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Posts Tagged ‘April’

Fujifilm announces FW 3.0 for X-T3 coming in April: Improved AF and face/eye detection

11 Feb

At its X-Summit event in Dubai, Fujifilm announced a major firmware update for the X-T3, coming in April. Firmware 3.0 will bring improvements to Eye-AF, and should provide faster AF tracking performance and face detection. Face selection will be added, and ‘touch operability’ will also be improved.

You can see a preview of the changes in the video above, which will start playing at the relevant point in the presentation.

Read our review of the Fujifilm X-T3

Articles: Digital Photography Review (dpreview.com)

 
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Panasonic Lumix S1R arrives in April for $3699 body-only

01 Feb

Panasonic has revealed full details of the Lumix S1R – its pro-oriented full-frame mirrorless camera. We’ve known since Photokina 2018 that the 47.3MP S1R would be the higher resolution camera of the two new Panasonic S-series cameras and that its feature set would be aimed squarely at stills shooters. The S1R boasts thorough weather-resistance, and uses the L-mount standard – a joint effort between Panasonic, Leica and Sigma.

Both the S1R and its close relation the S1 offer a High Resolution multi-shot mode, but thanks to its higher sensor resolution the S1R creates 187MP files compared to 96MP from the S1. Full-resolution burst shooting with AFS is available at up to 9 fps; with continuous autofocus the maximum rate drops to 6 fps. Panasonic’s 6K Photo mode provides extraction of 18MP stills from 30 fps bursts, and 4K Photo offers 8MP stills from 60 fps bursts.

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The S1R uses the latest generation of Panasonic’s contrast-based DFD (Depth From Defocus) autofocus system. The company says that the system’s tracking capabilities are enhanced by machine learning to better identify moving subjects.

While the S1R is capable of 4K/60p video recording, it uses pixel binning where the S1 offers higher quality over-sampled 4K/30p footage from its full sensor width. In-body 5-axis stabilization can be combined with optical stabilization.

The S1R provides a market-leading 5.76M-dot OLED electronic viewfinder, with 60 fps or 120 fps selectable refresh rate. It’s also equipped with a 3.0″ 2.1M-dot touch screen that tilts on three axes. The camera also provides a top panel status LCD.

The Panasonic Lumix DC-S1R will be available in early April for $ 3699 body-only or $ 4599 with the new 24-105mm F4.

Press release:

Panasonic Launches New LUMIX S Series Full-frame Mirrorless Cameras LUMIX S1R and LUMIX S1

Newark, NJ (February 1, 2019) – After the development announcement at Photokina 2018, Panasonic is now proud to introduce the full specifications of its long-awaited first full-frame Digital Single Lens Mirrorless cameras, the LUMIX S1R and S1, with a 35mm full-frame CMOS sensor. The new cameras are based on the L-Mount standard, which boasts a well-balanced, large inner diameter and compact dimensions for a flange focus to realize optimum size and performance as a mirrorless camera system.

The LUMIX S Series aims for unprecedented image quality with high resolution, rich gradation and superior color reproduction. A high-speed, high-precision AF system based on advanced control technology over the lens, the sensor, and the new Venus Engine enable the user to capture the target in sharp focus without fail. The LUMIX S Series also boasts industry-leading video recording performance (4K 60p/50p*1), intuitive control, a rugged design for heavy field use, durability, and expandability.

The LUMIX S1R integrates a 47.3-megapixel full-frame CMOS sensor (36mm x 24mm), which gives it the industry’s highest level of resolution in the full-frame mirrorless cameras*2, to pursue the ultimate power of expression. In addition to the precise reproduction capability in detail, this sensor achieves a high S/N ratio by taking advantage of its high light-condensing efficiency despite the large number of pixels. The LUMIX S1R features a High Resolution mode for the first time as a mirrorless full-frame camera to enable 187-megapixel ultra-high precision photo shooting.

The LUMIX S1 comes with a 24.2-megapixel full-frame CMOS sensor (35.6mm x 23.8mm) that provides a wide dynamic range and excellent performance at high sensitivity in addition to a natural yet sharp image description thanks to sufficient light condensation per pixel. The LUMIX S1 supports professional use in videography by taking advantage of the stunning expression performance that a full-frame camera can offer. It records smooth 4K 60p video and enables full-pixel readout of signals in 4K 30p/25p*1 to save truly beautiful footage. Furthermore, the LUMIX S1 will comply with 4:2:2 10-bit 4K 30p/25p*1 internal video recording and 4K 60p HDMI output as well as V-Log, with a software upgrade key (to be sold separately) following soon in 2019.

Panasonic’s advanced Contrast AF system with DFD technology has evolved through the development of numerous mirrorless cameras to make the AF system of the LUMIX S1R/S1 even more practical. It achieves not only the industry’s fastest level of focusing speed but also a tracking performance that is made possible by the adoption of advanced AI technology that accurately recognizes moving target subjects. The LUMIX S1R/S1 incorporates a Body I.S. (Image Stabilizer) to effectively compensate for the hand-shake movement. Combining the Body I.S.(5-axis) and the O.I.S. (Optical Image Stabilizer, 2-axis) in the LUMIX S Series lenses, the Dual I.S. 2*3 boasts even more powerful compensates for virtually any types of blur. Equipped with a high-resolution Real View Finder, triaxial tilt rear monitor and high performance shutter unit with high durability, the rugged design LUMIX S1R/S1 provides the professional photographers with high reliability.

Drawing on the vast expertise of the L-Mount Alliance with Leica Camera and Sigma, various interchangeable lenses are available for the LUMIX S Series. On the other hand, the LUMIX PRO service*4 has also launched to support professional work globally.

As a pioneer of the Digital Single Lens Mirrorless camera, Panasonic has pursued innovations in technology under the vision of “Changing Photography.” Crystallizing all these digital and optical technologies, Panasonic is committed to introducing an unparalleled full-frame camera system without compromise for professional photographers and videographers.
*1 PAL area only
*2 As a Digital Single Lens Mirrorless Camera, as of February 1, 2019.
*3 5-Axis Dual I.S.2 can be used with the lens S-R24105 and S-R70200 as of February 1, 2019.
*4 Service is not available in some countries.

1? High picture quality made possible by the first LUMIX full-frame mirrorless camera Unprecedented picture quality and high descriptive performance LUMIX S1R
The LUMIX S1R incorporates a new 47.3-megapixel CMOS sensor without LPF (Low Pass Filter) to realize high resolution and descriptive performance. This sensor adopts an aspherical lens for the on-chip micro lens to enhance light condensation. Together with the optimum design to concentrate more incoming light onto the photodiode, it achieves both high resolution and highly efficient light condensation performance. This results in the realization of the industry’s highest level of 47.3-megapixel resolution* in the full-frame mirrorless cameras at high S/N ratio and maximum ISO 25600 high sensitivity. The large amount of digital signals is processed by the new high-speed, high-performance image processor Venus Engine to render images with breathtaking description in both photo and video.
* As a Digital Single Lens Mirrorless Camera, as of February 1, 2019.

High image quality, high sensitivity performance LUMIX S1
The LUMIX S1 employs a 24.2-megapixel CMOS sensor. The new Venus Engine, which is exclusively tuned for the full-frame camera, and its Multipixel Luminance Generation and Intelligent Detail Processing realize natural, high-resolution expression while suppressing color moiré. Three-dimensional color control improves the color reproduction of both bright and shadow areas. This results in natural, true-to-life images from low to high sensitivity. Taking advantage of sufficient light condensation, the LUMIX S1 boasts a wide dynamic range and reproduces sharp images with exceptional clarity. Noise is minimized even when shot at maximum ISO 51200 high sensitivity. It is an ideal camera to use especially in low-light situations.

An AR coating applied on the sensor of both LUMIX S1R/S1 minimizes ghost and flare even in backlighting. In combination with the high-quality LUMIX S Series lenses based on the L-Mount, this further enhances the potential of the camera.

Plus, the LUMIX S1R/S1 integrates the Body I.S. (Image Stabilizer) for powerful handshake correction. Panasonic developed an algorithm that precisely calculates shake information acquired not only from a gyrosensor, but also from the image sensor and accelerometer sensor. This enables more accurate shake detection and compensation, making it possible to use a 5.5-stop slower shutter speed*1. Combining the Body I.S. (5-axis) in the camera and the O.I.S. (Optical Image Stabilizer, 2-axis) in the LUMIX S Series lens, the 5-axis Dual I.S. 2 compensates for larger movements that were conventionally uncontrollable. Maximizing both O.I.S and B.I.S. is highly beneficial in telephoto shots and in adverse situations, such as in low-light or with one-handed shooting with a 6-stop slower shutter speed*2. The 5-axis Dual I.S. 2 works for both photo and video recording, including 4K. The Body I.S. compensates for camera movement even when other L-Mount lenses without O.I.S. are used.

Taking full advantage of its high-resolution sensor, the LUMIX S1R/S1 provides a High Resolution mode that faithfully reproduces precise details to be saved as beautiful, highly realistic RAW images. Eight consecutive images are automatically shot while shifting the sensor using the Body I.S. (Image Stabilizer) mechanism and synthesized into a 187-megapixel equivalent (16,736 x 11,168-pixel) image for LUMIX S1R and 96-megapixel equivalent (12,000 x 8,000-pixel) image for LUMIX S1 by the new Venus Engine, which boasts high-speed signal processing. This mode is suitable for taking natural landscapes or fine arts with delicate details. This magnificently high resolution photo is ideal for landscape photography of stationary subjects using a tripod. However, it can also be used in situations where moving subjects are included in the scene, by switching the sub mode.

The HLG*3 Photo mode is a whole new style of photo expression that Panasonic proposes. It provides a wider dynamic range to reproduce light and shadow with more natural contrast. The HLG Photos can also be produced as an HSP file*4 with compressed high-brightness signals in stunning 8K resolution (7,680 x 4,320 in 16:9, with LUMIX S1R) or its full resolution (5,888 x 3,312, in 16:9, with LUMIX S1) in addition to JPEG/RAW files. It excels in the expression of lights, such as sparkling starlight or glaring sunlight. The user can playback these vibrant images on the latest Panasonic HLG-compliant 4KTV via HDMI cable connection or other HLG-compliant devices. It is also ideal for photo presentations by photographers.

The high-precision shutter unit offers the highest shutter speed at a maximum 1/8000 second to capture spur-of-the-moment, fast moving subjects and to use a high-speed lens with a fully open aperture even outdoors for impressive defocusing. The external flash can be synchronized with the industry’s fastest shutter speed of a maximum 1/320 second.*5*6
*1 Based on the CIPA standard [Yaw/Pitch direction: focusing distance f=50mm, when S-X50 is used.]
*2 Based on the CIPA standard [Yaw/Pitch direction: focusing distance f=200mm, when S-R70200 is used.]
*3 “HLG (Hybrid Log Gamma)” is an international standard (ITU-R BT.2100) HDR format.
*4 “HSP” is an HDR picture format using HLG format video technology.
*5 The guide number decreases when the shutter speed is set to 1/320 of a second.
*6 As a Digital Single Lens Mirrorless Camera, as of February 1, 2019.

2. High-speed, high-precision AF system LUMIX S1R LUMIX S1
Panasonic has achieved a high-speed AF with its advanced control technology over the major devices – lens, sensor and imaging engine. The lens and sensor communicate at a maximum 480 fps. Combining the Contrast AF with DFD technology, the LUMIX S1R/S1 realizes an ultra-high-speed, high-precision AF of approximately 0.08 sec*1. The LUMIX S1R/S1 also boasts high speed burst shooting at 9 fps (AFS) or 6 fps (AFC). With its high subject tracking performance, the LUMIX S1R/S1 never loses the target subject. As a camera that excels in low-light shooting, the LUMIX S1R/S1 boasts -6EV*2 luminance detection performance with Low Light AF thanks to the higher sensitivity and optimized tuning of the sensor. The face/eye detection technology makes it possible to capture people in crisp focus, the Eye AF even detects the pupil of the eye and precisely focuses on it for impressive portrait shooting. The LUMIX S1R/S1 also incorporates advanced AI technology that detects specific subjects – humans and fast-moving animals, including dogs, cats and birds. The camera keeps tracking these subjects even when they turn their back to the camera.

For more continuous burst shooting, 6K PHOTO*3 makes it possible to capture unmissable moments at 30 fps by extracting the frame with the best timing out of a 6K burst file (in 4:3 or 3:2 aspect ratio) to save as an approximate 18-megapixel equivalent high resolution photo. The 4K PHOTO enables 60-fps high-speed captures in approximate 8-megapixel equivalent resolution. In 6K PHOTO /4K PHOTO, three exclusive modes can be chosen from depending on the situation; 6K Burst/4K Burst, 6K Burst (Start/Stop)/4K Burst (Start/Stop) and 6K Pre-burst/4K Pre-burst. Users can choose the most suitable burst shooting mode in addition to the regular consecutive shooting mode in full resolution depending on the situation.
*1 11EV, at wide-end with S-R24105 (CIPA) in LVF120 fps setting.
*2 At ISO100, F1.4, AFS
*3 6K PHOTO’ is a high speed burst shooting function that cuts a still image out of a 4:3 or 3:2 video footage with approx.18-megapixel (approx. 6000 x 3000 effective pixel count) that the 6K image manages.

3. Operability from ingenuity for intuitive control LUMIX S1R LUMIX S1
The LVF (Live View Finder) is the key factor for completing the ultra-high-speed response of the camera. The LUMIX S1R/S1 has the largest level of Real View Finder which boasts the world’s highest 5,760k-dot resolution.* The 0.78x magnification ratio can be switched to 0.7x or 0.74x according to the shooting situation. Adoption of a high-speed, high-precision OLED (Organic Light-Emitting Diode) for the LVF achieves smooth display at 60 fps/120 fps (switchable) and high-speed response with minimum time lag of less than 0.005 sec as well as 10,000:1 high contrast for exceptional visibility. With minimum distortion and high optical performance, this Real View Finder provides a natural view as seen with the naked eye. It is always sharp and clear from the center all the way to the corners.

The 2,100K-dot high resolution monitor in 3:2 aspect ratio has adopted a triaxial tilt moving element to secure both durability and operational ease. It also has a touch control system. Live View Boost is another practical feature that makes it possible to check the composition even in total darkness by boosting the sensitivity just for live view. It also incorporates a night mode that provides mild backlighting. It lets the user watch the subject comfortably even after viewing the monitor in a dark situation for a long time. The LUMIX S1R/S1 includes a largest-in-class Status LCD on the top, allowing users to check the settings at a glance.

To make the camera just like a part of the photographer’s body, the LUMIX S1R/S1 provides a firm grip, making it easy to hold for long periods. The control buttons and dials are located based on an ergonomic study to enable the user to concentrate on shooting. The adoption of an 8-directional joystick and refined UI (User Interface) also supports quick operation during shooting. In addition, illuminated buttons can be of help in low-light situations. An operation lock lever prevents unintentional operation, and the user can choose which operation to lock.
* As a Digital Single Lens Mirrorless Camera, as of February 1, 2019.

4. Rugged design, reliability and expandability LUMIX S1R LUMIX S1
To be tough enough to withstand heavy field use, the main structure is composed of a magnesium alloy full die-cast front/rear frame. Robust construction and a sealing for every joint, dial, and button make the LUMIX S1R/S1 not only splash resistant* and dust resistant,* but also freeze resistant down to -10 degrees Centigrade. The shutter unit is also durable for approximately 400,000 cycles.

The LUMIX S1R/S1 is equipped with a double memory card slot compatible with SD (UHS-II) or XQD memory cards for high-speed, high-capacity continuous data recording. Users can flexibly choose the recording method from Relay Recording, Backup Recording or Allocation Recording using the double slots. It will also be compatible with CFexpress in the near future. The 7.4-V 3,050 mAh high-capacity battery can be quickly charged via USB PD (USB Power Delivery) using the bundled USB3.1 Type-C cable. And it also realizes high-speed data transfer.

A variety of new accessories are available for the LUMIX S1R/S1, including Remote Shutter (DMW-RS2),?Eyecup (DMW-EC6), Battery Grip (DMW-BGS1) and Battery Charger (DMW-BTC14). The Battery Charger also complies with USB PD and enables quick power charging in approximately 2 hours. The camera can be used while charging via this adaptor. The conventional External Flash (DMW-FL580L / FL360L / FL200L) can also be mounted on the LUMIX S Series cameras.
*Dust and Splash Resistant does not guarantee that damage will not occur if this camera is subjected to direct contact with dust and water.

5?Outstanding video recording performance in a full-frame camera 4K 60p video recording for more creative freedom LUMIX S1R The LUMIX S1R is a camera designed and developed to boast exceptional performance in photography, yet is capable of 4K 60p video recording.*2 To elevate the video expression even more, a variety of effects are available for video recording.

Exceptional video recording performance for professional videographers LUMIX S1
The LUMIX S1 features outstanding video performance for professional videography with 4K 60p recording. It realizes a crop factor of 1.0x in 4K 30p/25p*1/24p, which means that the user can record video in the original viewing angle of the lens. There is no recording time limit*3 for both 4K 30p/25p*1/24p and Full-HD video. Notably, the CMOS Sensor with high sensitivity on the LUMIX S1 achieves full-pixel readout for an excellent S/N ratio. The HDR (High Dynamic Range) video recording is available, which reproduces both the bright parts and dark parts of an image, making it look just like human eyes see it. The camera records video with a designated gamma curve compatible with ITU-R BT.2100, and you can now choose Hybrid Log Gamma (HLG) in Photo Style. The LUMIX S1 further expands its potential with a firmware update including 4:2:2 10-bit 4K 30p internal video recording and 4K 60p/50p HDMI output as well as V-Log, with a Software Upgrade Key (to be sold separately) following soon in 2019.

As a camera from Panasonic that has been overstepping the limit of video performance in digital cameras, a host of functions are available on the LUMIX S1R/S1. The High Speed Video lets users record slow motion video in 4K (maximum 60 fps and FHD (maximum 180 fps).

For the terminal, an HDMI Type A is provided. Plus, a cable lock holder for the HDMI cable is included in the LUMIX S1R/S1 to prevent unplugging trouble on location. LINE input is also supported by a 3.5-mm microphone jack. This makes it possible to input sounds from an external audio device, for more efficient video production. A 3.5-mm headphone jack is also available. In addition, it complies with the Microphone Adaptor DMW-XLR1 (sold separately), which is a plug-in type adaptor for an XLR microphone to record high-quality stereo sound. It is ideal for lip-sync recording. Dedicated switches allow direct, quick control. MIC, LINE and CONDENSER MICROPHONES are switchable.
*1 PAL area only.
*2 Maximum 15 minutes in 4K60p and unlimited recording time in Full HD until the SD Memory Card becomes full or the battery runs out.
*3 Maximum 29 minutes 59 seconds in 4K60p until the SD Memory Card becomes full or the battery runs out.
– When the ambient temperature is high or continuous recording is performed, the camera may stop the recording to protect itself. Wait until the camera cools down (*2*3).

6. Other Features LUMIX S1R LUMIX S1

  • Photo Style Featuring a New Flat Mode
    To shorten post-processing work, JPEG photos can be adjusted precisely according to the photographer’s intention. The LUMIX S1R/S1 also provides a Flat mode that features a plain finish with less contrast and saturation for versatile use.
  • Variable Aspect Ratios With New 65:24 and 2:1
    In addition to the standard 3:2, 4:3, 16:9 and 1:1, 65:24 (Film Panorama) and 2:1 (6 x 12 cm) aspect ratios are available for photo shooting.
  • I.S. Status Scope
    The user can consciously remove the cause of shake by checking a pointer that indicates the camera’s shaking condition. It is available while the viewfinder or rear monitor blacks out even during a long-time exposure.
  • Flicker Decrease
    When the flickering of a fluorescent light is detected, the camera indicates it and releases the shutter when its effect is the least to suppress the discontinuity of exposure or color across a sequence of photos.
    *Not available in 6K PHOTO, 4K PHOTO and Post Focus.
  • Highlight Weighted Light Metering Mode
    The Highlight Weighted Light Metering Mode meters light with the priority on highlighted parts, to prevent it from washing out.
  • New AWBw Auto White Balance Mode
    In Auto White Balance, a new AWBw that retains a reddish tint is available in addition to conventional AWB (standard) and AWBc (bluish tint). AWBw reproduces healthy, rosy skin color even under fluorescent light.
  • Bluetooth 4.2 and Wi-Fi 5GHz (IEEE802.11ac)* / 2.4GHz (IEEE802.11b/g/n)
    Compatibility with Bluetooth 4.2 (called BLE: Bluetooth Low Energy) enables constant connection with a smartphone/tablet with minimum power consumption. The settings of a LUMIX S1R/S1 camera can also be copied and transmitted wirelessly to other S1R/S1 cameras when using multiple S1R/S1 cameras*1. Also, Wi-Fi 5GHz (IEEE802.11ac)*2 is effective in addition to 2.4GHz (IEEE802.11b/g/n.) This provides even secure and stable connection not only with a smartphone/tablet but also with other devices on location for smooth remote control. Transmission speed of photo/video data is also increased up by using the 5GHz-band*2.
    *1 The Settings of LUMIX S1R can be copied to S1R only and the settings of LUMIX S1 can be copied to S1 only.
    *2 5GHz Wi-Fi is not available in some countries.
  • Lumix Tether
    This software enables tethered shooting via USB. Users can control the camera by connecting it to a PC via USB. It lets you view the image on a large PC screen while shooting, which is helpful in commercial photoshoots of portraits, products and more, where continuous confirmation is required. You can use [6K PHOTO] [4K PHOTO] and start and stop video recording with tethered shooting. It is also possible to choose the folder to save the image files in the PC.
  • Lumix Sync
    Lumix Sync is a new application for iOS/Android devices, which enables photo transmission to a smartphone or tablet via easy wireless connection. It also allows remote control of the camera using a smartphone or tablet.
  • Leica is a registered trademark of Leica Microsystems IR GmbH.
  • L-Mount is a trademark or registered trademark of Leica Camera AG.
  • Android and Google Play are trademarks or registered trademarks of Google Inc.
  • IOS is a trademark or registered trademark of Cisco in the U.S. and other countries and is used under license.
  • XQD is a trademark of Sony Corporation.
  • All other company and product names are trademarks of their respective corporations.
  • Some accessories are not available in some countries.
  • The use of recorded or printed materials that are protected by copyright for any purpose other than personal enjoyment is prohibited, as it would infringe upon the rights of the copyright holder.
  • Design and specifications are subject to change without notice.

Panasonic Lumix DC-S1R specifications

Price
MSRP $ 3699 (body only), $ 4599 (w/24-105mm lens)
Body type
Body type SLR-like (bridge)
Body material Magnesium alloy
Sensor
Max resolution 8000 x 6000
Image ratio w:h 1:1, 4:3, 3:2, 16:9
Effective pixels 47 megapixels
Sensor photo detectors 50 megapixels
Sensor size Full frame (36 x 24 mm)
Sensor type CMOS
Processor Venus Engine
Color space sRGB, Adobe RGB
Color filter array Primary color filter
Image
ISO Auto, 100-25600 (expands to 50-51200)
Boosted ISO (minimum) 50
Boosted ISO (maximum) 51200
White balance presets 5
Custom white balance Yes (4 slots)
Image stabilization Sensor-shift
Image stabilization notes 5-axis; combines with in-lens stabilization for increased shake reduction
CIPA image stabilization rating 6 stop(s)
Uncompressed format RAW
JPEG quality levels Fine, standard
File format
  • JPEG
  • Raw (Panasonic RW2)
  • HLG (CTA-2072)
Optics & Focus
Autofocus
  • Contrast Detect (sensor)
  • Multi-area
  • Center
  • Selective single-point
  • Tracking
  • Single
  • Continuous
  • Touch
  • Face Detection
  • Live View
Autofocus assist lamp Yes
Manual focus Yes
Number of focus points 225
Lens mount Leica L
Focal length multiplier 1×
Screen / viewfinder
Articulated LCD Tilting
Screen size 3.2
Screen dots 2,100,000
Touch screen Yes
Screen type TFT LCD
Live view Yes
Viewfinder type Electronic
Viewfinder coverage 100%
Viewfinder magnification 0.78×
Viewfinder resolution 5,760,000
Photography features
Minimum shutter speed 60 sec
Maximum shutter speed 1/8000 sec
Maximum shutter speed (electronic) 1/16000 sec
Exposure modes
  • Program
  • Shutter priority
  • Aperture priority
  • Manual
Built-in flash No
External flash Yes (via hot shoe or flash sync port)
Flash modes Auto, Auto/Red-eye Reduction, Forced On, Forced On/Red-eye Reduction, Slow Sync, Slow Sync w/Red-eye Reduction, Forced Off
Flash X sync speed 1/320 sec
Continuous drive 9.0 fps
Self-timer Yes
Metering modes
  • Multi
  • Center-weighted
  • Highlight-weighted
  • Spot
Exposure compensation ±5 (at 1/3 EV steps)
AE Bracketing ±3 (3, 5, 7 frames at 1/3 EV, 2/3 EV, 1 EV steps)
WB Bracketing Yes
Videography features
Format MPEG-4, H.264
Modes
  • 3840 x 2160 @ 60p / 150 Mbps, MOV, H.264, Linear PCM
  • 3840 x 2160 @ 50p / 150 Mbps, MOV, H.264, Linear PCM
  • 3840 x 2160 @ 30p / 100 Mbps, MOV, H.264, Linear PCM
  • 3840 x 2160 @ 25p / 100 Mbps, MOV, H.264, Linear PCM
  • 3840 x 2160 @ 23.98p / 100 Mbps, MOV, H.264, Linear PCM
  • 1920 x 1080 @ 60p / 28 Mbps, MOV, H.264, AAC
  • 1920 x 1080 @ 50p / 28 Mbps, MOV, H.264, AAC
  • 1920 x 1080 @ 30p / 20 Mbps, MOV, H.264, AAC
Microphone Stereo
Speaker Mono
Storage
Storage included XQD + SD card slots; UHS-II supported
Connectivity
USB USB 3.1 Gen 1 (5 GBit/sec)
USB charging Yes (can be charged with high-power laptop/tablet chargers or portable power banks)
HDMI Yes (4:2:2 8-bit output, except 4K/60p)
Microphone port Yes
Headphone port Yes
Wireless Built-In
Wireless notes 802.11ac + Bluetooth
Remote control Yes
Physical
Environmentally sealed Yes
Battery Battery Pack
Battery description DMW-BLJ31 lithium-ion battery & charger
Battery Life (CIPA) 360
Weight (inc. batteries) 898 g (1.98 lb / 31.68 oz)
Dimensions 149 x 110 x 97 mm (5.87 x 4.33 x 3.82)
Other features
Orientation sensor Yes
GPS None

Articles: Digital Photography Review (dpreview.com)

 
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Adobe Creative Cloud prices will increase April 16th, Photography Plan will stay the same

13 Mar

Yesterday, a few of our staffers received an email from Adobe warning them that, in a little over a month, the price of their Adobe Creative Cloud subscriptions would increase on their next renewal date. The email read:

Dear *subscriber*

The price of Creative Cloud will increase on April 16, 2018. However, your price will not change until your next renewal date. Please note that this is the first time in over five years that we’ve raised the base price of Creative Cloud.

The price of Adobe Creative Cloud All Apps will change to US$ 52.99/month on your renewal date of *insert date here*. A reminder email will be sent to you as your renewal date gets closer.

It seems these prices changes were initially announced in October at Adobe MAX, but the email still came as news to us. So when we received the notice, we reached out to Adobe to confirm and to ask if the Creative Cloud Photography plan pricing would also increase.

Here’s what we got back:

As announced in October 2017 at Adobe MAX, for the first time since the introduction of Creative Cloud five years ago, a modest adjustment in commercial pricing will take effect for customers in the United States, Canada and Mexico on April 16, 2018 or at existing customers’ next contract renewal. Beginning April 16, new subscribers will benefit from the current pricing and can lock in a year subscription at no additional charge. Prices will vary by plans—for example, Creative Cloud for Individuals All App annual plans will experience a 6% increase to $ 52.99 per month from $ 49.99 per month. These pricing updates do not impact our Student/Education, Creative Cloud Photography, XD or Acrobat CC plans.

For more pricing details visit: https://theblog.adobe.com/adobe-updates-creative-cloud-pricing/

So, the good news for photographers is that the Creative Cloud Photography plan price is not changing. You will still pay $ 10/month for Photoshop CC, Lightroom Classic CC, and Lightroom CC with 20GB of cloud storage, or $ 20/month to increase that cloud storage quota to 1TB. But if you’re on an All App or Single App plans, you’re going to see a price hike.

In addition to the Individual All App plan increasing in price to $ 53/month (previously $ 50), Creative Cloud for Individual Single App plans will now cost $ 21/month (previously $ 20), and Creative Cloud for Teams All App plans will now cost $ 80/month (up from $ 70).

For more info on this price increase, you can read the original announcement post here.

Articles: Digital Photography Review (dpreview.com)

 
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2017 in review: a look back at April

23 Dec

Ahh, April: the beginning of Spring. The sun starts to come out after a long winter, flowers are blooming and bears come out of hibernation. Who am I kidding, this is Seattle – winter ends in July.

April was a pretty busy month for camera announcements, including some real blockbusters. First out of the gate was the Nikon D7500, the company’s midrange APS-C digital SLR and in many ways a mini D500. We created a ton of content around that launch, including comparisons against the D7200 and aforementioned D500.

Probably the most significant launch in April was Sony’s a9, which was a tour-de-force of new technology when it was announced. With its full-frame, 24MP stacked CMOS sensor and hybrid AF system, the a9 is capable of lengthy 20 fps bursts with continuous autofocus. The a9 also has in-body image stabilization, a huge, high-res viewfinder, dual media card slots and a weather-sealed body. We took a close look at many aspects of the a9, including its image quality and AF performance, and how much it would cost a photographer to switch to Sony’s full-frame system.

The most significant launch in April was Sony’s a9, which was a tour-de-force of new technology when it was announced.

There were a ton of lenses announced in April as well, ranging from Micro Four Thirds to medium format. Some of the more interesting lenses include the Panasonic Leica 8-18mm F2.8-4 super-wide, the Sony FE 100-400 F4.5-5.6 GM, Fujifilm’s medium format 23mm and 110mm lenses and Canon’s EF-S 35mm F2.8 Macro, which has a built-in ring light.

We published a number of reviews in April, including those for the medium format Fujifilm GFX 50S, Panasonic’s video-centric DC-GH5 and Canon’s ‘high-end entry-level’ EOS 77D.

The DPR staff managed to get out of the office once or twice, including for a field trip to the University of Washington to photograph the famous cherry blossoms.

Come back tomorrow to see what happened in May!

Click here to see all April 2017 content


Sony announces a9 full-frame mirrorless camera

Sony went ‘all in’ with its flagship full-frame mirrorless camera, the a9. Highlights include a 24MP stacked CMOS sensor, a 693-point hybrid AF system, in-body 5-axis image stabilization, 4K video and much, much more.

View our Sony a9 launch coverage

Drone sales doubled in 2016

Photo by Halftermeyer

Features like autopilot and follow-you modes helped double drone sales in 2016, according to NPD. While entry and midrange models were projected to continue to drive the market in 2017, NPD says that new form factors and technology will keep the premium models selling, as well.

Read the full article

Midrange Nikon D7500 DSLR arrives

Those who had been waiting for a replacement to the venerable Nikon D7200 need wait no longer: the D7500 is here. This $ 1250 DSLR features the same 20.9MP sensor and Expeed 5 image processor as the D500, a tilting touchscreen display, 8 fps burst shooting and 4K video capture.

View our complete Nikon D7500 coverage

National Parks Service shows us America from space

National Parks Week took place back in April, and the National Park Service worked with NASA to capture some of America’s most beautiful spots from space.

Read the
full article

Articles: Digital Photography Review (dpreview.com)

 
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CIPA figures for April illustrate steadying of the digital camera market and continued mirrorless growth

10 Jun
DSLR sales continue to decline, but great news: the overall camera market seems to be stabilizing.

The latest figures released by the Camera and Imaging Products Association (CIPA) show that the total camera market remained mostly steady year-on-year for the month of April, and that mirrorless sales are growing against a decline in the number of DSLRs sold. CIPA’s data demonstrates that its member companies produced almost the same number of cameras this April as they did in April 2016, but that they were worth fractionally more.

During the period from January to the end of April CIPA members actually produced more cameras than they did in the same period last year, and even though the difference was only 3-4% by volume and value, it is still very positive news.

The decline in the Japanese market rather drags the worldwide shipping figures down from 8.4% by value, when Japan is excluded, to just under 4% when looking at the whole world. Outside of Japan the market grew year-on-year for the period Jan-April by 3% by volume and 12% by value, indicating the cameras being shipped are higher in price than last year.

While the interchangeable lens camera market grew by 7.4% in volume and 4.5% in value for the month, the bulk of that growth came from the ‘non-reflex’ sector. CIPA includes mirrorless cameras, compact system cameras and rangefinder cameras in these figures, though without the membership of Leica or Hasselblad we can assume that most of the category is compact system and other mirrorless cameras that have interchangeable lenses – such as Fujifilm’s GFX.

Asia remains by far the largest market for these cameras and sold almost as many bodies as Japan, Europe and America combined.

This non-reflex category jumped in value by 37.5% in Japan but in the rest of the world that growth hit 80.5%. An area designated by CIPA as ‘Other’, that doesn’t include Asia, Europe, Japan or the Americas, saw mirrorless growth of 141% by volume and 136.5% by value – though the actual figures are relatively small. Asia remains by far the largest market for these cameras and sold almost as many bodies as Japan, Europe and America combined.

While only 89% of last April’s SLRs shipped this April, the worldwide market for these cameras is still just less than twice the size of the mirrorless segment, though in Japan the value of DSLR market was only 57% of what was managed last April – a really significant drop.

The good news, of course, is that the market didn’t shrink.

For more information see the CIPA website.

Articles: Digital Photography Review (dpreview.com)

 
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Delayed: Nikon Japan pushes D500 to end of April

05 Feb

Nikon shooters have waited a long time for a D300S replacement, and it appears that they’re going to have to keep waiting a little longer. Nikon Japan has released a statement (in Japanese) pushing the D500’s initial March release back to late April 2016. Nikon cites high demand for the camera as the cause of the delay. It seems that the D500’s battery grip and WT-7A wireless transmitter are also delayed.

Come April, the D500 will be available for $ 1,999.95 body only or with the 16-80mm F2.8-4E ED VR lens for $ 3,069.95.

Articles: Digital Photography Review (dpreview.com)

 
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30. April 2015

30 Apr

Das Bild des Tages von: Lukas B.

© Lukas B.

Im Ausblick: Ideenklau, der Verlust von Praktica und Vietnam damals und heute.
kwerfeldein – Fotografie Magazin | Fotocommunity

 
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29. April 2015

29 Apr

Das Bild des Tages von: Melf Mayer

Dunkle Graslandschaft, vom Wind verweht.

Im Ausblick: Zwillingsmädchen, Smartphone-Fotografie und eine Gasse in Norwegen.
kwerfeldein – Fotografie Magazin | Fotocommunity

 
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28. April 2015

29 Apr

Das Bild des Tages von: Michael Färber

17091855038 © Michael Faerber

Im Ausblick: Schwangerschaftsbilder, Instagrambilder sichern und eine Fotogeschichte.
kwerfeldein – Fotografie Magazin | Fotocommunity

 
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27. April 2015

27 Apr

Das Bild des Tages von: traveller sam

17067075937_traveller sam

Im Ausblick: Autochrome von 1913, zentrierte Portraits und selbstvergessene Fotografen.
kwerfeldein – Fotografie Magazin | Fotocommunity

 
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