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Posts Tagged ‘accessory’

Hähnel launches lantern diffuser speedlite accessory

06 Dec

Lantern Diffuser

$ 99 | Hähnel

Hähnel recently launched the Lantern Diffuser, a new speedlight diffuser that creates an exceptionally wide-angle spread of illumination in a very compact form factor by using a clever folding design. This new lighting accessory is just one part of Hähnel’s modular flash system and is designed to attach to hotshoe flash units via one of the company’s magnetic accessory clamps.

Key features:

  • Compact, folding design
  • Comes with six color gels
  • Works with Hähnel’s other modular magnetic accessories
  • Hähnel magnetic clamp is required and is a separate purchase
  • Compatible with most larger speedlight-style flashes from various manufacturers

The Lantern Diffuser is available now at B&H and other authorized Hähnel retailers for $ 99 USD.


What is it?

The Lantern comes in a kit that includes the diffuser along with a set of six colored gels and a gel holder that gets sandwiched between the magnetic clamp and the diffuser frame. The whole kit comes in a folding wallet that also has room for the magnetic clamp that isn’t part of the kit – but which is essential for its use. The clamp is central to the company’s range of clip-on accessories and needs to be bought separately.

The diffuser is made using a fan of concertinaed white material that both diffuses the light and sends it out over a 180° angle as the flash passes through it, with the idea of producing a very soft light that covers a very wide area.

I was initially concerned about how well the fanned out diffuser would survive lots of use, drops and getting its delicate design dented, but in all the use I made of it I didn’t manage to damage it. I guess if you dropped your flash with it attached and it landed face down the consequences mightn’t be good, but so long as you don’t do that it should be fine.

The kit comes in a roll-up pouch and includes 6 colored gels, a magnetic gel holder and the diffuser itself

When not in use it folds away into itself and is protected by the rigged plastic-covered metal ends. I haven’t used it long enough to know whether it will yellow with time, and the weather has been too good to test it outside in the rain – I’d be nervous to do that with the Lantern, while my softboxes would just dry out.

I’m a big fan of good speedlight accessories that are easy to use, which don’t take up a lot space and which have a dramatic impact on the characteristics of the light produced. And I have quite a collection, from inflatable frosted panels to snoots, softboxes and those yogurt-pot-like tubes the flash fires up into. This Lantern is quite different to anything else I’ve used, so I wanted to give it a try.


How it works

This video from Hähnel shows how the Lantern folds and attaches to a flash of your choice.

I used this diffuser on the Hähnel Modus 600RT flash unit, both on the camera and off using a Viper TTL trigger for Micro Four Thirds cameras and Panasonic full-frame S-series cameras. The Modus 600RT is the more powerful of Hähnel’s speedlights, and offers a guide number of 60m at ISO 100 at the 200mm zoom setting.

To attach the Lantern to the flash, I used the Module 600 clamp which, with its sprung grip, will fit most larger hotshoe style flash guns from all manufacturers. The clamp grips the head of the speedlight with the Hähnel logo facing forwards and the Lantern diffuser sticks to it when the magnets in each item attract. The gel holder can go on first, which offers a more obvious placement for the diffuser, but it doesn’t have to. Take a look at the video above for a clearer picture of how it all works.

Used in the hotshoe the light from the Lantern Diffuser is direct and straight on, but very much softer than you’d expect from such a small accessory.

Overall, the Lantern diffuses light more than you’d expect from such a small flash accessory. With a bare bulb the light would be much harder and highlight on the sun-creamed forehead would be dramatic and distracting. The accessory is small enough to create a definite direction, but the multi-layered diffusion makes that light seem quite gentle.

The Lantern diffuser folds in half, so we attach one half to the magnetic clamp and then unfold the other half to get the full 180° dome effect.


What it looks like

I started by testing the spread and the evenness of the light the diffuser gives by clamping the flash onto a stand using Hähnel’s Bowen’s mount adapter and firing the flash at a blank wall.

The difference in spread is immediately clear when you compare the Lantern-diffused exposure with that of the bare head and even when an 80cm/31in double-diffused square softbox was used instead. The Modus 600RT is a TTL gun, but if you shoot manually expect to lose about 2 stops of light due to the Lantern diffuser – about the same as when using the softbox with the extra internal diffuser sheet – but a much wider spread of illumination.

This is the coverage of the flash with no modifier The flash was left in the same position, but with the Hähnel 80cm softbox attached
Here’s the same arrangement but using the Lantern diffuser And the same again, but with a green gel in the gel holder

What is significant about this little diffuser is that it offers both a diffused and a bounced light effect, so the light is very soft once it reaches the subject. The softness is remarkable considering how small the accessory is and that the flash is still effectively a point source. Shadows are defined but filled at the same time, and lack the hard-edged contrast we get with a bare head.

The Lantern Diffuser avoids that artificial look of a direct burst from an uncovered flash bulb

I found that even when used with the flash mounted on the camera the light is dramatically altered, and still provides a nice softness when used quite close to the subject. It avoids that immediately artificial look of a direct burst from an uncovered bulb, or even that of a light bounced into a kicker reflector.

I tried the Lantern for some single-light still life shots with the flash at a relatively close range and a small subject – things that tend to bring out high contrast when hotshoe flash units are used. You can see though that the Lantern has done very well to produce a soft light that doesn’t display hotspots or reflections on the waxy surface of the avocado skin.

Click or tap-and-drag the arrow to see a soft box and the Lantern Diffuser differ.

The light is as soft as that produced by the 80cm softbox, though the shadow profile is slightly more defined due to the smaller surface area of the source. As the light from the Lantern is thrown around the room we get much more fill in the shadow areas too.

The spread of the light is also very impressive. The Lantern will light a room evenly when we are using a super-wide lens to fit it all in. This means we don’t have to worry about finding a clean white surface to bounce from. Fall off is more dramatic than with a bare bulb or a bounce, so a powerful gun will work best.

To give you an idea of the diffuser’s coverage, this was shot on the full frame Lumix S1R with a 9mm lens – at f/8 and 1/200sec at ISO 400. All the light on the foreground is from the flash. You can see that the post on the right as well as the tree trunk on the left are both lit with the flash. A 9mm lens has an angle of view of 135 degrees.

Conclusion

I’m very impressed with this Hähnel Lantern. It’s small, highly portable and weighs almost nothing, which means you can afford to carry it around in the camera bag even when you don’t actually get to use it without it having been a pain all day. The clamp is simple to fit and the gel holder and diffuser just snap on, so assembly is quick and easy too.

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I don’t often use colored gels with single flash set-ups, but they are handy for second and third guns for rim lighting and coloring a background. Background lights with these diffusers on will be very useful, and the lack of hotspots, and their size, means they are ideal for hiding within the shot without the danger of them producing give-away bright blasted areas.

I have a lot of rubbish accessories, and others that are well thought out but the size of studio modifiers so you can’t carry them around on the off-chance that you might need them. This though sits in a side pocket of a bag ready for that moment you want to soften a burst of flash whenever it happens to occur. I would also actively take this with me to light backgrounds, multiple people facing inwards, for filling in on a sunny day and for using as the main light for a portrait or a still life.

The flash was held just off-camera for this shot. The defined shadow is still there but the light on the subject is soft and attractive. The subject was in the shade and exposure was 1/200sec at f/9, so almost all the light on the subject was provided by the flash.

I love using speedlites for ‘proper’ photography especially on location (I used two Hähnel Modus 600RT units with a softbox and a small dish for the male model shots in the Hasselblad 907X sample gallery) and this will definitely be joining the collection of tools I use – and ousting a few that simply don’t do the job so well.

The Hähnel Module Creative Lantern Kit costs £59.99/$ 99.99. For more information see the Hähnel website.

What we like:

  • Amazingly well diffused soft light
  • Really wide, even spread of light
  • Small and easy to carry all the time
  • Quick to assemble
  • Nice pouch and accessories

Don’t like:

  • Dome feels a bit fragile, though it hasn’t dented yet
  • Gels are strong and for dramatic effects rather than colour correction

Star Rating

Articles: Digital Photography Review (dpreview.com)

 
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This 3D-printed accessory makes it possible to shoot split double exposures on Instax Mini 90 cameras

09 Aug

One of the accessories you can purchase for some of Lomography’s instant cameras is the Splitzer, an add-on component that makes it possible to shoot multiple exposures on the same frame. Unfortunately, the accessory isn’t available for the Fujifilm Instax Mini 90, but photographer Guillermo Hernandez has managed to create his own 3D-printed version for the popular camera.

Like the Splitzer, the 3D-printed component simply attaches to the front of the lens. To capture a double exposure, simply cover the half of the frame you don’t want exposed, take a shot, then rotate the Splitzer 180-degrees before taking another shot.

As you can see in the sample photos below, this allows you to create unique compositions wherein a single subjects can be in two places at once or frame the same object side-by-side.

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It’s undoubtedly a novel accessory, but it’s a fun way to get a little more out of a Fujifilm Instax camera. Hernandez is selling his Instax Mini 90 Splitzer in multiple colors for $ 5 on eBay with $ 3 shipping, but if you have access to a 3D printer and know some basic CAD tutorials you could probably whip up one yourself. Hernandez has other 3D-printed photo-related products on his eBay store, too.

Articles: Digital Photography Review (dpreview.com)

 
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Elinchrom launches new Rotagrid accessory for its signature Rotalux softbox line

25 Oct

Elinchrom has unveiled Rotagrids, a new lineup of add-on grids designed specifically for the company’s Rotalux softboxes. As is the case for most every grid modifier, the Rotagrid accessories create a more direct light for greater control while also minimizing light spill.

The Rotagrid attachments offer 30-degree beam angle grids and are made from what Elinchrom describes as a lightweight but durable fabric that will hold its shape over time. The grid uses hook and loop fasteners to attach to the front of Rotalux softboxes and can be stored in a pouch when not in use.

Elinchrom is offering the Rotagrid modifiers in every shape and size for the Rotalux softbox line, including the Octa, Square, Strip and other shapes. Prices vary based on the model; the smaller 35 x 100cm (14 x 35in) Rotagrid Strip, for example, is priced at $ 79 / €69, whereas the large Rotagrid Octa 135cm (69in) is priced at $ 249 / €199.

Articles: Digital Photography Review (dpreview.com)

 
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GoPro Plus now offers unlimited cloud storage and increased accessory discounts

31 Jan

GoPro has given a boost to its Plus subscription service. From now on the service offers unlimited cloud storage space for photos and videos to its subscribers. Previously users could upload unlimited photos but there was a 35-hour limit for video footage.

The service is specifically useful for users of WiFi-enabled GoPro cameras, such as the Hero5, Hero6 and Hero7 models, who can now automatically upload all captured footage to the cloud, without the need for any manual data transfer to a computer or other device first.

In addition to the lifted storage limit, the discount on GoPro accessories has also been increased for Plus subscribers. It is now 50% off most mounts and other accessories, compared to 20% previously. What hasn’t changed is the monthly subscription rate at $ 5 which makes the service a pretty enticing option for GoPro power users. There’s also a 30 day free trial period for the service if you’re interested in trying it out first.

Articles: Digital Photography Review (dpreview.com)

 
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Camera accessory manufacturer Syrp acquired by Vitec Imaging Solutions

24 Jan

New Zealand-based camera gear company Syrp, which was founded in 2012 by two videographers, has been acquired by Vitec Imaging Solutions. The acquisition took place on January 23, according to Vitec, which holds an extensive brand portfolio that includes Manfrotto, JOBY, Gitzo, and more.

Syrp’s product lineup includes motion control and slider hardware for photographers and filmmakers, as well as related software for controlling the hardware. These products will become part of Vitec’s own portfolio under the acquisition, which will involve Syrp being integrated with Vitec Imaging Solutions.

As part of this integration, Vitec plans to transform Syrp’s New Zealand facility into its new Research & Development ‘center of excellence’ for motion control and mechatronic products. The Syrp brand will remain, and its products will be made available globally via Vitec’s global distribution network.

Vitec acquires Syrp, leader in sliders and motion technology, expanding innovation capabilities for future product development.

Vitec Imaging Solutions, a Division of The Vitec Group plc (“Vitec”), a globalprovider of products and solutions to the Broadcast and Photography markets, is pleased to announce that on 23 January 2019 it acquired Syrp Limited (“Syrp”),a New Zealand based slider and motion control company.

Syrp designs and develops motorised camera sliders as well as motion control hardware and software that enables independent content creators to remotely control their camera equipment, allowing for the capture and smooth tracking of shots for video, time-lapse and hyper-lapse imagery.

The acquisition of Syrp adds electronics and software features that control cameras to Vitec’s current product portfolio. Syrp will be integrated into Vitec’sImaging Solutions Division, which will commercialise the brand’s innovativeproduct offering to content creators worldwide. This will facilitate easy access to Syrp sliders and motion controls, as the perfect complements to Manfrotto andGitzo’s tripods and heads.

Founded in 2012 by two skilled videographers, Syrp has been dedicated to empowering independent filmmakers and photographers to explore new creative possibilities in dynamic photography and filmmaking. This commitment isperfectly aligned with Vitec’s purpose to provide innovative solutions for capturing and sharing exceptional content.

Syrp’s brand and products will benefit from Vitec Imaging Solutions globaldistribution network, with its highly efficient customer service, logistics, and integrated shipping capabilities. The brand will also receive the added support ofVitec’s integrated marketing campaigns and social media presence.

With the acquisition of Syrp, Vitec will expand its ability to provide customers with innovative solutions for the creation of exceptional time-lapses and hyper-lapses thus matching the growing demand for engaging digital and social media dynamic content.

Going forward, Syrp’s New Zealand facility will become Vitec’s R&D center of excellence for mechatronic and motion control products.

Articles: Digital Photography Review (dpreview.com)

 
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DJI announces pricing, availability of Multilink accessory for DJI Inspire 2, Cendence controllers

23 Jan

After first teasing it back in September 2018, DJI has officially announced the pricing and availability of Multilink for its Inspire 2 and Cendence controllers.

The new Multilink accessory connects a single master remote with up to three additional controllers. This setup ‘allows slave networks to form a star network with the master controller as the hub, offering aerial filmmakers more options in camera control and in-flight monitoring,’ according to the press release.

It features dual-band functionality for operating at 2.4GHz or 5.8GHz with the ability for the slave controllers to be up to 150m / 500ft away from the master controller. DJI claims the latency between the master and slave controllers is as low as 2.5ms and 3.7ms for the 5.8GHz and 2.4GHz bands, respectively.

The Multilink accessory for Inspire 2 Cendence controllers is being sold on DJI’s online store for $ 99 a piece with the option to purchase a pack of three for $ 282, a savings of $ 15.

DJI Announces Pricing And Availability of Multilink For Inspire 2 Controllers

New Multilink accessory connects master remote with up to 3 additional controllers

DJI, the world’s leader in creative camera technology, today revealed the pricing and availability of the Multilink, DJI’s new wireless connector that supports a master controller and up to 3 additional slave controllers. The new Multilink allows slave networks to form a star network with the master controller as the hub, offering aerial filmmakers more options in camera control and in-flight monitoring.

Designed to for use with the Inspire 2 and Cendence remote controllers, DJI Multilink will retail for $ 99 USD and $ 282 USD for a combo that includes 3 Multilinks. The new product will be available starting today on store.dji.com, DJI flagship stores and authorized dealers in the US, Europe, and mainland China.

About the Multilink

The new DJI Multilink connects with the Inspire 2 and Cendence remote controllers to create a master-slave network with up to three additional slave controllers. The slave controllers connected to Multilink form a star network with the master controller as the main device. The slave controllers can wirelessly send commands to the aircraft through the master controller and receive images and video signals from the aircraft directly.

With a dual-band operating frequency of 2.4 GHz or 5.8 GHz, the slave controllers can maintain a steady connection to the master controller at distances of up to 150m from each other, which allows for efficient filming even in the least ideal environments. The latency between the master controller and the slave controllers is as low as 2.5ms (5.8G) / 3.7ms (2.4G), allowing for a reliable live-feed of the aircraft’s camera to additional monitors.

Articles: Digital Photography Review (dpreview.com)

 
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Nikon offers optional Dot Sight accessory to aid telephoto photography

27 Aug

Alongside the official unveiling of the Nikkor 500mm F5.6E PF ED, Nikon has announced an optional Dot Sight accessory to help telephoto photographers better track moving subjects. The DF-M1 makes it easier to aim a super-telephoto lens like the 500mm at a fast-moving, distant subject by presenting a wider field-of-view and an illuminated dot target that moves relative to the lens. The Dot Sight accessory will cost $ 175.

Press release:

NIKON RELEASES THE AF-S NIKKOR 500mm f/5.6E PF ED VR, A FIXED FOCAL LENTH SUPER-TELEPHOTO LENS COMPATIBLE WITH THE NIKON FX FORMAT

Delivers Exceptional Agility that Makes Hand-Held Super-Telephoto Photography Enjoyable, as Well as Offering Superior Optical Performance and Functionality

MELVILLE, NY (AUGUST 23, 2018 AT 1:01 A.M. EDT) –Nikon Inc. is pleased to announce the release of the AF-S NIKKOR 500mm f/5.6E PF ED VR, a fixed focal length super-telephoto lens compatible with Nikon FX-format digital SLR cameras.

The AF-S NIKKOR 500mm f/5.6E PF ED VR is a high-performance, FX-format, super-telephoto lens that supports 500 mm focal length. The adoption of a Phase Fresnel (PF) lens element has significantly reduced the size and weight of the lens, making hand-held super-telephoto photography easier and more enjoyable.

With a maximum diameter of 106 mm and length of 237 mm, the AF-S NIKKOR 500mm f/5.6E PF ED VR, which weighs 1,460g (roughly the same weight as the AF-S NIKKOR 70-200mm f/2.8E FL ED VR) is significantly lighter than previous500mm lenses which can typically weigh up to more than 3,000g. The AF-S NIKKOR 500mm f/5.6E PF ED VR is designed with consideration to dust- and drip- resistance, which in addition to the fluorine coat applied to the front lens surface, allows greater agility when shooting.

The use of one PF lens element and three ED glass elements enables extremely sharp and detailed rendering that is compatible with high pixel-count digital cameras. In addition, the materials used in the new PF lens element have been developed effectively to reduce PF (diffraction) flare, allowing light sources to be reproduced in near-original colors. In combination with Nikon’s coating technologies, such as the Nano Crystal Coat, effective in controlling ghost and flare, extremely clear images are achieved.

AF speed has been increased by making lens elements in the focusing group lighter. The AF-S NIKKOR 500mm f/5.6E PF ED VR is equipped with a VR mechanism that offers camera shake compensation equivalent to a 4.01-stop increase in shutter speed. The SPORT VR mode that has been adopted is especially effective when photographing fast-moving and unpredictable subjects such as wild birds, or in scenes such as sporting events. The stabilization of the image displayed in the viewfinder is also an effective feature for recording movies.

Additionally, the use of the Mount Adapter FTZ will allow the lens to be used with mirrorless cameras Nikon Z 7 and Nikon Z 6, also announced today. Users will be able to enjoy super-telephoto shooting at the 500 mm focal length with a system that is even more compact than ever before.

We are also planning to release the Dot Sight DF-M1, an accessory that is highly effective with super-telephoto photography. With super-telephoto shooting, a narrow field of view in the viewfinder tends to be made visible – making it easy to lose track of the subject. The Dot Sight DF-M1 makes it easy to keep track of the intended subject within the frame, even if the subject exhibits sudden movement.

PF (Phase Fresnel) Lens Elements
The PF (Phase Fresnel) lens, developed by Nikon, effectively compensates chromatic aberration, utilizing the photo diffraction phenomenon2. It provides superior chromatic aberration compensation performance when combined with a normal glass lens. Compared to many general camera lenses that employ an optical system using the photorefractive phenomenon, a remarkably compact and lightweight body can be attained with fewer lens elements.

Primary Features

  • Significantly smaller and lighter with the adoption of a Phase Fresnel (PF) lens element, making 500 mm hand-held super-telephoto photography easier and more enjoyable
  • Designed with consideration to dust- and drip-resistance; fluorine coat applied to front lens surface, effectively repelling water droplets, grease, and dirt
  • Adoption of one PF lens element and three ED glass elements for extremely sharp and detailed rendering, compatible with high pixel-count digital cameras
  • Optical performance that is not compromised with the use of the TC-14E III AF-S teleconverter
  • Materials used in the new PF lens element effectively control PF (diffraction) flare
  • Ghost and flare effectively suppressed with the adoption of the Nano Crystal Coat, enabling clear images
  • AF speed increased by making lens elements in the focusing group lighter
  • Equipped with a VR mechanism that offers camera shake compensation equivalent to a 4.01-stop increase in shutter speed, in two modes: NORMAL and SPORT
  • Electromagnetic diaphragm mechanism adopted for extremely precise aperture control

Optional Accessories
We will release the Dot Sight DF-M1 (available separately), an accessory that is highly effective with super-telephoto photography. This accessory makes it easy to keep track of the intended subject, even if the subject exhibits sudden movement.

Price and Availability
The AF-S NIKKOR 500mm f/5.6E PF ED VR will be available September 13 for the suggested retail prices (SRP) of $ 3599.95*. The Dot Sight DF-M1 will be available for $ 174.95 SRP*. For more information on these and other Nikon products, please visit www.nikonusa.com.

Articles: Digital Photography Review (dpreview.com)

 
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Apple patents correction system for smartphone accessory lenses

26 Jul

Accessory lenses for smartphones can be useful tools for expanding the photographic capabilities of your device. However, the process of physically attaching these lenses to the smartphone and centering them above the camera lens is prone to minor but important error as even a slight misalignment can result in a drop in image quality. Additionally, the accessory lens’ optical design can have a detrimental effect on the image output.

Apple has now been granted a patent that aims to fix the problem using a two-pronged approach: by using correction software and a movable built-in camera lens.

The document describes camera hardware and an analysis and processing software that can be used to analyze image quality and detect problems potentially caused by add-on lenses. By looking at certain image metrics, the system could compare image quality before and after attaching an accessory lens and then use software algorithms to correct accordingly.

Additionally, actuators would allow to change the position of the built-in camera lens on multiple axes, in order to correct for any misalignment of the accessory lens. This could include tilting the camera and varying the distance between the built-in lens and accessory lens.

The patent suggests electronics, magnets and radio sensing among other methods to detect if an accessory lens has been attached. If the smartphone knows what exact accessory is being used, additional options in the camera app could be utilized as well.

As usual, there is no way of knowing if and when this system will make it into a production device but it certainly looks like it could make the use of accessory lenses more appealing to many of us.

You can find the complete patent document on the USPTO website.

Articles: Digital Photography Review (dpreview.com)

 
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Lemuro launches line of high-end iPhone accessory lenses

02 Jun

With a few exceptions, like Moment or Zeiss products, accessory lenses for smartphones tend to be rather cheap and more often than not, produce low quality images. For those photographers who don’t mind spending a bit more on high-quality accessory lenses, there is now a new alternative: German brand Lemuro has launched a Kickstarter campaign to fund mass production of its line of iPhone accessory lenses.

Currently four Lemuro lenses are on offer: a 60mm equivalent tele “portrait” lens, a 25mm 10X macro lens, a 18mm equivalent wide angle lens and an 8mm equivalent fisheye.

The lens bodies are crafted from aluminum and attach to a leather-clad protective case via a metal lens mount. Currently cases are available for the iPhones X, 7, 7 plus, 8 and 8 plus but Lemuro says Android cases are in the making and should be expected later in 2018.

Lemuro’s campaign is already fully funded, so, barring any unforeseen complications, production will go ahead. You can still pre-order on Kickstarter until June 22 and a pledge of of 75 Euros (approximately $ 88) will get you the starter kit with one case and lens. The pro kit with case and all four lenses will set you back 225 Euros (approximately $ 262). Delivery of the Kickstarter orders is scheduled for November 2018.

You can find more information and sample images on the Lemuro Kickstarter page.

Articles: Digital Photography Review (dpreview.com)

 
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GorillaPod unveils the Mobile Rig: A flexible tripod with two extra accessory arms

30 Dec

GorillaPod has launched a new flexible tripod product called the Mobile Rig. With Mobile Rig, smartphone filmmakers get two extra arms in addition to the smartphone mount, making it possible to attach a small secondary camera or accessories, such as lights and a microphone. And, of course, Mobile Rig has the same flexibility as past GorillaPod tripods.

The GorillaPod Mobile Rig includes a pair of arms, each with 1/4″-20 connection points, as well as a pair of Cold Shoe mounts and a single GoPro mount. Joining those is the GripTight locking mount for securing a smartphone to the tripod. The tripod is made of aluminum, ABS plastic, zinc-aluminum, stainless steel, and TPE.

GorillaPod Mobile Rig is in stock on JOBY’s website for $ 100 USD.

Articles: Digital Photography Review (dpreview.com)

 
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