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Posts Tagged ‘Arabia’

Chanel and Harper’s Bazaar Arabia

26 Dec

“Shooting in the Persian Gulf on a Yacht”

(Click on the Image to Enlarge)

When I wrote that on my Facebook on the morning of my shoot, a good friend of mine who’s also in the industry commented: “Wow, your life certainly doesn’t suck!” The thing is, these shoots are what we work so hard for so long to obtain! And what a perfect day it was for our Chanel shoot! Blue skies, crystal seas and a crew that was both talented and fun, this was one of my favorite shoots this past year! Oh and did I mention Chanel? If you know me at all, you know how much J’aime Chanel!

(Click on the Image to Enlarge)

Sally, the fashion editor for Harper’s Bazaar Arabia, was totally on point with the styling for this shoot! Must be that impeccable taste she has that makes me adore her so much!  She put together the pieces and accessorized  them in a pure and simple manner which just read EXQUISITE. And our gorgeous model, Iga, was the perfect muse for this editorial, possessing both beauty and intelligence. Well poised, charming and articulate, she was everything a “Chanel” girl represents!  We had 9 people on a fairly small yacht, so logistically we had to pick our angles and shots carefully. Clothing was kept in the master bedroom suite, equipment was stored in the dining/living area and I had to position myself securely while shooting some of the shots so I wouldn’t fall overboard! While I don’t care about taking a splash in the Persian Gulf, there is no way I’m going to take a camera overboard with me. So given the difficulties in shooting on a small yacht while racing across the Persian Gulf proved complicated, this is another lesson in how team effort is so important to pulling a shoot off successfully. The boat was rocking and sea sickness was seeming to become contagious. I got what felt like heat stroke at one point and had to sit down in between shots. But the team pulled through! Someone held me while I shot ( I can’t even remember who, now, but I remember someone holding my legs while I was shooting Iga on the bow of the yacht ). Tyler was racing back and forth between where I was shooting and the equipment to grab a filter or a different sized reflector so he grew some sea legs on this shoot! I don’t think he even fell! Kudo’s to Tyler!! Whoever was in sight and could manage to get to the model while the boat was racing, was helping out with the shoot. It was a perfect collaboration! Chanel had two girls from the Paris office who not only brought Parisian chocolate, they jumped in and helped with the shoot.

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Voilá……….the pictures tell the story of team effort, perfect collaboration and with a little bit of resourcefulness and a lot of pitching in with no ego and attitude, any shoot can be accomplished! Thanks to everybody who participated in this shoot. I shot the whole story on the Nikon D3 with the 85mm lens. tje 50mm and the 24mm. We used a ND filter and a polarizing filter to get rid of the flare from the bright reflections off the very white yacht and the sun lit sea. We used a lens hood as well to keep the flare off the lenses. We used reflectors on some shots and we mixed flash with natural light on other shots. Shutter speeds ranged between 200 sec to 640 sec keeping the F stop around F8.

All Images © Melissa Rodwell Photography | 2011


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Harper’s Bazaar Arabia October Issue

09 Oct

My first Harper’s shoot from my recent trip to Dubai

Harpers Bazaar Goth 1

Last month I was in Dubai where I shot for Harper’s Bazaar Arabia again. In two weeks I shot 4 editorials and an additional “What Bazaar is Wearing” feature as well. Working with fashion editor Sally Matthews is always a treat because she’s not only a very cool girl, she’s got a great eye for fashion and we have very similar tastes. My first shoot with Sally was a “Gothic Abaya” editorial. An abaya, which literally means “cloak”, is a loose over-garment, like a robe that is worn by some women in the Islamic world. I think it’s a common misconception here in the West to think that the traditional clothing worn by the Muslim women are simple, rather plain or ordinary looking. Well, that’s just not the case and we set about in this shoot to convey the message that some of the traditional clothing worn by women in Saudi Arabia is quite beautiful and often times, very glamourous.

Harpers Bazaar Arabia

Sally has the great ability to find exotic locations that haven’t been shot in before in Dubai. And so we found ourselves in a resort located about 30 minutes outside of Dubai. The area was more dense in greenery than most Dubai hot spots, which is what Sally wanted because she was looking to do a very Goth-like, forest story with the Abayas. I had the good fortune to work with the talented Kate Goodwin, who had just flown in from London the night before to do the hair and make up. And our model was the gorgeous Masha who was an absolute delight to work with. Tall, thin, gorgeous and man, she could move! We had a grip of equipment with us but ended up using reflectors for most of the day. Dubai is pretty bright, even in a dense garden or tree-lined area. I mean, after all, it is in a desert! So additional flash in the outdoors would have taken the story in a totally different direction.  I made the decision to use the natural light and add reflectors when needed to bounce in some even fill. Dubai not only is pretty bright, in September it was very hot. Temperatures were up in the 100 degrees Farenheit!! We had to take mini breaks in between shots because it was too hot to move on quickly to the next shot. But even given these small obstacles, we were able to pull off the 8 page spread with absolute no problems. That’s pretty much due to working with a professional team that pulls together to make the best possible shoot against any and all odds! And that’s why I love working with Sally and make up artist Kate. They jump in and help out and there’s no ego or drama. So important when you’ve got elements against you (sun, rain, heat, mosquitos, etc.) and time restraints (8 pages in 5 hours or you go in to paying overtime).

Harpers Bazaar Arabia

I had every lens in the kit on this shoot, but ending up using the 85mm and the 50mm throughout the day.  We changed lenses in the air-conditioned house and guess what obstacle we had to deal with when going outside where the temperature was 100 F?  Yep, the lenses fogged up. So any filters had to be taken off quickly, the lenses had to be wiped off carefully, filters had to be put back on and then the shots needed to be shot quickly because the model was going to faint, running in that heat! Although Masha didn’t complain once! In fact, she was ready and willing to go longer with each shot because she loves doing what she does and she is indeed a real trouper!

Harpers Bazaar Arabia

Shooting on location has it’s obstacles. Shooting on location in Dubai definitely wasn’t easy but the moral of the story is when you have a great team that works together instead of against each other, you end up with a great shoot and a feeling of accomplishment. As we rode home in the early evening light, exhausted from the sun and rush to get all shots done and done well, we all had a smile on our faces because we knew we had accomplished it! And that to me is a great feeling and something I sort of “live for” as a photographer.

Harpers Bazaar Arabia

I have more editorials to blog about and those will be coming up shortly here on the blog. I also want to give you all a heads up. In response to a ton of emails and requests, I will be doing workshops again next year in 2012. I will have 4 next year. A Winter, Spring, Summer and Fall Fashion Photography 2 Day Workshop. I’m working out the details now and will post it along with a link to order the tickets coming up very soon. The first one will most likely be in January and it will be held in Ft. Lauderdale, Florida. So look out for that if you’re one of the people who is interested in attending. Happy Shooting!!

Harpers Bazaar Arabia


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Harper’s Bazaar Arabia – Louis Vuitton

26 Nov

Shooting for the November Men’s Issue of Harper’s Bazaar Arabia

It’s such an incredible feeling when you really click with an art director or a fashion editor. It’s a rush, in fact. And that’s the way it feels when I work for Sally from Harper’s Bazaar Arabia. I am always excited for another opportunity to work with her again, we just have a mutual love for fashion and we are on the same page, aesthically! So when I got her email back in July about this men’s shoot, I was thrilled! There was about a 3 week lead in before she actually landed in LA so the first thing we started doing was looking for the perfect model and since we were also shooting the cover, the casting was very important!

There was a decent amount of prep work that went into this shoot and I’ll explain this to you now. While we were scouring LA for the perfect model, I set out to search  the perfect location for the shoot. Sally wanted something very “LA”, you know, sunny, and glossy and hip! But Harper’s was also doing this story to coincide with the Louis Vuitton Trophy, the sailing race set to take place in Dubai from November 12th through the 27th!  And  because the shoot was with Louis Vuitton clothing exclusively, their people had some input too and they wanted a nautical theme sort of enter-twined with the story to enhance the Trophy race. So I first reached out to rowing clubs or considered renting an actual rowing boat. We realized that since we had to get 6 pages and a cover in one day, maybe the rowing boat would be too limiting. I reached out to some Yacht clubs too, but there weren’t any that were really aesthetically interesting to shoot in Southern California. That’s when I thought of a pool located in the Hollywood Hills that I had shot at about 2 months before this shoot came up. Situated high above Hollywood Boulevard, this house had all the glamour of Hollywood and then some! It was modern, sleek and bright. But the main star of the house is it’s pool. Beautifully “poised” in the front yard, the pool looks out over the city of Los Angeles with lots of white concrete surrounding it and tons of shooting opportunities. I forwarded Sally some outtakes of the pool from my previous shoot and she approved the location. So the location was nailed down first. The casting took a bit longer. I emailed the top LA modeling agencies and gave them the job break down and started forwarding the packages once I got them to Sally in Dubai. We went back and forth for awhile until her and her staff decided that Dylan Griner from Photogenics Models was our “it” model for this shoot. With his “rugged” but still beautiful looks, he was the perfect model for this kind of shoot.

Harper's Bazaar Arabia Cover

So we had the location set and we had the model. The last thing we needed were some props to fill out the story. Because Sally picked up the samples in Paris from Louis Vuitton, we could have the model actually get in the pool with the clothing and get them wet. Originally I put together a shot list to include a lot of shots in the pool or just outside of it. But we needed something extra to read “Nautical!” While Sally was actually flying from Dubai to Paris to pick up the clothing from Vuitton, I was at Omega Cinema Props in Hollywood and photographing potential props for our shoot. Omega caters to the movie industry so they have football stadium sized buildings stocked full of everything you can possibly imagine in the way of props! They have them sorted by country or era. Or themes. When I called them to ask if they had a nautical section, the answer was yes, “yeah, sure, they’re all in building C”. It’s really awesome to visit there. SO many possibilities!! I drove down to Omega and took a bunch of pictures of different type of boating rope and buoys, different oars, just anything that looked interesting and Nautical.

Harper's Bazaar Arabia 1

When Sally arrived in LA, I met her at her hotel to take a look at the clothing and show her the pictures from Omega. She approved the ones she wanted and the shoot was set! This was 2 days before the shoot!

Our call time was 12 Noon because I didn’t want to start shooting in the middle of the day when the sun was directly overhead. Why? Because the light isn’t very attractive at that time of day. The morning of the shoot day, Tyler and I headed to Omega to pick up the props that I had put on hold.  We then headed over to the house to get our equipment unloaded and set up before the rest of the crew arrived. David picked up Sally from her hotel so she didn’t have to take a cab all the way from Santa Monica, which if you know LA, Santa Monica feels like it’s in a different time zone when you’re up in the Hollywood Hills!  By the time they arrived, the lighting was set up and Dylan, our model, was in make up. Sally used a guest room at the house to lay out the clothing and we had Dylan try on the clothing to see what worked best on him. Meanwhile, I was busy with Tyler working out the order of the shots and how the sun was going to move over the pool area we were shooting in. Because of the brightness of that summer sun in LA, I decided to use a neutral density filter. The main purpose of a ND filter is to cut down the amount of light that passes through the lens. So, in other words, I didn’t have to shoot at F16 to get my exposure. I own a ND 2 which has a filter factor of 2 stops. That means I have to open up 2 stops when I put that filter on. So I could shoot with a better aperture AND the ND filter also darkens the sky and helps keep colors saturated. So I knew the blue sky and pool water would really pop with an ND filter as well as being able to control my aperture. Meghan Stoll from AIM Artists was our men’s groomer for the day. She gave Dylan that “perfect” tousled hair look which looks like it wasn’t worked on but actually was. She also evened up his skin with a little foundation. Obviously we’re not going to slap on a ton of make up on a male model, especially for a pool shoot.

Harper's Bazaar Arabia 2

The day went really smoothly with zero drama. I want to reach out here and give a warm and sincere big thank you to Adam Press for letting us take over and invade his incredible home in the Hollywood Hills. We had our computers set up in the dining area, his living room became our grip room with all our gear laid out on the floor so we could run and grab an extra C-stand or whatever we needed. His guest bedroom, as mentioned, became the wardrobe room and the kitchen area was Meghan’s grooming domain. And then of course we shot the entire story in and around the pool. We we did indeed take over his house, if only for a few hours, but still. He was very gracious in letting us shoot there and I’m very grateful that he did because the shots turned out so lush and rich! And indeed the location had a lot to do with that.

Harper's Bazaar Arabia 3

Also a special thanks to Daniel Castro and his friend for the extra hand in assisting that day. Like I always say, it take a village to produce these shoots. There’s lighting issues to take into consideration and we have to trouble shoot constantly. One thing we decided to do on this particular shoot was to use our strobes as the sun and over power the sun. We were able to do this by positioning the lights at the angle the sun was coming in and then using a strong enough power of watts, we were able to trick the camera and sort of “over-ride” the sun. Slapping on the ND filter gave it some depth and saturation and there it is: our finished product!

Harper's Bazaar Arabia Cover 2
All Images ©2010 Melissa Rodwell Photography

And to add one more amazing aspect to an already great day, Matthew Wardenaar and Evan Matthews from EME Productions came out and shot our BTS video. These two are great guys who I met through one of my LA seminars and they’ve become like family! Not only are they some pretty handsome boys, they’re genuinely sweet. Oh and they’re pretty damn talented as well. Although, I think it’s a one sided love between us. I think they just love us because of our famous In and Out Burger’s catering on our shoots! LOL. Just kidding. That’s an inside joke. But  Check Out their VIDEO that they did for us, so we can share with you the day of the shoot!


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