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Posts Tagged ‘Allnew’

Pixelmator Pro 2 announced, featuring all-new interface and Apple M1 support

17 Nov

Pixelmator has announced Pixelmator Pro 2.0. Pixelmator calls it ‘the biggest update to Pixelmator Pro yet,’ and it includes an all-new design, support for Macs using Apple’s new M1 chip, full compatibility with the upcoming macOS Big Sur (macOS 11.0) and much more. Further, the update is free for all existing Pixelmator Pro users.

Pixelmator Pro’s editing engine is underpinned by Metal code, allowing the team to take full advantage of the unified memory architecture of the Apple M1 chip. The result is ‘much speedier and much more responsive image editing.’ Tasks relying upon machine learning, such as ML Super Resolution, are up to 15 times faster on the new Macs equipped with the M1 chip. Pixelmator Pro 2.0 remains a Universal app, meaning it runs natively on both M1 and Intel-based Apple devices.

Regarding the all-new design, Pixelmator has worked hard to make Pixelmator Pro 2.0 a more intuitive application and has given it a modern makeover. The team states that ‘almost every tool, every menu, and every button has been updated to make the app more intuitive and more fun to use…’ Further, users can customize the Pixelmator Pro interface, including the app’s list of tools and its toolbar. There are also four new workspace presets to choose from, including photography, design, illustration and painting.

You can see the new ‘Photography’ workspace in Pixelmator Pro 2 here. Image credit: Pixelmator. Click to enlarge.

In terms of tools, Pixelmator Pro 2.0 includes a new Effects Browser, a new Presets Browser (including over 200 new presets) and more. There are seven new color adjustment preset collections and eight new effect preset collections. You can read the full list of updates by clicking here.

Pixelmator Pro 2.0 will be available on November 19. For existing Pixelmator Pro users, the update will be free. For new customers, Pixelmator Pro is available for $ 39.99 USD. You can purchase the app now in the Mac App Store and receive the major update at no additional charge on November 19. To learn more about Pixelmator Pro, click here.

Image credit: Pixelmator. Click to enlarge.

While you do not need a Mac with the M1 chip to take advantage of the new features in Pixelmator Pro 2.0, the software does especially benefit from the performance gains granted by the M1 chip. You can learn more about the M1 chip and the new Macs by checking out our coverage.

Via 9to5Mac

Articles: Digital Photography Review (dpreview.com)

 
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All-new Sigma 24-70mm F2.8 DG DN Art coming to E and L-mount

06 Nov

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Sigma has announced the newly developed 24-70mm F2.8 DG DN ‘Art’ for Sony E and Panasonic/Leica/Sigma L-mounts. The new lens joins the previously-announced 14-24mm F2.8 DG DN Art as the second of Sigma’s DN, or ‘Digital Native’ zooms designed from the outset for full-frame mirrorless.

The new 24-70mm has a total of 19 elements, including low dispersion, special low dispersion and aspherical glass. Sigma’s ‘Super Multi-Layer’ and ‘Nano Porous’ coatings have been applied to reduce flare and ghosting. Autofocus is driven by a stepping motor and the lens can focus as close as 18cm (7.1″).

The new 24-70 is weather-sealed, features a brass bayonet mount and uses 82mm filters. The L-mount version weighs in at 835 grams (1.8 pounds), with the E-mount version coming in a few grams lighter.

You can get your hands on the 24-70mm F2.8 DG DN Art lens in just a few weeks. Pricing has yet to be disclosed, but it will naturally be compared against Tamron’s popular 28-75mm F/2.8 Di III RXD, which retails for $ 850.

Press release:

Sigma Announces New 24-70mm F2.8 DG DN Art Zoom Lens for Full Frame Mirrorless Cameras; Available in Sony E-mount and L-mount

Sigma Corporation today made the following announcement:

Launch of the 24-70mm F2.8 DG DN Art Zoom lens for full frame mirrorless cameras, leveraging the top-level Art zoom performance, featuring:

  • Best-in-class optical performance
  • Compatibility with the latest full-frame mirrorless camera bodies
  • Flexibility for various uses and photographic environments

Sigma 24-70mm F2.8 DG DN Art Lens

This second newly-designed Art zoom lens from Sigma is a large-aperture standard zoom for full-frame mirrorless camera systems and is available in Sony E-mount and L-mount. The Sigma 24-70mm F2.8 offers best-in-class performance due to a sophisticated optical design that delivers high resolution throughout the entire zoom range. This new Art zoom lens from Sigma follows the debut of the lauded 14-24mm F2.8 DG DN Art zoom for mirrorless cameras.

The Sigma 24-70mm F2.8 DG DN Art lens exerts superiority in mirrorless camera-dedicated designs, resulting in a reduced lens size and weight while achieving uniformity and high resolution from the center to the periphery throughout the zoom range. Compatibility with the latest mirrorless camera bodies and functions assists in various photographic environments and meets the high demands of both professional and advanced amateur photographers.

Key features include:

  1. Best-in-class optical performance. The F2.8 Art flagship zoom lens series is developed to achieve superior optical performance. By employing three aspheric lenses, this zoom lens thoroughly subdues aberrations such as axial chromatic aberration or sagittal coma aberrations, which are difficult to correct in post-processing, tailors the resolution and achieves uniformity and superior optical performance from the center to the periphery throughout the zoom range. In addition to Super Multi-Layer Coating, Sigma’s proprietary Nano Porous Coating is employed to achieve high-contrast and clear image quality. This lens is designed to be less affected by strong incident light such as flare.
  2. Ensuring compatibility with the latest full-frame mirrorless camera bodies. The Sigma 24–70mm F2.8 DG DN ensures compatibility with various types of the latest full-frame mirrorless camera bodies for Sony E-mount and L-mount, (including the new Sigma fp camera), capable of exerting the best performance under any photographic circumstances.
  3. Flexibility for various uses and photographic environments. Featuring a dust and splash-proof body and zoom lock mechanism for preventing the lens barrel from extending unexpectedly, the 24-70mm F2.8 meets a wide range of needs for a variety of photographic environments. The maximum magnifications are 1:2.9 at the wide-angle end and 1:4.5 at the telephoto end, which provides a wider range of expression for close-up photography. The minimum focusing distance is 18 cm at the wide-angle end.

Additional features:

  • Zoom lock switch
  • Lens hood with a lock
  • Mount with dust- and splash-proof structure
  • Compatible with the Lens Aberration Correction
  • Available Mount conversion service
  • Designed to minimize flare and ghosting
  • Evaluation with Sigma’s own MTF measuring system: A1
  • 11-blade rounded diaphragm
  • High-precision, rugged brass bayonet mount
  • “Made in Japan” craftsmanship

The Sigma 24-70mm F2.8 DG DN Art will be available in L-mount and Sony E-mount in mid-November 2019 through authorized US dealers. Pricing will be announced at a later date.

For full product details and technical specifications as well as press imagery, please refer to the official press release here.

More details are available at: http://www.sigma-global.com/en/lenses/cas/concept.

Sigma 24-70mm F2.8 DG DN Art specifications

Principal specifications
Lens type Zoom lens
Max Format size 35mm FF
Focal length 24–70 mm
Image stabilization No
Lens mount Leica SL, Sony FE
Aperture
Maximum aperture F2.8
Minimum aperture F22
Aperture ring No
Number of diaphragm blades 11
Optics
Elements 19
Groups 15
Special elements / coatings 6 FLD + 2 SLD + aspherical elements, Super Multi-Layer and Nano Porous coatings
Focus
Minimum focus 0.18 m (7.09)
Maximum magnification 0.34×
Autofocus Yes
Motor type Stepper motor
Full time manual Yes
Focus method Internal
Distance scale No
DoF scale No
Physical
Weight 835 g (1.84 lb)
Diameter 88 mm (3.46)
Length 123 mm (4.84)
Materials Magnesium alloy
Sealing Yes
Colour Black
Zoom method Rotary (extending)
Power zoom No
Zoom lock Yes
Filter thread 82 mm
Hood supplied Yes
Tripod collar No
Other
Notes Weight and dimensions for L-mount version

Articles: Digital Photography Review (dpreview.com)

 
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Lowepro introduces FreeLine BP 350 AW with all-new QuickShelf technology

13 Jun

Camera bag manufacturer Lowepro has launched the FreeLine BP 350 AW, an all new camera backpack for mirrorless and DSLR kits that features the all-new QuickShelf technology.

On the outside, the bag doesn’t appear much different than Lowepro’s other offerings. The bag is constructed of a ‘high-grade Carbonate Coated Nylon 66 exterior’ with ‘weather proof YKK zippers and robust exterior attachments featuring premium metal clips.’ If the weather-resistant fabric isn’t enough to protect your gear in harsh weather, Lowepro also includes a matching All Weather AW Cover.

Like all good things, it’s what on the inside that counts. This is the first bag from Lowepro to feature its new QuickShelf technology. According to Lowepro, QuickShelf is an ‘adaptive interior divider system [that] unfolds into 3-tier shelf or folds flat to remove for open interior space.’ In addition to the three tiers, pop-in lateral dividers and an additional gearbox help further divy up the space so you can better organize your camera kit as you see fit. Two easy-access side pockets with additional storage serve as a quick way to get to your gear, even while the backpack is still on your shoulders.

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According to Lowepro, the FreeLine BP 350 AW can hold a full-frame DSLR alongside a mounted 70-200mm F2.8 lens, as well as a drone and other lenses or accessories. They don’t show any mirrorless-only kits in the photos, but from the looks of it, it could easily hold a pair of full-frame mirrorless cameras and a few lenses.

The FreeLine BP 350 AW also features Lowepro’s trademarked CradleFit laptop compartment that can fit up to a 15″ laptop and an ActivZone Back Panel for more comfort when carrying a lot of gear.

The FreeLine BP 350 AW is available now for $ 260.

Articles: Digital Photography Review (dpreview.com)

 
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Blackmagic releases DaVinci Resolve 15 with all-new VFX and motion graphics module

10 Apr

In addition to the new Pocket Cinema Camera 4K announced earlier today, Blackmagic Design also released a major update to its video production software DaVinci Resolve. According to Blackmagic, DaVinci Resolve 15 comes with “hundreds of new features and improvements” but the major addition is a new Fusion module that fully integrates visual effects and motion graphics tools into the DaVinci Resolve workflow.

If you were wondering if Blackmagic is serious about making this a class-leading application, this update should help answer that. Already an industry favorite for color-correction, DaVinci Resolve 15 now includes four high-end video production applications in one: there’s a module for editing, a module for color correction, a module for audio production, and now, the new Fusion module for VFX and motion graphics as well.

Previously available as a stand-alone application, Fusion—which Blackmagic Design calls the “world’s most advanced visual effects and motion graphics software”—is now built right into DaVinci Resolve 15.

“DaVinci Resolve 15 is a huge and exciting leap forward for post production because it’s the world’s first solution to combine editing, color, audio and now visual effects into a single software application,” said Grant Petty, CEO, Blackmagic Design. “We’ve listened to the incredible feedback we get from customers and have worked really hard to innovate as quickly possible. DaVinci Resolve 15 gives customers unlimited creative power to do things they’ve never been able to do before. It’s finally possible to bring teams of editors, colorists, sound engineers and VFX artists together so they can collaborate on the same project at the same time, all in the same software application!”

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According to Blackmagic, the Fusion module gives visual effects and motion graphics artists a true 3D workspace with over 250 tools for compositing, vector paint, particles, keying, rotoscoping, text animation, tracking, stabilization and more. You’ll still be able to purchase Fusion on its own, but Blackmagic plans to fully integrate the entire application into DaVinci Resolve 15 “within the next 12-18 months.”

Today’s release isn’t the final version, but rather a public beta that is available as a free download to all current DaVinci Resolve and DaVinci Resolve Studio customers. The free version of DaVinci Resolve 15 will remain free, while the Studio version—which adds multi-user collaboration, support for frame rates over 60p, more filters and effects, and more—is available for $ 300 with “no annual subscription fees or ongoing licensing costs.” Take that Adobe…

To learn more, check out the full press release below or visit the Blackmagic Design website.

Press Release

Blackmagic Design Announces DaVinci Resolve 15

New upgrade fully integrates visual effects and motion graphics, adds even more audio tools plus hundreds of new features and improvements that editors and colorists have asked for!

NAB 2018, Las Vegas, USA – April 9, 2018 – Blackmagic Design today announced DaVinci Resolve 15, a massive update that fully integrates visual effects and motion graphics, making it the world’s first solution to combine professional offline and online editing, color correction, audio post production, multi user collaboration and now visual effects together in one software tool. DaVinci Resolve 15 adds an entirely new Fusion page with over 250 tools for compositing, paint, particles, animated titles and more. In addition, DaVinci Resolve 15 includes a major update to Fairlight audio, along with over 100 new features and improvements that professional editors and colorists have asked for.

A public beta of DaVinci Resolve 15 will be available today and for immediate download from the Blackmagic Design website. DaVinci Resolve 15 will also be demonstrated on the Blackmagic Design NAB 2018 booth at #SL216.

DaVinci Resolve 15 continues to revolutionize post production by combining 4 extremely high end applications as different pages in one single piece of software. The edit page has all of the tools professional editors need for both offline and online editing, the color page features the world’s most advanced color correction tools, the Fairlight audio page is designed specifically for audio post production, and the new Fusion page gives visual effects and motion graphics artists everything they need to create feature film quality effects and animations. All it takes is a single click to instantly move between editing, color, effects and audio.

This gives individual users unlimited creative flexibility because they can learn and explore different toolsets. It also enables collaboration so people with different talents can work together on the same project at the same time. The DaVinci Resolve 15 collaborative workflow dramatically speeds up post production because customers no longer need to import, export or translate projects between different software applications, and work no longer needs to be conformed when changes are made. Everything is in the same software application.

The free version of DaVinci Resolve 15 can be used for professional work and has more features than virtually every other paid application for post production. DaVinci Resolve 15 Studio, which adds multi user collaboration, 3D, VR, dozens of additional filters and effects, unlimited network rendering and other advanced features such as temporal and spatial noise reduction, is available to own for only US$ 299. There are no annual subscription fees or ongoing licensing costs. DaVinci Resolve 15 Studio costs less than all other cloud based software subscriptions and it does not require an internet connection once the software has been activated. That means customers don’t have to worry about losing work in the middle of a job if there is no internet connection.

“DaVinci Resolve 15 is a huge and exciting leap forward for post production because it’s the world’s first solution to combine editing, color, audio and now visual effects into a single software application,” said Grant Petty, CEO, Blackmagic Design. “We’ve listened to the incredible feedback we get from customers and have worked really hard to innovate as quickly possible. DaVinci Resolve 15 gives customers unlimited creative power to do things they’ve never been able to do before. It’s finally possible to bring teams of editors, colorists, sound engineers and VFX artists together so they can collaborate on the same project at the same time, all in the same software application!”

DaVinci Resolve 15 Detailed Overview

DaVinci Resolve 15 features an entirely new Fusion page for feature film quality visual effects and motion graphics animation. Fusion was previously only available as a stand alone application and is the world’s most advanced visual effects and motion graphics software. It is now built into DaVinci Resolve 15. The new Fusion page gives customers a true 3D workspace with over 250 tools for compositing, vector paint, particles, keying, rotoscoping, text animation, tracking, stabilization and more. Adding Fusion to DaVinci Resolve has been a massive project that will be completed over the next 12-18 months. Customers can get started using Fusion today to complete nearly all of their visual effects and motion graphics work. The standalone version of Fusion will continue to be available for customers who need it.

In addition to bringing Fusion into DaVinci Resolve 15, Blackmagic Design has also added support for Apple Metal, multiple GPUs and CUDA acceleration, making Fusion in DaVinci Resolve faster than ever. To add visual effects or motion graphics, customers simply select a clip in the timeline on the Edit page and then click on the Fusion page where they can use Fusion’s dedicated node based interface, which is optimized for visual effects and motion graphics. Compositions created in the standalone version of Fusion can also be copied and pasted into DaVinci Resolve 15 projects.

DaVinci Resolve 15 also features a huge update to the Fairlight audio page. The Fairlight page now has a complete ADR toolset, static and variable audio retiming with pitch correction, audio normalization, 3D panners, audio and video scrollers, a fixed playhead with scrolling timeline, shared sound libraries, support for legacy Fairlight projects, and built in cross platform plugins such as reverb, hum removal, vocal channel and de-esser. With DaVinci Resolve 15, customers no longer have to worry about audio plugins when moving between Mac, Windows and Linux because the FairlightFX plugins run natively on all three platforms.

DaVinci Resolve is the fastest growing nonlinear video editor in the industry. It’s also Hollywood’s favorite color corrector. Blackmagic Design has listened carefully to feedback from professional colorists and editors. DaVinci Resolve 15 includes over a hundred new features and improvements that editors and colorists have asked for.

Colorists get an entirely new LUT browser for quickly previewing and applying LUTs, along with new shared nodes that are linked so when one is changed they all change, multiple playheads for quickly referencing different shots in a program, over 5x performance improvement for stabilization, improved noise reduction, and new Super Scale HD to 8K up-rezzing. DaVinci Resolve 15 also expands HDR support with GPU accelerated Dolby Vision metadata analysis and native HDR 10+ grading controls. In addition, new ResolveFX let customers quickly patch blemishes or remove unwanted elements in a shot using smart fill technology. There are also new ResolveFX for dust and scratch removal, lens and aperture diffraction effects, and more.

Professional editors will find new features in DaVinci Resolve 15 specifically designed to make cutting, trimming, organizing and working with large projects even better. DaVinci Resolve 15 has dramatically improved load times so that large projects with hundreds of timelines and thousands of clips now open instantly. New stacked timelines and timeline tabs let editors see multiple timelines at once so they can quickly cut, paste, copy and compare scenes between timelines. There are also new markers with on-screen annotations, subtitle and closed captioning tools, auto save with versioning, greatly improved keyboard customization tools, new 2D and 3D Fusion title templates, image stabilization on the Edit page, a floating timecode window, improved organization and metadata tools, Netflix render presets with IMF support and much more.

For the ultimate high speed workflow, customers can add a DaVinci Resolve Micro Panel, DaVinci Resolve Mini Panel or a DaVinci Resolve Advanced Panel. All controls are logically placed near natural hand positions and are made out of the highest quality materials. Smooth, high resolution weighted trackballs and precision engineered knobs and dials feature the perfect amount of resistance for accurately adjusting any setting. The DaVinci Resolve control panels give colorists and editors fluid, hands on control over multiple parameters at the same time, allowing them to create looks that are simply impossible with a standard mouse.

In addition, Blackmagic Design also introduced new Fairlight audio consoles for audio post production that will be available later this year. The new Fairlight consoles are available in 2, 3 and 5 bay configurations. Prices for the new Fairlight control panels are approximately 80% less than the previously available panels with prices ranging from US$ 21,995 to US$ 48,995.

Availability and Price

The public beta of DaVinci Resolve 15 is available today as a free download from the Blackmagic Design website for all current DaVinci Resolve and DaVinci Resolve Studio customers. DaVinci Resolve Studio is available for US$ 299 from Blackmagic Design resellers worldwide.

The Fairlight consoles will be available later this year and will be priced from US$ 21,995 for the Fairlight 2 Bay console. The Fairlight consoles will be available from Blackmagic Design Resellers worldwide.

Articles: Digital Photography Review (dpreview.com)

 
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Sigma announces all-new 50mm F1.4 DG HSM ‘Art’ lens

11 Jan

50mm-news-520.png

CES 2014: Sigma has announced the 50mm F1.4 DG HSM | A, a fast ‘normal’ prime for full frame DSLRs. It will also work on APS-C / DX format cameras, offering a 75mm equivalent short telephoto effect. It’s a completely new lens, rather than a revision of Sigma’s existing 50mm F1.4, with an unusually complex optical formula for its type (13 elements in 8 groups). It’ll come in Canon, Nikon, Sigma and Sony mounts; pricing and availability are still to be confirmed.  

News: Digital Photography Review (dpreview.com)

 
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All-new Flickr comes with free terabyte – and ads

21 May

flickr-logo.jpeg

Flickr fans may find the lure of a free terabyte attractive, but they might be put off by the accompanying advertisements that support Flickr’s new free account model. A major update to the photo sharing service has completely revamped the look of accounts and restructured the way users may pay for Flickr in the future. We take a look at the changes on connect.dpreview.com.

News: Digital Photography Review (dpreview.com)

 
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