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Posts Tagged ‘Anything’

Shutterstock announces new earnings structure and contributors are anything but happy

28 May

Stock photography company Shutterstock is taking heat after announcing in a post on its contributor forum that it’s putting a new earnings structure in place starting June 1, 2020.

Under the new structure, photographers and videographers will get compensated via a percentage of the sales price based on the ‘level’ their photo and/or video are rated, with the level being determined by the number of times their content is licensed. Previously, there were lifetime earnings tiers, which took into account total sales made during the lifetime of the contributor, but Shutterstock will do away with that and instead reset all contributors to ‘level 1’ for both images and videos every year on January 1.

Shutterstock breaks down what the various levels consist of in the two graphics below — one for photos and one for video, each of which are calculated independently of one another:

This effectively means that no matter how many sales a contributor has made, on January 1 each year, said contributor will always be demoted back to ‘Tier 1’ wherein they only receive a 15% commission on sales.

Shutterstock says it’s ‘making this adjustment in order to reflect changes in the market for creative content, help to create fair opportunities for all our contributors, and reward performance with greater earnings potential.’ But contributors aren’t convinced and are voicing their concerns and frustrations in the announcement forum post; especially members who have been long-time contributors with massive lifetime earnings numbers, as they will be most affected by this change.

Shutterstock member Richard Whitcombe, who’s been a member since 2010 and has posted more than 3,200 pieces of content, replied to the announcement post saying, ‘Just when you think Shutterstock couldn’t completely and utterly screw the contributors more you’ve gone and done it.’ He continues, ‘Effectively with a January reset everybody gets a cut of 20% or more of earnings to a new laughably tiny amount and it’ll take months to claw back the level they’ve been earning previously. So most people are going to go most of the year for half or less than they currently get.’

He shared in a later post that a Shutterstock team member sent him a private message suggesting they will be moderating his posts for his feedback. The private message read:

‘Hi Richard,

I know you have a lot of questions and you’re fighting for clarity. But you are refuting and questioning everything I post today, and not very constructively.

I’m going to start hiding your posts.

Thanks,

[Shutterstock team member]’

Other members have also chimed in on the changes, echoing Whitcombe’s concern and disbelief about the new earnings structure. As of publishing this article, there are 66 pages of replies to the original forum post, few of which are positive.

Articles: Digital Photography Review (dpreview.com)

 
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How (And Where) To Mount an Action Camera (On Anything!)

09 May

Pictures and video from an action camera can be awesome. But how do you get the best shots? It’s all about the mounting of the camera and we’re going to tell you how to do it. How and where do you mount an action camera? The most popular place to mount an action camera is on a helmet using a Continue Reading

The post How (And Where) To Mount an Action Camera (On Anything!) appeared first on Photodoto.


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A Helpful Checklist to Use Before Photographing Anything

08 Dec

If you are reading this you probably find photography exciting, maybe even so exciting that from time to time you forget changing your camera settings according to the subject you’re shooting. You have probably already missed at least one amazing shot, just because you forgot to change the ISO or shutter speed.

Image2

You are not alone. This happens to both amateurs and professionals, however there are a few simple tricks to avoid ever missing that shot again due to unpreparedness. In this article I’m going to share with you the simple steps I follow before going out to photograph, the steps I have learned the hard way. A helpful checklist to use before photographing anything.

Why do you need a checklist?

Okay, before I start sharing the steps, let’s briefly talk about why you need a checklist. The reason I need a checklist might be different than yours, and it all comes down to your needs. What are you photographing? Are you photographing to make huge prints? Are you capturing a moment that only lasts a brief second?

My main field of photography is landscapes and nature. It is rare that my window of opportunity only lasts for a brief second, meaning that I often have the time to find the best settings. However, if you are more into wildlife photography, travel, or perhaps street photography, your window of opportunity is much shorter, ergo you must be able to quickly take up your camera, and fire off some shots without spending much time fiddling with your settings.

Image7

The feeling of coming back home after an amazing evening, importing your photos, and realizing all the shots are ruined as a result of forgetting to change the settings is a feeling I don’t wish upon anyone. No matter what type of photography you do, quality is the most important.

Point one – Before you leave

Step one takes place before even leaving your home. This might very well be the most important step, and I know for a fact it’s one that many often forget.

Part one of the checklist consists of four basic, yet crucial elements to check:

  • Are your batteries charged?
  • Is your memory card full?
  • Did you clean your equipment?
  • Is all your gear packed?

Are your batteries charged?

You may laugh and think, “Do’h, obviously I won’t go out with empty batteries”. Well, that’s exactly what I thought too until one time when I drove seven hours to the west of Norwa,y where I would spend the weekend in a tent photographing epic landscapes. After one hour of shooting my first battery died, and I realized that all my spare batteries where empty too. Since I was camping I did not bring a charger.

In deep frustration I ended up driving the seven hours back home, as I did not want to spend the weekend in some of the greatest nature of Norway without my camera (Yes, I should have stayed and enjoyed the nature – but my thoughts where not rational at the time). Luckily I managed to pull off one descent shot from that evening, which I did not realize before writing this article!

Image5

I have made a habit to always set my batteries to charge as soon as I get home from photographing, yet I also double check that all batteries are charged when I leave on trips.

Is your memory card full?

Now, leaving home with a full memory card is not as critical as not having any battery time. However it is rather annoying to get the message “Memory card full” after taking 10 pictures. You then have to waste time deleting images one-by-one. Make sure there is enough free space on the card when you head out on your adventures!

Is your equipment clean?

Most of us are guilty of not cleaning our equipment from time to time. It’s more exciting to process your images when you get back home rather than clean your gear, right?

Regardless of what is fun or not, cleaning your equipment needs to be done, especially after photographing in rough conditions or by the sea. I recommend always bringing a microfiber cloth, air blower, and some cleaning spray when you are out, but the more you clean at home, the more time you have to photograph when you’re out.

Personally, in my earlier days I had a couple shots ruined due to forgetting to clean my filters after being out photographing by the ocean.

The image below is a typical example of what your files might look like if you forget to clean your lens before shooting. This shot was luckily not ruined, but it took some time removing all dust spots.

Image1 DustSpots 2

Did you pack all your gear?

This is something I have yet to experience myself, probably due to my paranoia of forgetting something. But it’s happened more than once that I have been out with someone who forgot their memory card, remote shutter, or even their camera. So make sure that all of the equipment you need is in your backpack when you exit the door!

Point two – In the field

Now that your batteries are charged, your memory card has available space, your gear is cleaned, and the equipment you need is packed, let’s head out to capture some beautiful images! But don’t get too excited, remember to go through these quick steps first:

Determine the subject you are about to photograph

Before you look into the settings themselves, start by reflecting upon the subject you are going to photograph. Is it a landscape, animal, people, or something else? By spending a few seconds becoming aware of what you are about to photograph, it will be much easier for you to remember to set your settings accordingly. You will then avoid photographing a bird with a narrow aperture when you want to blur the background.

At this stage I would also recommend putting some thought towards what lens you will need most. If you’re photographing birds, you normally need a long zoom, more than the wide angle. Prepare the correct equipment right away, so you avoid having to change lenses while you watch the bird fly away.

Image4 Bird

Check your ISO

If you are a landscape photographer like myself, you want the ISO to be as low as possible in most situations. However, you are also outside photographing sunrise, daytime, sunset and nighttime. These hours often require different settings.

It sucks to photograph a beautiful sunrise, just to come home and realize you forgot to change the ISO from 1600 after photographing the stars last night.

As a default I always check that my ISO is set to 100 when turning my camera on, as this is the setting I use for most of my shots. If you are photographing wildlife you might use 400 as a default to make sure you freeze the moment.The image below is a unfortunate example of one time I forgot to reset my settings from the night before. This resulted in me missing that small moment when the bird spread its wings.

Image4

Check your White Balance

Most of us look at the image preview after firing of a couple shots so we quickly become aware of any visible mistakes we have made, such as not setting the White Balance. Sure, the White Balance is easy to fix in post processing, but I prefer to make the shot as complete as possible in the camera. Quickly check that the White Balance is set to what you normally use (even if it is Auto, Cloudy or any other pre-made setting).

Image3 WhiteBalance 2

Don’t forget the focus!

Have you ever quickly taken up your camera to photograph the bird that just passed you, and later noticed that the image is out of focus because you forgot to change to Autofocus? It’s an easy mistake to make, so before you start photographing, be aware of how you have set the focus.

This also applies for the other way around as well. Say you are about to photograph a long exposure, you set the focus perfectly and slide on the filters. Then, just as you are about to start taking the picture, your autofocus starts going. No, it’s not a disaster, just simply annoying.

Image6

Point three – Back home

At this point your memory card is hopefully filled with amazing images. This is the last step, and it loops right back to point one. Now it’s time to set your batteries to charge, import your photos, and clean your equipment. If you make a routine of doing this after every session, you will avoid making the mistake of heading out unprepared.

That’s it for this checklist, and I hope it helps the next time you are out photographing. These steps don’t take much time to follow, and you don’t need to spend hours in post-processing trying to save a image anymore.

Do you have any “rituals” you do before going out to photograph? Please share in the comments section below.

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The post A Helpful Checklist to Use Before Photographing Anything by Christian Hoiberg appeared first on Digital Photography School.


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Photography Will Sell Anything Except For Photography

14 Jan

Photography Network Economy

Per Zennstrom Photography Network Economy

  Hi FashionPhotograhyBlog.com readers, 

Today, we have a contributed post by, Berlin-based fashion photographer, Per Zennstrom on FPBlog. Per had worked on campaigns for recognized brands like Absolut Vodka, Bentley, Bon Magazine, Dior, Elle, Guy Laroche, H&M, Marie Claire, Porsche, Rolling Stone, Schwarzkopf and Toni & Guy. In this post, Per shares his thoughts about the photography network economy and surviving the changes in the digital age. Let’s get started! Here is Per…

 

 

IMGembed recently launched a project on Kickstarter attempting is to end the “war” between image owners and image users.

 

“Image owners are having their online content infringed without attribution, permission or payment 85% of the time. Content users are liable for up to $ 30,000 per infringed use, according to US Copyright Law. IMGembed can solve that! With our proprietary technology, IMGembed helps owners control where/how their images are being used and lets content users embed images for free, or at affordable impression based rates, with peace of mind!”

 

This is a really interesting project and an even more interesting problem. How are we to approach IP rights in the Digital Network Economy? We all are on both sides of this (who hasn’t had their images used online without permission?) and at the same time I’m very sure that most of us has engaged in unauthorized use of copyrighted material right?

 

We are at a crossroads here. Should we embrace the older pay-for usage-model or should we go for a use-your-content-to-sell-other-things model?

 

Using images (or other content) as a platform to sell other products

 

Here is an excerpt from a great article by Kwindla Hultman Kramer on what on the surface seems to be about Apple acquiring Beats by Dre, but in reality it’s really about content in the cloud and how artists (and consumers) can finally get to some sort of agreement on how to use and pay for digital content.

 

Just replace the word “music” with “images”:

 

“I’m old, so I still think about music as something I want to buy and own. For a century, we’ve lived in a technological and economic “moment” where it made sense for us to own copies of recorded music for personal use. Before about 1890, this was impossible. After about 2010, it was no longer necessary. People younger than I am expect to be able to access any music, instantly, from anywhere, and listen to it however they want. They don’t expect to pay for it, generally speaking. They don’t care about “owning” a copy of it, generally speaking. The ramifications of these changes in technology and in peoples’ expectations are enormous. So how, in this new world, do artists get paid for making music? How do people find music they want to listen to? How do artists get exposure to people who might like what they’re doing?”

 

And as I proofread this I wonder maybe this question is too narrow? Shouldn’t the question rather be “how do we adapt to a situation where everything is upside down and no one knows what really works”

 

It’s in this context You have to consider the news of how fashion photography duo Ineez & Vinoodh just launched a jeans capsule collection in collaboration with Frame Denim.

Ineez & Vinoodh fashion shoot for jeans capsule collection with Frame Denim

Photography will sell anything!

 

OK, Ineez & Vinoodh are extremely successful as photographers but don’t you agree that this is an interesting thought experiment? Looking at your images as a platform to launch other-than-photography-businesses. This could be information products, webinars, marketing courses, Photoshop tutorials – the list goes on and on.

 

IMGembed is trying to “fix” the problem by improving on the older model slightly, by harnessing the power of big data but I’m not sure that this is the solution. Why not just go ahead and accept the inevitable; stuff that has been let loose out there will get copied and used by people and we photographers have to roll with the punches and become smarter, more lean and switch from looking at this as a problem to looking for opportunities!

 

Thank you very much,

Per

 

Did you find this article by Per Zennstrom interesting? Leave your comments below in the comment section. We would like to know what you thought about the post.

 

 

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Feature image, image 1 & 2: contributed by Per Zennstrom. To view more of his work visit his website.


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25 February, 2013 – Nobody Knows Anything

25 Feb

A common phrase in the motion picture industry is “Nobody knows anything……", meaning that what it takes to produce a hit movie is not always obvious. The same is true in the camera business when it comes to releasing new cameras. A new article by Michael Reichmann explores who does and who doesn’t get it.


You can win an all-expenses paid photographic expedition to Antarctica, along with air fare from anywhere in the world. The value of this prize is $ 15,000.

The Luminous Landscape wants you to try any of our more than 60 training or travel videos and our new free video player. Each purchase is an entry, and an annual subscription that includes all previous as well as new videos counts as six entries. The winner of a free lifetime subscription is also chosen from each month’s entries.

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