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Posts Tagged ‘Artist’

Night House: Artist Cloaks Suburban Home Facade in Starry Skies

02 Dec

[ By WebUrbanist in Art & Installation & Sound. ]

night house suburban intervention

House painting is such time-consuming and meticulous work just to get a single color on a facade; perhaps next time you could clad your home in printed image of the night sky instead.

night house looking up

night house in making

For the Night House, Chicago artist Kate McQuillen covered a suburban house with a contiguous skyscape of nighttime space images digitally printed on weatherproof styrene panels.

night house poster project

The project was funded by sales of a screenprinted poster and created as part of the Terrain Biennial, an Oak Park-based international exhibition of yard, balcony and porch interventions.

night house glowing stars

night house screenprinted wall

Like some kind of suburban camouflage, the covered sections of the home start to disappear against the backdrop of the sky at the right times of early evening and morning. Read also: The Night House, a poem by Billy Collins.

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Abandoned Ship: Artist Paints Figure Onto Floating Ruins

22 Sep

[ By Steph in Art & Street Art & Graffiti. ]

ship graffiti 2

Hawaiian artist HULA paints the head and arm of a floating woman onto the rusted steel surface of an abandoned ship, all while balancing on a surfboard. The woman’s face appears and disappears with the tides, the rising water sometimes only revealing her hand. This large-scale guerrilla mural is the latest waterside work to be completed by HULA, who’s known for his unusual balancing act technique.

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Otherwise known as Sean Yoro, the Oahu-born, NYC-based artist gained attention this summer for translating his oil paintings on canvas to urban surfaces located along canals or other bodies of water. HULA’s favorite subjects are bathing women, painted with photorealistic detail onto crumbling concrete.

ship graffiti 1

The artist was inspired to create ‘Ho’i Mai’ (which translates to ‘Come Back’) on the stern of a half-sunken ship off the Hawaiian coast after watching the water rise and fall as the tides change throughout the day.  Floating out to work alongside the ship on his paddle board, HULA hand-painted the image without the apparent use of a projector or, in fact, anything other than a few cans of paint and some brushes.

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Yoro hopes to turn the ship into a public work of art rather than just a forgotten vessel left to slowly sink into the water over the decades. The painting won’t last forever, though, as the artist uses traditional oil paints knowing they won’t stand up to the elements for long.

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“I use it in a traditional old masters’ technique, mixing both loose brushwork with very tight strokes of sharp lines,” he told CNN. “I’m always trying to make the paint have a juicier texture to really help the portrait come alive. Oil paint outdoors definitely isn’t the best and it doesn’t last nearly as long as acrylics, but I kinda like that my figures have their own lifespan.”

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Escape Artist: Giant Ball Rolls Down Streets, ‘Round Corners

24 Aug

[ By WebUrbanist in Art & Installation & Sound. ]

redballroll

Wind and rain conspired to set loose a gigantic inflatable piece of installation art, turning it into a kind of impromptu performance piece for drivers and bystanders as one (very big) red balloon rolled by. In some regards, the resulting viral sensation has taken on a life of its own, extending the reach of the sculpture far beyond its target audience.

caught

Designed to be a source of urban interaction, the RedBall was in the process of being wedged between two downtown businesses before being redirected by forces of nature. Museum staff, installation participants and a handful of bystanders chased the recently-liberated sphere down the streets, eventually catching, deflating and returning it to the installation site. Instagram user jeremy419 happened to catch much of the action from atop a nearby building. Meanwhile, a hacked version of video puts a fresh tomato-style spin on this unexpectedly interactive work of  art.

freshtomatoe

The museum’s director of communications, Kelly Garrow, recapped the sequence of events for reporters: “It started pouring rain, so the ball was wet and slippery. The wind picked up, and it popped up and just started going. You can see in the video that’s going viral that it rolled about halfway down a block and then mysteriously took a left-hand turn. It made its way partially down the street before people caught up with it.

red ball escape

Despite its size (15 feet in diameter), the ball weighs only 250 pounds, minimizing its potential for damage to one bent street sign – quite tame compared to rounded corporate art sculpture set loose in Fight Club as part of Project Mayhem.

public ball of art

A world-traveling artwork, the ball was created by Kurt Perschke to be pressed into tight spaces and has been in play for nearly a decade without incident. Meanwhile, add this escapee to Nena’s 99 Luftballons lyrics and you get a nice rounded “100 red balloons go by.”

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Artist Nikita Nomerz Gives Russian Buildings A New Look

23 Aug

[ By Steve in Art & Street Art & Graffiti. ]

nikita-nomerz-big-brother
Artist Nikita Nomerz is giving abandoned buildings and structures in Russian cities a new look… and the eerily expressive edifices are looking back!

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Hailing from the northwestern Russian city of Nizhniy Novgorod, Nikita Nomerz cut his artistic teeth in the field of hip-hop graffiti. For the past few years, however, his focus has been on street art of a different sort. Nomerz gets his inspiration from the buildings and structures he paints, seeing the inner “soul” of the edifice much as a sculptor imagines the finished statue before the first chip of the chisel. “The Big Brother”, above, is one of Nomerz’ earliest such works dating from 2010. The lowest of the three images was taken in April of 2015 – darned graffiti artists!

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“When you are doing street art, you create a dialogue with passersby, architecture, nature and with other artists,” explains Nomerz. “Maybe on streets, art is not so durable, but it’s for real alive. Works which has been done on the streets are living their own life.” Since not everyone can see the life still couched within these derelict structures, Nomerz employs his own talent and creativity to bring it to the forefront.

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Since 2010, Nomerz has been engaged in a wide-ranging project he calls The Living Wall. From St. Petersburg eastward to the Chinese border city of Mudanjiang, Nomerz has left his mark – often quite a large mark – upon cities and towns in need of a little extra character. The bizarrely disturbing piece above is titled The Glutton; the striking installation below, The Chinese Residents. The latter stands out for NOT being created on an abandoned structure.

nikita-nomerz-toothy man

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Nomerz’ main medium is spray paint but in some of his works, a little added plaster and some shifting of stone and/or brickwork is performed to enhance the composition. It’s startling how a row of decaying bricks can approximate a grinning mouth, as seen on The Toothy Man above – no doubt the building’s original constructors would be shocked at the transformation!

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If the eyes are the windows of the soul, then the windows of abandoned buildings must be… OK, let’s not go there. Nomerz has no qualms about bringing out the inherent “personalities” of his inanimate subjects, mind you.

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Artist Nikita Nomerz Gives Russian Buildings A New Look

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Balancing Act: Artist Paints Seaside Murals from a Surfboard

23 May

[ By Steph in Art & Street Art & Graffiti. ]

hula 1

Painting a hyper-realistic mural outdoors is challenging enough on its own, and artist Sean Yoro not only pulls off incredible portraits, he does it all while balancing on his surfboard. Known as HULA, the Oahu-born, NYC-based painter meticulously crafts stunning images of women onto waterfront walls. Each of the figures seems to be emerging from the surface, the rest of them unseen in the depths.

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hula 3

“Now entering the street art game. Better grab my surfboard, paints, and get as far away from the street as possible,” the artist jokes on Instagram. In the scant three days since he posted his first seaside mural image, Yoro’s work has exploded across the internet, as much for the quality of his paintings as for the unusual way in which they’re produced.

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hula 2

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Yoro scouts locations at abandoned riverside sites where concrete meets the shimmering surface of the water. The rough, weathered surfaces provide a gritty backdrop for the photo-realistic imagery, making his subjects seem all the more otherworldly in comparison.

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hula 5

In some shots, mangled metal dangles down from partially demolished buildings as Yoro works, his paint cans set up on one side of his surfboard as he kneels in the center.

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The series is entitled ‘Pu’uawai,” which means ‘heart.’ Of the first image he completed, Yoro says “This piece was inspired by the silence beneath the surface of the water, when all you can hear is your heartbeat as everything else fades away. It’s one of the many places I call home.”

See more on Yoro’s Instagram, @the_hula.

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Fifth Wall: Artist Uses Aerial Urban Voids as Blank Backdrops

04 May

[ By WebUrbanist in Art & Street Art & Graffiti. ]

dky art new york'

In theater, the ‘fourth wall’ refers to the imaginary barrier between performers and their audience – the work of this illustrator evokes a kind of ‘fifth wall’, treating the sky above as invisible canvass for drawing upon.

sky ladder at night

skydesign

sky people frame sun

Featured previously, French artist Thomas Lamadieu is back with new sets (SkyDesign and SkyFace) as well as fresh work in his SkyArt series from around the world, with illustrated shots taken and drawn from South Asia and Europe to the United States.

sky art cat cartoon

sky art man cat

His recognizable style is pushed in new directions as he explores difference spaces and ways of filling them in, including some cartoons that breach the sky barrier and start interacting with infrastructure and spatial elements beyond the central area of focus.

sky faces art pair

skydesign edge sitting

spacespace design series

sky art drawing sun

In SkyFace, his portraits seem to push out from their frames, filling up their allotted space and then some, pulling back buildings to be revealed. In SkyDesign, his creations begin building out their own aerial infrastructure, crafting fanciful structures in the sky and manipulating the sun, moon, stars and other celestial elements seemingly at their fingertips.

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Snow Calligraphy: Reverse Graffiti Artist Tags Parked Vehicles

02 Mar

[ By WebUrbanist in Art & Street Art & Graffiti. ]

snow calligrapher signature work

For years, this graffiti calligrapher has made his mark around New York City, but some of his best work is reserved for special (and somewhat unpredictable) occasions, relying on seasonal snowfall.

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Known for his interior and exterior calligraphic murals as well as his signature snow pieces, Faust notes that virtually “everyone has an affinity for writing in the snow as a child. When most people grow up they lose the urge. I guess I just haven’t been able to shake it.”

snow car front artwork

As with other forms of reverse graffiti, his snowy script is ultimately temporary and removes material that would be wiped and swiped away by brushes or wipers, thus leaving no lasting impact or damage.

snowgraffiti car windshield

snow front of car

Some of his messages speak to the season (of snows and ice) while others are simply signatures left on the hood, trunk, windshield or window of a car as a simple surprise to brighten the dark winter days of passers by.

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Gaza Strip Graffiti: Artist Banksy Tunnels Back Into Palestine

01 Mar

[ By WebUrbanist in Art & Street Art & Graffiti. ]

banksy gaza strip art

Well known for polarizing political artwork, the infamous street artist Banksy recently returned to the Middle East and filmed a short video about his new work while also commenting on the culture and conditions in a famously contentious place.

banksy gaza kitten graffiti

Regarding a cat mural created on this trip, he writes: “a local man came up and said ‘Please — what does this mean?’ I explained I wanted to highlight the destruction in Gaza by posting photos on my website — but on the internet people only look at pictures of kittens.”

banksy gaza prison mural

His snark knows few boundaries, if any, and is sure to spark global debate on multiple fronts: “Gaza is often described as ‘the world’s largest open air prison’ because no-one is allowed to enter or leave. But that seems a bit unfair to prisons — they don’t have their electricity and drinking water cut off randomly almost every day.”

banksy wall mural palestine

The title of the video below, “Make this the year YOU discover a new destination,” framed as a sort of satirical low-budget travel ad, speaks volumes about his opinions and intentions in revisiting Palestine, where he has worked previously and along similar lines (mainly on dividing walls in the West Bank).

banksy palestine previous murals

Crossing into Gaza from the north generally requires Israeli permission, hence the tunnels as an alternative- there is no functioning airport, sea vessels are turned away by the blockade and land access is limited though possible through Egypt in the south. Some argue Banksy’s work is one-sided with regards to Israel and Palestine, ignoring the role of Hamas in the ongoing conflict that has rendered so much of Palestine into rubble, and this new series is sure to spark some serious conversations, arguments and debates.

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Is Being a Photographer Synonymous With Being an Artist?

26 Nov

Photo 1 Guy

Sure, the concept of photography falls under the realm of one the arts, but can you strictly label someone an artist based on their job or hobby?

Photographers are everywhere nowadays. Beyond the thousands upon thousands of photographers who have businesses and make a living taking pictures, there are also all the families with cameras and anyone who halfway knows how to use a camera phone. Every single one of you who calls yourself a photographer has the opportunity, in my opinion, to call yourself an artist.

The term artist has a powerful meaning that is non-discriminatory. You, as an artist, have the distinct ability to take something and make it your own. But for me, I don’t consider myself an artist. It’s not a label I give myself because I feel that it is too strong for how I look at my own photos.

What do I do? I am in one world, a staff photographer taking pictures of exotic cars, in another world, editorial portrait photographer, and in another a sports photographer. But where I find myself in true harmony is taking landscape and cityscape photos. Do any of these types of photography REQUIRE me to be an artist? Or is that just a term we can only identify ourselves with?

Is the Word Artist too Demanding?

Sometimes there’s a connotation that you have to be an artist to be considered a respectable photographer; whatever either of those terms mean.

In our generation you don’t need much to pick up and learn how to take great photos. It’s not like you need a darkroom, chemicals, and to constantly be purchasing film. With just a good smart phone you can yield some amazing photos in spectacular quality. This has opened the world of photography and the arts to lot more people.

Image 2  Girl

With that said, do you need to be an artist, think like an artist, and go to art school to be a great photographer? I personally have a science mind. I graduated from college with a degree in Health Sciences. I picked up a camera sometime in college, and now that’s what I do.

What about this: do you need to think like an artist and go to art school to BE an artist?

Being a photographer can be just as much about having technical skill and experience, as it is about having a vision.

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The Balance Between Technical Skill and Vision

In order to make great photographs you need to have both technical skills and a vision. The combination of these two is what converts real life into a photograph.

Technical skill is required for just about everything you do. Maybe you started on automatic settings for your camera and slowly moved your way to manual as you got more comfortable with it. Maybe all of your photos are printed yourself?

Whatever type of photo you’re trying to capture, chances are you won’t have all the time in the world to check every setting on your camera to see which photo comes out the best. You’ve already learned, and have experience with which settings work best. That’s how you continue to get good-looking photos out of the camera on fewer attempts.

In the world today where just about every photo is being retouched to some degree, editing is also a technical skill that allows you to cement your style into your photos. Editing is an ever-evolving skill as you continue to learn new features in Photoshop (or other editing software) and as technology advances.

In photography you progress, every day you get out there and take a new photo; you’ve gotten better. But that improvement needs to carry on by continuing to learn your craft. Every artist, every photographer, works to improve upon what they’ve already done. You can strive the same way, at your own pace.

Image 4  Churches

When it comes to the other world of photography, some people tend to replace the term vision with other words, like artistic eye. You can call it whatever you want. Your vision can be a result of thorough internal planning of what’s going to make that a great photo. Or your vision can be more instinctual based on a knowledge of photography rules and personal experience.

You see the world, you pull your camera to your eye and you take the photo. That’s what makes every photographer the same as well as different. From the same spot, 20 photographers will yield 20 different photos. Your vision is a result of how you see the world; and you see the world differently than the person next to you based on your upbringing and beliefs.

You can continue to learn your own vision by understanding why you see the world the way that you do. Do your photos reflect the way that you see the world? I found my style because of how often I produced poor results. I eventually found my missing key: foreground and negative space.

In your own personal photos, do you weigh skill and vision equally? Are you working to improve both of them and not just one?

Image 5  River

The Reason Why This Distinction Between Photographer and Artist Matters…

There’s no mold in photography. We don’t all have to fit any particular style. Find your own style and explore it. The stigma that one must act like an artist in order to feel comfortable with a camera is erroneous.

You have the things you want to capture (vision) and over time you develop your own styles through skill and experience.

Do you label yourself an artist?

Will G. MacNeil (wgmphotography.com) takes photos for a living and is currently residing in Chicago, IL. Beyond everything, landscapes, editorials, and sports make up his style in the industry. You can follow Will G. MacNeil on Instagram for more concepts and photos.

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10 Tips to Help You Grow as an Artist in Photography

27 Oct

UmbrellasinTokyo

Over the past few days, I’ve thought about what’s helped me become a better photographer over the years. It’s a constant journey, and developing as an artist is a never ending pursuit that extends beyond owning any camera. In addition to practicing as much as possible with your camera, here are 10 tips to share that you may wish to consider while you continue on your own path in photography to help you grow as an artist.

1. Wait to look at your photos

I discovered this piece of advice over time, though a number of other photographers have suggested the same thing. Wait to look at your photographs if that’s possible. I know after a shoot you may feel anxious to go through and edit your pictures, but your anxiety and perception will often skew how you see your photos because this is at the height of your emotional attachment to your images. I’ve found that waiting a few days or better yet a couple of months to really go through a batch of photographs will be enough time to break down some of that attachment and reduce any biases you may carry.

2. Only delete the obviously bad shots

Some photographers even argue not to delete any of your shots because in the future, software developments may actually exist to fix super blurry or unfocused images. It’s your call, but if you see an image that you just don’t like, consider waiting a bit before you delete it. I’ve come across images that I marked with an X in my Lightroom, but interestingly, I’ve found that sometimes my perception of what I think is “good” changes. Photography is a learning experience as you expose yourself to other work and different styles. Down the road, you may rediscover some of your images in light of new ways you learn how to see. Besides, it’s always good to keep some of the bad shots around to really get an idea of the progress you make through the years.

3. Shoot some film

Shooting film can be more expensive, but it’s a great tool in becoming a better artist and photographer. With only a fixed number of exposures, you’re more selective of the images you shoot and the cost of developing film will keep you from shooting hit or miss style which forces you to think more. When shooting film, you’re in a different state of mind because of its limitations which challenge you to become more selective and refined before you press the shutter button.

Shootfilm

4. Study other artists’ work

You have no idea how good your stuff is until you have something to compare it to. You can shoot a ton and feel pride in your images, and as you grow, you should feel good about this progress. Studying from great artists and photographers you admire is really the best way keep you humble; but it also prevents you from falling into creative stagnation. I find this to be one of my biggest sources of inspiration, and it’s a great motivator for when you start to feel a little bored with your images.

5. Take a drawing or painting class

Years ago, before I ever even picked up a camera, I wanted to learn how to paint. I loved mixing colors and the thought of learning how to compose a scene and conveying my own impressions upon a subject interested me. So I enrolled in a class at a local art college which served as the foundational cornerstone as my development in photography. My teacher sat with us intimately every class and taught us about reading light and composition. She told us flat out at the beginning of the class that we would never see the same way again, and she was right! She taught us about negative space, composition, and all the basic concepts that artists are supposed to know, things which photographers should know too. My teacher was right and I did learn to see for the first time. If you have the time or haven’t been through art school already, consider signing up for a drawing or a painting class. It will take you a long way toward your artistic growth.

Tree

6. Don’t listen to your friends and family

I come across this advice often and it’s useful. Your friends and family are your biggest supporters, but because of this, they make it hard to get an objective, unbiased, perspective on your work. They all love your photos and they’ll even like or love all your pics on every social media site. But I’ve found that so much praise can become counterproductive or even misleading when you put too much stock into their opinions. Instead, you can join critique forums online or contact artists you admire to get them to review your work, as in my next point.

7. Ask for a portfolio review from a professional artist that you admire

This can often have an associated fee, but it’s a great way to get some professional feedback on your images. You can even seek help in sequencing the photographs in your portfolio as well. Better yet, join a workshop with a photographer you really admire and they’ll surely give you some substantial feedback.

8. Capture the essence of a place

Capturing the essence of a place in a photograph is its soul and without this connection, it’s hard to connect the story behind your images. It’s easy to get sidetracked or overwhelmed with seizing photo opportunities on a trip or when you’re traveling somewhere. But before you get too carried away with shooting, let your senses rest a little and try to feel the essence of the place and connect with it. Sometimes it takes a couple days or so to slow down and catch on to its vibe. When I went visited Sydney for the first time, I shot this photo of the ice cream truck on the beautiful day because I felt it perfectly captured both the beauty and the pace of life in the city.

Sydney

9. Fall in love with photography

Becoming a photographer can feel downright intimidating in a world full of talent. If you’re running a full-time business then it’s easy to lose sight of why you fell in love with photography in the first place. Don’t forget to continue to immerse yourself in other people’s work, indulge in the history of photography, and enjoy the art of photography for its own existential reasons.

10. Focus more on books and less on gear

It’s impossible not to appreciate the craftsmanship of a nice camera or a beautiful lens, but fixating upon having the latest and best gear won’t make your photos any better if you have a limited artistic vocabulary. Instead, invest in some inspirational photography books from a variety of different artists; look at the sequencing and learn from their styles. I feel this is even more important if you are self-taught. Learning what a good photograph looks like can’t be accomplished by just shooting alone. There’s a rich number of artistic styles you can potentially gain inspiration from. Even more important, brushing up on color theory, composition and lighting techniques will take your photographs to a whole new level. You don’t need to follow these rules all the time, but it’s important to know they exist so you can manipulate your camera and subject matter with more purpose in mind. I like the image below because it uses a simple compositional technique of aligning the foreground with the background. But without first reaching out and learning these kinds of ideas, you most likely won’t even know they exist.

Yokohamabridge

In the end, Mark Twain gives some excellent advice, “You cannot depend on your eyes if your imagination is out of focus.” I’d love to hear about your tips as well for honing your own artistic side as a photographer.

The post 10 Tips to Help You Grow as an Artist in Photography by Stephanie Huynh appeared first on Digital Photography School.


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