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Posts Tagged ‘Alaska’

11 Tips for Photographing Bears in Alaska

06 Nov

The post 11 Tips for Photographing Bears in Alaska appeared first on Digital Photography School. It was authored by André Costantini.

tips-for-photographing-bears-in-alaska

Alaska is the only state in the country that’s home to three types of bears: the polar bear, the black bear, and the brown bear. It’s why photographers converge annually on the Last Frontier, hoping to document ursine activity in the bears’ natural habitats, in such locations as the Anan Wildlife Observatory, Katmai National Park, and Admiralty Island, home to one of the world’s highest density of brown bears. Read on for tips on photographing bears in Alaska while these magnificent creatures eat, play, and interact.

photographing-bears-in-alaska

1. Pack light

To gain entry into sections of certain viewing areas that offer access to bear viewing, you’ll often have to take a seaplane. That means there may be weight restrictions, so limit your gear to one or two DSLRs or Mirrorless bodies with a couple of compact lenses. Add extra batteries, memory cards, any filters you like to use, and rain covers in case of inclement weather.

2. Make sure at least one of those lenses is a versatile zoom

You obviously want to stay a safe distance from the animals you’re photographing. The Tamron SP 150-600mm VC G2 lens is one such lens that offers such flexibility, with an extra-long reach. If you use that lens on a crop sensor camera, you’ll achieve even more effective magnification. Bird photographers often use a similar combination for that very reason.

11 Tips for Photographing Bears in Alaska

3. Plan your trip for optimal bear-watching opportunities

The best times of the year for bear watching in Alaska are June through September. If you want the chance to photograph them catching salmon in the rivers, July and August are your best bets. That’s the peak of the salmon runs (when the salmon is sparse, bears will eat things like clams and grass instead).

4. Head out early, stay out a little later

Although you’ll likely be able to spot bears at any time of day, they tend to be out foraging for food early in the day and later in the evening. Those times of day also happen to coincide with the best natural lighting.

That said, Alaska, during the summer months, enjoys nearly 24-hour daylight. Between May and July, for example, some areas never get completely dark, even between sunset and sunrise. So, don’t expect traditional lighting conditions.

11 Tips for Photographing Bears in Alaska

5. Respect the venue’s safety rules

Every park or preserve that features bears has basic guidelines to protect both the bears and the visitors. You’ll likely be required to stay a certain number of feet away from the bears. This means if the bears approach you and block your path, you’ll be subject to what’s known as a “bear jam.” You’ll effectively be stuck there until the bears decide to move. That’s okay – that gives you plenty of time to take more pictures.

11 Tips for Photographing Bears in Alaska

6. Don’t feel you have to shoot in silence

In fact, the opposite is the case. While you don’t want to make super-loud noises that startle the bears, you do want to make enough of it, so the bears know you’re there at all times. It can be more alarming for the bears if you’re trying to be stealthy and then suddenly emerge. Some people will wear a bell attached to their knapsack, or just talk very loudly.

7. Get on the bears’ eye level

There’s something more intimate about a portrait in which you feel like you’re looking eye-to-eye with your subject. Crouch or kneel on the ground or viewing platform to get as close to that angle of view as you can.

If you’re out in a small boat, you’re practically at water level already, so if bears are frolicking nearby, you’re set.

photographing-bears-in-alaska

8. Get a handle on your focusing

If the bears are on the move, shoot in AI Servo mode or AF-F (Nikon), Continuous Focus (Canon), Continuous AF (Sony), so that your focus continually adjusts as you’re tracking moving subjects.

9. Capture the bears interacting with each other

Part of what you want to accomplish when photographing wildlife is to tell their story. Highlighting a sow cuddling with her cubs or siblings tussling in the grass is a way to showcase their relationships and create emotive photos.

11 Tips for Photographing Bears in Alaska

10. Be patient

Wildlife is unpredictable, and there’s no real way to tell when a real money shot, like a bear catching a salmon in the river, will emerge. But when bears are engaged in an activity, they’ll actually stay in the same place for a significant amount of time.

So, if you stick around, hunker down, and just keep taking pictures. You’ll be more likely to produce a bunch of keepers.

photographing-bears-in-alaska

11. Prepare for the unexpected

Even if you time your visit for when the bears are expected to be active and the salmon flowing, it’s Mother Nature – things don’t always work out as planned.

The activity level is somewhat consistent, but it does vary from year to year. If you get there and the bears are a bust, it’s disappointing, but go to Plan B.

Photograph the amazing Alaska Peninsula landscapes, or keep an eye out for the region’s diverse bird population. Look to the dozens of other mammals in the area, including red foxes, porcupines, beavers, and otters instead.

 

I hope you find these 11 tips for photographing bears in Alaska tips helpful. If you have any other tips or bear photos you’d like to share, please do so in the comments section!

Disclaimer: Tamron is a paid dPS partner.

 

The post 11 Tips for Photographing Bears in Alaska appeared first on Digital Photography School. It was authored by André Costantini.


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Field Test: Kiliii Fish and the Canon EOS Rebel T6i in Alaska

08 Dec

Field Test: Kiliii Fish and the Canon EOS Rebel T6i in Alaska

In this field test we follow photographer Kiliii Fish to the Arctic – specifically, the tiny fishing village of Barrow, Alaska. Using the Canon EOS Rebel T6i – Canon’s 24MP entry-level DSLR – Kiliii has come to Barrow to document how the indigenous population is adapting to the changing environment up here in the far North.

Articles: Digital Photography Review (dpreview.com)

 
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Destination: Alaska

13 Mar
Wonder Lake is the furthest point in Denali National Park that the park bus system will reach.  It offers a spectacular view of the Alaska Range, when the weather is clear.

Wonder Lake is the furthest point in Denali National Park that the park bus system will reach. It offers a spectacular view of the Alaska Range, when the weather is clear.

Over the years, as I grew as a photographer, I wanted to expand my horizons and photograph exotic and epic places. Tops on my list was Alaska.  I wanted to photograph the grandeur of the Alaska Range, of Denali, and the beauty of the nature and wildlife.  I found Alaska to be full of beauty and opportunity, but at the same time, a difficult place to photograph.

The first challenge in photographing in Denali is the weather.  It is said that 80% of visitors to Denali National Park never see the mountain (known as Mount McKinley or Denali).  Denali (the mountain) generates its own weather pattern.  This was illustrated on my second visit there, when I camped at Wonder Lake for 4 days. I saw the mountain as I traveled in to the campsite on my first day, and saw it as I left the park on my way out on the 4th day.  The days in between, it was never seen again.

This view, captured from the Eilson Visitor's Center, is one of the iconic views as you approach Mount McKinley. The clouds surrounding the mountain illustrate the weather patterns around the mountain.  The dynamic range of the scene was huge- without using graduated neutral density filters, this image would not have been possible in one exposure. I used a 3-stop soft-edged ND grad. EOS 5D Mark II, EF 24-105f/4L IS.  1/500, f/8, ISO 200.

This view, captured from the Eilson Visitor’s Center, is one of the iconic views as you approach Mount McKinley. The clouds surrounding the mountain illustrate the weather patterns around the mountain. The dynamic range of the scene was huge- without using graduated neutral density filters, this image would not have been possible in one exposure. I used a 3-stop soft-edged ND grad. EOS 5D Mark II, EF 24-105f/4L IS. 1/500, f/8, ISO 200.

The next challenge I found in Denali National Park is the range of contrast in the landscape. Even late in the day, The range from the bright sky to the foreground was huge. I found graduated neutral density filters to be essential in helping to control the dynamic range of an image. Generally the mountains would be in bright light, while the foreground would be several stops darker.  A 3 stop or 4 stop ND grad was perfect for bringing the two closer together.

After spending all that money to get to this remote part of Alaska, I wasn’t about to let bad weather get in the way of my photography. As I mentioned, 80% of visitors to Denali don’t get to see the mountain.  The tallest peak in North America is obviously a major focal point when trying to photograph in Denali. When that’s taken away, it just means you have to work a little harder to find the shots. But Alaska is chock full of natural beauty, and there is no shortage of photos to be taken.

After two days of rain, we ventured onto the McKinley Bar Trail to hike to the McKinley River. The mountain was obscured by clouds, so I looked for other shots I could take.  This creek on the McKinly Bar Trail offered a nice opportunity. I composed the shot to eliminate as much sky as possible, due to the flat cloudiness of it.  EOS 5D Mark II, EF 17-40 f/4L @ 23mm.  1/250 at f/11, ISO 400.

After two days of rain, we ventured onto the McKinley Bar Trail to hike to the McKinley River. The mountain was obscured by clouds, so I looked for other shots I could take. This creek on the McKinly Bar Trail offered a nice opportunity. I composed the shot to eliminate as much sky as possible, due to the flat cloudiness of it. EOS 5D Mark II, EF 17-40 f/4L @ 23mm. 1/250 at f/11, ISO 400.

One of the best things I did in Alaska was get a different point of view.  Flightseeing tours are offered within the park.  I took one with Talkeetna Air Taxi, which is based at Kantishna Air Field, at the very end of the park road.  It was a 1 hour flight, bringing me as close to the mountains as I’d ever get.  You’re forced to shoot through the plane’s windows, but the reflections are pretty well controlled. I used a 5D Mark II and EF 24-105 f/4L lens for the entire flight. That gave me enough range to not have to change lenses during the flight. The cloud cover was already moving in on this day, but we got some dramatic shots of peaks poking through the clouds, glaciers making their way through mountain passes, and kettle ponds on the tundra reflecting blue skies.

This shot, taken from a plane at 10,000 feet, shows the kind of image possible on a flightseeing tour. 5D Mark II with 24-105 f/4L at 45mm. 1/1000, f/8, ISO 400.

This shot, taken from a plane at 10,000 feet, shows the kind of image possible on a flightseeing tour. 5D Mark II with 24-105 f/4L at 45mm. 1/1000, f/8, ISO 400.

The McKinley River flows through the tundra of Denali.  The silt deposited by the river changes its direction and creates these little strands. This shot was taken at 11,000 feet up. 5D Mark II, Ef 24-105 f/4L IS at 105mm. 1/500 at f/8, ISO 400.

The McKinley River flows through the tundra of Denali. The silt deposited by the river changes its direction and creates these little strands. This shot was taken at 11,000 feet up. 5D Mark II, Ef 24-105 f/4L IS at 105mm. 1/500 at f/8, ISO 400.

Wildlife is abundant in Denali, though you do have to get a bit lucky to see it.  The big five is moose, eagles, Dall sheep, bears, and caribou.  A long lens is a must.  To save weight in my bag, I used a 70-200mm f/2.8L IS II, with a 2x extender to give me an effective focal length of 400mm.  While we weren’t able to get close enough to any bears, we did get close to a wolf, Dall sheep, and a golden eagle that buzzed the bus we were on heading to our campsite. You’ll need to be ready as the wildlife doesn’t stay still for very long.  The bus drivers will stop whenever you ask as long as it’s safe, and you can hop off one bus and onto another if you decide to hike around some.

To view more of my Alaska images, visit my website at www.rickberk.com.

This Dall Sheep was lounging just above Polychrome Pass. Using a 70-200 with a 2x extender, I was able to get in close and get a nice portrait. 5D Mark II, EF 70-200 f/2.8L IS II w/2x extender. 1/1000 at f/4, ISO 200.

This Dall Sheep was lounging just above Polychrome Pass. Using a 70-200 with a 2x extender, I was able to get in close and get a nice portrait. 5D Mark II, EF 70-200 f/2.8L IS II w/2x extender. 1/1000 at f/4, ISO 200.

Post originally from: Digital Photography Tips.

Check out our more Photography Tips at Photography Tips for Beginners, Portrait Photography Tips and Wedding Photography Tips.

Destination: Alaska


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Northern lights over Fairbanks, Alaska (October 31, 2011)

01 Feb

Time-lapse movie of the northern lights over Fairbanks, Alaska. (10:42 – 11:22 pm AKDT, October 31, 2011) Camera: Nikon D90 Lens: AF-S NIKKOR 24mm f/1.4G ED Information: 24mm, F/1.4, Manual, 1.3 sec, +0.3EV, ISO3200, Interval: 2 sec, Movie: 10fps. BGM: Roots – Galdson www.jamendo.com License of music creativecommons.org
Video Rating: 5 / 5