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4 Things You Must do BEFORE Becoming a Professional Photographer

20 Jan

Are you considering making the leap from being an amateur photographer to a professional? Join the club!

There are many pro photographers today making a living off of the craft, but of course there are a fair number of challenges that come with the job. I’ve been a successful full-time professional photographer for two years now, and like most others, I have my share of things I wish I had done to prepare for the lifestyle. Here are four basic things that every aspiring professional photographer should do before they make the leap.

John Lee Maverick

By John Lee Maverick

1. Determine what kind of professional photographer you want to be

The most important thing you should carefully detail is what type of photographer you strive to be, and who is your ideal client. Do you want to shoot weddings and families, corporate events and head shots, or creative portraiture for editorial or advertising use? The answer to this question is crucial to help you identify if the market segment you choose is profitable, and if so, who is your target audience and how best to appeal to them to hire you. You wouldn’t market wedding photography services in the same way that you would sell corporate headshot services because your ideal client is different.

Once you determine the photography skills you want to market, the next step is to make sure that you have demonstrated skill in that area. Do you and the current clients you’ve worked with feel that your photography work to date demonstrates commercial viability (in other words, would enough other people pay for it)? If so, then it’s time to build an online portfolio of images demonstrating your creativity and skill. Make sure your portfolio not only contains a fair number of unique images, but also some words that introduce yourself and establish the qualities that set you apart from your competition. Don’t skimp on the words – remember that some people connect better with words over images.

Jonathan Chie

By Jonathan Chie

2. Establish your baseline expenses and make sure you have some savings

One of the biggest challenges that professional photographers can face is the instability of a reliable paycheck. Unless you can strike up long-term photography contracts with clients or find a steady stream of clients, there’s no guarantee you’ll be getting a monthly paycheck. Even if you do get clients, there’s a huge chance that payments will come in later than expected (to compensate in these instances, be sure to charge a late fee).

As a result of potential payment instability, it’s important that you assess your monthly baseline expenses and know how much you absolutely need to be making in cash each month. Next, match these expenses to how much you currently have in savings and make sure you would have enough saved away to cover yourself in case you don’t bring in enough revenue. Give yourself about six months to a year to establish your business and generate regular income; if over time you can’t cover your baseline expenses with your savings and sales, that’s the first signal that your professional photography career might need some reconsidering.

Kenny Louie

By Kenny Louie

3. Buy and insure all of the gear you will need, and know where to rent if needed

As a professional photographer, you should own, or have regular access to, all of the essential camera gear that is needed to fulfill the photography jobs that you are seeking. For example, wildlife and sports photographers absolutely need to have telephoto lenses, whereas real estate photographers need to have wide angle lenses. Do your homework and know what kind of gear you’ll need, and start acquiring it, or at least know where you can rent the gear that is too expensive or impractical to own. If you’re lucky, you’ll have a brick-and-mortar camera rental center in your town or a nice friend willing to loan out gear; if not, there are several gear rental options online worth looking into.

If you do purchase your own gear, be sure to get insurance on all of your equipment to aid in covering the expenses of needing to fix broken gear or replace stolen gear. As an amateur photographer, you’ll likely be able to have your equipment covered by personal property insurance, which is usually pretty affordable. However, as a professional photographer, you’ll need to get professional or business insurance coverage of your gear, which tends to be a bit pricier, but also more inclusive of business-related problems that could occur such as liability issues.

Vintspiration

By vintspiration

4. Get professional photography memberships

As a professional photographer, you’re entitled to some benefits if you know where to look. One of the first memberships you should look into is Canon Professional Services (CPS for Canon shooters) or Nikon Professional Services (for Nikon shooters) – there will be a membership for your brand in your country, just do some searching. The benefits of each vary but can include expedited shipping on repairs, equipment loans, and on-site support at certain events. To enjoy the full benefits of Professional Services, you’ll have to prove that you are a full-time professional or that you own a set amount of professional gear, and in the case of Canon pay an annual fee. But the value of having quicker repairs is immeasurable for professionals.

Another membership worth looking into is with the Professional Photographers of America (PPA). A non-profit association with over 27,000 members in 50+ countries, the main benefits of membership are equipment insurance and discounts and savings from select vendors, all of which are included in PPA’s annual fee. There are of course many other photography associations, distinguished mainly by the types of photographers they serve, each offering its own set of benefits. Examples include the American Photography Association, National Press Photographers Association, and North American Nature Photography Association, to name a few. This is again when it becomes pertinent to specialize in a specific type of photography. Look for similar groups in your area or country.

Are you considering becoming a professional photographer? What other questions are on your mind as you prepare?

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7 Tips for Photographing Newborns without Becoming Clichéd, Derivative or Boring

11 Jun

by Lynsey Peterson.

When I first started doing professional photography, newborn babies were the coveted prize. An adorable sleeping creature that would look cute no matter what? Sign me up! Let’s put that baby in a stockpot! In a basket! Wait! –A headband that looks like a flower! In a field of flowers! With butterflies! And maybe a big gift box bow!

Then I realized that Anne Geddes is the landlord of that entire market. And that it’s rare for a portrait client to actually want a picture of their baby in a stockpot. What people do want is a picture of their baby, that looks like their baby. Because in about 5 minutes their baby isn’t going to look like this anymore.

BABY1

Set the Scene

In an ideal situation, you are photographing a newborn that is less than two weeks old (when they tend to be more “mold-able”), in the morning (when they tend to be a more willing participant), just after being fed (when they tend to be a little more tolerant), and in a warm room (where they tend to be a little more comfortable).

Having everything ready to go before shooting a single shot is taken will serve you well: various blankets for background and warmth, cloth diapers for when someone pees on you (let’s hope it’s the baby), any clothing you plan to use and back-ups of every possible thing. I prefer minimal clothing on newborns, but this is just personal preference. Amble natural light is important because even if you do usually shoot flash, it’s often disruptive enough to wake a newborn and rule number one in photography, parenting, and life is: Never wake a sleeping baby. If there is anything I’ve learned, it’s that.

Be prepared to work fast because babies can be ticking time bombs, but slowly because they are delicate ticking time bombs. You are methodical. You are confident. You are patient. You are the baby whisperer. Because we are speaking in ideals. And if you’re me and we are still speaking in ideals, you also have on your cute jeans and are having a great hair day. Because, why not?

BABY2

Find the Purpose

Photographing newborns is one of the few times I make a point of asking clients what they are planning on doing with the end result. Often it’s for use in a baby announcement or just as “baby pictures” documenting this time. But if it’s going to end-up as a 24″x36″ canvas above a fireplace, I want to know beforehand. Or if I’m going to need negative space to create an announcement card, I’d rather shoot with that in mind then trying to backtrack later in post.

Another thing to think about is the ratio of images of the baby alone and the baby with parents or siblings; there is no right or wrong answer here but knowing what you or your client is wanting in advance is key. Newborn shoots are not (usually) guided by a free-spirited toddler and therefore require more of a plan from you than shoots with older children. And you never know when a baby will decide that pictures are just not what he wants to do today and let’s you know this in a very unsubtle and loud way.
  
BABY3

It’s all about the Baby

The only thing I always bring to a newborn shoot is a large piece of black cloth. I have had it for nearly a decade and more babies have peed on it than I wish to think about. I have hung it on walls and used it on floors and beds as a back-drop. I use it every single time because it simplifies everything and allows the focus to be completely on the baby. Lots of photographers do a version of a black background of some sort and I’ve found that there is no need to get fancy.

Many photographers use a velvet, but mine is about 2 yards of a stretchy thick cloth that I bought at a fabric store for ten dollars. It washes well (luckily) and the light sheen of it makes editing out any wrinkles in post extremely easy. I carry thumbtacks and painters tape to hang it with if I need to and it’s thick enough to hang over about anything and not have backlight shine through. I cannot stress having a way to simplify a newborn shoot enough. If a black background isn’t your style, find what is that will clean-up everything and let the newborn to be the focus, and allow it to become your key piece for baby photography.

BABY4 1

It’s in the Details

And why shouldn’t it be? Baby details are sorta amazing. I mean have you seen a baby toe recently? Talk about something I’d like to dip in butter and call a snack. We have all seen baby parts photographed in the same boring ways: wedding rings on toes, close-ups of belly buttons and umbilical cords (ew), tops of bald heads in big grown-up hands. I am guilty of doing every one of these, multiple times over. I now see that the shots that will stand the test of time will be very simple close-ups that highlight just how small newborns are: tiny hands holding a parent’s finger, brand new feet that have yet to see wear, yawns and other adorable expressions that only look adorable on a baby.

BABY5

As Cute as they are Awkward

Oh sure, we all know they are adorable, but what are you supposed to do with them? They are flimsy and tiny and often naked. This is where I think we get into trouble and put them in baskets and stockpots. Because we can. Instead of creating scenes, it’s better to just think of “positions”. Babies can only do about two positions unassisted—laying down this way or that way. Work with that.

They may just lay there, but the beauty in this is that they often let you adjust them however you want. Tuck legs up under bodies, pull flailing arms into blankets, curl them up into someone’s hands. The baby is the star of this show and is plenty cute to pull off this role without a big supporting cast of props. A key to getting the position you want and having it stay that way long enough to get the shot you want is to keep your hands on the baby longer than needed after positioning them.

Think of it as long hug—you don’t need that extra ten seconds at the end, but it feels nice. Get the baby settled and then stay there for a bit longer. The warmth of your hands and the consistency and reassurance is often exactly what the baby needs to “hold” the position you are seeking.

BABY6 1

Got Extra Arms? Use them

I like to include siblings as often as I can, no matter the age. This gets tricky because the very definition of tricky is a two year old holding a newborn while exhausted parents watch the situation go down. Enough pillows and promises of lollipops though will get you a shot or two and a little variation in the final images. Interaction is the name of the game here—look for whatever the emotion is that’s happening and play on it. If it’s pride, comment on it to instill confidence and document a sweet moment in sibling history. If it’s indifference, engage the older child so they forget there is even a new addition in the photograph and are happy to be your star for a moment.

BABY7

Stop Worrying

I love a good worry and consider myself to be quite good at it. But as jobs go, photographing newborns is about as close to shooting fish in a barrel as you are likely to get. It’s easy to feel the pressure given that babies are so fragile and grow every single second. The truth is any picture you take of a newborn is a gift. Just as any time spent getting to photograph a newborn. I don’t get sappy often, but newborn babies are pretty special. Enjoy it.

Especially if the newborn belongs to someone else and you get to walk out of there without a crying baby and go home to a bed where you’re permitted to sleep through the night.

Check out more of Lynsey Peterson’s work on her website.

Post originally from: Digital Photography Tips.

Check out our more Photography Tips at Photography Tips for Beginners, Portrait Photography Tips and Wedding Photography Tips.

7 Tips for Photographing Newborns without Becoming Clichéd, Derivative or Boring


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Shoot Like Henri Cartier-Bresson: A Quick Guide To Becoming An Amazing Photojournalist

07 Feb

“Most of my pictures are grounded in people. I look for the unguarded moment, the essential soul peeking out, experience etched on a person’s face. I try to convey what it is like to be that person, a person caught in a broader landscape that I guess you’d call the human condition.” It’s by Steve McCurry, whom I didn’t know Continue Reading

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Becoming a Photographer : How to Become a Photojournalist

31 Aug

Becoming a photojournalist requires an initial investment in good, professional equipment, such as cameras and lighting equipment, and taking classes in a journalism department or an getting an internship with a successful newspaper or magazine. Discover some sound advice from a professional photographer on what it takes to become a photojournalist in this free career video. Expert: Franc Anderson Contact: www.anderson.hu Bio: Franc Anderson is a Northern Irish photographer who has been living and working in Budapest for the last 11 years. Filmmaker: Paul Volniansky
Video Rating: 4 / 5

Essay Midnight
Video Rating: 4 / 5

 

Becoming a Photographer : How to Become a Photographer

10 Feb

Two good ways to becoming a professional photographer are to either study it in college or become a photographer’s assistant and get hands-on training. Follow the advice in this free photography video from an experienced professional photographer and get on the path to becoming one. Expert: Franc Anderson Contact: www.anderson.hu Bio: Franc Anderson is a Northern Irish photographer who has been living and working in Budapest for the last 11 years. Filmmaker: Paul Volniansky
Video Rating: 5 / 5