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Posts Tagged ‘75mm’

Leica announces APO-Summicron-SL 75mm and 90mm F2 lenses

16 Jan

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Leica has announced a pair of short telephoto lenses for its SL full-frame mirrorless camera. (They’ll also work on the company’s crop-sensor ILCs, such as the TL and CL, with a 1.5x crop.)

The APO-Summicron-SL 75mm and 90mm F2 ASPH lenses feature an apochromatic design to reduce chromatic aberration, a single aspherical element and minimum focusing distances of 0.5 and 0.6 meters, respectively. Both lenses have a maximum magnification of 0.2X and have a ‘Dual Synchro Drive’ focusing system which can traverse the entire focal range in 250ms, according to Leica.

The 75mm and 90mm lenses have the exact same dimensions (73 x 102mm) and filter diameter (67mm) and nearly the same weight (700 vs 720 grams). Both are sealed against dust and moisture.

The new APO-Summicron-SL lenses will ship in February. The 75mm model will retail for $ 4750 while the 90mm will set you back $ 5150.

Press Release

Leica Camera Unveils New Prime Lenses for the Leica SL-System

The new APO-Summicron-SL 75 mm f/2 ASPH and APO-Summicron SL 90 mm f/2 ASPH lenses embody superior performance and the finest engineering in compact designs

January 15, 2018 – Today, Leica Camera announces the first two editions of a new line of high-performance Summicron-SL lenses for the Leica SL-System; the APO-Summicron-SL 75 mm f/2 ASPH. and the APO-Summicron-SL 90 mm f/2 ASPH. that will be available in February for photographers across the country. Both lenses seamlessly work with the SL-System’s lightning-fast autofocus and, as with all SL-Lenses, have been designed and constructed in Germany with exceptional materials for a long work life, even withstanding the rigors of professional use while always providing superior image quality.

The focal lengths of these two SL-Lenses are ideal for all types of photography, and truly shine when used for portraiture. While the APO-Summicron-SL 75 mm f/2 ASPH., for example, captures exceptional natural portraits, the APO-Summicron-SL 90 mm f/2 ASPH. is a classic telephoto focal length for portraits with the often sought-after compression between the subject and background, ultimately creating the ideal aesthetic for exquisite pictures of people. Another great feature of these new lenses is their fast and silent autofocusing, meaning the photographer does not have to wait to take the perfect shot to quickly capture their subject’s best look, even for a moment.

Both the construction and design of the new, cutting-edge Summicron-SL line represent the continuing innovation in the development of lenses for the Leica SL-System. State-of-the-art, extremely precise manufacturing methods and measuring technologies were developed specifically for the production of these lenses. The results of these developments are reflected not only in the more compact dimensions and considerably lower weight of the lenses, allowing for greater portability, but also in their excellent imaging performance. As the Leica SL-System continues to evolve with new capabilities and lens options, the addition of these two primes further round out the Leica SL native lens selection, which now encompasses two zoom lenses and three prime lenses. Current Leica SL customers continue to receive new lens options at their disposal that can bolster their current capabilities, and new users have more selection than ever before.

Additionally, these lenses feature a new, faster autofocus system, as well as a considerably shorter close focusing limit for tight portraits of their subjects. The autofocus drive of all Summicron-SL lenses employs extremely powerful and robust stepping motors with DSD® (Dual Syncro Drive™). Thanks to this advanced focusing drive, the entire focusing range can be fully travelled in only around 250 milliseconds, providing photographers the confidence that they will always be able to instantaneously capture their subjects in crystal-clear sharp focus.

As both Summicron-SL primes deliver extremely high imaging performance at their largest f/2 aperture, the lenses are also ideal for photography in low-light or difficult lighting conditions. The Leica promise of ‘maximum aperture is a usable aperture’ also applies to the new SL-Lenses. Users can rest assured that their lens is capable of creating a tack-sharp photograph in any situation. Meticulous attention was paid to the prevention of stray light and reflections in the construction of the APO-Summicron-SL lenses. Together with optimizing the optical and mechanical design, the application of high-quality coatings to each lens surface reduces unavoidable reflections to an absolute minimum. Thus, photographers get a lens that always creates images with beautifully strong contrast, where other lenses may suffer from distracting flares and ghosting effects that detract from the photo.

All glass elements in any optical imaging system, including camera lenses, can sometimes refract certain colors of light at different lengths. Thus, not all rays of light from a multi-colored subject are always focused at the same point – the result of this imperfection is chromatic aberration, also known as color fringing. In order to reduce chromatic aberration to a hardly perceptible minimum, both new Summicron-SL lenses are Apochromatic, or in short, APO, corrected, allowing photographers to capture photos in high contrast situations without a distracting purple or green outline along backlit subjects. Further supporting this optical achievement, most of the eleven elements of the optical system, one of which is aspherical, feature anomalous partial dispersion and are manufactured from sensitive and specially formulated, high-quality glass. Without all of these state-of-the-art lens corrections, images could suffer from fringing, flares, ghosting or distortion. These incredibly well-corrected glass optics are what make a Leica lens special and so crystal clear.

The APO-Summicron-SL 75 mm f/2 ASPH. and the APO-Summicron-SL 90 mm f/2 ASPH. will be available in February. Both can be purchased at Leica Stores, Boutiques and Dealers. In the second half of 2018, the SL-System will even further increase its prime lens arsenal with the launch of a Summicron-SL 35 mm f/2 ASPH. and APO-Summicron-SL 50 mm f/2 ASPH.

Leica APO-Summicron-SL 75mm/90mm F2 ASPH lens specifications

  Leica APO-Summicron-SL 75mm F2 ASPH Leica APO-Summicron-SL 90mm F2 ASPH
Principal specifications
Lens type Prime lens
Max Format size 35mm FF
Focal length 75 mm 90 mm
Image stabilization No
Lens mount Leica SL
Aperture
Maximum aperture F2
Minimum aperture F22
Aperture ring No
Number of diaphragm blades 9
Optics
Elements 11
Groups 9
Special elements / coatings 1 aspherical
Focus
Minimum focus 0.50 m (19.69) 0.60 m (23.62)
Maximum magnification 0.2×
Autofocus Yes
Motor type Stepper motor
Focus method Internal
Distance scale No
DoF scale No
Physical
Weight 720 g (1.59 lb) 700 g (1.54 lb)
Diameter 73 mm (2.87)
Length 102 mm (4.02)
Sealing Yes
Colour Black
Filter thread 67 mm
Tripod collar No

Articles: Digital Photography Review (dpreview.com)

 
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Leica unveils Noctilux-M 75mm F1.25 ASPH lens with ‘hair-thin depth of focus’

29 Nov

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Leica unveiled a new low-light monster of a lens today, adding to the ‘Noctilux legacy’ with the Leica Noctilux-M 75mm F1.25 ASPH. According to Leica, the new lens boasts ‘impeccable speed’ and ‘exceptional imaging performance’ as well as “hair-thin depth of focus [that] isolates subjects with extreme precision.”

This is the fourth Noctilux lens ever created and only the second released this century, this lens follows in the footsteps of the Noctilux-M 50mm F0.95 ASPH released in 2008. But while Leica is calling this the “co-founder of a new family of lenses,” the company is also quick to point out that the new Noctilux-M 75mm F1.25 boasts some advantages over its older brother:

The upgraded features of the Noctilux-M 75 mm f/1.25 ASPH. open up entirely new opportunities in portrait and close-up photography, including a shallower depth of focus than that of the Noctilux-M 50 mm f/0.95 APSH. and a close focusing distance of 0.85m, making for a reproduction ratio of 1:8.8 for even more precise isolation of subjects. Additionally, the eleven blades of its iris ensure a soft and harmonious bokeh in out-of-focus areas.

Inside, you’ll find six groups made up of nine lens elements that have been manufactured from glasses with “high anomalous partial dispersion and low chromatic dispersion.” Two of those elements are aspherical, and the lens uses a floating element with what Leica describes as a “complex focusing mechanism” (aren’t they all?) that promises high-quality performance all the way from minimum focus distance to infinity.

You can read more about the Noctilux-M 75mm F1.25 in the full press release and tech specs below, but if you like what you read, be ready to drop some serious cash. According to Leica, the lens will retail for $ 12,795 when it shows up at Leica stores, boutiques and dealers in the beginning of 2018.

Press Release

Leica Camera Pushes Photographic Boundaries With the New Leica Noctilux-M 75 mm f/1.25 ASPH Lens

True to the Noctilux legacy, the new lens boasts impeccable speed and exceptional imaging performance

November 29, 2017 – For more than 50 years, the name ‘Noctilux’ has been synonymous with exceptional speed and outstanding optical design. Today, Leica Camera announces the newest addition to their lens portfolio – the Leica Noctilux-M 75 mm f/1.25 ASPH. Coupled with exceptional imaging performance and unique bokeh, its hair-thin depth of focus isolates subjects with extreme precision, ideal for portraits with an unmistakable “Leica look”.

A legacy of excellence

The first lens of the Noctilux family, the Leica Noctilux 50 mm f/1.2, was announced at photokina in 1966. While the original lens innovated with revolutionary optical properties, ongoing developments led to the launch of two additional generations of the Noctilux in 1975 and 2008. The additional lenses were developed under the premise of further pushing the envelope for imaging performance, each with a faster aperture than its predecessor. All Noctilux-M lenses to this day are special for their rendering and aesthetic when shot wide-open, yielding a three-dimensional “pop” that separates its subjects from the background like no other lenses. The out-of-focus areas behind the subject is smooth and pleasing to the eye, giving a lovely soft background even in the darkest of lighting scenarios.

Together with the Leica Noctilux-M 50 mm f/0.95 ASPH., the Leica Noctilux-M 75 mm f/1.25 ASPH. is the co-founder of a new family of lenses. The two current members of this family are both distinguished by their extreme maximum aperture and exceptionally high performance at all apertures, even wide open, and lend themselves to the creation of timeless images marked by a distinctive and revered Leica aesthetic.

Superior imaging performance

The upgraded features of the Noctilux-M 75 mm f/1.25 ASPH. open up entirely new opportunities in portrait and close-up photography, including a shallower depth of focus than that of the Noctilux-M 50 mm f/0.95 APSH. and a close focusing distance of 0.85m, making for a reproduction ratio of 1:8.8 for even more precise isolation of subjects. Additionally, the eleven blades of its iris ensure a soft and harmonious bokeh in out-of-focus areas.

To guarantee this extraordinary imaging performance, the nine elements in six groups that make up its optical design are manufactured from glasses with high anomalous partial dispersion and low chromatic dispersion. Two of the elements are aspherical, and reduce other potential aberrations to a hardly detectable minimum. The use of a floating element within the complex focusing mechanism guarantees a constantly high level of imaging performance throughout the entire focusing range of the lens – from its minimum focus distance to infinity.

When shooting at maximum aperture, the exceptionally shallow depth of field of the Noctilux-M 75 mm f/1.25 APSH. can be easily focused in when an electronic viewfinder such as the Leica Visoflex. Additionally, the Leica M-Adapter L transforms the Noctilux-M into an excellent lens to use in conjunction with the Leica SL. When the lens is mounted on the Leica SL, the 4.4 megapixel resolution of the camera’s EyeRes® electronic viewfinder enables particularly comfortable and extremely precise focusing.

The Noctilux-M 75mm f/1.25 ASPH. features the convenience of an integrated lens hood, which can be extended or retracted in one simple twist. The lens is complemented by a tripod adapter for safe and secure mounting of the lens on a tripod.

The Leica Noctilux-M 75 mm f/1.25 ASPH will be available at Leica Stores, Boutiques and Dealers at the beginning of 2018.

Technical Data

Angle of view
(diagonal, horizontal, vertical)

For 35 mm format (24 x 36 mm):

~ 32°, 27°, 18°

For Leica M8 models (18 x 27 mm):

~ 24°, 20°, 14°, equivalent to FL of ~ 100 mm in 35 mm format1

Optical design

Number of elements/groups

Aspherical surfaces

Position of entrance pupil

(at infinity)

9/6

2

26.9 mm (in front of the bayonet)

Focusing

Working range

Scales

Smallest object field/

largest reproduction ratio

0.85 m to ?

Combined metre/feet graduation

For 35 mm format: ~ 212 x 318 mm / 1:8.8,
For Leica M8 models: ~ 159 x 238 mm / 1:8.8

Aperture

Settings/functions

Smallest aperture

With click stops, half-stop detents

16

Bayonet

Leica M quick-change bayonet with 6-bit bar coding for Leica M digital cameras2

Filter mount

Inner thread for E67 screw-mount filters, non-rotating

Lens hood

Integrated, with twist-out function

Viewfinder

Camera viewfinder3

Finish

Black anodised

Dimensions and weight

Length to bayonet flange

Largest diameter

Weight

~ 91 mm

~ 74 mm

~ 1055 g

Compatible cameras

All Leica M-Cameras3, 4, Leica SL-Cameras with Leica M-Adapter L

1 The nominal focal lengths of the Leica M-Lenses relate to 35 mm format, i.e. original image frame dimensions of 24 x 36 mm. However, with dimensions of 18 x 27 mm, the sensor of the Leica M8 models is a little smaller, by a factor of 0.75. For this reason, the angle of view of this lens when mounted on a Leica M8 model corresponds to that of a lens with a focal length that is longer by a factor of 1.33 (1.33 = reciprocal of 0.75).

2 The 6-bit coding on the lens bayonet (7) enables Leica M8 digital models to identify the lens type mounted on the camera. The cameras utilise this information for the optimisation of exposure parameters and image data.

3 With the exception of the Leica M3 and the former version of the Leica MP ( professional version of the M3), all Leica M-Cameras without a 75 mm bright line frame can be retrofitted with this frame by the Customer Care department of Leica Camera AG (it then appears in the viewfinder together with the frame for 50 mm lenses).

4 This is independent of the image frame format of the respective camera – whether 18 x 27 mm (sensor size) for the Leica M8 models or 24 x 36 mm for all other Leica M models.

Articles: Digital Photography Review (dpreview.com)

 
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Oprema Jena seeks to resurrect the legendary Zeiss Biotar 75mm F1.5

16 Aug

The company behind the new Meyer Optik Goerlitz lens manufacturing business has formed a new brand to bring back the Biotar 75mm F1.5 that was made by Carl Zeiss Jena in the 1940s and 50s. Many of the original examples were made in East Germany after WWll and in quite low volumes, so they command high prices for their rarity, but also the extraordinary swirling they create when used at wide apertures.

The new version is being redesigned by the company that owns the Meyer Optik Goerlitz brand, but as it will not be made in Germany this time a new name has been conceived—Oprema Jena, in recognition of the location of the original factory. The attempted lens resurrection launched this morning on Kickstarter:

As the Kickstarter describes, this lens is a rarity:

The Biotar 75/1.5 is probably the most legendary lens ever produced in Jena, Germany.

It is a six lens gauss type optical scheme whose design dates back to the year 1927 when famous lens designer Willi Merté developed his first Biotar which was designed for cinematography.

In the 1930th Merté continued to improve the Biotar lenses among which the 75mm/1.5 reached legendary status. The Biotar 75/1.5 was first introduced in 1938, sales began to pick up with a presentation at the Leipzig Spring Fair in 1940.

But due to second world war and to its high price at the time it remained a very special lens for the selected few. Until today it has become one of the most expensive vintage lenses easily selling for over a thousand dollars – if you get a usable one.

The original Biotar (left) next to the Oprema Jena version (right) currently being funded on Kickstarter.

The lens is being designed by Dr Prenzel who works with Meyer Optik on its reinvented lenses, and by Andre de Winter, a former Leica engineer. All the manufacturing will be done in Japan by Tokina, so that this new line doesn’t interfere with production of the Meyer lenses.

The company’s goal is to “maintain the exact Biotar characteristics while carefully improving the mechanical aspects and making it feasible for modern camera equipment and different mounts.” That means a tack-sharp center with “dramatic but not overly-aggressive” swirly bokeh when shot wide-open.

Thanks to new lens technologies, high-quality glass, advanced coatings and more, Oprema Jena is confident they’ve avoided some of the disadvantages of the classic Biotar without sacrificing any of the lens’ advantages.

Launched on Kickstarter this morning, the lens is already fully-funded and the total funding ($ 107,000 as of this writing) goes up with every page reload. Fortunately, there are still some great deals to be had if you hurry over to the Kickstarter page now.

The ‘Crazy Deal’ earlybird special will snag you a Biotar 75mm F1.5 in any mount for $ 950. Once those are gone, Super Early Bird deals are $ 1,000, Early Bird are $ 1,050, and the regular Kickstarter price is $ 1,100. The lens is available in Canon, Nikon, Sony-E, Leica-M (rangefinder coupling supported), Fuji X, and M42 mounts.

To learn more or put down a pledge and claim your own Biotar, head over to the Kickstarter page.

Articles: Digital Photography Review (dpreview.com)

 
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SLR Magic announces 35mm and 75mm CINE primes for FE-mount

04 Jun

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SLR Magic has announced two new E-mount prime lenses aimed at videographers and filmmakers. The CINE 35mm F1.2 and CINE 75mm F1.4 lenses provide fast maximum apertures, include geared barrels for use with follow focus rigs, and are compatible with FE full frame cameras.

The two lenses have several features in common, including manual diaphragm with 13 aperture blades that stop down to F16, 52mm filter threads with non-rotating front elements, a black anodized finish.

Both lenses have a retail price of $ 499 and SLR Magic says they should be available from dealers by August. The company will have hands on demos available at the CINE GEAR 2016 show from June 3-4 in Los Angeles.


Press release:

NEW: THE SLR Magic CINE 35mm F1.2 and SLR Magic CINE 75mm F1.4

Hong Kong, China (June 3, 2016) – SLR Magic extends it’s FE-mount lineup with the SLR Magic CINE 35mm F1.2 wide angle lens and SLR Magic CINE 75mm F1.4 telephoto lens. The products will be officially introduced during upcoming CINE GEAR 2016 show in Los Angeles.

The field of view of the SLR Magic CINE 35mm F1.2 and SLR Magic CINE 75mm F1.4 opens up many new creative composition opportunities, particularly in the fields of portrait, interior, architectural and landscape cinematography and photography.

We place our highest priority in the development on our lenses to fulfill the demands of professional cinematographers and photographers. The design and build of the the SLR Magic CINE 35mm F1.2 and SLR Magic CINE 75mm F1.4 is solid and reliable.

THE SLR Magic CINE 35mm F1.2 (MSRP: $ 499 US/ $ 3,299 RMB) and SLR Magic CINE 75mm F1.4 (MSRP: $ 499 US/ $ 3,299 RMB) will be available from authorised SLR Magic dealers by August, 2016.

The SLR Magic CINE 35mm F1.2 and SLR Magic CINE 75mm F1.4 will be first presented at CINE GEAR 2016 show. There would be a demo at the ATOMOS booth in (Stage 16) during the show held in Paramount Studios in Los Angeles from 3rd to 4th of June 2016.

Technical Data

SLR Magic CINE 35mm F1.2

  • Lens Type: Fast standard lens
  • Compatible Cameras: FE-mount and E-mount cameras
  • Optical Design: 9 elements in 8 groups
  • Distance Settings:
  • Distance range: 0.3m to ?, combined scale meter/feet
  • Aperture: Manually controlled diaphragm, 13 aperture blades , Lowest value 16
  • Filter Mount: Internal thread for 52mm filter; filter mount does not rotate.
  • Surface Finish: Black anodized
  • Dimensions: 
  • Length to bayonet mount: approx. 77.40mm (approx. 3.05in)
  • Largest diameter: approx. 64.73mm (approx. 2.55in)
  • Weight: approx. 535g (approx. 18.87oz)

SLR Magic CINE 75mm F1.4

  • Lens Type: Fast standard lens
  • Compatible Cameras: FE-mount and E-mount cameras
  • Optical Design: 6 elements in 6 groups
  • Distance Settings: 
  • Distance range: 0.70m to ?, combined scale meter/feet
  • Aperture: Manually controlled diaphragm, 13 aperture blades , Lowest value 16
  • Filter Mount: Internal thread for 52mm filter; filter mount does not rotate.
  • Surface Finish: Black anodized
  • Dimensions: 
  • Length to bayonet mount: approx. 78.68mm (approx. 3.09in)
  • Largest diameter: approx. 64.67mm (approx. 2.55in)
  • Weight: approx. 455g (approx. 16.05oz)

Articles: Digital Photography Review (dpreview.com)

 
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Did Sigma design the Olympus M.Zuiko 75mm F1.8?

29 Aug

olympus_75.png

It’s an open secret that many compact cameras are produced by OEMs – companies that produce large numbers of products that are then sold under other brand names. There are also consumer-grade zooms from big name manufacturers that look much alike (we know for a fact that third-party makers commonly create lenses for the bigger brands). But we were still surprised to read about Sigma’s latest patent for a 75mm F1.8 prime lens…

News: Digital Photography Review (dpreview.com)

 
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Sigma launches DP3 Merrill with Foveon sensor and 75mm (equiv.) lens

08 Jan

sigma_dp3m.png

Sigma has announced the DP3 Merrill, the latest iteration of the company’s enthusiast large sensor compact camera. Nearly identical to the earlier DP Merrill models, this camera features the familiar 15x3MP APS-C Foveon X3 sensor, but it is now mated with a 50mm (75mm equiv.) F2.8 lens. The lens lends itself to portraiture and, with a minimum focus distance of 22.6cm, offers respectable 1:3 magnification. Video recording is still limited to VGA resolution but the DP3M can shoot at up to 4 frames per second for 7 frames in Raw.

News: Digital Photography Review (dpreview.com)

 
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Tamron 28 – 75mm F2.8 Lens Review

01 Jan

Welcome to DSLR Lab 2012 twitter.com We are kicking of the new year with a review of the Tamron 28 – 75mm F2.8 lens. This constant aperture zoom lens is perfect for video and photography and is a great alternative to the Canon 24-70 2.8 L lens. Its a third of the cost and half the size, but produces super sharp images and has beautiful color clarity. More test footage from this lens will be uploaded during the week. Thanks for Watching and Please Subscribe. 😀 Filmed on – Canon 550D Canon 50mm 1.8 Tamron 28-75mm 2.8 Audio – Rode Videomic Zoom H1

Full review: www.carbuyer.co.uk Volvo wants its S60 to be seen to offer a stylish, sporty alternative to rivals from Audi, Mercedes-Benz and BMW, and it’s not too far off.

 
 

Olympus 75mm F1.8 for Micro Four Thirds gets $900 price-tag

25 May

olympus_75_f1p8.png

Olympus has released more details about the M.Zuiko Digital ED 75mm F1.8 lens it announced alongside the E-M5, back in January 2012. The relatively compact large-aperture lens offers a 150mm-equivalent field-of-view and a fast internal-focus design. The 75mm will be available from ‘Summer 2012’ at an expected selling price of around $ 899.99.

News: Digital Photography Review (dpreview.com)

 
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Just Posted: Olympus M.Zuiko Digital ED 75mm F1.8 Preview

25 May

75Preview.jpg

Just Posted: Our hands-on preview of the Olympus 75mm F1.8 for Micro Four Thirds. The 75mm is Olympus’ premium grade portrait lens for the joint Olympus/Panasonic mirrorless system. We’ve had a pre-production example in the office for a couple of days and have prepared a hands-on preview, to which we’ll add a samples gallery when the promised production example arrives.

News: Digital Photography Review (dpreview.com)

 
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