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Posts Tagged ‘Available’

Cosina announces $825 Voigtlander Classic 50mm F1.5 lens, will be available in September

17 Aug

Cosina has revealed the release date and specifications for its new Voigtlander Heliar Classic 50mm F1.5 lens for its VM mount.

The lens’ optical design consists of six elements in three groups. Cosina says the lens, which has a single coating, has been specifically designed to showcase ‘classical reflections that are not found in modern lenses and dares to express various aberrations.’

It features an aperture range of F1.5 through F16, uses a ten-blade aperture diaphragm and has a minimum focusing distance of 50cm (20″), despite the on-lens focus markings only going down to 70cm (27.6″) for the interlocking system when used with rangefinders. Cosina says the manual focus system uses an all-metal helicons unit that ‘produces moderate torque’ and offers ‘smooth focusing.’

Below is a small gallery of black-and-white sample images, provided by Cosina:

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The lens measures 56.5mm (2.2″) in diameter by 41.9 (1.65″) long and weighs 255g (9oz). Cosina says the Voigtlander Heliar Classic 50mm F1.5 lens will start shipping in September 2021 for ¥90,000 (~$ 825).

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DJI’s rumored $300 Mini SE drone is available now in the US and weighs only 249 grams

10 Aug

Following a leak in June, DJI’s sub-250-gram entry-level drone, the DJI Mini SE, is now available in the United States. At $ 300, the Mini SE is DJI’s most affordable drone.

As noted by Drone DJ, the DJI Mini SE is essentially a cheaper version of DJI’s original Mini. In our review of the Mini in 2019, we called it ‘the perfect drone for beginners.’ In 2020, the DJI Mini 2 came out. In our DJI Mini 2 review, we remarked that the Mini 2 built upon the excellent concept of the original Mini and included significant improvements. The Mini 2 launched at $ 450, $ 150 more expensive than the new Mini SE.

The Mini SE is more a spiritual successor to the original DJI Mini than a replacement for the Mini 2. While the Mini 2 records 4K video, the Mini SE offers the same 2.7K video resolution as the original Mini. That said, the Mini SE uses the same slightly redesigned body as the Mini 2. Speaking of sharing features with the original Mini drone, DJI has delisted it following the release of the Mini SE.

The DJI Mini SE weighs only 249 grams, putting it in the lowest weight class of drones.

At 249 grams (8.8 oz.), the Mini SE is about the same weight as some smartphones. DJI writes, ‘Weighing under 249 grams, DJI Mini SE is almost as light as the average smartphone. This makes it exceptionally portable and places it in the lowest and safest weight class of drones, which may exempt it from certain regulations in many countries.’

When folded, the drone’s dimensions (L x W x H) are 131 x 81 x 58mm. Unfolded with propellers, the drone is 245 x 289 x 56mm. In terms of additional specs, the drone has a maximum ascent speed of 4 meters per second and a max speed (with no wind) of 13 m/s. The Mini SE has a maximum tilt angle of 30° and a maximum angular velocity of 150°/s.

In our coverage of the Mini SE leak in June, we wondered what remote the Mini SE would ship with, the Mini remote or the improved Mini 2’s remote? As it turns out, it’s the former.

As mentioned, the DJI Mini SE shares its imaging pipeline with the original Mini. The Mini SE drone records 12MP aerial photos and up to 2.7K Quad HD videos using its 1/2.3″ CMOS image sensor. The built-in lens has a 35mm-equivalent focal length of 24mm and an F2.8 aperture. The drone’s ISO range for photo and video is 100-3200. The drone includes a 3-axis motorized gimbal. When flying, the remote maintains an HD video feed at up to 4km (2.5mi). The drone is rated for up to 30 minutes of flying with a fully charged battery.

The DJI Mini SE comes with numerous ease-of-use features, including QuickShots. With QuickShots, you can set the drone to automatically perform preset motions, including Dronie, Rocket, Circle and Helix. The drone also includes a CineSmooth mode. This slows down the Mini SE’s flight speed and movements for additional precision and stability. It’s a useful mode when flying in tight spaces, too. The Mini SE comes equipped with a 360° Propeller Guard to protect the drone and people in the area. It also has advanced sensors to hover precisely.

The accompanying DJI Fly app helps users find scenic locations near them. The integrated SkyPixel social media platform lets users share aerial photos and videos with other users.

The DJI Mini SE is available now through DJI and authorized retailers. To learn more about DJI’s new $ 300, 249-gram drone, visit DJI.

Articles: Digital Photography Review (dpreview.com)

 
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Venus Optics’ 100mm F2.8 Ultra Macro lens is now available with Pentax K mount, new stepless EF mount version also available

14 Nov

Venus Optics has announced its popular Laowa 100mm F2.8 Ultra Macro APO lens is now available for Pentax K mount cameras and is also available in a stepless aperture version for Canon EF mount.

When the Laowa 100mm F2.8 Ultra Macro APO lens was announced back in 2018, it was supposed to be available for Pentax K mount systems alongside Canon EF, Nikon F and Sony FE mounts. However, the K mount version never came to fruition, with Venus Optics even announcing RF and Z mount versions back in April of this year before any news of the K mount version came out.

A macro shot of the aperture coupling on the new Pentax K mount version of the Laowa 100mm F2.8 Ultra Macro APO.

Now, the wait is over. As with the previous versions of the lens, the Pentax K mount version is constructed of 12 elements in 10 groups, features an aperture range of F2.8-F22, uses a seven-blade aperture diaphragm and has a maximum 2x magnification ratio. The lens features an automatic aperture coupling lever, which allows the lens’ aperture to be controlled through the camera, but if you prefer a more hands-on approach, you can adjust the aperture using the manual aperture ring as well.

In addition to the Pentax K mount model, Venus Optics has also released a variation of its EF mount model that features manual stepless aperture control. This video-oriented version of the lens makes it easier to get just the right exposure and the inclusion of a 13 aperture-blade diaphragm over the seven-blade aperture diaphragm in the automatic aperture EF mount version should make for even smoother bokeh.

Below is a sample gallery of images taken with the Laowa 100mm F2.8 Ultra Macro APO lens by photographer Thomas Shahan, provided by Venus Optics:

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Both the Pentax K mount and Canon EF mount stepless manual focus versions of the Laowa 100mm F2.8 Ultra Macro APO are available on the Venus Optics online shop and through authorized retailers for $ 449.

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ON1 Photo RAW 2021 now available, includes Portrait AI, new selection tools and much more

03 Nov

After unveiling ON1 Photo RAW 2021 in September, ON1 has officially released the new software. ON1 describes the latest version of its flagship software a ‘hassle-free, professional photo organizer, raw processor, layered editor and effects app.’ ON1 promises its software is ‘perfect for those seeking an ultra-convenient all-in-one photo editing solution.’

ON1 Photo RAW 2021 includes numerous additions and improvements, including improved automatic AI adjustments, a new portrait editing workflow, improved color selection technology and much more.

The primary new feature is ON1 Portrait AI. This technology finds each face in a selected image and analyzes the photo to locate the eyes, mouth and skin to allow the user to make many quick adjustments, including frequency separation-based skin retouching and adjustments to lighting. ON1 states that ‘in a few simple clicks, you can quickly brighten up the eyes, whiten the teeth and make your subject glow with very little effort.’

Additional retouching tools added to ON1 Photo RAW 2021 include a new Spot Healing Brush tool. The non-destructive brush allows quick removal of dust spots, power lines and other unwanted objects from your image. With a new filter, you can also quickly change a specific color in your image. ON1 says you can use the new filter to change the color of objects such as eyes, flowers, buildings, clothes and more. A similar framework has been added to Photo RAW 2021 allowing you to quickly select a specific color to create a mask, allowing for very specific, localized edits to different parts of your image.

If you’d like to liven up your landscape images, AI Auto and new brush shapes allow the user to easily add clouds to a dull sky. Further, with the color selection technology in ON1 Photo RAW 2021, you can easily make selective edits to your sunrise and sunset images to bring out or add new colors to a scene.

The new version of the software includes workflow and usability improvements as well. With a new Full Screen Preview mode, you can view your image without any distracting user interface elements. You can also present selected images in a full-screen slideshow with user-adjustable settings. For users with large photo libraries, it is all too easy to accidentally import duplicate files or have a cluttered archive. With ON1 Photo RAW 2021’s new Smart Organize mode, the software can automatically locate duplicate images and clean up your files. You can also use this mode to track down all photos captured at a specific location. ON1 Photo RAW 2021 also includes the ability to batch process HDR and panoramic images provided the source image files are organized within subfolders.

ON1 Photo RAW 2021 can be used as a plugin across a wide range of supported software, including Adobe Photoshop and Lightroom, Affinity Photo, Capture One (coming soon), Apple Photos and Corel Paintshop Pro. Click to enlarge.

If Photoshop is an integral part of your editing workflow, you can also take advantage of ON1 Photo RAW 2021’s powerful portrait editing features inside of Photoshop by using ON1 Portrait AI as a plugin. ON1 Photo RAW 2021 can also be used as a plugin inside Lightroom, Affinity Photo, Corel Paint Shop Pro and Capture One (although this support is coming later).

ON1 Photo RAW 2021 includes support for new cameras and lenses as well. New camera support includes: Canon EOS Rebel T8i (850D), Canon EOS R5 (uncompressed image files only), Canon EOS R6 (uncompressed files only), Fujifilm X-S10, Leica M10-R, Nikon Z5, Olympus E-M10 Mark IV, Olympus E-30, Panasonic DC-S5, Panasonic Lumix DC-G100, Sony A7S III and the Sony A7C. New lens profiles include: Canon EF 85mm F1.4L IS USM, Canon G5 X Mark II, Canon RF 24-105mm F4 L IS USM, Nikon Coolpix P1000, Nikon Nikkor Z 50mm F1.8S, Nikon Nikkor Z 85mm F1.8S, Sigma 14-24mm F2.8 DG DN Art, Sony FE 35mm F1.8, Tamron 17-35mm F2.8-4 Di OSD, Tamron 18-400mm F3.5-6.3 Di II VC HLD and Zeiss Touit 2.8/50M.

ON1 Photo RAW 2021 is available now. If you are an owner of a previous version of ON1 software, you can upgrade to ON1 Photo RAW 2021 for $ 79.99. New customers can purchase a perpetual license to ON1 Photo RAW 2021 for $ 99.99. There is also a bundle that includes an annual membership to ON1 Plus for $ 129.99.

If you subscribe to ON1 Photo RAW 360, which has plans starting at $ 7.99 per month, you will receive ON1 Photo RAW 2021 automatically. This also includes ON1 Photo RAW for Mobile. ON1 Photo RAW 2021 is compatible for Windows and macOS. You can learn more about ON1 Photo RAW 2021 and check out purchasing options by visiting ON1.

Articles: Digital Photography Review (dpreview.com)

 
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It’s alive: Zeiss’ Android-powered ZX1 camera is available to pre-order on B&H for $6K

05 Oct

Surprises in 2020 have proven less than ideal more often than not, but a new bit of information might make one surprise in the photography world an anomaly from the rest. B&H has sent out an email notifying consumers the long-awaited Zeiss ZX1 camera is now available for pre-order for $ 6,000 and is ‘Coming Soon.’

The fabled ZX1 was announced all the way back in September 2018. At the time, Zeiss detailed the specifications of the Android-powered full-frame camera that features a 37.4MP sensor behind a fixed 35mm Distagon F2 lens. And while it isn’t the first Android-powered camera to come to fruition, it did set itself apart from the onset due to Zeiss partnering with Adobe to ensure Lightroom CC would run directly on the camera’s 4.3” 1280×720 pixel display. In Zeiss’ own words, the camera was designed to enable you to shoot, edit and share on the fly.

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Zeiss said in its announcement the camera would be available in ‘early 2019.’ As we all know by now though, that wasn’t the case. In February 2019 we had our first hands-on with the ZX1 and in March 2019 we had an interview with Elliot Shih, Senior Product Manager of Zeiss, talking about the camera, but since then it’s been radio silence, despite multiple attempts to contact Zeiss for more information.

We have contacted B&H for more information regarding the listing and potential availability dates of the ZX1, but the shop is closed and its employees are on break through October 11, so it’s unlikely we’ll receive a response any earlier than October 12. We will update this article with more information as it becomes available.

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Funleader’s 18mm F8 ‘cap lens’ gets more lens mount options and is now available to the public

03 Oct

Last October, Funleader started a Kickstarter campaign to help raise funds to produce its ridiculously small 18mm F8 pancake lens for Sony E mount and Leica L mount camera systems. As promised in its campaign, it started shipping to global backers in December 2019 and now, nine months later, the lens is available to purchase by the general public in three additional lens mounts.

The pancake lens is constructed of six multi-coated elements in four groups, has a 100º field of view on a full-frame camera and is made of aluminum. The lens measures just 15mm (.59in) and weighs only 80g (2.8oz), making it only marginally larger than the lens cap you probably keep on your camera to keep the mirror and sensor protected.

Funleader designed the lens around its hyperfocal distance, ensuring everything from 80cm (2.6ft) to infinity is in focus at its F8 aperture.

Below is a sample gallery of images taken with the lens and various cameras:

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The Funleader 18mm F8 cap lens is available for Canon RF, Fujifilm X, Leica L, Nikon Z and Sony E mount camera systems. Funleader has it available on its website for $ 150 with free worldwide shipping.

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Hasselblad 907X 50C camera and accessories now available

12 Aug

Hasselblad has announced the general availability of its 907X 50C medium format camera kit, as well as the accessory grip and optical viewfinder. The camera was introduced over a year ago, and up until now a limited edition Moon Landing kit was the only way to get one – but those sold out pretty quickly.

The standard production 907X body with the CFV II 50C back will cost €6590 / £5990 / CNY¥48000 including tax / $ 6399 excluding sales tax and will ship at the end of August. The 907X Control Grip will be of €749 / £679 / CNY¥5990 / $ 729 (no US tax) and the optical finder €499 / £459 / CNY¥3990 / $ 499. The limited edition Moon-Landing kit that came in a matt black finish with black trim cost $ 7500/ €7475/ £6990.

The 907X camera body accepts lenses from the XCD range designed for the X1D series cameras, but can also use the HC/HCD, V system and XPan lenses via adapters. The CFV II 50C back features a 50MP sensor, dual SD card slots, USB-C and Wi-Fi as well as the ability to record 2.7K video. For more information see the Hasselblad website.

Press release:

Press information – For immediate release Gothenburg, Sweden 12 August 2020

HASSELBLAD 907 X 50 C NOW AVAILABLE

COMBINING OUR LEGACY WITH YOUR FUTURE
A UNIQUE PHOTOGRAPHIC EXPERIENCE WITH FULL SYSTEM MODULARITY

Introduced as a concept in June 2019 and now available to purchase, the 907X 50C mirrorless medium format digital camera is comprised of the modernised CFV II 50C digital back and the brand new 907X camera body, connecting Hasselblad’s photographic legacy and future into one system.

With an outstanding medium format 50-megapixel CMOS sensor (43.8 x 32.9 mm), the CFV II 50C digital back enables use with most V System cameras made from 1957 and onwards in addition to third party technical or view cameras. The CFV II 50C features a brilliant 3.2in 2.36K dot tilting rear display with full touch support and Hasselblad’s renowned user interface for settings, image review, and menu naviga- tion. Users of previous CFV digital backs will appreciate the new fully integrated battery design, the same used on the X System, which reduces overall size and with the option to recharge in-camera via the USB-C port. Combining its iconic aesthetics with a chrome edge body finish in addition to modern tech- nology, the CFV II 50C gives a nod to Hasselblad’s history combined with the brand’s world-renowned image quality.

Coupling the CFV II 50C with the 907X, Hasselblad’s smallest medium format camera body ever, creates a highly compact package. This combination offers a truly distinct photographic experience, including the classic waist-level shooting style of the V System enabled by the CFV II 50C’s tilt screen. With the 907X, the photographer gains access to all of the high-quality X System Lenses in addition to a vast range of Hasselblad optics via adapters, including the H System, V System, and XPan Lenses. In addition, the 907X enables compatibility with a wide range of third-party adapters and lenses. Accessories that beautifully complement the combination include the 907X Control Grip and 907X Optical Viewfinder.

Key features for the 907X 50C:
• Large medium format 50MP 43.8 x 32.9 mm CMOS sensor
• 14 stops of dynamic range
• Hasselblad HNCS
• Captures 16-bit RAW images and full resolution JPEGs
• High-resolution 3.2-inch 2.36K dot touch and tilt screen
• Smooth live view experience with a high frame rate of 60fps
• Video: 2.7k (2720 x 1530) and Full HD (1920 x 1080) / Video covers full sensor width in a 16:9 ratio
• Intuitive user interface with swipe and pinch touch controls
• Internal battery slot with the option to recharge in-camera via the USB-C port (same battery used on the X System)
• Compatibility with most V System cameras made from 1957 and onwards in addition to third party technical or view cameras
• Full compatibility with all XCD Lenses
• Full compatibility with HC/HCD Lenses including AF with optional XH Lens Adapter (manual focus only with HC 120 Macro and HC 120 Macro II)
• Compatibility with V System Lenses, XPan Lenses, and third-party lenses using XV, XPan and third- party lens adapters, respectively
• Dual UHS-II SD card slots
• Audio in/out connectors
• Flash in/out connectors
• Integrated Wi-Fi connectivity and USB-C connection, enabling tethered shooting
• Portable workflow with Phocus Mobile 2 support*
• Optional accessories, including chrome finished 907X Control Grip for quick access to main image functions and 907X Optical Viewfinder for convenient eye-level shooting
• 907X ultra-thin and light weight body converts CFV II 50C digital back into digital SWC
• 907X 50C weight: 740 g (CFV II 50C: 540 g / 907X Camera Body: 200 g)

The 907X 50C has an MSRP of €6590 / £5990 / CNY¥48000 including VAT and $ 6399 excluding sales tax.

The 907X Control Grip has an MSRP of €749 / £679 / CNY¥5990 including VAT and $ 729 excluding sales tax.

The 907X Optical Viewfinder has an MSRP of €499 / £459 / CNY¥3990 including VAT and $ 499 excluding
sales tax.

All products are available to order today, and shipping will begin from the end of August. Visit www.hasselblad.com/cfv-ii-50c-907x/ to see more about the 907X 50C.

*Update for Phocus Mobile 2 for iPad and a brand new Phocus Mobile 2 for iPhone to be released soon. This update for Phocus Mobile 2 will enable Live View, allowing for Focus Peaking, control of Depth-of- Field, setting AF area positioning and the ability to simulate exposure, all from the Live View screen in Phocus Mobile 2.

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Raw video output for Panasonic Lumix DC-S1H now available

28 Jul

Panasonic has announced firmware version 2.1 for the Lumix DC-S1H. Originally slated for a May launch, this firmware adds support for Raw video output to Atomos Ninja V external recorders, which in turn can save the footage as ProRes Raw. The maximum output resolutions are 5.9K/29.97p from the full sensor region and 4K/59.94p from a Super 35 crop. A LUT will be made available for the Ninja V to match V-Log and V-Gamut on the S1H and other Panasonic video cameras.

In addition to Raw export, the firmware update also gives the S1H the ability to capture 3.5K anamorphic from a Super 35 4:3 region.

The update is available free of charge and can be downloaded from Panasonic’s website.

Panasonic Releases Firmware Version 2.1 for LUMIX S1H Supporting RAW Video Data Output

Newark, NJ (July 28, 2020) – Panasonic is pleased to announce the LUMIX S1H firmware update program Version 2.1 that supports RAW video data output. Working together with Atomos, a global company that creates video equipment for professional film creators, the new firmware enables the output of maximum 5.9K/29.97p and 59.94p 4K* RAW video data over HDMI to save it as Apple ProRes RAW on the Atomos Ninja V 4K HDR monitor-recorder. In addition, it further complies with 3.5K Anamorphic 4:3. Panasonic commits to provide innovative solutions for professional film creation by enabling all S1H users to receive this firmware free of charge.

The program will be available at LUMIX Global Customer Support website https://av.jpn.support.panasonic.com/support/global/cs/dsc/ at 2:00 A.M.EDT on July 28, 2020.

* 4128×2176(17:9), announced as “C4K” at IBC2019. Corresponding to C4K (4096×2160) as defined by Digital Cinema Initiatives (DCI).

LUMIX S1H Firmware Version 2.1

RAW video data output over HDMI

  • [5.9K] / [4K] / [Anamorphic (4:3) 3.5K] 12-bit RAW video data can be output over HDMI.

The Apple ProRes RAW can be recorded on Atomos Ninja V.[1]

Area

Resolution

Frame Rate

Aspect

HDMI Output

Full-Frame

5.9K (5888×3312)

29.97p/25p/23.98p

16:9

12-bit

Super 35mm

4K (4128×2176)

59.94p/50p/29.97p/25p/23.98p

17:9

12-bit

Super 35mm Anamorphic

3.5K (3536×2656)

50p/29.97p/25p/23.98p

4:3

12-bit
  • V-Log or Rec.709 is selectable on Live View monitor during RAW output.
  • Shooting assist functions including WFM (Wave Form Monitor), Vector Scope, Luminance Spot Meter, Zebra Pattern can be used during RAW output.
  • A LUT (Lookup table) exclusively designed for RAW video recorded on NINJA V is available on the following customer support website to make the same color grading as V-Log/V-Gamut[2]. It is easy to match colors between the footages recorded with Panasonic Varicam, EVA1 and GH5 series cameras to combine them. https://panasonic.jp/support/global/cs/dsc/download/lut/s1h_raw_lut/index.html

[1] Selectable recording mode depends on the version of ATOMOS NINJA V.
All functions may not be available depending on the situation.

[2] Software that supports Apple ProRes RAW is required to edit RAW video recorded with NINJA V.

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Thunderbolt 4: Same speeds as Thunderbolt 3, but more functionality available

11 Jul

Intel has released the full specifications for Thunderbolt 4, the successor to Thunderbolt 3 that was first announced earlier this year. As previously stated, Thunderbolt 4 will not offer a speed increase over Thunderbolt 3 — it will, however, still represent an important upgrade for the protocol.

Intel released the minimum system specifications for Thunderbolt 4 on Wednesday, July 8, explaining that it will feature USB4 compliance in addition to ‘expanded capabilities.’ Notable changes introduced by Thunderbolt 4 will include double the data and video minimum requirements compared to Thunderbolt 3, requiring minimum support for two 4K displays or a single 8K display.

As well, Thunderbolt 4 will offer the full 40Gb/s speed of Thunderbolt 3 with cables up to 2m (6.5ft) in length. Whereas Thunderbolt 3 has minimum support of 16Gb/s for PCIe connections, Thunderbolt 4 will boost this to 32Gb/s. When it comes to USB4 (which uses the same USB-C connector), speeds top out at 20Gb/s with 7.5W of power delivery and support for a single 4K display.

Beyond that, Thunderbolt 4 will require Intel VT-d DMA protection and support for accessories like docks that have four Thunderbolt ports. Other minimum requirements include that Thunderbolt 4 docks must wake the PC from sleep and that notebooks requiring less than 100W of power must include at least one Thunderbolt 4 port for charging.

Though it’s clear at this point that Thunderbolt 4 won’t offer faster speeds than Thunderbolt 3, it is ultimately an upgrade over the current specification, offering double the minimum requirements in some cases. As expected, Intel says it is working closely with manufacturers on the Thunderbolt 4 certification standards.

Talking about this is storage company Kensington’s VP Ben Thacker, who said:

We expect Thunderbolt 4 products to be an inflection point for accessory makers who depend on PCs and Macs to offer an industry-leading set of product capabilities for a consistent user experience. The advancements in Thunderbolt 4 will help Kensington redefine the modern workspace of the future.

Consumers will benefit from the new minimum specifications, including the future arrival of faster Thunderbolt 4 drives, guaranteed support for two external 4K monitors and the ability to charge a slim notebook from at least one of the Thunderbolt 4 ports. These likewise exceed that of the USB4 spec, which uses the same port as Thunderbolt 3 and 4.

Ultimately, consumers can expect to see Thunderbolt 4 devices start arriving later this year when Intel makes its controllers available to accessory and computer manufacturers. It’s unclear how many of these products we can expect to see before 2021, however.

Articles: Digital Photography Review (dpreview.com)

 
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Pixii’s 12MP display-less M-mount rangefinder is now available to order

08 Jul

It’s been almost two years since the French startup Pixii announced its display-less digital M-mount rangefinder that uses your smartphone as both a screen and means of storage. Now, the niche camera is available to purchase, but don’t expect to pick it up for cheap.

To recap, the Pixii camera (Model A1112) is a digital M-mount rangefinder constructed of an aluminum frame that houses the 12MP (4080 x 2732 pixels) APS-C CMOS sensor. It features an electronic global shutter, Raw (DNG) capture and works with Leica M-mount lenses, as well as M39/LTM lenses when used with an adapter.

Similar to the Leica M-D, the Pixii camera eschews a rear LCD display and instead relies on being paired with a smartphone to review images captured through the 0.67x magnification optical viewfinder (53.6-degree FOV). The only display on the camera is a small OLED screen on the top of the camera that shows the basic image settings.

The Pixii camera also forgoes an SD card and instead stores images on 8GB of internal storage (4GB if you pick up the ‘launch edition’ model). Once filled, images can be transferred wirelessly to a paired mobile device via Wi-Fi or Bluetooth. The camera also uses a built-in 1,000mAh Li-ion battery that can be recharged via the onboard USB port.

While we haven’t taken it for a spin ourselves, our friend Hamish Gill of 35mmc fame spent some time with one of the units and wrote up a comprehensive review of his experience with one of the first units.

Pixii has also shared a number of sample photos captured with one of its cameras:

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The Pixii camera is available to purchase on the Pixii website. The 8GB model comes in ‘Space Gray’ and ‘Black Matte’ finishes and retails for €2,900 / ~$ 3,277, while the special ‘launch edition’ comes in at €2,900 / ~$ 3,259. There’s no information at this time on shipment timeframes, but we’ve contacted Pixii about the matter and will update accordingly when we receive a response.

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