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Posts Tagged ‘arrive’

Report: Nikon firmware for using CFexpress Type B cards with D5, D850 and D500 will arrive ‘before the end of 2020’

12 Oct

Back in February 2019, Nikon announced it was working to develop a firmware update for its D5, D850 and D500 DSLR cameras that would bring support for using CFExpress Type B memory cards. Since then, we haven’t heard a word about these development from Nikon, but Nikon Rumors says it ‘can confirm’ the much-anticipated firmware update will arrive before the end of the year.

According to Nikon Rumors’ report, the firmware update will arrive ‘before the end of 2020.’ Nikon Rumors says Nikon ‘may say something about [these updates]’ this coming week when it launches its Z6 II and Z7 II mirrorless cameras.

Image credit: B&H Photo

Despite promising a firmware update, Nikon never confirmed the details of what kind of performance we can expect from CFExpress Type B cards when used with its D5, D850 and D500 DSLR cameras. While CFExpress Type B support will make it easier to use the open and more popular format — not to mentioned larger maximum capacities, since XQD cards top out at 240GB compared to the current 1TB maximum capacity of CFExpress cards — it doesn’t necessarily we’ll expect improved speeds over using XQD cards when using them inside the camera. However, you will see improved speeds over XQD cards when importing the cards to your computer if you’re using a CFExpress Type B memory card reader.

We contacted Nikon for a comment on the updates on Friday October 9, but haven’t received a response. We will update this article if we get any further information from Nikon.

Articles: Digital Photography Review (dpreview.com)

 
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Canon EOS M7 Rumored to Arrive in 2020 With Dual Card Slots, 2.36M-Dot EVF

31 Aug

The post Canon EOS M7 Rumored to Arrive in 2020 With Dual Card Slots, 2.36M-Dot EVF appeared first on Digital Photography School. It was authored by Jaymes Dempsey.

Canon EOS M7 rumor

With most photographers focused on Canon’s new EOS R models, rumors of another couple of Canon EOS M cameras have mostly flown under the radar. This includes talk of a potential EOS M7, as well as a rumored EOS M50 Mark II.

And information continues to leak, including recent Canon EOS M7 specifications; if the rumors are accurate, it’s shaping up to be one impressive camera.

Canon Rumors suggests we may get:

A 32-megapixel sensor.

In-body image stabilization.

A 2.36M-dot electronic viewfinder.

12 frames-per-second shooting.

Dual card slots.

4K/60p.

Nice, right?

Unfortunately, the same set of rumors also puts the EOS M7 price at $ 1599 USD, which is significantly more expensive than either the EOS M50 and the EOS M6 Mark II. But if the EOS M7 is, as many have speculated, a higher-end, durable APS-C mirrorless model from Canon, this pricing could make sense.

Now, the features listed above are unconfirmed (Canon Rumors marks them as CR1), so take them with a pinch of salt. But the EOS M7 has long been a topic of discussion, including speculation of the camera as a mirrorless replacement to the Canon EOS 7D series, which was a favorite set of DSLRs among bird and wildlife photographers.

If the latter is true, the EOS M7 should, first and foremost, be an action photography camera. This is hinted at by the (relatively) fast continuous shooting specification, as well as the dual card slots, but we’ll have to wait and see regarding its durability (the 7D series was known for its large, tough bodies).

Interestingly, Canon Rumors also mentions the possibility of the EOS M line drawing to a close in 2021, with Canon focusing entirely on the EOS R lineup, including (perhaps) an APS-C EOS R model. If such a rumor were true, then the EOS M7 and the EOS M50 Mark II may be some of the last EOS M bodies we ever get.

Of course, this is also completely unsubstantiated, so just keep an eye out for related news in the future!

Now over to you:

What do you think about the rumored specifications for the Canon EOS M7? Is it a camera you’d be interested in? Also, do you think that Canon will truly discard its EOS M lineup? Share your thoughts in the comments!

The post Canon EOS M7 Rumored to Arrive in 2020 With Dual Card Slots, 2.36M-Dot EVF appeared first on Digital Photography School. It was authored by Jaymes Dempsey.


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Nikon Z-mount 1.4x and 2x teleconverters arrive in August

21 Jul

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Nikon has announced that it will add two teleconverters to its mirrorless Z-series lineup this summer: the Z Teleconverter TC-1.4x and TC-2.0x. Both are weather-sealed, with fluorine coatings on front and rear elements to resist smudges, and retain autofocus capabilities with all AF points up to F11. The teleconverters will be compatible with ‘select’ Nikkor Z lenses, including the 70-200mm F2.8 VR S. It’s likely (but unconfirmed) that they’ll also work with the 100-400 and 200-600mm tele-zoom lenses currently on the Z-mount roadmap that should be released next year.

Both teleconverters are compact designs with a protruding front element meaning that, like recent F-mount equivalents, they cannot be ‘stacked’ or combined.

The 1.4x and 2.0x teleconverters will sell for $ 550 and $ 600, respectively, and will go on sale in late August. They will be sold alongside the previously-announced but delayed Z 70-200mm F2.8 S, which is expected to become available in the same timeframe.

Press release

EMBARK ON THE FULL-FRAME MIRRORLESS JOURNEY: NIKON UNVEILS THE Z 5, AN INNOVATIVE AND FEATURE-RICH MIRRORLESS FX-FORMAT CAMERA FOR EMERGING CREATORS

Nikon Expands the NIKKOR Z Lens Lineup with the Addition of the Extremely Compact and Versatile NIKKOR Z 24-50mm f/4-6.3 as well as the new Z TELECONVERTER TC-2.0X and TC-1.4X; Nikon Also Announces Free Webcam Utility

MELVILLE, NY (July 21, 2020) – Today, Nikon Inc. announced the Z 5, the new full-frame (FX-format) entry-point into its award-winning lineup of Z series mirrorless cameras. The Nikon Z 5 combines sophisticated features inherited from the Z 7 and Z 6 with the benefits of Nikon’s next generation Z mount at an unprecedented value. For those new to mirrorless or creators looking to push the limits of their craft with the power of full-frame, the compact Z 5 will exceed expectations. With an incredibly robust feature set, including in-camera vibration reduction (VR) image stabilization (IBIS) and the perfect balance of seamless automation and full manual control, creators can effortlessly share their artistic passions, travel adventures and so much more.

Nikon also unveiled the new NIKKOR Z 24-50mm f/4-6.3, the shortest, lightest and most affordable full-frame zoom lens in the NIKKOR Z lineup. Designed for on-the-go creators, the 24-50mm lens is the ideal companion for Z series users who want to capture it all – from vast landscapes and cityscapes, to street photography and striking portraits.

“The Nikon Z 5 offers the next generation of creators a gateway into the full-frame Z series lineup, opening the door to the limitless possibilities of mirrorless photo and video capture, while providing the means to share their creativity with others,” said Jay Vannatter, Executive Vice President, Nikon Inc. “With the addition of the NIKKOR Z 24-50mm f/4-6.3, Nikon is introducing the smallest full-frame NIKKOR Z lens to date, providing an extremely lightweight, versatile option to help users pursue all creative endeavors, regardless of which Z series camera they use.”

Nikon Z 5: The Full-Frame Journey Starts Here
As the new entry point to Nikon’s full-frame mirrorless lineup, the Nikon Z 5 offers a lot of power and capabilities at an attractive price, empowering the next generation to begin their journey with the confidence to learn and grow as creators.

  • Incredible Image Quality: Featuring a powerful FX-format 24.3-megapixel CMOS sensor, the Z 5 is the gateway to the benefits of full-frame, helping creators to capture intensely detailed images, ultra-shallow depth of field and clean low-light shots with unrivaled consistency. From portraits that flatter, nighttime landscapes that astound and street shots that impress, the gorgeous tones, faithful colors, minimal noise, and revered Nikon color science all play a part to help users capture images that are true to their vision.
  • High Speed Performance and Processing: Engineered with the EXPEED 6, Nikon’s fastest image processor to date, the Z 5 is a dependable, high-performance tool designed for content creation. EXPEED 6 allows for a boost in processing power and energy efficiency while rendering subtle textures and small details with amazing results.
  • Stellar Low-Light Performance: With an ISO range up to 51,200 (expandable to 102,400), the camera effectively reduces noise, maintaining both high sensitivity and resolution to excel in low-light situations, making it ideal for shooting everything from low-light events to an all-nighter under the Milky Way.
  • Capture with Speed: With shutter speeds up to 1/8000, the Z 5 can capture fast-moving subjects with clarity including fast-action sports and wildlife. This higher maximum shutter speed enables photographers to better tame even the brightest mid-day light to unleash the potential of fast-aperture NIKKOR glass. When the moment strikes, the camera can also capture full resolution bursts at 4.5 fps with full AF/AE.
  • Silent and Smooth: The combination of the camera’s silent photography mode and In-Body 5-Axis VR stabilization provides quiet, stable shooting to document sensitive moments without distractions.
  • Vast Lens Selection: Whether shooting glamorous portraits from a studio on the sidewalk, long-distance wildlife, epic wide landscapes in the field or street photography, the growing lineup of NIKKOR Z lenses provides Z 5 users the versatility to capture incredible shots with sharpness across the frame and superior light gathering in any situation. For even more flexibility, the vast array of traditional F-mount NIKKOR lenses can be used via the Mount Adapter FTZ to enhance images with a unique focal length or beautiful bokeh, while gaining the benefits of in-body stabilization.
  • Dual UHS-II SD Card Slots: Equipped with two UHS-II card slots for overflow, backup or separating RAW and JPEG photos, the Z 5 enables photographers to shoot with extreme confidence when using widely available consumer SD cards.

Simple Yet Sophisticated for Expanding Creativity
A great option for emerging creators getting started, the Nikon Z 5 is packed with powerful tools and user-friendly controls to help users explore and capture their artistry with ease.

  • Focus Anywhere: The Z 5 boasts 273[1] on-sensor AF points, to quickly and accurately track subjects throughout the frame, while Eye-Detection AF capabilities help precisely capture the eyes of humans and animals. The wide array of AF points covers nearly the entire frame, and multiple AF modes allows the user to have pinpoint control or fully automatic assurance to easily lock onto a subject.
  • Easily Shift Gears: The Nikon Z 5 offers the ability to effortlessly switch between manual mode for the ultimate in control, as well as a large variety of automatic creative modes to help mirrorless users capture truly distinct images and video.
  • Creativity Built-in: Equipped with 20 Creative Picture Controls, and advanced features like Focus Shift Shooting and multiple exposure mode, users can compose unique images, produce extraordinary depth of field, or combine several shots and layer images on top of each other with the in-camera image overlay function.
  • Advanced Video Capture: The Z 5 makes it easy to document any creative vision in 4K UHD/30p[2] or in 1080/60p (full-frame). When recording video, the PDAF system is rapid to react, allowing users to quickly lock critical focus on subjects, and is fully customizable to fit any production style. In-camera VR image stabilization and electronic VR reliably eliminate the shake when shooting video, plus users get the added benefit of focus peaking and the ability to capture stills while recording.
  • Flexible Recording Modes: In addition to the traditional interval timer and in-camera time-lapse modes, the Nikon Z 5 is equipped with a new Time-Lapse Movie mode that gives users the best of both worlds for more streamlined movie making – the ability to use images from interval timer mode and create a time-lapse in-camera.
  • Unique Lighting Options: For enhanced creative control, the camera features a hot shoe, and is fully compatible with the Nikon Speedlight wireless lighting system.
  • Get Connected: The Nikon SnapBridge[3] app makes it easy to remotely control the Z 5 or seamlessly transfer and share content to a smartphone, tablet, Mac, or PC thanks to built-in Wi-Fi[4] and Bluetooth[5] connectivity.

Rugged Reliability and Engineered for Versatility
In addition to providing high-quality imaging capabilities, the Nikon Z 5 is compact and comfortable in-hand while promising the rugged reliability as well as innovative features and controls that Nikon is known for.

  • Legendary Nikon Build: Designed with a durable, weather-sealed exterior for worry-free use, the Z 5 employs the same magnesium alloy shell and robustness as the Z 6 and Z 7. Both the camera and NIKKOR Z 24-50mm f/4-6.3 lens are built with consideration for dust and drip resistance and are ready to tackle the next adventure.
  • Functional Operability: The camera sports a powerful, high-resolution 3.2-inch LCD monitor with the capabilities to tilt, touch, tap, swipe, and pinch for an intuitive and flexible user-experience. Meanwhile, the 3.6M-dot Quad-VGA EVF ensures users can see exposure, ISO, white balance and creative picture controls in real time, making the transition from optical viewfinders seamless for new mirrorless shooters.
  • Packed with Power: Powered by the new EN-EL15c battery, the Z 5 offers significant advancements in the number of shots per charge and is the first Nikon camera to enable constant power through the USB port, even with select portable USB power banks[6]. For added power and grip, the camera is also compatible with the MB-N10 hot-swappable battery pack.
  • Webcam Ready: When connected via the USB-C cord, the Z 5 can be used as a webcam, making the camera a great option for modern vloggers, influencers and gamers looking to improve their livestreaming capabilities.

NIKKOR Z 24-50mm f/4-6.3: Portable, Yet Powerful
The NIKKOR Z 24-50mm f/4-6.3 is the latest addition to the rapidly expanding lineup of NIKKOR Z lenses and is the smallest FX-format NIKKOR Z lens yet. Optically designed to take advantage of the advancements of the wide Z mount, this lens delivers sharpness across the entire frame and a versatile zoom range for everyday use. The 24-50mm is less than three inches long when retracted, making it the perfect lens for shooters seeking a versatile yet compact option for lightweight travel and street photography. When used together, the Z 5 and 24-50mm lens are the ideal discrete travel kit that can easily be packed and carried for all-day adventures. This compact NIKKOR Z lens is also an enticing option for Z 6 and Z 7 users who want a small all-around lens for portraits, landscapes, and street photography.

New Z Teleconverters Take NIKKOR Z Lenses to New Lengths
Designed for photographers and videographers who need more telephoto reach in their kit, the new Z TELECONVERTER TC-1.4X and Z TELECONVERTER TC-2.0X bring added versatility with 1.4x and 2.0x magnification to select NIKKOR Z lenses. These lightweight teleconverters are great tools for those photographing sports, wildlife and aviation, reducing the need to crop images and allowing for tighter compositions with maximum resolution.

The new TC-1.4X and TC-2.0X teleconverters maintain superior rendering performance and minimize various lens aberrations, while retaining focusing speed, VR functionality and minimum focusing distance. As an added benefit, the new teleconverters allow Nikon Z series cameras to retain functionality on all focus points up to f/11, making it easy to focus on and track subjects throughout the entire frame. Featuring the same robust construction as NIKKOR Z lenses, the teleconverters are designed with a fluorine coating on the front and rear elements to resist dirt and smudges, and offer a durable, weather-sealed body to protect against the elements.

When the teleconverters are used with the NIKKOR Z 70-200mm f/2.8 VR S (availability scheduled for late August), the focal length on the telephoto end is extended to 280mm (1.4x) or 400mm (2.0x) producing a significant expansion of this telephoto lens’ shooting range. These new teleconverters will also be compatible with applicable interchangeable lenses for Nikon Z mount mirrorless cameras that Nikon will release in the future.

New Webcam Utility Software for Nikon Cameras
In August, Nikon will release a beta version of the Webcam Utility software for many Nikon DSLR and Z series mirrorless cameras, including the new Z 5. Initially available for Windows 10, the free software will allow compatible Nikon cameras to be used as webcams. When connected via USB, this free software will provide users with incredible sharpness, clarity and flattering depth of field for all of their livestreaming needs including teleconferencing and gaming.

For more information on how to use your Nikon camera as a webcam, please visit https://www.nikonusa.com/en/learn-and-explore/live-streaming-with-nikon-cameras.page

Pricing and Availability
The Nikon Z 5 will be available in August in several configurations, including body-only for a suggested retail price (SRP) of $ 1,399.95*, a one-lens kit with the new NIKKOR Z 24-50mm f/4-6.3 for an SRP of $ 1,699.95* and a one-lens kit with the NIKKOR Z 24-200mm f/4-6.3 VR lens for an SRP of $ 2,199.95* for those seeking extra reach when photographing wildlife or travel adventures. Also available in August, the NIKKOR Z 24-50mm f/4-6.3 lens can be purchased separately for an SRP of $ 399.95*. The new Z TELECONVERTER TC-1.4X and TC-2.0X will have an SRP of $ 549.95 and $ 599.95 respectively and will be available in late August.

For more information on the latest Nikon products, including the new Z 5 and NIKKOR Z 24-50mm f/4-6.3 lens, as well as the full Nikon Z mount system, please visit?www.nikonusa.com.

Specifications, equipment, and release dates are subject to change without any notice or obligation on the part of the manufacturer.

*SRP (Suggested Retail Price) listed only as a suggestion. Actual prices are set by dealers and are subject to change at any time.

1. With recording of still images using the FX-format image area and single-point AF. 231 focus points with movie recording.

2. When using this mode, the frame is cropped approx. ×1.7.

3. Using the SnapBridge App System Requirements:

a. Android 5.0 or later or 6.0.1 or later
b. A device with Bluetooth 4.0 or later (i.e., a device that supports Bluetooth Smart Ready/Low Energy) is required.
c. The SnapBridge app is available for compatible iPhone®, iPad® and/or iPod touch®, and for smart devices running the AndroidTM operating system. The app can be downloaded free of charge from Apple’s App Store® and GooglePlayTM. SnapBridge can be used only with compatible cameras.

4. This camera’s built-in Wi-Fi® capability can only be used with a compatible iPhone®, iPad®, and/or iPod touch® or smart devices running on the Android™ operating system. The Nikon SnapBridge application must be installed on the device before it can be used with this camera.

5. The camera’s built-in Bluetooth® capability can only be used to connect the camera to a compatible smart device running the SnapBridge app, and to take advantage of SnapBridge features.

6. Anker PowerCore+ 26800 PD 45W is the recommended portable charger. Use a USB cable with two Type-C connectors supplied with the portable charger. For more information about the portable charger, please visit the manufacturer’s website: Anker.com/support

Articles: Digital Photography Review (dpreview.com)

 
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‘Back to the drawing board’: Sigma says full-frame Foveon camera won’t arrive this year

09 Feb
Sigma CEO Mr. Yamaki, pictured in the company’s factory in Aizu, Japan.

Development of Sigma’s full-frame Foveon camera has met considerable setbacks and the camera is no longer slated to arrive this year. In a letter to customers, CEO Kazuto Yamaki apologizes for the delay and says the decision comes after ‘careful and rigorous testing.’ No new release date is given at this time, and Mr. Yamaki says that the company has decided to start over with a ‘clean slate.’

The full-frame Foveon project was first announced to the public at CP+ in 2018. At the following year’s CP+, Sigma released more details about the camera and said it would reach market in 2020. Mr. Yamaki discussed with us some of the challenges of taking Foveon full-frame, describing the difficulty of improving interconnected aspects of sensor performance like high ISO performance and color gradation.

Press release:

Development status of the full-frame Foveon sensor camera

Dear Customers,

Thank you for being a valued customer.

At Photokina in September 2018, SIGMA announced the development of an L-mount mirrorless camera equipped with a full-frame Foveon sensor. Then, at CP+2019, we shared our plan to release the camera in 2020 and have worked diligently on the development to meet our commitment.

As a result of careful and rigorous testing based on the latest development information, however, it has become clear that the launch of such a camera would be infeasible within this year. Still at this point, we cannot say for certain when the full-frame Foveon X3 sensor will be put into mass production.

In light of current development progress, we are not in a position to offer any specific release plan at present. We have therefore decided that we should start over the project with a clean slate, putting the production plan for this new camera back to the drawing board and going back to the development of sensor technologies.

Since the earlier announcements, your excitement with the launch of a “full-frame Foveon” has been a tremendous source of inspiration and encouragement for us. Everyone involved in the project has pulled out all the stops to make it a reality. I would like to express my deepest apologies for failing to meet your expectations and having to share this disappointing news.

I would like to emphasize that Foveon sensors are in a class of their own and that they are part of the identity of SIGMA cameras that embodies our ideals and philosophies. We are determined to continue dedicating ourselves to technology development to bring better image sensors to life.

I would like to once again express my sincerest gratitude to our valued customers for the strong support you have offered to us. On behalf of all SIGMA employees, I commit myself to you that we continue striving to live up to your expectation and prove that we are worthy of your trust.

I truly appreciate your patience and understanding.

Warmest regards,

Kazuto Yamaki
Chief Executive Officer
SIGMA Corporation

Articles: Digital Photography Review (dpreview.com)

 
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Canon RF 70-200mm F2.8L and RF 85mm F1.2L DS will arrive before the end of the year

24 Oct

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Canon’s RF 70-200mm F2.8 and 85mm F1.2 DS were announced some time ago, but as of today they’re official. Canon has revealed full details and pricing for these new additions to its full-frame mirrorless lineup.

The RF 70-200mm F2.8L IS USM boasts an impressively compact design, measuring 146mm (5.8″) in length when at its widest zoom position. It extends when zoomed in towards 200mm, marking a departure from its EF-mount equivalents.

The RF 70-200mm F2.8 includes a floating focus lens element for reduced focus breathing, with a total of 17 elements in 13 groups making up the optical construction. Its image stabilization system is CIPA-rated to 5 stops.

Defocus Smoothing works thanks to a special coating to two of the lens’ thirteen elements

The 85mm F1.2L USM DS sits alongside the standard RF 85mm F1.2, but is differentiated by what Canon calls Defocus Smoothing (DS). Defocus Smoothing works thanks to a special coating to two of the lens’ thirteen elements. This gives out-of-focus highlights smoother edges compared to those rendered by the standard version of the lens.

The Canon RF 70-200mm F2.8L IS USM will be available in late November for $ 2700; the RF 85mm F1.2L USM DS is scheduled to arrive in December for $ 3000.

Press release:

THE RF FAMILY GROWS BY TWO: CANON RF 70-200MM F2.8L IS USM LENS IS THE WORLD’S SHORTEST AND LIGHTEST LENS IN ITS CLASS AND RF 85MM F1.2L USM DS IS THE FIRST LENS TO FEATURE DEFOCUS SMOOTHING

New RF L-Series Lenses Aim to Provide Impeccable Performance, Handling and Unique Features to Photographers Shooting with EOS R and EOS RP Cameras

MELVILLE, N.Y., October 24, 2019 – Completing the “trinity” of RF lenses for the EOS R Full-Frame mirrorless camera system, Canon U.S.A., Inc., a leader in digital imaging solutions, today announced the RF 70-200mm F2.8L IS USM telephoto lens. Additionally, the company also announced its first lens to feature Defocus Smoothing lens coating, the Canon RF 85 F1.2L DS. The ninth and tenth lenses in the RF family are both powerful tools for photographers using the EOS R or EOS RP cameras, in particular, those shooting sports or wildlife photography with the RF 70-200mm F2.8L or portrait photography with the RF 85mm F1.2L USM DS.

Short and Light With All The Might: Canon RF 70-200mm F2.8L IS USM
The new lens features a large and bright f/2.8 aperture, which, along with the 70-200mm focal zoom ranges, presents an ideal workhorse lens for professional and amateur photographers shooting sports, wildlife, wedding and event action. The new RF lens is 27 percent shorter and 28 percent lighter than its EF counterpart with a large portion of the lens element arrangement closer to the camera body. This arrangement is designed to provide photographers with a more balanced feel and experience even at telephoto end of the zoom range. Additionally, the shorter and lighter design allows the lens to be more easily stowed away in a camera bag when not in-use.

A first for Canon lenses, the new RF 70-200mm F2.8L IS USM features two Nano USM motors providing an even greater level of high-speed autofocus for still image shooting and quiet and smooth autofocus for video shooting. The lens also incorporates a floating focus control, another Canon first, that drives the two lens groups individually while using the two aforementioned Nano USM motors. The floating focus lens element shortens focusing distance and help reduce breathing, providing users with fast, consistent and reliable performance.

Additional Features of The Canon RF 70-200mm F2.8 L IS USM Include:

  • Customizable control ring that allows photographers to adjust exposure compensation, shutter speed, aperture or ISO
  • 17 lens elements in 13 groups including two aspherical lenses, one super UD lens and four UD lenses, that help to reduce chromatic aberration
  • CIPA standard five stops of image stabilization (IS) including three IS modes with dual-sensing and combination IS
  • 12-pin communication system
  • L-Series dust and weather resistant build with fluorine coating
  • Subwavelength Structure Coating (SWC) helps minimize lens flare and ghosting

Teaching an Old Dog a New Trick: Canon 85mm F1.2L USM DS
Canon has a rich history spanning over 40 years of producing 85mm lenses with f/1.2 apertures, and the new Canon RF 85mm F1.2L USM DS is no different, or is it? The lens ushers in a new lens coating from Canon, Defocus Smoothing , designed to enhance the appearance of bokeh in the images captured with the lens. DS coating is a vapor-deposited coating technology that is applied to the front and rear surfaces of a specific lens element inside the lens. The coating allows off-axis flux to pass through the periphery of the lens that gradually decreases the transmittance of light, which results in images with beautifully blurred backgrounds.

In addition, the new lens features a bright f/1.2 aperture which, along with the 85mm focal length, encompasses an ideal lens for portrait photographers. 85mm is often the preferred focal length selected by photographers when shooting portraits because it provides an appropriate depth and perspective of the subject relative to the background, helping to capture high-quality imagery with beautiful and desirable bokeh. The focal length also allows for the photographer and subject to maintain optimum distance apart to support strong communication, while not being too close.

Additional Features of The Canon RF 85mm F1.2L USM DS Include:

  • Minimum focusing distance of 2.79 feet/0.85 meters
  • Customizable control ring that allows photographers to adjust exposure compensation, shutter speed, aperture or ISO
  • One Aspheric lens and one UD Lens, along with BR optics that help to reduce chromatic aberration
  • 12-pin communication system
  • L-Series dust and weather resistant build with fluorine coating
  • Air Sphere Coating (ASC) that helps minimize lens flare and ghosting

Pricing and Availability
The Canon RF 70-200mm F2.8L IS USM and RF 85mm F1.2L USM DS lenses are scheduled to be available late November 2019 and December 2019, respectively for an estimated retail price of $ 2,699.00 and $ 2,999.00 respectively . For additional information, please visit, usa.canon.com.

Canon RF 70-200mm F2.8L IS USM and RF 85mm F1.2L USM DS specifications

  Canon RF 70-200mm F2.8L IS USM Canon RF 85mm F1.2L USM DS
Principal specifications
Lens type Zoom lens Prime lens
Max Format size 35mm FF
Focal length 70–200 mm 85 mm
Image stabilization Yes No
Lens mount Canon RF
Aperture
Maximum aperture F2.8 F1.2
Aperture ring No
Focus
Autofocus Yes
Motor type Ultrasonic
Full time manual Yes
Focus method Internal
Distance scale No
DoF scale No
Focus distance limiter Yes
Physical
Power zoom No
Zoom lock Yes
Hood supplied Yes
Tripod collar Yes

Articles: Digital Photography Review (dpreview.com)

 
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Nikkor Z 58mm F0.95 Noct will arrive at the end of the month for $8000

13 Oct

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Nikon has been teasing the release of the Z-mount 58mm F0.95 Noct for as long as the full-frame Z system has been known to the public. Since then it’s been seen in development announcements, on roadmaps and behind glass, but today is the first time its full specifications (not to mention a price) have been released to the public.

Its F0.95 maximum aperture makes this the fastest Nikkor lens ever made. It comprises 17 elements in 10 groups; three aspherical elements are included, one of which is ‘large diameter’. Nano Crystal coating helps control flare and ghosting from light entering the lens at diagonal angles, while Nikon’s newer Arneo coating has been added to deal with incident light entering the lens vertically.

Living up to its name, the Noct has been designed with night photography in mind. Nikon says that the lens will reproduce point light sources faithfully across the entire frame, without the smearing effects of sagittal coma flare.

Official Nikkor Z 58mm F0.95 S Noct sample images

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All of that glass contributes to making the Noct a very hefty lens. It weighs 4.4lb / 2,000g and measures 102 x 153mm (4.01 x 6.02 in). The top of the lens barrel features a small display that can display focus distance, aperture and depth-of-field, plus a customizable control ring that offers quick access to aperture or exposure compensation – both features it shares with other current S-series lenses.

The Nikkor Z 58mm F0.95 Noct will cost $ 8000 and will ship later this month on October 31st.

A COVETED CLASSIC REBORN AS A MODERN MASTERPIECE: NIKON RELEASES THE FASTEST NIKKOR LENS EVER CREATED, THE NIKKOR Z 58MM f/0.95 S NOCT

Nikon Also Announces the New MB-N10 Battery Pack: Enhances Battery Life and Adds Additional Grip for Nikon Z 7 and Z 6 Users

MELVILLE, NY (October 10, 2019 at 12:01 AM EDT) – Today, Nikon Inc. announced the fastest NIKKOR lens ever made, the new NIKKOR Z 58mm f/0.95 S Noct lens. The 58mm Noct is a one-of-a-kind lens that pays homage to the extraordinary optical legacy that the previous Noct-NIKKOR 58mm f/1.2 lens established, while demonstrating the superiority and potential of the Nikon Z Mount. Created for the most discerning photographers, the new Noct lens is an exclusively manual focus prime lens with an incredible maximum aperture of f/0.95 for a truly dramatic depth of field and next-level low light performance.

The NIKKOR Z 58mm f/0.95 S Noct is in a class of its own, offering low light ability and extreme sharpness that excels in the hands of a capable creator. From stunning portraits to landscapes or astrophotography, all images are rendered beautifully thanks to its vast depth-of field control, seductive bokeh and superb point-image reproduction.

“This is why the Z mount was created. The Noct is a testament to Nikon’s commitment to optical innovation driven by more than a century of expertise,” said Jay Vannatter, Executive Vice President, Nikon Inc. “We promised a new dimension of optical performance for the Nikon Z series and NIKKOR Z lens lineup, and by announcing our fastest NIKKOR lens ever made, the NIKKOR Z 58mm f/0.95 S Noct, we are making this claim a reality.”

THE NEWEST ADDITION TO S-LINE OF NIKKOR Z LENSES
The NIKKOR Z 58mm f/0.95 S Noct joins as the apex to the ever-expanding series of S-Line lenses, which also includes the recently announced NIKKOR Z 24mm f/1.8 S and NIKKOR Z 85mm f/1.8 S, all hailed for their sharpness and optical performance.

A LEGENDARY LENS REBORN
The original Noct-NIKKOR 58mm f/1.2 was released in 1977, its name said to be derived from “Nocturne.” Made for nighttime photography, this lens became renowned for its ability to reproduce point light sources as point images. The design of the new Noct lens evolves with the most advanced optical technology for photographers and videographers, boasting an immense f/0.95 maximum aperture, staggering low light ability and enticing bokeh characteristics.

The NIKKOR Z 58mm f/0.95 S Noct implores an extensive depth of field, producing elaborate bokeh and blur characteristics with good continuity for more compelling, three-dimensional imaging. Even when the distance between the subject and the background are insufficient, the new 58mm Noct lens can still capture sharp images with beautiful background blur due to the reproduction of an extremely sharp focus plane and vast shallow depth of field. Additionally, shooting point light sources at maximum aperture would normally produce sagittal coma flare. However, with the new Noct lens the causes of sagittal coma flare are eliminated across the entire frame with point light sources being reproduced as tack-sharp point images even at the peripheries, for clear and crisp night landscapes and astronomical shots.

A lens like the new NIKKOR Z 58mm f/0.95 S Noct is possible today because of the large Z mount, which allows for more light capture and faster data sharing between lens and camera, as well as improved flexibility for lens optics and design. The new Noct lens also boasts a large-diameter ground aspherical lens element crafted from the finest glass with outstanding surface accuracy, providing a higher refractive index that would otherwise be unobtainable. This pro-level lens is constructed with an optical formula consisting of 17 elements in 10 groups, ensuring a well-balanced lens that delivers incredibly sharp results.

Like the NIKKOR Z 24-70mm f/2.8 S lens announced earlier this year, the NIKKOR Z 58mm f/0.95 S Noct lens includes an ARNEO Coat, which provides anti-reflection performance to combat incident light reaching the lens surface from a vertical direction. Alongside the Nano Crystal Coat, which effectively reduces incident light from a diagonal direction, the new Noct lens can capture clear and sharp content with minimal ghosting and flare effects across a wide variety of backlit situations that are normally challenging. Additionally, the NIKKOR Z 58mm f/0.95 S Noct includes a lens information panel allowing photographers and videographers to confirm aperture, focus distance and depth of field at a glance. Users will also enjoy the increased number of functions that can be assigned to the lens Fn button, matching the Fn1/Fn2 buttons on both the Z 7 and Z 6 cameras. Additionally, an electromagnetic diaphragm mechanism is incorporated, providing stable aperture control even during continuous shooting. The fluorine coat of the new Noct lens acts as a dust, dirt and moisture repellent coating.

In addition to the refined and durable exterior design, the NIKKOR Z 58mm f/0.95 S Noct offers excellent operability and a feeling of precision in hand. The focus ring enables accurate manual focusing, allowing for the appropriate amount of torque and a large rotation angle, even for the extremely shallow depth of field afforded at f/0.95. The new Noct lens also adopts a control ring, where functions like aperture setting, and exposure compensation can be assigned. Furthermore, the inside of the lens hood is felt-lined, delivering clear rendering by effectively preventing light reflection inside the hood.

THE NEW MB-N10 BATTERY PACK FOR THE NIKON Z 7 AND Z 6
The new MB-N10 battery power pack is an optional accessory for both the Nikon Z 7 and Z 6. The battery pack significantly enhances battery life and adds an additional hand hold, providing photographers and videographers even more freedom and comfort when using the Z 7 and Z 6. The battery pack is designed to hold two EN-EL15b batteries (sold separately), effectively increasing the number of shots possible and movie recording time by approximately 1.8X, based on CIPA standards. The MB-N10 offers the same weather sealing and modern design of the Z 7 and Z 6, plus it will support USB charging.

Price and Availability
The NIKKOR Z 58mm f/0.95 S Noct lens will be available October 31, 2019 at a suggested retail price (SRP) of $ 7999.95* and will come with a special premium custom padded case (Trunk Case CT-101), in addition to the HN-38 Hood. The new MB-N10 battery power pack will be available in November 2019, for an SRP of $ 199.95*. For more information on the latest Nikon products, including the new NIKKOR Z 58mm f/0.95 S Noct lens and MB-N10 battery power pack as well as the full Nikon Z mount system, please visit?www.nikonusa.com.

*SRP (Suggested Retail Price) listed only as a suggestion. Actual prices are set by dealers and are subject to change at any time.

Nikkor Z 58mm F0.95 S Noct specifications

Principal specifications
Lens type Prime lens
Max Format size 35mm FF
Focal length 58 mm
Image stabilization No
Lens mount Nikon Z
Aperture
Maximum aperture F1
Minimum aperture F16
Aperture ring Yes
Number of diaphragm blades 11
Optics
Elements 17
Groups 10
Special elements / coatings 4 ED + 3 aspherical elements, Nano Crystal + ARNEO + Super Integrated coatings
Focus
Minimum focus 0.50 m (19.69″)
Maximum magnification 0.19×
Autofocus No
Full time manual Yes
Focus method Internal
Distance scale Yes
DoF scale Yes
Physical
Weight 2000 g (4.41 lb)
Diameter 102 mm (4.02″)
Length 153 mm (6.02″)
Materials Magnesium alloy
Sealing Yes
Colour Black
Filter thread 82 mm
Hood supplied Yes
Tripod collar Yes
Other
Notes Has a small LCD display that shows focus distance, aperture and more.

Articles: Digital Photography Review (dpreview.com)

 
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Adobe Photoshop and Premiere Elements 2020 arrive with new AI-powered tools

05 Oct
A sample from Adobe showing off the new One-click subject selection tool.

Adobe has released Photoshop Elements 2020 and Premiere Elements 2020, adding a number of new features and capabilities powered by the company’s Adobe Sensei AI, including automatic selection, skin smoothing, colorization, new Auto Creations and more, as detailed in an announcment blog post.

Photoshop Elements and Premiere Elements are Adobe’s entry-level versions of its products, offering general consumers access to some of the tools and capabilities found in these products, but with less complexity and lower prices at $ 99.99 each for a full software license.

A sample comparison from Adobe showing off the new Sensei-powered auto-colorization tool.

The Photoshop Elements 2020 update brings a number of new features, including new Pattern Brush, B&W Selection, Depth of Field, and Painterly effects for Auto Creations, support for automatically colorizing black-and-white images using AI, automatic skin smoothing, and one-click subject selection.

A comparison from Adobe showing off the skin-smoothing tool.

The updated software also enables users to remove unwanted objects from images, add heart and star patterns to photos, and search for content via Smart Tags. Beyond that, the software has received general performance enhancements, as well as support for HEIF images and HEVC videos. For customers located in the United States, Photoshop Elements now also supports directly ordering prints and other items through the Fujifilm Prints and Gifts service.

A comparison photo set showing the its noise reduction technology.

Joining the big Photoshop Elements 2020 update is the new Premiere Elements 2020, an update that adds simplified noise reduction, a sky replacement tool, support for turning images and videos into dynamic time-lapses, and a tool that replaces the black bars in vertical videos with a fill that matches the video, as seen below.

As with the new version of Photoshop Elements, this Premiere Elements update also adds Smart Tag search and support for HEIF/HEVC formats. The software also supports searching videos for specific people using Sensei’s face-matching capabilities. Finally, Premiere Elements now includes five guided edits that help users modify their videos.

In addition to the individual $ 99.99 license price, Adobe offers Photoshop Elements 2020 and Premiere Elements 2020 bundled for $ 149.99. Existing customers can upgrade either of the new products for $ 79.99 or both for a total of $ 119.99.

Articles: Digital Photography Review (dpreview.com)

 
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‘Everybody Street’ documentary free streaming options arrive on YouTube, Prime Video

21 Nov

Cheryl Dunn’s 2013 street photography documentary Everybody Street is now available to stream on YouTube and on Amazon Prime Video. The YouTube stream is ad-supported and the Prime Video option requires an Amazon Prime subscription. Alternatively, viewers can purchase the documentary on DVD. Everybody Street was previously only available on-demand through Vimeo.

The documentary, which enjoys a healthy 7.7-star rating on IMDb, focuses on New York street photographers Bruce Davidson, Ricky Powell, Mary Ellen Mark, Elliott Erwitt, and others, covering their life and work in the city.

IMDb explains:

Shot by renowned photographer Cheryl Dunn on both black and white 16mm film and color HD, the documentary pays tribute to the spirit of street photography through a cinematic exploration of New York City, and captures the visceral rush, singular perseverance and at times immediate danger customary to these artists.

Articles: Digital Photography Review (dpreview.com)

 
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Irix 150mm F2.8 Macro 1:1 lens preorders arrive ahead of December release

07 Nov

IRIX has launched its 150mm F2.8 Macro 1:1 full-frame DSLR lens for preorder. The model measures 8.7 x 13.5cm / 3.4 x 5.3in, weighs 840g / 29.6oz, and features 12 elements in 9 groups, a 0.345m minimum focusing distance, 77mm filter size, focus lock, a detachable Arca Swiss lens collar, and a detachable lens hood.

The 150mm F2.8 Macro 1:1 lens includes a Neutrino coating to minimize ghosting and light flares resulting in improved color fidelity and contrast. IRIX used its Dragonfly finish for weather sealing against moisture and dust. As stated in late September when the lens was announced, IRIX claims its new lens has nearly zero distortion at 0.1-percent.

The new 150mm F2.8 Macro 1:1 lens is offered in Canon EF, Nikon F, and Pentax K mount options, each priced at $ 595 USD. The model can now be preordered from B&H Photo, where the shipment start date is listed as December 26, 2018.

Articles: Digital Photography Review (dpreview.com)

 
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Sony’s 400mm F2.8 G-Master will arrive in September for $12,000

27 Jun

Sony’s previously announced 400mm F2.8 GM OSS received a full introduction today. The pro-grade lens will ship in September for $ 12,000, and aims to deliver superior autofocus and handling. The lens is a (relatively speaking) light 2.7kg / 6.4lb, and Sony claims it’s well-balanced for monopod or even handheld shooting. The company also says that its FE 400mm takes advantage of two new linear motors with 5x faster tracking performance on the a9 compared to the 300mm F.8 G2.

Unlike the 500mm F4 for A-mount, which was front heavy, most of the glass in the new 400mm F2.8 GM is in the center and rear of the lens.

Optical stabilization is offered in three different modes, the third of which is designed to make framing easier when following moving subjects. The lens is made of magnesium alloy for durability, and a drop-in filter slot accepts 40.5mm filters – including a new circular polarizing filter that will go on sale in December.

Firmware version 3.0 for the a9 is also announced, mainly adding support for the 400mm as well as the ability to record camera serial numbers to EXIF data.

For more on the 400mm F2.8 GM, read our first impressions and take a look through our Major League Soccer match sample gallery below.

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Press release

Sony Introduces the Long-Awaited 400mm F2.8 G Master™ Prime Lens

New Large Aperture Super-Telephoto Prime Lens is World’s lightest in its class, with outstanding AF performance, innovative optical design and exceptional image quality

SAN DIEGO, Jun. 27, 2018 – Sony – a worldwide leader in digital imaging and the world’s largest image sensor manufacturer – has today announced the highly anticipated FE 400mm F2.8 GM OSS large aperture super-telephoto prime lens (model SEL400F28GM).

The product of extensive research and testing, Sony’s new FE 400mm F2.8 GM OSS lens is the first large aperture super-telephoto prime to join the E-mount lineup. This exciting new lens produces brilliant image quality with extraordinary focusing speed and precision, while also boasting the lightest weight in its class and an extremely balanced design. It’s the ideal choice for professional sports, wildlife and nature photographers, and a perfect complement to Sony’s extensive lineup of high-speed E-mount bodies including ?9, ?7R III and more.

“We’re extremely excited and proud to officially introduce the new 400mm F2.8 G Master prime lens,” said Neal Manowitz, Vice President of digital imaging at Sony Electronics. “The latest in our flagship series of G Master Lenses, this new lens offers exceptional image quality and an innovative lightweight design that will give professionals a level of flexibility with a 400mm lens unlike anything they’ve ever experienced. Combined with the unmatched shooting speeds and autofocus capabilities of our full-frame E-mount cameras, it will allow them to capture and create in ways that were never before possible.”

World’s Lightest 400mm F2.8 Prime with Ideal Balance for Monopod or Handheld Shooting

Weighing it at only slightly more than 6 lbs., the new FE 400mm F2.8 GM OSS lens provides a level of portability and handheld maneuverability that has never before been achieved in a lens of its class. The remarkably light weight of this lens is achieved through an innovative optical design that includes three fluorite elements, with a reduced number of elements deployed at the front of the barrel, as well as the liberal usage of durable magnesium alloy components.

Repeated field tests and evaluation by professional photographers across the world have led to a lens design that is not front-heavy, reducing moment of inertia that resists rotation by up to 50% as compared to the SAL500F40G , ensuring quicker, more precise panning when shooting handheld or on a monopod.

Fast, Precise Autofocus

To best take advantage of the rapidly evolving shooting and focusing speeds of Sony’s latest cameras, the FE 400mm F2.8 GM OSS lens features two newly developed high-speed XD (extreme dynamic) Linear Motors that drive the lens’s focus group, achieving up to a 5x improvement in moving-subject tracking performance. These motors are supported by specially developed motion algorithms to minimize lag and instability, and control noise levels, resulting in exceptionally quick, accurate and quiet autofocus performance. This allows the lens to capture dynamic, fast moving athletes or wildlife with ease.

G Master Image Quality and Bokeh

A member of Sony’s flagship G Master series lenses, this new large aperture super-telephoto prime lens features an incredible level of image quality and detail, with outstanding contrast and resolution maintained all the way to the corners of the image. The unique optical design includes three fluorite elements that help to minimize chromatic aberration and suppress any amount of color bleeding. The lens has also been coated with Sony’s original Nano AR coating to suppress any unwanted reflections, glare, or ghosting.

In addition to the impressive resolution, the lens features an 11-blade circular aperture mechanism that allows it to produce extremely natural and beautiful background defocus or ‘bokeh’.

The new FE 400mm F2.8 GM OSS is compatible with Sony’s 1.4x and 2.0x E-mount tele-converters, producing outstanding imaging performance at extended focal lengths while maintaining fast, precise AF performance.

Durability, Reliability and Control

To withstand the harsh conditions of sporting events and wildlife photography, Sony’s new FE 400mm F2.8 GM OSS is built with a durable magnesium alloy and a strong, lightweight carbon fiber hood. The lens is also dust and moisture resistant , and its front element is coated with fluorine to resist dirt and fingerprints.

There is also an ample number of hard controls on the lens, including customizable focus-hold buttons in four different locations on the lens barrel, which can be programmed for control of features such as Eye AF functionality, if desired. There is also a ‘Full-Time DMF’ switch to immediately engage manual focus at any point, and a focus ring that features Linear Response MF for fine, responsive manual focus. Additionally, the new lens includes built-in optical stabilization for dynamic action and three different ‘Mode’ settings, including a brand new Mode 3 setting with an advanced algorithm that ensures easier framing when following moving subjects. It also features a function ring with selectable ‘Preset’ and ‘Function ’ settings, which is a first for any Sony lens.

The FE 400mm F2.8 GM OSS includes a drop-in filter slot that accepts ø 40.5mm ND and other filter types, as well as the optional VF-DCPL1 Drop-in Circular Polarizing Filter. The VF-DCPL1 filter can be rotated to achieve the desired polarization while installed in the lens.

?9 System Software Update to Support FE 400mm F2.8 GM OSS

The latest system software update (Version 3.00) for ?9 (ILCE-9) provides support for the new FE 400mm F2.8 GM OSS (SEL400F28GM) lens to optimize optical image stabilization performance, and enables continuous shooting with auto focus tracking, even when aperture is greater than F11.

The update also provides added option to input the camera serial number to the Exif data, a feature that has been strongly requested by professional sports photographers and photojournalists. Additionally, several other updates to the ?9 camera have been implemented with the new firmware, including improved auto focus speed in low light conditions, enhanced continuous AF performance when tracking a moving subject, and reduced release time lag when shooting with flash.

Pricing and Availability

The new FE 400mm F2.8 GM OSS large aperture super-telephoto prime lens (model SEL400F28GM) will ship in September for about $ 12,000 US and $ 16,250 CA. The optional Drop-in Circular Polarizing Filter (model VF-DCPL1) will ship in December for about $ 400 US and $ 550 CA.

Sony FE 400mm F2.8 GM OSS specifications

Principal specifications
Lens type Prime lens
Max Format size 35mm FF
Focal length 400 mm
Image stabilization Yes
Lens mount Sony FE
Aperture
Maximum aperture F2.8
Aperture ring No
Number of diaphragm blades 11
Optics
Elements 17
Groups 23
Special elements / coatings 1 fluorite and 3 ED elements, Nano AR and fluorine coatings
Focus
Minimum focus 2.70 m (106.3″)
Maximum magnification 0.16×
Autofocus Yes
Motor type Linear Motor
Full time manual Yes
Focus method Internal
Distance scale Yes
DoF scale No
Focus distance limiter Yes
Physical
Weight 2895 g (6.38 lb)
Diameter 158 mm (6.22″)
Length 359 mm (14.13″)
Materials Magnesium alloy
Sealing Yes
Colour White
Filter thread 40.5 mm
Filter notes Drop-in filters
Hood supplied Yes
Hood product code ALC-SH155
Tripod collar Yes

Articles: Digital Photography Review (dpreview.com)

 
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