RSS
 

Posts Tagged ‘bears’

11 Tips for Photographing Bears in Alaska

06 Nov

The post 11 Tips for Photographing Bears in Alaska appeared first on Digital Photography School. It was authored by André Costantini.

tips-for-photographing-bears-in-alaska

Alaska is the only state in the country that’s home to three types of bears: the polar bear, the black bear, and the brown bear. It’s why photographers converge annually on the Last Frontier, hoping to document ursine activity in the bears’ natural habitats, in such locations as the Anan Wildlife Observatory, Katmai National Park, and Admiralty Island, home to one of the world’s highest density of brown bears. Read on for tips on photographing bears in Alaska while these magnificent creatures eat, play, and interact.

photographing-bears-in-alaska

1. Pack light

To gain entry into sections of certain viewing areas that offer access to bear viewing, you’ll often have to take a seaplane. That means there may be weight restrictions, so limit your gear to one or two DSLRs or Mirrorless bodies with a couple of compact lenses. Add extra batteries, memory cards, any filters you like to use, and rain covers in case of inclement weather.

2. Make sure at least one of those lenses is a versatile zoom

You obviously want to stay a safe distance from the animals you’re photographing. The Tamron SP 150-600mm VC G2 lens is one such lens that offers such flexibility, with an extra-long reach. If you use that lens on a crop sensor camera, you’ll achieve even more effective magnification. Bird photographers often use a similar combination for that very reason.

11 Tips for Photographing Bears in Alaska

3. Plan your trip for optimal bear-watching opportunities

The best times of the year for bear watching in Alaska are June through September. If you want the chance to photograph them catching salmon in the rivers, July and August are your best bets. That’s the peak of the salmon runs (when the salmon is sparse, bears will eat things like clams and grass instead).

4. Head out early, stay out a little later

Although you’ll likely be able to spot bears at any time of day, they tend to be out foraging for food early in the day and later in the evening. Those times of day also happen to coincide with the best natural lighting.

That said, Alaska, during the summer months, enjoys nearly 24-hour daylight. Between May and July, for example, some areas never get completely dark, even between sunset and sunrise. So, don’t expect traditional lighting conditions.

11 Tips for Photographing Bears in Alaska

5. Respect the venue’s safety rules

Every park or preserve that features bears has basic guidelines to protect both the bears and the visitors. You’ll likely be required to stay a certain number of feet away from the bears. This means if the bears approach you and block your path, you’ll be subject to what’s known as a “bear jam.” You’ll effectively be stuck there until the bears decide to move. That’s okay – that gives you plenty of time to take more pictures.

11 Tips for Photographing Bears in Alaska

6. Don’t feel you have to shoot in silence

In fact, the opposite is the case. While you don’t want to make super-loud noises that startle the bears, you do want to make enough of it, so the bears know you’re there at all times. It can be more alarming for the bears if you’re trying to be stealthy and then suddenly emerge. Some people will wear a bell attached to their knapsack, or just talk very loudly.

7. Get on the bears’ eye level

There’s something more intimate about a portrait in which you feel like you’re looking eye-to-eye with your subject. Crouch or kneel on the ground or viewing platform to get as close to that angle of view as you can.

If you’re out in a small boat, you’re practically at water level already, so if bears are frolicking nearby, you’re set.

photographing-bears-in-alaska

8. Get a handle on your focusing

If the bears are on the move, shoot in AI Servo mode or AF-F (Nikon), Continuous Focus (Canon), Continuous AF (Sony), so that your focus continually adjusts as you’re tracking moving subjects.

9. Capture the bears interacting with each other

Part of what you want to accomplish when photographing wildlife is to tell their story. Highlighting a sow cuddling with her cubs or siblings tussling in the grass is a way to showcase their relationships and create emotive photos.

11 Tips for Photographing Bears in Alaska

10. Be patient

Wildlife is unpredictable, and there’s no real way to tell when a real money shot, like a bear catching a salmon in the river, will emerge. But when bears are engaged in an activity, they’ll actually stay in the same place for a significant amount of time.

So, if you stick around, hunker down, and just keep taking pictures. You’ll be more likely to produce a bunch of keepers.

photographing-bears-in-alaska

11. Prepare for the unexpected

Even if you time your visit for when the bears are expected to be active and the salmon flowing, it’s Mother Nature – things don’t always work out as planned.

The activity level is somewhat consistent, but it does vary from year to year. If you get there and the bears are a bust, it’s disappointing, but go to Plan B.

Photograph the amazing Alaska Peninsula landscapes, or keep an eye out for the region’s diverse bird population. Look to the dozens of other mammals in the area, including red foxes, porcupines, beavers, and otters instead.

 

I hope you find these 11 tips for photographing bears in Alaska tips helpful. If you have any other tips or bear photos you’d like to share, please do so in the comments section!

Disclaimer: Tamron is a paid dPS partner.

 

The post 11 Tips for Photographing Bears in Alaska appeared first on Digital Photography School. It was authored by André Costantini.


Digital Photography School

 
Comments Off on 11 Tips for Photographing Bears in Alaska

Posted in Photography

 

Pigs don’t fly, but bears do with DJI’s latest Spark drone

07 Aug

In one of the more bizarre collaborations we’ve seen in a while, drone manufacturer DJI has teamed up with Line Friends to release an animal-themed DJI Spark drone.

For those unfamiliar, Line Friends is a collection of playful characters taken from the messaging app Line. Although pictures indicate other characters could make their way onto DJI Spark drones, the only confirmed character collaboration is with a bear named Brown.

As you may have suspected, the special-edition DJI Spark, named ‘LINE FRIENDS (BROWN) | Spark,’ features a brown paint scheme with the bear’s adorable features on top. In addition to the drone’s paint scheme, the remote control also features an image of Brown on the top faceplate, between the antennas. To wrap it all up, a custom box is included as well, which features an image of Brown holding a DJI remote control.

Aside from the custom paint scheme, the Spark drone remains identical to the standard version, including the 16 minute flight time, two mile range, 2-axis gimbal and 12-megapixel camera. Like its less decorative counterpart, the LINE FRIENDS (BROWN) | Spark costs $ 399 and can be purchased through DJI’s online store.

Articles: Digital Photography Review (dpreview.com)

 
Comments Off on Pigs don’t fly, but bears do with DJI’s latest Spark drone

Posted in Uncategorized

 

Shooting polar bears with the $12,000 Nikon 180-400mm F4E TC1.4 FL ED VR

10 May

In many respects, the Nikon AF-S Nikkor 180-400mm F4E TC1.4 FL ED VR is a dream lens. Earlier this year, with the support of Nikon Europe, I tested it out in some of the harshest conditions on our planet—on a special Polar Bear production in Svalbard, near the north pole.

I took this lens on two different expeditions—first in early April with temperatures reaching well below -20°C with wonderful low-light, and the second expedition at the end of April with the midnight sun and higher contrast. As a professional wildlife photographer, I have to trust my gear to perform and deliver the sharpest images possible, and while this lens took a beating (sorry Nikon) it survived the freezing temperatures and functioned perfectly while providing razor sharp results.

Nikon D850, Nikon 180-400mm F4 @ 250mm (No TC) F4.5 1/800sec ISO 80

Construction and Handling

This lens is part of the new generation of E lenses with reduced weight compared to older designs. That’s important, since it makes hand-held shooting a lot easier. The entire body of the lens feels firm and well-balanced, although it’s a bit front-heavy in my opinion.

Compared to the much-loved Nikon 200-400mm, the new lens weighs less, and is in fact even lighter than the Nikon 300mm F2.8. The wide zoom ring and focus ring, plus the TC lever, make it easy to manipulate even when wearing the thick gloves required at this latitude, in temperatures well below freezing.

During my shooting, this lens “ate” a lot of snow and wind, and survived being transported for hundreds of kilometers on my snowmobile with nary a complaint.

Nikon D850, Nikon 180-400mm F4 @ 195mm (No TC) F4.5 1/2000sec ISO 80

Zoom Range

Without the 1.4X teleconverter engaged, the 180-400mm has wonderful range and the advantage of a constant F4 aperture. Going from one zoom extreme to the other requires only a 1/4 turn of the zoom ring, which is much quicker than the Nikon 200-500mm.

However, while 180-400mm is a usable range for large mammals or medium-sized ones that allow the photographer to approach relatively closely, its not long enough for safety if you want to capture a tight portrait of a predator like a polar bear. For that extra reach, Nikon has integrated a 1.4X teleconverter, which turns the 180-400mm into a 250-550mm lens at the cost of one f-stop—making it an F5.6 constant aperture zoom.

Nikon D850, Nikon 180-400mm F4 @ 210mm (No TC) F4.5 1/500sec ISO 80

Focus

As you might hope from a lens of this type (and price) autofocus is blazing fast. It feels faster than the old 200-400, and also faster than the Nikon 600mm F4. I didn’t notice any hesitation or ‘hunting’ during focusing.

Aperture, Vignetting and Sharpness

Image quality at F4 is really great—not only usable but actually really sharp throughout the zoom range. My Nikon D850 was pushed to its resolution limit even with the widest aperture selected. When engaging the TC, the lens does get a bit softer, and there is very noticeable vignetting wide-open; the converter is there if you need it, but I’d recommend engaging it only when absolutely necessary.

Nikon D850, Nikon 180-400mm F4 @ 550mm (TC) F5.6 1/320sec ISO 80

100% crop (click to view)

Overall, the images came out crisp, sharp and with excellent contrast—even when shooting backlit subjects. I saw no flare, no ghosting and no noticeable chromatic aberrations.

Vibration Reduction

This lens features Nikon’s new-generation VR system, which is good for around 4.5 stops of correction. During my shooting, VR was very useful for hand-held shots.

Price and Value

The sadistic part of my personality enjoys looking in people’s eyes when they get all excited about the lens and ask me how much it costs. When I say $ 12,000 USD, the bright light of childish enthusiasm is quickly extinguished.

It’s a lot of money, but as the expression goes: “you get what you pay for.”

This is a dream lens with so many advantages, both optically and in terms of handling, and that comes at a cost. The cheaper and more approachable option would be the Nikon 200-500 F5.6, which costs a mere $ 1,500. As a friend of mine said, “I could buy eight of those for the price of one 180-400 F4.” I don’t know what he would do with eight lenses, but you get the point.

Nikon D850, Nikon 180-400mm F4 @ 250mm (No TC) F4.5 1/800sec ISO 80

Final Thoughts

So the 180-400mm is a dream lens, but the dream doesn’t come cheap. For a safari in Africa, a project in Svalbard or any action-packed wildlife shooting it’s perfect. In sports or any activity where the subject is moving in your direction, this lens could be a great option. For capturing birds, small mammals or any subject where you know you’d end up cropping after the fact, I’d tend to go for a long telephoto prime instead.

So… is it worth it? That depends on your standards, requirements and the depth of your pockets. The 180-400 lets in an extra stop of light compared to the 200-500mm and offers much better sharpness, faster focus and better handling, not to mention the ability to reach 550mm with the flip of my thumb. I’d go for the 180-400mm without hesitating.

If your budget is tight and you can’t afford this lens, the Nikon 200-500mm F5.6 is a very attractive option, but it can’t match the 180-400mm for speed, critical sharpness or versatility.


About the Author: Roie Galitz is an award-winning wildlife photographer. He travels in extreme conditions to the remotest places on earth, from the Arctic right down to Antarctica, capturing images of rarely viewed animals in their natural habitats. He is a sought-after public speaker, a photography expedition leader and a proud ambassador of Nikon Israel, Global DJI and Greenpeace.

You are welcome to see more of his work and bio on his website and follow on Instagram and Facebook.

Roie Galitz was not compensated for this article in any way either by Nikon or DPReview, and Nikon had no involvement in its publication.

Articles: Digital Photography Review (dpreview.com)

 
Comments Off on Shooting polar bears with the $12,000 Nikon 180-400mm F4E TC1.4 FL ED VR

Posted in Uncategorized