RSS
 

Posts Tagged ‘70200mm’

Sony 70-200mm F2.8 GM OSS II sample gallery

13 Oct

$ (document).ready(function() { SampleGalleryV2({“containerId”:”embeddedSampleGallery_4652265303″,”galleryId”:”4652265303″,”isEmbeddedWidget”:true,”selectedImageIndex”:0,”isMobile”:false}) });

Sony’s latest lens, the FE 70-200mm F2.8 GM OSS II, brings all new optics to one of the core products in the company’s G Master line of premium lenses. We’ve had a chance to see how Sony’s latest 70-200mm F2.8 performs in a variety of situations with some sunny Fall weather around Seattle. Take a look and see how it performs for yourself.

Articles: Digital Photography Review (dpreview.com)

 
Comments Off on Sony 70-200mm F2.8 GM OSS II sample gallery

Posted in Uncategorized

 

Spring colors: Canon RF 70-200mm F4L IS USM sample gallery

28 Mar

$ (document).ready(function() { SampleGalleryV2({“containerId”:”embeddedSampleGallery_7468308170″,”galleryId”:”7468308170″,”isEmbeddedWidget”:true,”selectedImageIndex”:0,”isMobile”:false}) });

The Canon RF 70-200mm F4L IS USM is a very compact, medium-aperture zoom lens for the company’s mirrorless RF mount. With an innovative design and advanced optical makeup, it offers the promise of high image quality in a package not much larger than most standard zooms. So how does it perform?

We’ve been shooting with a production sample for a few days, and you can view our gallery from the links above and below.

View our gallery of samples from the Canon RF 70-200mm F4L IS USM

Articles: Digital Photography Review (dpreview.com)

 
Comments Off on Spring colors: Canon RF 70-200mm F4L IS USM sample gallery

Posted in Uncategorized

 

Nikon Z 70-200mm F2.8 VR S sample gallery updated

15 Nov

$ (document).ready(function() { SampleGalleryV2({“containerId”:”embeddedSampleGallery_5156689056″,”galleryId”:”5156689056″,”isEmbeddedWidget”:true,”selectedImageIndex”:0,”isMobile”:false}) });

We’ve been spending more with the 70-200mm F2.8 VR S, a cornerstone lens in Nikon’s relatively young Z-mount lineup. In the time since we’ve gotten our hands on it we’ve taken it along on local trips to the coast and around our corner of the Puget Sound area – take a look at our updated sample gallery for even more photos from this much-anticipated lens, including several shots from the new Z6 II.

Articles: Digital Photography Review (dpreview.com)

 
Comments Off on Nikon Z 70-200mm F2.8 VR S sample gallery updated

Posted in Uncategorized

 

DPReview TV: Battle of the 70-200mm F2.8 zooms (Canon, Nikon, Sony, Panasonic)

14 Nov

Who makes the best 70-200mm F2.8 zoom lens for full-frame? We tested the latest models to find out: the Canon RF 70-200mm F2.8L IS USM, Nikon Nikkor Z 70-200mm F2.8 VR S, Sony FE 70-200mm F2.8 GM OSS and the Panasonic Lumix S Pro 70-200 F2.8 O.I.S.

Subscribe to our YouTube channel to get new episodes of DPReview TV every week.

  • Introduction
  • The competitors
  • Size and weight
  • Livin' La Bokeh LoCA
  • Autofocus
  • Sharpness
  • Video performance
  • Final rankings

Canon RF 70-200mm F2.8 sample gallery

$ (document).ready(function() { SampleGalleryV2({“containerId”:”embeddedSampleGallery_8685700048″,”galleryId”:”8685700048″,”isEmbeddedWidget”:true,”selectedImageIndex”:0,”isMobile”:false}) });

Nikon Z 70-200mm F2.8 sample gallery

$ (document).ready(function() { SampleGalleryV2({“containerId”:”embeddedSampleGallery_5156689056″,”galleryId”:”5156689056″,”isEmbeddedWidget”:true,”selectedImageIndex”:0,”isMobile”:false}) });

Sony FE 70-200mm F2.8 sample gallery

$ (document).ready(function() { SampleGalleryV2({“containerId”:”embeddedSampleGallery_1304509160″,”galleryId”:”1304509160″,”isEmbeddedWidget”:true,”selectedImageIndex”:0,”isMobile”:false}) });

Panasonic S Pro 70-200mm F2.8 sample gallery

$ (document).ready(function() { SampleGalleryV2({“containerId”:”embeddedSampleGallery_0696132436″,”galleryId”:”0696132436″,”isEmbeddedWidget”:true,”selectedImageIndex”:0,”isMobile”:false}) });
Articles: Digital Photography Review (dpreview.com)

 
Comments Off on DPReview TV: Battle of the 70-200mm F2.8 zooms (Canon, Nikon, Sony, Panasonic)

Posted in Uncategorized

 

Canon’s Exciting New RF Lenses: The 70-200mm f/4 and 50mm f/1.8

09 Nov

The post Canon’s Exciting New RF Lenses: The 70-200mm f/4 and 50mm f/1.8 appeared first on Digital Photography School. It was authored by Jaymes Dempsey.

Last Tuesday, Canon announced two new RF lenses:

The Canon 70-200mm f/4L IS USM and the Canon 50mm f/1.8 STM.

Canon's new RF lens, the 50mm f/1.8 STM
The Canon RF 50mm f/1.8 STM

Both of these lenses will ship in the first half of December, though they’re currently available for preorder ($ 1599 USD for the 70-200mm f/4L IS and $ 199.99 USD for the 50mm f/1.8).

The new lenses will undoubtedly appeal to the many Canon photographers who have already embraced the EOS R system, especially those who are looking for cheaper alternatives to the existing RF 70-200mm f/2.8 IS and the RF 50mm f/1.2. 

Canon's new RF lens, the 70-200mm f/4L IS
The Canon 70-200mm f/4L IS

In fact, the 70-200mm f/4 and the 50mm f/1.8 have already garnered something of a reputation, thanks to their top-notch EF equivalents. The EF 70-200mm f/4L IS, for instance, is a high-quality, reasonably-priced option for landscape photographers, amateur portrait photographers, and more – while the EF 50mm f/1.8 STM is just about the handiest Canon lens you can own, combining optical prowess with affordability and compactness. 

And while the RF 70-200mm and the RF 50mm f/1.8 won’t be quite as cheap as their EF counterparts, they’re certainly cheap enough to draw Canon photographers of all stripes, including a mix of professionals and hobbyists (for the 70-200mm f/4), as well as amateurs (for the 50mm f/1.8).

Plus, Canon has added several significant upgrades to these RF lenses. The 70-200mm f/4L IS, for instance, will offer up to 5 stops of image stabilization, which expands to 7.5 stops when combined with in-body image stabilization. It’s also Canon’s “shortest and lightest 70-200mm f/4 zoom lens to date,” making it an even more compelling option for landscape photographers who hike for hours on end.

Canon's new RF lens, the 70-200mm f/4L IS

As for the RF 50mm f/1.8:

You get the ultra-useful 50mm focal length for just $ 200 USD, not to mention the Canon RF lens control ring (which you can use to tweak camera settings on the fly). And the lens will be both compact and light – in other words, perfect for a casual photographer, or even a street photographer, looking to fire off shots without attracting much attention.

Canon's new RF lens, the 50mm f/1.8 STM

So if you’re after an affordable, high-quality lens with a wide maximum aperture and great ergonomics, check out the Canon RF 50mm f/1.8 STM, which is available for preorder for just under $ 200 USD. 

Alternatively, if you’re hoping to capture gorgeous landscapes, portraits, or even outdoor event photos without breaking the bank, you can preorder the Canon 70-200mm f/4L IS USM here for $ 1599 USD.

The post Canon’s Exciting New RF Lenses: The 70-200mm f/4 and 50mm f/1.8 appeared first on Digital Photography School. It was authored by Jaymes Dempsey.


Digital Photography School

 
Comments Off on Canon’s Exciting New RF Lenses: The 70-200mm f/4 and 50mm f/1.8

Posted in Photography

 

Canon introduces compact RF 70-200mm F4L and 50mm F1.8 STM lenses

05 Nov

$ (document).ready(function() { SampleGalleryV2({“containerId”:”embeddedSampleGallery_9582728382″,”galleryId”:”9582728382″,”isEmbeddedWidget”:true,”selectedImageIndex”:0,”isMobile”:false}) });

Canon has introduced a pair of lenses for its EOS R system.

First up is the RF 70-200mm F4L IS USM, which is 32% shorter (at wide-angle) and 11% lighter than its popular EF counterpart. The lens is just 119mm (4.7″) long and weighs in at a 695g (1.5lbs), yet it retains the build quality and weather-sealing of other L-series lenses. Unlike those lenses, this 70-200 does not support teleconverter or offer a tripod mount.

The lens’s image stabilizer can reduce shake by up to five stops, and when attached to an EOS R5 or R6, can reach 7.5 stops by working in conjunction with in-body image stabilization. The 70-200 features 16 elements, four of which are ‘UD’ (ultra low dispersion) glass that help control chromatic aberration. Canon’s Air Sphere Coating reduces flare and ghosting. The lens’s minimum focus distance is 0.6m (2ft), regardless of focal length. The focus elements are driven by a pair of Nano USM motors for fast and silent autofocus.

The 70-200mm F4L IS USM will be available in early December for $ 1599.

Along with the 70-200 comes the tiny RF 50mm F1.8 STM lens. The lens weights only 160g (5.6oz) and is 41mm (1.6″) long. It contains a total of six elements (one being aspherical) and can focus as close as 0.3m (0.98ft). Its control ring can be used for manual focus, by default, or other functions including aperture and exposure compensation, depending on your needs. Focus elements are driven by a stepping motor. The RF 50mm F1.8 STM will hit store shelves in mid-December for $ 199.

Go hands-on with the new Canon RF lenses

Press release

CANON ADDS TWO RF LENSES AND PIXMA PRO PRINTER IDEAL FOR THE ENTHUSIAST PHOTOGRAPHER

MELVILLE, N.Y., November 3, 2020 – Canon U.S.A. Inc., a leader in digital imaging solutions, is excited to introduce the compact and lightweight RF70-200mm F4 L IS USM and the RF50mm F1.8 STM, two completely re-designed RF mount lenses with bloodlines to immensely popular EF models that feature new lens formulas and enhanced elements. Canon is also introducing the PIXMA PRO-200 printer, which is ideal for photography students and graphic designers.

“As Canon began to further build out the company’s RF lens portfolio, the goal in mind was to create advanced lenses, for a variety of experience levels, that also featured a sense of familiarity for longtime Canon users,” said Tatsuro “Tony” Kano, executive vice president and general manager of Canon U.S.A.’s Imaging Technologies & Communications Group. “Canon prides itself on being able to uniquely offer both input and output solutions to our customers. We are equally excited to see the images captured with the new lenses, and the prints that are to be created with the new PIXMA PRO-200 printer.”

Canon RF70-200mm F4 L IS USM Lens

The Canon RF70-200mm F4 L IS USM lens is ideal for photography enthusiasts ranging from advanced amateur to professional skill levels. The compact and lightweight nature of the lens makes it Canon’s shortest and lightest 70-200mm F4 zoom lens to date. This RF lens is approximately 32 percent shorter and 11 percent lighter than its EF counterpart with a large portion of the lens element arrangement closer to the camera body. This arrangement is designed to provide photographers with a more balanced feel and experience even at the zoom range’s telephoto end. Additionally, the shorter and lighter design allows the lens to more easily be stowed away in a camera bag when not in use.

The RF70-200mm F4 L IS USM features two independent Nano USM motors, providing an even greater level of high-speed autofocus for still image shooting as well as quiet and smooth autofocus for video shooting. The lens also incorporates a floating focus control that drives the two lens groups individually while using the two aforementioned Nano USM motors. The floating focus lens element shortens the focusing distance and helps reduce breathing, providing users with fast, consistent and reliable performance.

Additional Features of The Canon RF70-200mm F4 L IS USM Lens Include:

  • 16 lens elements in 11 groups, including four UD lenses, that help to reduce chromatic aberration
  • Optical Image Stabilizer with up to 5 Stops[i] of shake correction
  • Up to 7.5 stops[ii] of shake correction with coordinated control of Optical Image Stabilizer and In-Body Image Stabilizer
  • Three stabilizer modes
  • Customizable control ring that allows photographers to adjust exposure compensation, shutter speed, aperture, or ISO
  • 12-pin communication system
  • L-Series dust and weather-resistant build with a fluorine coating
  • Minimum focusing distance of 1.97 feet and a maximum magnification of 0.28x
  • Air Sphere Coating (ASC) that helps minimize lens flare and ghosting

Canon RF50mm F1.8 STM Lens

Creatives love using a 50mm lens because that focal length is similar to the natural viewpoint of the human field of vision. This perspective allows for the lens to be used in a wide variety of shooting situations, including portraits, landscapes and food photography. What’s more, Canon 50mm f/1.8 lenses have long been a popular tool for both photographers and creators due to their budget-friendly price point, extremely compact and lightweight form factor, and versatility.

The tradition continues with the RF50mm F1.8 STM that, in many ways, is improved over its EF counterpart. The first visually noticeable improvement is the customizable control ring that has become synonymous with RF lenses. The control ring allows photographers to adjust exposure compensation, shutter speed, aperture, or ISO and with a flip of the side switch can adjust focus. The inclusion of a PMo aspherical lens helps to reduce chromatic aberration and provides high-image quality even at the periphery of the image. Additionally, the combination of the lens shape and Super Spectra Coating (SSC) helps to minimize ghosting and flaring.

Additional Features of The Canon RF50mm F1.8 STM Lens Include:

  • Six lens elements in five groups
  • 12-pin communication system
  • Minimum focusing distance of 0.98ft and a maximum magnification of 0.25x
  • Up to 7 stops[iii] of Shake Correction with EOS R Series cameras with In-Body Image Stabilizer

Canon PIXMA PRO-200 Printer

Continuing a long history of high-quality input to output digital imaging equipment, the PIXMA PRO-200 printer is 15% smaller than its predecessor, the PIXMA PRO-100. With the ability to print up to 13 inches x 19 inches and featuring improved ChromaLife 100+ dye-based ink, the latest PRO printer helps to create prints that are more representative of the original digital file. A helpful tool of the trade for photographers who print work for themselves and graphic artists or photography students working on their portfolios from their homes, the PIXMA PRO-200 printer also features:

  • A new 3-inch LCD screen to help users set up the printer, connect to WiFi, monitor ink and paper levels for an improved user experience
  • New Skew Correction feature, which automatically corrects shifts the paper may encounter during printing
  • Professional print and layout software, which can work as a stand-alone program, or integrated into Adobe® Lightroom® or Photoshop® as a plugin to work within a photographer’s workflow, to help take the guesswork out of making great prints
  • Vast media support to print on a variety of surfaces such as Canon Photo Paper Pro Luster and Premium Fine Art Rough, as well as the ability to print longer panoramic images in comparison to previous models

Pricing and Availability

The Canon RF70-200mm F4 L IS USM, and RF50mm F1.8 STM lenses are scheduled to be available in early and mid-December 2020 for a suggested retail price of $ 1,599.00 and $ 199.99, respectively*.

The PIXMA PRO-200 printer is scheduled to be available later in November for a suggested retail price of $ 599.99*.

For more information, please visit cusa.canon.com.

[i] Based on CIPA (Camera & Imaging Products Association) standards. Testing performed at a focal length of 200mm using the EOS R camera.

[ii] Based on CIPA (Camera & Imaging Products Association) standards. Testing performed at a focal length of 200mm using the EOS R5 camera.

[iii] Based on CIPA (Camera & Imaging Products Association) standards. Testing performed at a focal length of 50mm using the EOS R5 camera.

Canon RF 70-200 F4L IS USM / RF 50mm F1.8 STM specifications

  Canon RF 70-200 F4L IS USM Canon RF 50mm F1.8 STM
Principal specifications
Lens type Zoom lens Prime lens
Max Format size 35mm FF
Focal length 70–200 mm 50 mm
Image stabilization Yes No
CIPA Image stabilization rating 5 stop(s)
Lens mount Canon RF
Aperture
Maximum aperture F4 F1.8
Minimum aperture F32 F22
Aperture ring No
Number of diaphragm blades 9 7
Optics
Elements 16 6
Groups 11 5
Special elements / coatings 4 UD elements + Air Sphere coating 1 aspherical element + Super Spectra Coating
Focus
Minimum focus 0.60 m (23.62) 0.30 m (11.81)
Maximum magnification 0.28× 0.25×
Autofocus Yes
Motor type Nano ultrasonic Stepper motor
Full time manual Yes No
Focus method Internal
Distance scale No
DoF scale No
Focus distance limiter Yes
Physical
Weight 695 g (1.53 lb) 160 g (0.35 lb)
Diameter 84 mm (3.31) 69 mm (2.72)
Length 119 mm (4.69) 41 mm (1.61)
Materials Magnesium alloy
Sealing Yes No
Colour White Black
Zoom method Rotary (extending)
Power zoom No
Zoom lock Yes
Filter thread 77 mm 43 mm
Hood supplied Yes No
Hood product code ES-65B
Tripod collar No

Articles: Digital Photography Review (dpreview.com)

 
Comments Off on Canon introduces compact RF 70-200mm F4L and 50mm F1.8 STM lenses

Posted in Uncategorized

 

What you need to know about Canon’s new RF 70-200mm F4 and 50mm F1.8

04 Nov

Introducing the Canon RF 70-200mm F4 L IS USM and RF 50mm F1.8 STM

Canon’s full-frame mirrorless RF system keeps on growing, and today sees the addition of two much-requested new lenses. The RF 70-200mm F4 L IS USM is a compact, more affordable alternative to the previously-announced RF 70-200mm F2.8, and the RF 50mm F1.8 STM is a low-cost standard prime for photographers that don’t need F1.2 (i.e. most photographers).

Click through this article for a walkthrough of their key features (hands-on images courtesy of Canon).

Canon RF 70-200mm F4 L IS USM

Let’s look first at the RF 70-200mm F4 L IS USM. Spiritual successor to the popular EF 70-200mm F4 family of tele-zooms, one of the main selling points of this new RF zoom is its size (it’s both smaller, 32% shorter than the EF equivalent, and 11% lighter). In fact, at its 70mm position, the new RF 70-200mm F4 is only slightly bigger than the RF 24-105mm. The zoom can be locked at 70mm for storage.

Despite its medium/long-tele reach, minimum focus is a respectable ~0.6m (2 ft) at all focal lengths.

Canon RF 70-200mm F4 L IS USM

Like its big brother the RF 70-200mm F2.8, however, the lens gets considerably bigger when zoomed-in towards 200mm. Despite the extending design, the RF 70-200mm features ‘L-series dust and weather-resistant build,’ which includes a fluorine coating on the front element to repel water and dirt.

Optical construction consists of 16 elements in 11 groups, including four UD (ultra low dispersion) elements that mitigate chromatic aberration. The new lens also features Canon’s Air Sphere Coating, to reduce flare and ghosting.

Canon RF 70-200mm F4 L IS USM

On the barrel of the RF 70-200mm F4 you’ll find the usual array of switches, for focus (and focus limiting) and image stabilization. The RF 70-200mm F4 offers three I.S. modes: 1, for general use, which stabilizes in all directions, 2, which is intended to offer best performance for panning shots, and 3, where stabilization only activates once you fully depress the shutter button.

The RF 70-200mm F4’s rated I.S. performance is impressive: 5EV from the lens alone and up to 7.5EV when used in conjunction with the in-body image stabilization system in the EOS R5 and R6.

Canon RF 70-200mm F4 L IS USM

You might need that stabilization because unlike the RF 70-200mm F2.8 (and previous EF designs) there’s no provision for a tripod foot. Potentially also frustrating for some photographers is that just like its ‘big brother’ the RF 70-200mm F2.8, this new lens is not compatible with Canon’s RF 1.4X and 2X extenders.

Focus elements are driven by a pair of Nano USM motors. Based on our previous experience with Canon’s Nano USM technology, we expect autofocus performance will be very fast, and silent as well.

The Canon RF 70-200mm F4 L IS USM will be available in early December for $ 1,599.

RF 50mm F1.8 STM

Next up is the RF 50mm F1.8 STM, a low-cost prime lens for RF shooters. Essentially a native RF equivalent to the older EF 50mm F1.8 STM, the new lens is tiny (weighing only 160g / 5.6oz) and at $ 199, considerably more budget-friendly than the RF 50mm F1.2L.

RF 50mm F1.8 STM

Optical construction is all-new, consisting of six elements in five groups, with one aspherical element. Minimum focus of ~0.3m (1ft) works out to a maximum magnification ratio of 0.25X.

The ring you can see in this picture (and the previous one) is a customizable control ring, which can be set for direct control over manual focus, or in it’s ‘control’ position to provide access to other settings like aperture control or exposure compensation, via the menu system of RF cameras.

RF 50mm F1.8 STM

Seven rounded blades deliver a near-circular diaphragm at wide aperture settings, and the new lens features a front filter diameter of 43mm. Canon’s SSC (Super Spectra Coating) should help reduce flare and ghosting. The RF 50mm F1.8 STM will be available next month.

Articles: Digital Photography Review (dpreview.com)

 
Comments Off on What you need to know about Canon’s new RF 70-200mm F4 and 50mm F1.8

Posted in Uncategorized

 

Nikon Z 70-200mm F2.8 VR S sample gallery

07 Oct

$ (document).ready(function() { SampleGalleryV2({“containerId”:”embeddedSampleGallery_5156689056″,”galleryId”:”5156689056″,”isEmbeddedWidget”:true,”selectedImageIndex”:0,”isMobile”:false}) });

We first got our hands on a pre-production Nikkor Z 70-200mm F2.8 at CES 2020, in what we’re calling the Before Time. Nikon had planned to start shipping the lens to customers in February, but then some stuff happened, and production was delayed.

Well, the long wait is over, and in-between the toxic smoke and damp fog of recent weeks here in the Pacific Northwest we’ve been able to take this much-anticipated telezoom for a spin. Take a look.

Articles: Digital Photography Review (dpreview.com)

 
Comments Off on Nikon Z 70-200mm F2.8 VR S sample gallery

Posted in Uncategorized

 

Video: How to capture a 0.1MP portrait with a Game Boy Camera and 70-200mm lens

21 Aug

The Game Boy Camera was never meant to be a serious piece of photographic equipment, so what happens when you pair the Nintendo Game Boy peripheral with a serious piece of glass to take some portraits? Just ask Sam McKenzie, of YouTube channel 3D Printor, who took it upon himself to adapt a Tamron 70–200mm zoom lens to the 0.1MP Game Boy Camera.

Detailed in the above video, McKenzie 3D-printed an adapter he came across on Thingiverse and attached it to the front of the Game Boy Camera. With the adapter and lens in place, he went out for an ultra-low-resolution portrait shoot to see what the Frankenstein’d camera was capable of.

The modded Game Boy Camera mounted to a Manfrotto Pixi tripod next to a print of the 0.1MP portrait.

While capturing the image was simple enough, getting it off the Game Boy and turned into a canvas print was less intuitive. This process wasn’t featured in a video, but in an email sent to DPReview, McKenzie said:

‘The Super Game Boy for SNES allows you to play Game Boy games on your TV […] so I used an old VHS to DVD making software and USB capture card I had from the early days of DVD and thankfully it worked with the SNES.’

Once he had the image, he ordered a small canvas print and within the week it was at his front door.

The canvas print, in all its pixellated glory.

You can find more of McKenzie’s 3D printing projects on his YouTube channel.


Image credits: Photos by Sam McKenzie, used with permission.

Articles: Digital Photography Review (dpreview.com)

 
Comments Off on Video: How to capture a 0.1MP portrait with a Game Boy Camera and 70-200mm lens

Posted in Uncategorized

 

Panasonic Lumix S Pro 70-200mm F2.8 O.I.S. sample gallery

22 Jun

$ (document).ready(function() { SampleGalleryV2({“containerId”:”embeddedSampleGallery_0696132436″,”galleryId”:”0696132436″,”isEmbeddedWidget”:true,”selectedImageIndex”:0,”isMobile”:false}) });

The Panasonic S Pro 70-200mm F2.8 is an important lens in the L-mount system. Offering a focal range that’s popular with working pros, combined with optical stabilization as well as dust and moisture resistance, it’s a tentpole lens for S-series photographers.

We’ve been out shooting with a 70-200mm for a few days – check out our sample gallery to see what it can do – and look out for more images coming soon.

View our gallery of samples from the Panasonic S 70-200mm F2.8

Articles: Digital Photography Review (dpreview.com)

 
Comments Off on Panasonic Lumix S Pro 70-200mm F2.8 O.I.S. sample gallery

Posted in Uncategorized