Es gibt eine ganze Reihe von Auslösern, ein Fotobuch zusammenzustellen und zu realisieren. Seien es nun konkrete Projekte, Serien oder auch Monografien, die eine Rückschau auf das Lebenswerk eines Fotografen liefern. Eine Herausforderung ist dabei immer auch, aus einer großen Menge Bilder eine wirklich starke Auswahl zu treffen und diese in eine stimmige Reihenfolge zu bringen.
kwerfeldein – Fotografie Magazin | Fotocommunity
Posts Tagged ‘Acid’
Rezension: Roger Steffens – the family acid
Automotive Acid Trip: The Graphic 3D Art Of Chris Labrooy
[ By Steve in Art & Drawing & Digital. ]
Chris Labrooy loves vintage vehicles, but with a twist: the digital artist’s far-out 3D illustrations are an automotive acid trip into the 4th dimension.
Born in Aberdeen, Scotland, Chris Labrooy graduated from the Royal College of Art in London and embarked on a prolific career in the graphic arts medium. His expansive and growing body of work has brought him international recognition; chiefly for his automotive-themed folios titled “Tales Of Auto Elasticity” and “Auto Aerobics”.
Labrooy pays homage to the singular style expressed by vintage vehicles such as the red Ford F1 “Woody” pickup above. While the comparatively primitive paint technology employed by automakers over a half century ago had its drawbacks, Labrooy’s digital graphic illustrations bring out the best in these vehicles’ rich, deep, non-metallic hues.
One wonders whether Labrooy was influenced by Mike Ross’s Big Rig Jig, an interactive construction made from two actual 18-wheelers displayed at the 2007 Burning Man festival – check out this video. Not that it matters; while Big Rig Jig explored one facet of modern society’s fascination with the automobile, works such as Labrooy’s Auto Aerobics series shake, rattle & roll our perceptions in a way only made possible through creative 3D modeling and state-of-the-art digital graphics techniques.
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Automotive Acid Trip The Graphic 3d Art Of Chris Labrooy
[ By Steve in Art & Drawing & Digital. ]
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Smear Campaign: Guerrilla Artist Remixes Adverts with Acid
[ By WebUrbanist in Design & Guerilla Ads & Marketing. ]
Mutating works of public advertising with corrosive acid, this cunning urban interventionist hijacks posters from bus stops and subway stations, then adds his own message into the mix.
Vermibus takes posters then employs solvents to remake each surface in his studio, dissolving inks and colors already there and reusing materials from each de facto ‘canvass’ to make something new.
He then puts his transformed works back where he found the original or, in many cases, an entirely different site, city or even country, blending them back into the urban environment.
Having taken them off the streets, Vermibus brushes the idealized figures, slowly morphing them into surrealist versions of their former selves. He has repeated this unusual artistic process in various major cities, including and beyond his home town of Berlin.
Sometimes the commentary is clear – a model made intentionally skeletal, for instance – while others evolve (or devolve) into abstractions and parodies that seem almost inhuman.
The three fascinating short films embedded throughout this article (above and below) show his process, various examples of his work around Europe and his organization of and participation in the No-Ad Project. “Using a dubious inter-rail ticket, Vermibus set out with a set of 90 keys and his pallet of solvents to physically and temporally hijack the Western Worlds of advertisements in the name of fine art.”
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Smear Campaign Guerrilla Artist Remixes Adverts With Acid
[ By WebUrbanist in Design & Guerilla Ads & Marketing. ]
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