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LG’s G8X ThinQ Dual Screen might just be a killer feature ahead of its time

17 Nov

The LG G8X ThinQ is the South Korean brand’s latest high-end smartphone and was launched at IFA in September. It’s powered by Qualcomm’s Snapdragon 855 top-of-the-line chipset and features a 6.4-inch AMOLED display with FullHD+ resolution, 6GB RAM and an under-display fingerprint reader.

On the camera side of things the new model relies on similar hardware as previous LG devices but has to make do without the dedicated tele lens that could be found on the G8 ThinQ. The X-model’s dual-camera setup combines a primary camera using a 12MP 1/2.55″ sensor and F1.8 27mm equivalent lens with an ultra-wide camera that offers a 13MP resolution, F2.4 aperture and 16mm equivalent field of view. The primary camera also features OIS and PDAF.

The device’s standout feature is an attachable dual-screen case, though. It allows you to double the overall screen size and resolution, similar to other recent dual-screen devices, such as the Huawei Mate X or Samsung Galaxy Fold.

We’ve had the chance to use the LG G8X ThinQ with Dual-Screen accessory for a few weeks now. Read on to find out what the Dual Screen has to offer for mobile photographers.

The Dual Screen accessory

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The G8X ThinQ’s dual-screen solution is different from other dual-screen devices in that the secondary screen can be removed when not needed. This means you have a very visible border between the two displays, but you can also leave the secondary display at home when not needed – which is a good thing as it adds quite a bit of bulk and weight.

The secondary display is embedded into a case that the G8X can be inserted in, and connects to via its USB-C port. This means you need an accessory dongle for connecting a USB-cable when the Dual Screen is attached. This is not a major issue but, like any small accessory item, the dongle is quite easily lost if you’re not careful. The G8X is capable of wireless charging as well, though.

There’s no need to open the case to check the time or to see if you have any new notifications

The Dual Screen case does not have its own battery and instead draws power from the phone’s. LG claims the Dual Screen increases power consumption, depending on use, by between 20 and 30 percent, which is line with our experience.

The secondary display itself is the same P-OLED type, size and resolution as the primary one and we also found the color rendering to be identical. The hinges of the case allow for 360-degree movement, and at the front there’s a 2.1″ monochrome OLED cover display that shows app notifications as well as time and date. This means there’s no need to open the case to check the time or to see if you have any new notifications.

The rear portion of the case comes with a cutout, allowing you to use the phone’s camera while it’s in the case.

Dual-Screen controls

Once the Dual Screen is connected a control button appears on the right edge of the main display. A tap opens up the controls which let you swap the content of the two screens or turn the secondary display off.

The Dual Screen has its own app drawer and you can place app shortcuts and widgets on it in exactly the same way as the main display. In the Dual Screen settings you can adjust brightness of the secondary display (or set it to be the same as the main screen), turn off the cover display and Dual Screen control button, and set an app to open when the Dual Screen is turned on among other options.

Multi-tasking

Multi-tasking is the Dual Screen’s main purpose. For example, you can watch a video on one display while writing and sending a message on the other, or use Google Maps for navigation at a holiday destination while browsing a travel app.

In terms of use for imaging purposes, the options are (still) slightly limited. You could have the camera or an image editing app on one screen while browsing Instagram or another image sharing app on the other, but overall workflow efficiency gains are fairly small. At this point the Dual Screen is mostly about convenience: you can continue your Whatsapp-chat while preparing an Instagram-upload or editing an image.

Mirror Mode in the Camera app

App support for the Dual Screen is currently still quite limited but fortunately the LG Camera is one of the few apps that makes use of the secondary screen. With the Dual Screen attached you can turn on Mirror Mode. As the name suggests, it mirrors the camera’s preview image on the secondary display.

Combined with the ability to angle the latter any way you like, this feature can be really handy when shooting overhead or at low height, just like a tilting display on a regular camera. You can also use the secondary screen like a waist-level viewfinder which is particularly helpful for holding the device in a stable fashion when recording video.

It’s worth noting though that the mirrored display only comes with a shutter/video button. For all other controls you’ll still have to go back to the main screen. You can however swap the display content using the Dual Screen controls.

Wide Mode

Wide-view expands an app across both screens, offering an overall display size of 12.8 inches. This can be great for reading websites, viewing images and watching video but in many cases, especially when consuming multi-media content, the 15mm combined bezel between the two screens somewhat limits the experience.

The fact that the feature currently only works with websites viewed in the Chrome browser is another downside. Still, Wide Mode can be useful for viewing websites in desktop mode or on those occasions when additional real estate increases usability, for example when viewing and navigating a map.

Extended View

In Extended View mode an app is divided into two screens. Unfortunately this feature is currently only supported by two apps – the LG Gallery and the Naver Whale browser – but LG says it is expecting support to be expanded to additional apps in the future.

In the Gallery app you can tap on the Dual Screen button to expand the view. This allows you to browse thumbnails on one screen and open the full image on the other. You can zoom into the full image as well as share or delete it in this viewing mode. However, if you want to add a memo or edit, you’ll have to go back to the main screen, so the Dual Screen’s added value is somewhat limited in this instance.

LG’s Naver Whale is a web browser and allows you to view websites in Wide Mode, just like Chrome. However, it also lets you open links on the secondary screen by double-tapping them. This can be useful when browsing shopping websites for example, when you don’t have to jump back and forth between your list of search results and product pages. You simply keep the list open on one screen and open product pages on the other.

In a similar manner, when browsing Instagram or equivalent sites you can keep a user’s profile page open on the main screen and open individual posts on the secondary display. All this has to happen in the browser, though.

Virtual Game Pad and Keyboard

This Dual Screen use case is arguably the one that LG has implemented best so far. The Dual Screen can be used to display a virtual gaming pad. Android recognizes the app as connected bluetooth hardware which makes it compatible with any game that supports this kind of hardware. The pad is also customizable.

We’re no gamers but after a few trial runs on Asphalt 9 it’s fair to say the pad works quite well. A hardware pad is arguably a better option, but this virtual implementation isn’t far off.

The LG keyboard offers a very similar function. You can display a soft-keyboard on the main screen while having the app you are writing in, for example Gmail or Instagram, open on the secondary screen. The keys are larger than they’d be on a usual split-screen style keyboard and allow for more comfortable typing. We would not recommend it for writing your next novel but shorter pieces of text are absolutely manageable in this setup.

Conclusion

LG is a smartphone manufacturer who does not shy away from risky development decisions. Some years ago the company introduced a modular system with its G5 model which was very innovative but ultimately proved commercially unsuccessful. It was also among the first to introduce ultra-wide angle cameras to smartphone photography which today are pretty much ubiquitous.

The Dual Screen follows in this tradition but at the current stage it’s still too soon to say if it will go the way of the G5 modules or become a success like the ultra-wide camera. It’s fair to say that for the latter to happen more apps will probably need to support the secondary screen.

The most useful feature for photographers is Mirror Mode in the camera app which helps when shooting at awkward angles

Right now it provides the most obvious benefits to those users who like to multi-task, letting you work in two apps at the same time. The ability to consume content across two screens or separate app controls from the main screen are great but unfortunately only work with a very limited number of apps. Currently, the most useful feature for photographers is Mirror Mode in the camera app which helps when shooting at awkward angles.

For everybody else, and especially those who write a lot on their smartphones, the virtual keyboard on its own might be an argument to purchase a G8X ThinQ with Dual Screen. If that doesn’t quite convince you yet it’s probably a good idea to wait and see if the Dual Screen will get more support from app developers.

Articles: Digital Photography Review (dpreview.com)

 
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Samyang’s new XEEN CF Cine Prime full-frame lenses detailed ahead of Q3 launch

13 Sep

Samyang has launched its new line of XEEN CF Cine Prime full-frame lenses made from lightweight carbon fiber. The XEEN CF will be offered in 16mm, 24mm, 35mm, 50mm, and 85mm options for Canon EF, Sony E and PL mounts. The model features a T1.5 aperture, 11-blade diaphragm and luminous numbers on the lens rings for making adjustments in dark conditions.

The XEEN CF lenses feature the company’s proprietary X-Coating for minimized reflections paired with controlled ghosting and flares for halation, producing a ‘dramatic effect.’ Users are promised ‘beautiful bokeh’ thanks to the 11-blade diaphragm and excellent low-light performance from the bright aperture.

The lenses are designed for large format and 8K sensors, offering the durability and light weight of carbon fiber at 0.9kg (2lbs) to 1.1kg (2.4lbs), depending on the model. Due to the low weight, the new XEEN CF lenses can be used with gimbals and drones in addition to movie cameras.

The company will initially launch its 24mm, 50mm and 85mm lenses in Q3 2019; the 16mm and 35mm options won’t be released until early next year. Prices are unclear at this time, but ePhotozine claims the lenses will be showcased at the 2019 IBC Exhibition in Amsterdam from September 13 to 17.

Articles: Digital Photography Review (dpreview.com)

 
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Viltrox APS-C lenses for Fujifilm, Sony and Leica detailed ahead of launch

23 Aug

Chinese camera gear brand Viltrox is planning to release three autofocus lenses for Fujifilm X-mount, Sony E-mount, and Leica M-mount, according to FujiRumors, which initially spied the upcoming products back in May.

In a new report published this week, FujiRumors detailed the alleged specs for the three lenses, product images for which it found published on Viltrox’s official profile on Chinese social media website Sina Weibo. Below are images of the lenses and a breakdown of the specifications based on the charts provided by Viltrox:

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Viltrox 23mm F1.4:

  • Aperture range: 1.4 – 16
  • Aperture blades: 9
  • 10 Groups, 11 elements
  • Filter size: 52mm
  • Weight: 250g (8.8oz)

Viltrox 33mm F1.4:

  • Aperture range: 1.4 – 16
  • Aperture blades: 9
  • 9 Groups, 10 elements
  • Filter size: 52mm
  • Weight: 270g (9.5oz)

Viltrox 56mm F1.4:

  • Aperture range: 1.4 – 16
  • Aperture blades: 9
  • 9 Groups, 10 elements
  • Filter size: 52mm
  • Weight: 290g (10.2oz)

It’s unclear when the new lenses will launch. The initial report in May claimed on behalf of a source that the new models may launch in October, but the latest report points toward ‘around November’ as the official release time frame. Prices haven’t been revealed at this time. These three lenses will join Viltrox’s previously launched 85mm F1.8 autofocus APS-C lens.

Articles: Digital Photography Review (dpreview.com)

 
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Fujifilm teases new Instax camera with LCD screen ahead of June 12 launch event

29 May

Fujifilm has announced the upcoming launch of a new Instax camera model. Full details about the new instant camera won’t be released until June 12, but the company did tease one key feature in the below tweet on May 27: the inclusion of a small LCD. The new Instax model will be ‘perfect for the new age,’ Fujifilm’s tweet states.

The ‘new era’ of Instax cameras will include multiple ‘very special features,’ Fujifilm teased in its tweet, one of which is the LCD. The new model will include the same instant color printing capability found on other Instax models, but it’s unclear what new features Fujifilm plans to include.

The current Instax product line features more than a dozen models, including the relatively new Square SQ20 instant ‘hybrid’ digital camera, which features an LCD for previewing images before printing.

Articles: Digital Photography Review (dpreview.com)

 
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Mapplethorpe movie trailer arrives ahead of film’s US theatrical premiere

09 Jan

A new trailer has given the public its first look at Mapplethorpe, a biopic chronicling the life of controversial photographer Robert Mapplethorpe, whose provocative work earned him fame in 1970s America. The movie, which was written and directed by Ondi Timoner, first debuted to a limited audience at the Tribeca Film Festival last year, but will receive a wider release in US theaters on March 1, 2019.

Mapplethorpe was best known for his black-and-white portraits and photographs of New York’s underground scene. The photographer’s first solo exhibition took place in 1973 at the Light Gallery in New York City featured photos captured with a Polaroid camera. Mapplethorpe later transitioned to a Hasselblad medium format camera. The photographer’s fame flourished through the 1980s up to his death from AIDs in 1989.

The biopic stars Matt Smith of Dr Who fame as Robert Mapplethorpe, Marianne Rendon as Patti Smith, and Hari Nef as Tinkerbelle.

Articles: Digital Photography Review (dpreview.com)

 
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Irix 150mm F2.8 Macro 1:1 lens preorders arrive ahead of December release

07 Nov

IRIX has launched its 150mm F2.8 Macro 1:1 full-frame DSLR lens for preorder. The model measures 8.7 x 13.5cm / 3.4 x 5.3in, weighs 840g / 29.6oz, and features 12 elements in 9 groups, a 0.345m minimum focusing distance, 77mm filter size, focus lock, a detachable Arca Swiss lens collar, and a detachable lens hood.

The 150mm F2.8 Macro 1:1 lens includes a Neutrino coating to minimize ghosting and light flares resulting in improved color fidelity and contrast. IRIX used its Dragonfly finish for weather sealing against moisture and dust. As stated in late September when the lens was announced, IRIX claims its new lens has nearly zero distortion at 0.1-percent.

The new 150mm F2.8 Macro 1:1 lens is offered in Canon EF, Nikon F, and Pentax K mount options, each priced at $ 595 USD. The model can now be preordered from B&H Photo, where the shipment start date is listed as December 26, 2018.

Articles: Digital Photography Review (dpreview.com)

 
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Tamron teases new lens ahead of CP+

14 Feb

Tamron Japan has posted an intriguing teaser image on its Instagram account, just in time for an announcement at either WPPI or CP+ (probably the latter). The backlit image is all we have to go off of, but naturally, speculation is running rampant online.

Canon Rumors thinks this might be a 100mm f/2 VC or a 135mm f/2 VC, while Sony Alpha Rumors received an anonymous (and therefore still highly unreliable) tip that it is in fact a “28-75mm F/2.8 Di III RXD” for Sony FE mount. Based on the design alone, we’re leaning towards calling this a zoom lens—notice the two rubber rings and the gap between the top ring and the top of the lens.

As user Sharlin points out in the CR forums, the design is very to the Tamron 18-200mm F3.5-6.3 Di III VC.

Of course, all of this is errant speculation until Tamron decides to officially announce whatever its teasing. But if you have any educated guesses about what the lens might be, drop them in the comments along with your reasoning.

Articles: Digital Photography Review (dpreview.com)

 
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DJI Mavic Air leaked ahead of announcement, looks like a Spark-Mavic hybrid

23 Jan
Close-up of a banner of the DJI Mavic Air, which DJI is supposedly planning to announce officially in less than 24 hours.

We’re less than 24 hours away from the drone announcement DJI started teasing last week, and it looks like our guesses based on the tagline “adventure unfolds” were spot on: it’s going to be a folding drone. More specifically, a followup to the folding DJI Mavic Pro… but not the followup most of us expected.

According to Drone DJ, who got ahold of a treasure trove of leaked specs and photographs of the upcoming drone, DJI is preparing to announce the DJI Mavic Air: a drone that looks like a hybrid between the DJI Spark and DJI Mavic Pro.

If these leaked photos and specifications are accurate, the Mavic Air will put Mavic-level hardware—a 3-axis gimbal, 1/2.3-inch CMOS sensor, 4K 60p video capture, obstacle-avoidance sensors on the front, back, and bottom—into a body that looks very much like the diminutive DJI Spark. The upside is that 4K 60p video capture that the Mavic Pro and even Mavic Pro Platium has been missing; the downside is that the smaller body means even less flight time, which is rumored at just 21 minutes. The drone is also purported to have a 32MP panorama mode.

Here’s a look at the real thing:

And here are the full set of leaked specs, as reported by Drone DJ:

  • 1/2.3 CMOS sensor and new Image Processor
  • 32-megapixel panorama mode
  • 4K/60p video capture
  • 3-axis gimbal
  • Four Foldable Legs
  • Obstacle-avoidance sensors in the front, back, and bottom
  • Equipped with aVisual Positioning System for better control, hovering and indoor flying
  • Gesture control
  • 21-minute flight time (9 minutes less than the Mavic Pro Platium)
  • It will be available in at least three colors: white, black and red
  • Compatible with DJI Goggles

We won’t be able to confirm these specs until the official announcement tomorrow morning (DJI is streaming the event live at 10am Eastern), but leaks this major and this close to the official reveal are rarely faked. Which leaves us feeling a bit… “meh” about the whole thing.

With Autel Robotics releasing its Mavic Pro competitor Autel EVO at CES, and the original Mavic Pro now nearly a year and a half old, we were hoping for a true Mavic Pro replacement. The Mavic Air seems, instead, like a DJI Spark upgrade… or even what the DJI Spark should have been at launch.

That said, we agree with Drone DJ when they say that this is probably not the true successor to the DJI Mavic Pro, but a separate product line—sort of like Apple’s MacBook Air vs MacBook Pro. It just means we have a bit longer to wait before we see a true Mavic Pro replacement.

Articles: Digital Photography Review (dpreview.com)

 
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5 Ways to Ensure That You Stay Ahead of the Travel Photography “Game”

07 Jan

There’s no doubt about it, the business of travel photography has never been tougher. More competition, an oversaturated market, falling license fees and limited client budgets mean that travel photographers have had to work harder and change their business models. Here are five ways to ensure that you stay ahead of the travel photography “game”.

5 Ways to Ensure That You Stay Ahead of the Travel Photography “Game”

1- Embrace Social Media

It’s hard believe that there was a time before social media. While some of us remember that time and have fond memories, there’s no doubt that social media has become a necessity for any business wanting to market itself. The opportunities to be able to speak to such a huge audience has meant that any brand that hasn’t embraced social media has been left behind.

Like a lot of other people, I was skeptical at first and didn’t really see the point or need for the likes of Instagram and Twitter. But slowly I have come to realize that it really isn’t an option and every photographer needs to embrace social media and maximize its potential.

So if you haven’t already started to do so, begin to learn about how to maximize the different social media channels available. It is integral to the success of your business.

5 Ways to Ensure That You Stay Ahead of the Travel Photography “Game”

2 – Think About ROI

One of the things that I always find interesting when I speak to people wanting to break into travel photography is their expectations of the industry versus the reality. Unfortunately, travel photography is an incredibly oversaturated market. That means there are more photos available than buyers actually need.

This, coupled with a few big stock agencies reducing prices over the years, has meant that the fee paid to photographers for a stock image is lower than it has ever been. The knock-on effect of this has also meant that the majority of clients who previously might have commissioned photographers are now turning to stock photos as it’s cheaper than hiring a photographer.

This means that as a travel photographer, you now have to really evaluate if a destination is worth the investment required. For example, a few years ago I headed to the Orkney Islands off Scotland (somewhere that had been on my bucket list for a while) and captured some great photos. But to this day I have not made enough sales from that trip to cover the cost of it, whereas somewhere like Abu Dhabi has paid for the cost of the trip a few times over. Clearly, a location like Abu Dhabi is a much more popular destination and so it is also more likely to be in demand for photos.

5 Ways to Ensure That You Stay Ahead of the Travel Photography “Game”

Obviously, this doesn’t mean you should never go anywhere like the Orkney Islands. But if you are building your business around those far-flung destinations you may find that you are simply not selling as many photos as you need to cover the cost.

3 – Expand Your Skills

DSLRs changed photography forever. Then smartphones came along and changed the whole industry. The explosion in digital photography has also meant that there is now, even more, an opportunity for unique photographs, but also more competition than ever.

So as a travel photographer, you have to be looking for ways to always expand your skills and repertoire. These days that might be by branching out into video, time lapse, or even drone photography. Whether we like it or not, these new innovations offer a completely new way of looking at the world and if you want to stay ahead of the game you need to try and expand your skills accordingly.

5 Ways to Ensure That You Stay Ahead of the Travel Photography “Game”

4 – Move With The Current Trend

Like most things, photography styles and trends move with the times. While it’s important to always keep your own style if you want to earn a living from photography you also need to ensure that you sell photos.

For example, these days more and more picture editors are looking for travel images that convey an experience or story rather than just a generic tourist type photo. In fact, I recently spoke to one of the stock agencies I work with and they said that their clients are now looking for more lifestyle type of travel shots that almost look like they have been taken with a smartphone rather than in a studio.

The key, as in any other industry, is to stay up to date with the current trends. Sign-up to newsletters, look at magazines and read industry news to ensure you know what is going on and where the trends are going.

5 Ways to Ensure That You Stay Ahead of the Travel Photography “Game”

5 – Re-evaluate Your Business Model

The biggest difference that amateur photographers notice when then move to being a professional is that they have to start treating photography as a business where every dollar is accountable. Like any business, every few years you need to evaluate where you are and where you want the business to go.

That means you might have to change your strategy, your marketing, and even as mentioned above your offering as a business (like video or time-lapse). No business can ever survive forever without changing with the times and photography is no different.

So if you haven’t done so already, think about your business and where it is and where it needs to go to to stay in the game.

5 Ways to Ensure That You Stay Ahead of the Travel Photography “Game”

Photographers are often some of the most creative people in the world. But very few often evaluate and relaunch their business to move with the times. Whether we like it or not, change is constantly happening in every industry and photography is no different. Unless you are willing to ensure your photography business can and will evolve, you might be left behind.

The post 5 Ways to Ensure That You Stay Ahead of the Travel Photography “Game” by Kav Dadfar appeared first on Digital Photography School.


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Aurora HDR 2018 pre-orders go live ahead of September 28 launch

13 Sep

Macphun has started taking pre-orders for Aurora HDR 2018, giving both Windows and Mac users a chance to purchase the software ahead of its launch later this month. The pre-order period will run from September 12-27 and includes a special lower price of $ 89 for new customers versus the regular $ 249 rate. Existing Aurora HDR customers can update for $ 49.

The Aurora HDR 2018 pre-orders are bundled with four free bonuses: a travel photo training video by Matt Granger, five sets of HDR Brackets by Pros, a 3-month membership to Zenfolio, and an HDR training video by Trey Ratcliff. According to Macphun, these bonuses have a value of $ 150.

Head to the Aurora HDR 2018 site to pre-order. The software will be available starting on September 28.

Via: CanonRumors

Articles: Digital Photography Review (dpreview.com)

 
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