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Posts Tagged ‘Animals’

Home on the range: Exploring Sony’s AF technologies on people and animals

29 Sep

Sony’s current range of Alpha and RX-series cameras are packed with the company’s latest autofocus technologies. These include highly advanced face and eye-detection for both human and animal subjects.

Photographer and Rancher Alyssa Henry lives with her family on her ranch in Montana. A perfect location – and perfect subject-matter – to put Sony’s latest autofocus technologies to the test.

Home on the range: Sample images

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This is sponsored content, created with the support of Amazon and Sony. What does this mean?

Articles: Digital Photography Review (dpreview.com)

 
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NVIDIA’s latest AI project is ‘face swap’ for animals. Kind of…

30 Oct

NVIDIA researchers are back with another project that uses artificial intelligence to generate entirely new images from existing source images. Unlike past work that involved portraits of humans, however, this latest work — called GANimal — transforms an image of an animal into different animals, including other species.

Using an AI technique called generative adversarial networks (GANs), among other things, the researchers developed GANimal, an app that takes the expression of an animal from an image and recreates it on an image of a different animal. Examples include taking an expression from one breed of dog and replicating it on other dog breeds.

Though this is a fun example of the underlying technology, NVIDIA researchers say it could one day be put to use in more serious work. One given example of GANimal’s potential use is engaging filmmakers to shoot images of a tame animal doing stunts, such as a dog, and then using the AI to apply those movements onto a less tame animal, such as a tiger.

NVIDIA’s past artificial intelligence research includes an AI that can accurately scrub noise from images, generate portraits from source images, and transform simple sketches into photorealistic photos.

Articles: Digital Photography Review (dpreview.com)

 
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6 Tips for Working with Unruly Animals in Pet Photography

23 Dec

Whenever I do an event that promotes my pet photography, there are always one or two potential clients that have reservations about booking due to their beloved furry family member’s “unruly” behavior. Whether it be a hyperactive puppy that does not yet know how to sit still or a feline that runs the roost, some owners believe their pets to be impossible to photograph!

Working with Unruly Animals in Pet Photography

But you see, this perspective comes from someone who lives with their critters. Those who specialize in pet photography know just how to work with all sorts of four-legged personalities that find themselves in front of the camera. Here are some tricks for working with the hyper, the untrained, the unruly, or the camera-shy to help you bring out their best sides.

Please note that the tips provided below are not intended as a pet training mechanism or a deep insight into animal behavior – they are only to be used for individual photography sessions.

Working with Unruly Animals in Pet Photography

#1 – A Tired Dog is a Good Dog

Each old saying has a grain of truth to it, and in this case, significantly more than just a grain. An animal that is tired is less likely to have the energy to misbehave! A key tip in working with untrained pets is getting them too tired to exert their boisterous behavior or protest having to stay still. Playing, running, and stimulating the dog, cat, or even parrot before a session will keep them mellower when it comes time to take the photographs.

Depending on how you run your photo sessions, you will either suggest this for your client or proceed to take on the responsibility of doing it yourself. If your client is the one to do this, ensure that they time the play effectively so that their furry family member isn’t so stimulated that the presence of a photographer causes stress or anxiety. The key is to get the animal to the level of tired that they no longer care about what is happening around them. Combined with other techniques as I am about to discuss, this is a sure way to get a great photo session.

Do keep in mind that it certainly depends on the age of the animal you are working with in regards to how long they remain tired or how long one should play. Puppies and kittens tend to tire out very easily, while an adult dog and cat take a longer amount of time. Baby or young animals may also remain tired for less time than an adult counterpart, as their energy comes in bursts.

Working with Unruly Animals in Pet Photography

#2 – Become Boring John or Jane Doe

Unruly animal behavior can often be linked to excitement, overstimulation, or anxiety about something new in the pet’s home or immediate location. Animals communicate with body language and conduct. Because pets cannot speak words to us, their method of expressing emotions is very physical.

Knowing this means that we, as photographers, must find a way to dull the reaction our own presence causes. Allowing pets to become familiar with us is a good way to do so, such as letting a dog sniff us and our equipment or having a cat circle around and check us out. Letting owners interact with the photographer as they would any familiar person can also help the animal become more familiar.

Working with Unruly Animals in Pet Photography

For fearful pets, getting down to their level (sitting on the ground, for example) and letting them come to you is key. Try not to look at them or pay much mind until they become insistent on receiving attention from you. Depending on the personality and temperament of the pet, giving the animal their favorite treat can also aid. Try not to act overly excited or exceptionally grabby or touchy with the pet, as many animals take that as “play”.

#3 – Tap Into Your Inner Mind Reader

Working with Unruly Animals in Pet Photography

The following tip can be applied to all animal photography, whether it be wild animals or domestic. Ensuring that you are always ready to capture the perfect moment whenever it may occur is key. A good way of knowing when to raise the camera and click the shutter is to predict the animal’s behavior.

Much of this does come from experience and exposure to various kinds of pets, but you can often use common sense to figure out what your subject is going to do next. If a dog is about to run, practice your panning technique! If a cat is about to jump from the back of a couch, prepare yourself to capture that action.

Working with Unruly Animals in Pet Photography

#4 – Become an Observer

Sometimes, the best pet photography shots are those in which you play no involvement and sit back as an observant photographer rather than one who dictates the session. It is often to your benefit to sit farther back with a telephoto or zoom lens and not interfere with what proceeds to occur.

This does depend on what your client wants from the photo shoot, what you expect, or what the animal you are working with is like – but certainly, give it a thought!

Working with Unruly Animals in Pet Photography

#5 – Toys and Treats Capture Hearts

Depending on the pet you’re photographing, toys and treats can become your best friend. Though you do not want to overstimulate the pet, keeping their attention can be equally important. Treats, toys, and noises can often do this for you.

You may even be able to teach a dog to sit during your photo session or keep a cat looking at you as you take pictures, depending on how you are with animals. The key with treats is to use high-value treats, a common term used among dog trainers. High-value treats are goodies that the pet finds irresistible, and that becomes a big motivator for them to do what you want.

Working with Unruly Animals in Pet Photography

Certain types of toys can be the same. Toys and noises are also a great way to get alert ears and a happier facial expression.

#6 – Be Creative

This is the most important piece of advice anyone can give you – just be creative. A successful photographer is one who knows how to adapt to any situation thrown their way, and an animal that isn’t behaving is just another circumstance to overcome.

Take your creativity for a spin as you adapt to what you’ve been given, and find new and unique ways to capture the creature’s personality on camera. Whether it’s using a different lens or changing your perspective and composition, doing something new based on what’s happening is a great way to work with animals.

Of course, all animals are different. Your reaction should be based on the individual animal’s personality, reaction, and needs. Pet photographers must display a sensitivity and empathy towards their subject, and act accordingly!

Conclusion

Hopefully, these tips have given you some ideas or inspiration to work with all kinds of animals, mellow and not-so-mellow!

Working with Unruly Animals in Pet Photography

The post 6 Tips for Working with Unruly Animals in Pet Photography by Anabel DFlux appeared first on Digital Photography School.


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Playful Kirigami: Touch-Activated Paper Animals Pop into Action

12 Oct

[ By WebUrbanist in Design & Products & Packaging. ]

Acting out scenes from storybooks or animating real activities, these deceptively simple-looking, folded-paper toys leap, bounce, roll and hatch into action when played with.

Japanese designer Haruki Nakamura was inspired by the ancient art of kirigami, a variation on origami that involves cuts as well as folds, but takes it to the next level with his playful animals.

The specific behaviors of the toys often follow the natural reactions of a given animal, like an armadillo rolling itself up for protection when threatened.

Combining kirigami with karakuri, the art of mechanical puppets actived by touch, led him to these neat hybrid creatures that one can poke, prod, press or drop into action.

In some cases, the activities are innocent and entertaining, like a turtle popping into its shell or a chick hatching from an egg. Others are humorously sinister, showing wolves in sheep’s clothing or a tortoise being eaten by an alligator. For now, alas, these works are only available in Japan.

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How to Find Animals for Wildlife Photography Beginners

21 Jul

Wildlife photography may seem like an attractive field of photography to you, but one of the most daunting things for beginners is how to actually go about finding the animals in the first place. Thanks to mankind’s destructive nature we’re used to seeing fleeting glimpses of animals, often far away, prompting heated debates between groups as to what is that winged black speck in the distance.

5 Beginner Tips to Help You Find Animals for Wildlife Photography

Two female red grouse amongst the heather on a British moorland.

As a newcomer to wildlife photography, you may find yourself wondering how on Earth you are supposed to get even remotely close enough for a picture. Sure, you can maybe settle for an atmospheric habitat shot, with the subject small in the frame, but you’d be forgiven for wanting close-up portraits of animals too.

So let’s look at some of the ways you can achieve those super detailed close-up shots, showing every part of fur or feather.

1. Wildlife Parks and Reserves

5 Beginner Tips to Help You Find Animals for Wildlife Photography

One of the first pictures I ever took was in a wildlife reserve, and of this slightly soft Mandarin Duck.

One of the first places I visited when I first embarked on my journey as a wildlife photographer was a small wetland reserve. This reserve had some birds kept in open enclosures, as well as a river which was host to many wild ducks. Ducks tend to move slowly, at least when swimming casually along and are fairly easy to get close to (especially in a reserve frequented by well-intended people).

The best attraction for me, though, was the woodland hide. Situated in a quiet clump of trees, this woodland hide looked over a feeding station for wild birds. It was visited by mainly small passerines, such as great tits and bullfinches, but occasionally the odd predator would drop in such as a sparrow hawk.

5 Beginner Tips to Help You Find Animals for Wildlife Photography

Even small woodland birds are interesting and exhibit great behavior if you watch for a long time.

If you can find yourself a local reserve like this one, or just a public wildlife hide in a good spot, put in the hours and try to think outside the box. You’ll most likely come away with some decent images that you can be proud of.

2. Get a Wildlife Blind

Not happy with a public hide? Get your own wildlife blind – a camouflage tent, if you will – and set it up wherever you think wildlife may frequent. This might even be in your backyard, and if you set up a small feeding station there you could have all sorts of birds and small mammals visiting. Bird feeders filled with sunflower seeds will quickly attract small passerine birds, with squirrels most likely making a visit there too.

5 Beginner Tips to Help You Find Animals for Wildlife Photography

Wildlife blinds can get you close to all sorts of rare animals, like this black grouse.

Working in hides requires a lot of patience. In the past, I spent 15 hours a day for two weeks in a hide waiting for brown bears make an appearance. But even with animals that are visiting regularly, you’ll need to put in the hours to capture interesting behavior and something more than just a simple “bird on a stick” portrait shot.

3. Try Using a Trail Camera

If you’re really stuck for ideas or want to track down something a little more interesting, try setting up a small Bushnell trail camera in likely locations for animals. Such locations might be runs in a woodland (trodden down trails in the grass you can see, where animals move regularly). The camera will sit and watch 24/7 for you, triggering when something moves by. They’ll record video or take photos that you can later review, unveiling the secrets of a particular area to you.

5 Beginner Tips to Help You Find Animals for Wildlife Photography

Track down regular haunts of hard-to-spot animals like foxes by using a trail camera.

Some animals are nocturnal, and in those cases, you could even try setting up a DSLR camera trap, although these are usually used by more practiced wildlife photographers. I wouldn’t recommend trying out this technique just yet if you are very new to the game, and instead, stick to the trail cameras for finding locations.

4. Practice Your Fieldcraft Techniques

If you want to be a successful wildlife photographer, then you need good fieldcraft skills. You need to learn how to remain concealed, and silently approach animals without them noticing you. This involves learning to properly observe your subject. Only move when they are distracted. You should never approach an animal that is clearly alert and wary that something is nearby. Wait until they’re relaxed and unaware, before continuing to move closer.

5 Beginner Tips to Help You Find Animals for Wildlife Photography

Practicing your fieldcraft skills lets you get closer to animals without the need for a blind.

But learn the limits. There’s going to be a point you need to stop, otherwise, you would be standing nose to nose with a moose or something similar. You’ll need to practice stalking techniques, with many failures no doubt, before you get it just right. Simple things like thinking about the material your clothes are made of, in order to prevent loud noises when your walk, will make all the difference.

Once you’ve done that, you’ll find yourself able to spot an animal at a distance and get closer and closer. It takes time, but it’s great fun and it definitely makes the final image more worthwhile thanks to the hard work you put in. I love to try stalking red deer – they’re big, charismatic subjects but they’re really wary of people. They’ll happily stare at you standing still, but once they spot you moving towards them they’ll run a mile.

5. Keep Alert

Many of my wildlife photos are opportunistic. It doesn’t hurt to drive around with your camera in the passenger’s seat, keeping your eyes peeled for wildlife. In an ideal world, you’d have someone driving for you so you can pay 100% attention to the surrounding areas, rather than having to focus on the road.

5 Beginner Tips to Help You Find Animals for Wildlife Photography

Using your car as a hide can be a great way to find wildlife over a large area, like I did with this cuckoo bird.

Cars can be the best wildlife blinds available. Animals are so used to seeing them that they are mostly ignored. While you may get a photo from your car, this is also a great way to find the regular haunts for a particular animal. Dawn and dusk are the best times to start exploring when animals are generally most active.

Conclusion

Do you have any other tips for doing wildlife photography and finding animals to photograph? Please share in the comments below.

The post How to Find Animals for Wildlife Photography Beginners by Will Nicholls appeared first on Digital Photography School.


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Architecture for Animals: 13 Structures Designed with Non-Human Use in Mind

29 Jun

[ By SA Rogers in Architecture & Public & Institutional. ]

If we’re going to keep animals in artificial environments to make money off gawking at them, you’d hope we’d at least design these structures sensitively, hiring top architects to give them the kind of loving care we’d give to our own homes. Whether building spacious zoo enclosures mimicking natural environments, bat-friendly bridges, stables to house horses in ultimate comfort or wildlife crossings over highways, this collection of animal-centric architecture aims to be the next best thing to leaving animals in the wild where they belong, and giving them plenty of space from human activity.

Panda House by Bjarke Ingels Group / BIG

BIG designed a circular indoor/outdoor enclosure for giant pandas at the Copenhagen Zoo, set to open in 2018. The spacious and lushly planted structure will house two pandas relocated from Chengdu, China in a layout inspired by the Chinese yin-yang symbol, with each half tilting up at either end. There’s a bamboo forest on one side and a denser ‘misty’ forest on the other to represent the panda’s habitats in the wild.

Bat-Friendly Bridge by NEXT Architecture

This bridge by Next Level Architecture in South Holland doubles as a bat habitat, with just a few modifications to a conventional bridge design, providing an example that could be replicated all over the world. Spanning a river that’s an important natural pathway for the local bat population, the bridge features extra-thick concrete to increase its thermal mass, making it warm for winter hibernation and a cool summer nesting spot.

Raven Enclosure at the Tower of London by Llowarch Llowarch Architects

Five oak and mesh aviaries by Llowarch Llowarch Architects contrast with the ancient forms of the Tower of London, replacing the ‘ad hoc collection of sheds’ once used to house the complex’s famous resident ravens. According to English legend, if the ravens ever leave the Tower of London, the kingdom will fall – so the birds have been protected inhabitants of the historic palace, fortress and prison since the 17th century. Of course, different ravens have come and gone over the years.

Finnish Stables by Pook

Local architecture studio Pook designed this stylish stable on the edge of a Finnish forest to blend in with the rural setting and complement the local architectural vernacular. The layout creates wind shelters in outdoor spaces to protect the horses against the southwestern winds. Inside, there’s an open room for feeding and walking the horses, storage for equipment and a barn for manure. The use of untreated pine in the cladding helps naturally control the humidity of the environment for the horses’ health.

Kangaroo Enclosure by White Arkitekter

Another modern addition to the Copenhagen Zoo is this cylindrical house for Tasmanian kangaroos by White Arkitekter, which allows visitors to enter the kangaroos’ enclosure without stressing the animals. Part of the enclosure is for the kangaroos themselves, with a heated concrete floor to keep them warm in winter. The slatted timber doors can be folded back to open parts of the space to the wider enclosure, while others remain closed so shy kangaroos can have their privacy.

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Architecture For Animals 13 Structures Designed With Non Human Use In Mind

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Virtual Reality Nature: Helmet Lets Humans See the Forest Like Animals Do

05 Nov

[ By SA Rogers in Conceptual & Futuristic & Technology. ]

virtual-reality-forest-1

Dragonflies experience their brief lives on this planet 10 times faster than humans, and in 12 color wavelengths as compared to our three, a viewpoint that’s been impossible to comprehend prior to the arrival of virtual reality tech. Thanks to a project called ‘In the Eyes of the Animal’ by the creative studio Marshmallow Laser Feast, we can see the world the way super-sighted creatures do in a feat that’s being called ‘sense hacking.’

virtual-reality-forest-2

Aerial drone footage, CT scans and LiDAR remote sensing technology taken from the Grizedale forest in the UK gives the team 800 million data points upon which to render a hyper-rich environment in tandem with a real-time visual and audio engine. Visitors to the real, actual forest put on virtual reality headsets obscured with moss to take it all in.

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“Visual engine generates and renders whole environment in realtime with certain generative elements which makes each experience unique,” explains Creative Applications Network, . “Visual engine communicates with 3D Audio Engine via OSC [OpenSound Control] to provide positional data as well as head tracking data from the Inertial sensors of the VR headset. The sound uses Binaural audio, a technique mimicking the natural functioning of the ear by creating an illusion of 3D space and movement around the head of a listener as immersive as reality can be.”

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The result is an immersive experience at the intersection of science and digital art, and the images of the helmets in use in Grizedale Forest are pretty incredible, like something from a film. If you didn’t get a chance to see it yourself during the installation’s tour of festivals, you can watch the video to see an approximation of what it looks like.

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Wild & Scrappy: 3D Trash Sculptures of Animals Pop Up in Urban Spaces

29 Sep

[ By SA Rogers in Art & Street Art & Graffiti. ]

trash-sculptures-10

Literally popping out of city walls in three dimensions, wild animals emerge from a jumble of car parts, corrugated metal and random industrial objects masterfully layered and painted by Bordalo II. The Portuguese street artist has spent much of the last decade installing these giant murals in the streets of his hometown of Lisbon and other locales around the world, literally infusing new life into the stuff we’ve deemed junk and tossed away. Several new pieces have emerged in recent months, including a possum in Ft. Smith, Arkansas and a flying squirrel in Estonia.

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Each of Bordalo’s sculptures grows in an almost organic fashion depending on what kind of trash the artist can find on the streets near his installation location. As you can probably imagine, he has no trouble accumulating more materials than he can handle just with a quick trip driving around a few city blocks. Certain materials, like tires, are preferred because they’re easy to cut and shape.

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Like so many street artists, Bordalo started out making illegal street graffiti, and his style emerged over time as he began to integrate 3D objects into the paint. “Even if in the beginning it was all about exploring and discovering the way to do, the way to make it work, I’m still trying to innovate, create new problems and have fun with them – this is the process that creates different expressions, forms, textures, etc.,” he says in an interview with Street Art News.

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Take a look through Bordalo’s Instagram for more projects, and see if you can identify all the individual elements that go into each piece.

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Vegan Antlers: Mount Wall Trophy Plants Instead of Animals

14 Sep

[ By WebUrbanist in Design & Fixtures & Interiors. ]

wall mounted deer

Combining a Japanese floral arrangement tradition (ikebana) with the hunting convention of mounted trophies, these plant holders allow for clever, colorful and ever-changing organic displays.

wall mounted flower pink

The Elkebana consists of a pair of glass flower holders set into a familiar wooden wall plaque, designed by Fabio Milito & Paula Studio and hand-crafted in Italy.

wall flower horns design

Its creators have had quite a bit of fun naming some of their experimental arrangements, including Nora the Angora, Girgenta the Goat, Jason the Aries, Isidoro the Oryx and Frank the Buck.

wall mounted creative flowers

Unlike the more morbid mounts that inspired this creation, there is also a greater degree of flexibility – change the flowers or their organization and you change the piece.

wall mounted plant antlers

And unlike traditional tabletop vessels for botanical displays, this one works well for small living spaces where surface area cannot be sacrificed.

wall mount maker

wall mount glass wood

Made of high quality birch plywood, solid walnut, solid oak or cork shield, the wall mounts hold your botanical arrangements in the two hand-blown glass vases.

wall mount branches spoof

From its makers: “The ‘ikebana is the ancient Japanese art of arranging floral elements in harmonious compositions. Elkebana brings the ancient art of ikebana to the wall, in order to transform the wall trophy idea into a continuously mutating, colourful creature.”

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5 Beginner Tips for Photographing Animals in the Wild

03 Oct

As I traveled through Africa, I learned many things about photographing animals while on safari. At first I knew absolutely nothing about it, but then with time and experience shooting in different conditions, I noticed certain factors that helped improve my photos. If you’re new to photographing animals, here are fire tips for photographing animals in the wild.

DSC 0887 eagle

1 – Use a zoom lens

Many wild animals stay away from people. As soon as they notice you, they might immediately run off. This is truer with birds that tend to fly away if you get too close. The larger animals might stay put, but then you put yourself at great risk by getting too close to them. Elephants and rhinos can weigh a couple tons and could easily overturn your vehicle. Therefore, the easiest way for you to photograph animals is with a zoom lens.

The photo above shows what a zoom lens can do. There is no way I would have been able to get close enough to that bird with a wide angle lens. This particular photo was shot at 300 mm, using my 28-300 mm.

Some photographers will tell you that using a lens of this range will give you poor photos. But as a beginner, who was just starting to photograph animals, I found that it was adequate for my first few animal photo shoots. It was also easier on my wallet. A lens with this range will allow you to photograph birds in far away trees as well as larger animals which may be closer to you.

Another benefit of a zoom lens is that you will not need to change your lens as frequently which will allow you to easily adjust your focal length as needed and quickly get the shot. Less lens changing will also help you to prevent the forest or jungle dust from entering your camera body and possibly dirtying your sensor.

Therefore, if you are new to photographing wild animals, I recommend that you utilize a lens with a longer range. The zoom lens will help bridge the visual gap between you and the animal, while keeping you safe and the animal at ease.

2 – Employ a faster shutter speed

DSC 7131 leopard reflect

Because an animal may be constantly moving, you will want to use a faster shutter speed. Shutter speed is the amount of time your shutter is open. The faster or shorter this is, the less likely you are to blur the continuous movement of the animal in a single shot.

Notice the photo above where I used a shutter speed of 1/250th of a second. This was taken in the early morning. The leopard was especially active because he was hunting fish by the water. At no point did the cat ever stay completely still for more than a few seconds. Because it was always moving, at 1/250th of a second, parts of the leopard are still not as sharp as they could have been.

When photographing animals, you should try using a shutter speed of at least 1/500th of a second or faster, especially for more active or restless animals. This will help you freeze the animal’s motion and prevent parts of it from blurring.

3 – Don’t be afraid to increase your ISO

When you do use a faster shutter speed, you will notice that your exposure will darken since you are shortening the amount of time you let light onto your sensor. To balance this, you can increase your ISO. this is your camera sensor’s sensitivity to light. The more sensitive it is to light, the less exposure time you will need for light to hit your sensor.

As a caveat, when you increase your ISO, you amplify the image signal in your camera. This will in turn amplify and increase the amount of noise you capture in your photo. Fortunately, there are many methods that can help you reduce the noise in your image if you find it unbearable. Having a slightly noisier picture is small price to pay for a better-exposed photo with the details that you want.

Therefore, don’t be afraid to use a higher ISO. Play with the settings until you find that sweet spot. Yes, you may get a little noise, depending on your sensor, but that’s better than having an underexposed photo (or blurry), which may not capture all the detail.

4 – Shoot closer to golden hour

DSC 7849 elephant afternoon

The best time to photograph animals is close to golden hour. If you shoot when the light is directly overhead you’ll end up with a very harsh, bright, light and consequently dark shadows in your photos. The closer you shoot to golden hour, the closer the sun is to the horizon. This will produce a much more diffused and better angle of light on your animal subject.

The photo above is an example of a photo shot closer to sunset. Notice how the shadows fall behind the elephant and less of its body is in shadow. You are able to see more of the elephant’s lines, wrinkles and texture. This photo has not been post processed using any filters, yet the light in the photo is warm and inviting. Compare this to the image below which was shot closer to noon. Notice how much harsher the shadows are on the elephants. Their bodies are almost covered entirely in shadows, and you are not able to see the texture of the elephants’ skin at all.

DSC 1177 elephant group

5 – Hire a capable tracker to easily identify animals

DSC 7895 leopard camo

A good tracker will help you to see even the most camouflaged animals. As we were driving through the dense African jungle, our guide was able to spot this leopard, which to my eyes was hidden among the bushes. Without my guide I never would have photographed it.

You should hire a skilled tracker so that you don’t waste your time trying to find animals among the trees. Instead you can spend your time planning and improving your next shot. You can tell your tracker which specific animal you’d like to see. More than likely he will know where this animal prefers to roam. This will improve your chances of quickly finding your desired animal and getting your shot.

What other tips can you think of for photographing wild animals? Do you ever use a tripod to stabilize your shots? What’s your favorite animal photo you’ve ever shot and in what conditions? Share some examples with us and of course, if you have any other tips for better wild life photos that you think I’ve missed, please share those as well. Happy photo hunting!

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