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Video: Taking virtual portraits of Major League Baseball players under quarantine

20 Jun

Billie Weiss, the Senior Manager of Photography for the Major League Baseball team the Boston Red Sox, had to get creative for this year’s team portraits due to lock-down restrictions. So, as many photographers have, he resorted to FaceTime to capture team portraits of eight players from afar.

‘I was with the team in Florida covering the tail end of Spring Training when the initial Coronavirus outbreak hit in the United States,’ Weiss told DPReview. ‘Games and all other activity at the training facility pretty much shut down immediately, so I flew back home to Boston. Days later, we learned the start of the MLB season would be delayed, and since basically everything in Massachusetts besides the essentials were shut down, I ended up not really leaving the house or shooting much of anything for about 3 weeks.’

It was during this time, in calls with other members of the Red Sox content team, the idea of doing virtual portraits was brought up and agreed upon. Weiss said of the concept (emphasis his):

‘I think the idea came mostly out of a desire to shoot something after sitting at home for nearly a month and missing being able to do what I love — interact with people through photography. I felt like this was a way we could still do something creative involving photography that worked within the limits of social distancing, quarantine, and lack of sporting events.’

For his setup, Weiss gathered up as many Red Six items as he could from around his home and built a mini studio to use as the backdrop. With a basic backdrop ready to go, he arranged the various pieces of equipment and memorabilia, switching it up with each player he photographed. Weiss told us the following about the gear he used:

‘I shot these on a Nikon D5 with the Nikon AF-s Nikkor 105mm f/1.4E lens. For lighting, I used a combination of both a Dracast LED 1000 Pro Daylight continuous light panel with a Profoto B1 Air 500 watt strobe light covered with colored gels. I switched the props and used different color gels from player to player to give the series a bit more variety. Overall, it was a pretty modest setup, but without access to the rest of my gear stuck at the Spring Training facility in Florida, I worked with what I had!’

Weiss photographed eight players, which thankfully ‘thought the concept was strange but cool!’ He attributes the willingness of the players to participate with the relationships he’s built over the years with them. ‘Our relationship is at the point where they trust me with most of our shoots, even something as weird as this,’ he told us. Even better, the players were happy with the results and some even shared the images across their social media profiles.

As for his final takeaways, Weiss told us the following:

‘Overall, I wanted to shoot something with our players that was representative of this crazy time we’re living in, and hopefully this achieves that goal. I think it’ll be interesting to look back on these photos years from now and be reminded of what a strange time this was.’

You can keep up with Weiss and his work on Facebook, Instagram, Twitter, TikTok and his website. You can also subscribe to his Youtube channel for more behind-the-scenes videos.

Articles: Digital Photography Review (dpreview.com)

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Photographer Jean Fruth captures Grassroots baseball in Route 66 Tour

25 Oct

The Grassroots Baseball project aims to shine a light on the game of baseball as it is played in yards, streets, and small community fields. Away from the bright lights and huge stadiums of the major league game, the project’s co-founder, photographer and Sony Artisan Jean Fruth, has been documenting all levels of the amateur game in the US and around the world.

This summer, Jean and her team embarked on the ‘Route 66’ tour, taking in historical sights from Chicago to Santa Monica. We joined Jean as she worked with Sony’s Alpha a9, photographing the people and communities that keep grassroots baseball alive.

Grassroots Baseball – pictures by Jean Fruth

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This is sponsored content, created with the support of Amazon and Sony. What does this mean?

Articles: Digital Photography Review (dpreview.com)

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Play Ball! Covering Your Bases Shooting Baseball

05 Jul

Shooting the pitcher from behind can give this kind of a dramatic shot. Using the continuous drive setting to shoot many frames throughout the motion will help you ensure that you get the best part of the motion.

Baseball can be among the most maddening of sports to photograph. Entire games can be played with very little action at all, while other games will be chock full of great fielding plays and other images waiting to be captured. As with all sports, knowing the game is as important as knowing how to make a photo. Knowing what plays will happen on different areas on the baseball diamond helps you be ready when those situations arise. Before we get to those situations, some basic settings. As always when shooting sports, I tend to shoot nearly wide open, usually at f/2.8 or f/4. I then set my ISO high enough to give me a shutter speed of at least 1/500 and more likely, 1/1000. Which lens I use depends almost entirely on what level of baseball I’m shooting. When shooting little leaguers, a 70-200 or 70-300 will probably be pretty adequate, while for high school and above you may need something with a focal length of 400mm or more. My drive speed is always set to continuous high when shooting sports, so I can fire continuously during peak action. This helps ensure that I will get the peak action.

Shooting from behind the plate provides a great angle on shooting the pitcher’s delivery. Just watch out for wild throws!

Baseball games lend themselves to a lot of different types of images. The opportunities start long before the game on the field starts. Batting practice presents some great portrait opportunities, as well as candid moments among players, so it’s always worthwhile to get to the game early. You’ll see players stretching, horsing around amongst themselves, taking batting practice, and fielding practice. If possible, and if you can get on the field, it’s always a good idea to become familiar with the players, and to let them become familiar with you. You’re more likely to get good images when their guard is down. This is a great time to get moments between coaches and players, players on opposing teams, and teammates in a more relaxed atmosphere.

Once the game starts, the portrait ops don’t stop, but they take on a much different air. Players expressions will be all business for the most part. Since you generally can’t be on the field during the game, you’ll need a longer lens to capture these images.

As for the action, the game starts with pitching, so you’ll want to be sure you get some shots of the pitchers. Depending on where you are, There are several ways to do this. Start with a full length shot that gets the pitcher’s entire body in the shot. Then move on to tighter shots. If the pitcher’s back is to you, you can get a nice shot of his arm raring back ready to fire a fastball, with his name and number emblazoned on the back of his jersey. If allowed, a shooting position behind the pitcher is ideal for a shot of the pitching motion coming right at you. Usually this can be done during warm-ups if you clear it ahead of time. In the pro’s some teams allow this between innings while others do not. Find the team’s photographer and check with them. One other fun shot to try is to pan the pitcher’s motion using a slow shutter speed. This shot will depend both on your ability to keep the panning speed steady, as well as the pitcher’s motion. Some pitchers move their heads around a lot. Others, the motion is all in the arms and legs. Those that keep their heads steadier tend to be better subjects for this type of shot.

The other end of the pitch is of course, the batter. Generally, right-handed batters are best shot from the first base side, while left-handed batters are best photographed from the third base side. However, from the opposite base, hitters’ follow-through can be captured beautifully. If a hitter puts the ball in play, it can be difficult to try and find the fielder if you were initially focused on the batter. If

Batters are best captured from the opposite side of the plate they hit from, so right handed batters are best photographed from the first base side, and left handers from third.

you want photos of fielders, it’s much better to know the batter’s tendencies and try to predict where he will hit the ball.

If a batter reaches base, this sets up situations with plays at the bases- particularly second base. A runner at first could attempt to steal second, which makes a great play at second base. This will always look better from the first base side, but can also be captured from third base. Knowing which runners have a tendency to try and steal will help with anticipating the shot. In addition, a runner on first base with less than two out sets up the possibility of a double play. If trying to anticipate a play at second, it’s a good idea to prefocus on second base. If the play happens in that general area it will be much easier to achieve focus since the fielder will be right in the place you’ve prefocused on.

Capturing outfielders will be hit or miss if you’ll pardon the pun. There is generally enough time to swing the lens to the outfield and find focus when the ball is hit there, but often the action could be beyond the reach of the lens. It never hurts to try.

Baseball can be a lot of fun to shoot, but it takes some patience, and a little bit of study and understanding of the game to get really good shots.