowing or sharing a display tent can let you experiment with art fairs before investing in your own booth. Usually, what you save in dollars, you’ll lose in hours.

But rather than think about the amount you’ll be paying, consider the amounts you’ll be making when you land sales. Being willing to make those investments in yourself is the most important sign that you’re serious about earning from photography.

Fear of Commissions

There are two ways to make money from photography: you can create an image and try to find someone who wants it; or you can accept a commission from someone to shoot images that they know they want.

The first only carries a risk to yourself. The second carries a risk to the client. Come back from the wedding without the pictures the couple expects, and you could find yourself with a lawsuit.

Being willing to accept a commission shows that you’re ready to step up. You can start small: shoot friends’ weddings instead of giving them a gift or take pictures of the products made by a family business so that they won’t get mad if they’re less than professional. Start with commissions that either have low expectations or which can be fixed.

It doesn’t take more than a few successful, low-scale commissions to give you the confidence to say “yes” to the big jobs, beat your fears and build your business.


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The 3 Biggest Kid Photography Mistakes

11 Oct

The 3 Biggest Kids Photography Mistakes

A Guest Post by Brent Mail – creator of How to Photograph Kids Naturally Online (currently 50% off at SnapnDeals).

After watching many families at the beach over the school holidays, I noticed that most of the parents, as well as some professional photographers, were making the same 3 HUGE mistakes when they were photographing kids. I could see the parents getting frustrated and it looked like no one was having fun.

I guess I can summarise the 3 mistakes in one sentence. “Hey kids, please sit down over there, look this way and smile!”

Mistake 1: Asking Kids to Sit Still: “Hey kids, please sit…”

The kids are all dressed up for the photo shoot and excited, but don’t quite know what will happen, so they do what comes naturally – they run off and play.

The photographer and parents then try to round up the kids, find a place to photograph them and then ask the kids to sit down and be still and look at the photographer. Ever tried this? It goes against all the natural instincts of the kids – they are super excited and told to sit still. Very difficult to achieve!

Kid photography mistakes 1

Solution – Let the kids run & play

All kids love to run and play. It’s a natural part of being a kid, so why not let them do what comes naturally? Some of the best images I capture are when kids are allowed to run on the beach or at a park. I take this one step further and create games for the kids to play, like racing each other, or getting the parents to chase the kids.

There are 2 things that happen when kids are allowed to run & play:

  • Kids have all this built up energy that needs to be released, and now they get to use it up. It’s fun for them and they become happy, playful kids. This is what you want.
  • Parents and kids get to relax and we capture natural facial expressions, un-posed with no fake smiles.

Kid photography mistakes 2

Tip: Shoot in sports mode – use a fast shutter speed 1/500th sec or 1/1000th sec with AI Servo auto focus (tracking autofocus). When kids are racing towards you, a very fast shutter speed and tracking autofocus will mean that you capture all the action and your subjects are in focus.

Mistake 2: Asking for a Smile – “…look this way and smile!”

Wow, this is a big one. I don’t think I have ever seen a parent not say “smile” to their children when they are being photographed. “Common kids, smile. Give us a big smile!”

Yes, sometimes we get a smile, but it’s normally a fake smile. Who wants images of their children with fake smiles? Not me.

Kid photography mistakes 3

Solution – Be the Clown

Have you ever taken your kids to the circus to see a clown? A really entertaining clown, who gets the kids laughing. Go behind the clown and photograph the kids – those are real smiles!

So you (the photographer) need to become the clown.

How do you do that? When you meet the kids for the first time get down to their level and introduce yourself in a very enthusiastic and loud voice. Set the scene from the start, then, when you are photographing the kids, be loud, be funny, do funny things like roll your eyes, stumble around, dance, or get the kids to scare you! Bring along props to entertain the kids, like a clown nose.

Kid photography mistakes 4

An alternate to being the clown is the have the parents or siblings become the clown. When I’m shooting the close-ups (after the kids have run around and released all that energy) I get the parents to stand behind me and I get them to dance around. This always gets the kids smiling and laughing – seeing dad do “gangnam style” dance is hugely entertaining for the kids. It’s also a lot of fun for the parents.

Mistake 3: Standing Tall

Have you ever had someone stand over you and talk down to you? How do you feel? Inferior, small & insignificant? This is what kids feel like when someone photographs them from high-up. They feel intimidated and it’s not fun for the kids.

Also there is nothing special about the images captured from high-up, they are more like snapshots.

Kid photography mistakes 5

Solution – Get Down Low

When I first get to meet the kids I’m about to photograph, I get down low, and introduce myself. “Hey kids, my name is Brent and we are going to have so much fun today! What is your name?” I connect with the kids in a very enthusiastic voice. From then onwards the kids know that I’m on their side.
When I photograph them, I kneel down to their level, sometime I lay down flat on the ground to get a very different angle of view. Parents love these images, because they have never seen their children from this low angle, and the kids do not feel intimidated so they relax and play along with me.

Kid photography mistakes 6

Summary:

So, next time you go out and photograph kids keep these 3 tips in your mind. The photo shoot will flow and everyone will have much more fun – including you!

  1. Let the kids run and play.
  2. Be the clown and get the kids to laugh naturally.
  3. Get down low to their level.

Hope you enjoyed these kids’ photography tips. If you want to find out more then checkout my “How to Photography Kids – Naturally” course which is currently 50% off at SnapnDeals.

Who is Brent? Brent is an award-winning professional photographer who runs a successful portrait photography studio near the beach in Australia. Brent also teaches photography and has a free mini-course here, as well as
other photography training courses here.

Post originally from: Digital Photography Tips.

Check out our more Photography Tips at Photography Tips for Beginners, Portrait Photography Tips and Wedding Photography Tips.

The 3 Biggest Kid Photography Mistakes

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20 Million Sq Ft: World’s Biggest Building Opens in China

16 Jul

[ By WebUrbanist in Architecture & Offices & Commercial. ]

biggest building record breaking

Night never comes to this massive complex newly constructed in China. Complete with its own artificial sun (as well as beaches and waves), the world’s largest structure is not a skyscraper but a building both horizontally and vertically vast.

worlds biggest building design

biggest building night view

The New Century Global Center in Chengdu, Sichuan, has offices, shops and five-star hotels as you might expect, but it also has simulated exterior spaces with LED screens depicting views of artificial horizons as well as theaters, amusement park rides and an Olympic-sized ice skating rink.

worlds biggest interior space

Its square footage is hard to fathom, even in meters (1.7 million square), so its creators have come up with another way to visualize the enormity of the space: you could fit 20 Sydney Opera Houses inside of it, 3 copies of the Pentagon or 329 football fields.

worlds largest building china

Critics call it boring and massive, but fans admire its relative simplicity and highlight its variegated interior experiences. Though basically minimal overall, a thick and wavy roof line helps define it and provides a way to brand and identify it as both a Chinese structure and potentially iconic symbol.

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Come Photowalk in the Biggest Photowalk In History with My Pals Trey Ratcliff and Robert Scoble — We’re Giving Away Google Glass!

09 May

New Videocast Photo Talk Plus Premiers Live Tonight at 8PM PST

Next Tuesday evening, May 14th at 5:30pm, my good pals Trey Ratcliff, Robert Scoble and the awesome team at Google+ Photos will be joining me for an historic and truly epic photowalk in San Francisco. We think it will probably be the largest photowalk ever held in the history of photowalking — already almost 600 people have signed up! We will start the walk in Yerba Buena Gardens in downtown San Francisco.

Most exciting, one of our lucky photowalkers will win Google Glass. That’s right, a winner will be selected randomly — you must pre-register for the walk here and must be present at the end of the photowalk in person to win. We will go over the rules and details on how to win the Glass at the photowalk.

This is a free event open to everyone regardless of skill, experience, camera type, etc. Bring your Holga/Diana or your Canon 5D Mark III or your Rebel or your Android phone — or even that other phone that I can’t ever remember the name of ;)

We will be announcing more details between now and the event, but you won’t want to miss this fantastic San Francisco event. We will have a great afterparty too where we can all geek out about photography.

See you there!


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Britain’s biggest high-street camera store enters administration

10 Jan

jessops_logo2.png

Britain’s biggest high-street camera retailer, Jessops, has gone into administration, putting 192 stores and 2,000 jobs at risk. The company’s website is not accepting orders and administrator PricewaterhouseCoopers has said vouchers and returns would not be honoured at present. The company, that has been slow to respond to competition from internet retailers, was rescued in 2009 by HSBC, which bought into the company in return for writing off some of its debts. However, increasingly stringent credit terms imposed by suppliers (a common move when there is doubt surrounding the future of a company), and predictions of further falls in camera sales led to the administrators being called.

News: Digital Photography Review (dpreview.com)

 
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Hang Gliding a Morning Glory ( Jonny Durand ) Surfing the biggest wave Ever

07 Nov

Jon Durand Hang Gliding / Sky Surfing a rare meteorological cloud phenomenon called a Morning Glory. It is like surfing a tsunami or tidal wave in the sky. It’s great for doing loops and flying fast. The Glider is towed in the Sky by a small ultra lite aircraft. Also called aerotow hang gliding. RedBull and Nikon Camera sponsored. It was filmed by Mark Watson near Burketown Barramundi Australia. For more info visit Jonny Durand jonnydurand.blogspot.com www.youtube.com Mark Watson www.nikon.com.au RedBull www.redbull.com
Video Rating: 4 / 5

 
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