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Nikon’s 70-200 F2.8 for Z-mount to ship in February

07 Jan

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Nikon’s new Nikkor Z 70-200mm F2.8 VR S is the first full-frame tele-zoom for the company’s Z-mount. The lens has Vibration Reduction built-in – which works in tandem with the Z6 and Z7’s in-body IS system – and can reduce shake by up to 5 stops.

As with Nikon’s F-mount 70-200s, the Z-mount version has both internal focus and zoom. The company claims minimal focus breathing and also that this is a parfocal lens, keeping the subject in focus as you zoom. It has a total of 21 elements, including one SR (short wavelength refracting) to reduce longitudinal chromatic aberration, as well as 6 ED, 2 aspherical and 1 fluorite elements. It also features Nikon’s Nano Crystal and Arneo coatings to minimize both off-axis and on-axis flare, respectively. The 70-200 can focus down to 0.5m at its wide end and 1m at its telephoto end, with a maximum magnification of 0.2x. These short focus distances are achieved using two separately driven autofocus units.

The 70-200 F2.8 weighs in at 1.4kg (3.2lbs) and uses 77mm filters. A customizable control ring allows for quick adjustment of aperture or exposure compensation, and a digital display shows things like aperture and focus distance. As with other high-end Z-mount lenses, the 70-200 is weather-sealed.

The Nikkor Z 70-200 F2.8 VR S will be available in February for $ 2599.

Official sample photos

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NIKON ASSERTS COMMITMENT TO OPTICAL SUPERIORITY WITH THE ANNOUNCEMENT OF CUTTING-EDGE Z MOUNT, F MOUNT AND COOLPIX PRODUCTS

The New NIKKOR Z 70-200mm f/2.8 VR S Redefines a Quintessential Photographer Favorite for the Z System; The AF-S NIKKOR 120-300mm f/2.8E FL ED SR VR is a Ground-Breaking Pro Super-Telephoto Zoom Lens; The COOLPIX P950 Packs an 83X Optical Zoom to Bring the World Closer

LAS VEGAS – CES BOOTH #14018 (January 6, 2020 at 9:00 P.M. ET / 6:00 P.M. PT) – Today, Nikon Inc. announced three new innovative products that affirms the imaging brand’s commitment to bringing optical excellence to all levels of customers. First, the new NIKKOR Z 70-200mm f/2.8 VR S is the latest in the ever-expanding Z mount lens line, giving users of Nikon Z series mirrorless cameras an indispensable workhorse lens for capturing action and portraits. For professional sports and wildlife photographers, the new AF-S NIKKOR 120-300mm f/2.8E FL ED SR VR is an enticing high-performance, professional super telephoto F mount NIKKOR lens. Finally, the COOLPIX P950 is a powerful new addition to Nikon’s superzoom bridge camera lineup, offering creators a spectacular 83x optical zoom and a myriad of innovative features to take their creativity to new heights.

“Nikon continues to innovate and push the boundaries of what’s possible in imaging and lens technology,” said Jay Vannatter, Executive Vice President, Nikon Inc. “The new NIKKOR Z 70-200mm f/2.8 VR S takes advantage of the next-generation optical system offered by the Nikon Z mount to create a versatile 70-200mm lens with astounding sharpness and clarity, cementing this S-line lens as a staple for those who demand only the best from their lenses.”

The NIKKOR Z 70-200mm f/2.8 VR S – Astonishing Details, Uncompromising Zoom
An essential pro-level telephoto zoom lens re-imagined to take advantage of the optical potential of the Z series, the NIKKOR Z 70-200mm f/2.8 VR S is the latest addition to Nikon’s rapidly growing lineup of mirrorless lenses. The NIKKOR Z 70-200mm f/2.8 represents a pivotal lens for the Z series and a must-have for those shooting action, weddings, events, news, wildlife and portraits. Equipped with a versatile focal range, fast f/2.8 aperture and an impressive 5 stops of built-in optical VR image stabilization1, the NIKKOR Z 70-200mm gives mirrorless shooters the flexibility to capture astoundingly sharp images and videos in a variety of scenarios. Additionally, multimedia and content creators using the lens will appreciate the stepping motor (STM) for extremely quiet autofocus operation and reduced focus breathing.

The NIKKOR Z 70-200mm f/2.8 VR S demonstrates the technological benefits of the Nikon Z mount to reinvent a classic lens, while including new features to make this photographer favorite even more superior for Z series users. Parfocal support maintains focus when zooming, while a reduced minimum focus distance (0.5m wide, 1.0m telephoto) vastly increases versatility for photos and video. When used in combination with the in-body stabilization of the Nikon Z 6 and Z 7, the NIKKOR Z 70-200mm f/2.8 promises unparalleled stability with additional optical stabilization. Like other S line lenses, the NIKKOR Z 70-200mm f/2.8 boasts a premium optical design complete with a 9-blade diaphragm as well as Anti-Reflective Nano Crystal and ARNEO coatings for maximum image quality in any light, with a Fluorine coating that resists dirt and smudges. In addition to a rugged weather sealed design the lens is ready to tackle any assignment with a dedicated Info Panel, two customizable Function buttons and an additional custom control ring.

The new NIKKOR Z 70-200mm f/2.8 VR S and AF-S NIKKOR 120-300mm f/2.8E FL ED SR VR are the first Nikon lenses to feature the newly developed SR (Short-Wavelength Refractive) lens element, a specialized-dispersion glass lens featuring characteristics that greatly refract light with wavelengths shorter than that of blue. By controlling short-wavelength light that is difficult to compensate, the lens can more effectively collect light of various specific wavelengths and achieve highly precise chromatic aberration compensation.

AF-S NIKKOR 120-300mm f/2.8E FL ED SR VR: Impressive Reach, Incredible Speed, Absolute Versatility
The all-new AF-S NIKKOR 120-300mm f/2.8E FL ED SR VR is a versatile, professional lens for the Nikon F mount with a large focal range and fast constant aperture. It’s ideal for sports, wildlife and portrait photographers seeking a bright and fast telephoto lens that offers sharp image quality across a wide range of focal lengths. Thanks to its extensive 120-300mm focal range, the NIKKOR 120-300mm f/2.8 provides users with a pro-level single lens solution, replacing the need to carry multiple lenses. With Nikon’s reliable weather-sealed construction, the NIKKOR 120-300mm f/2.8 is equipped to handle any shooting scenario whether on the sidelines or in the wilderness.

Users will appreciate the constant f/2.8 aperture which offers incredible low-light capability and depth of field that draws emphasis to a subject. The impeccably sharp image quality, beautiful bokeh and enhanced AF performance of the NIKKOR 120-300mm f/2.8 offer speed and sharpness reminiscent of a prime. Engineered with Nikon’s cutting-edge technologies, the AF-S NIKKOR 120-300mm f/2.8E FL ED SR VR is the first NIKKOR F mount lens to adopt Nikon’s new SR lens element as well as Nikon’s anti-reflective ARNEO coat to deliver superior chromatic aberration compensation and effectively reduce ghost and flare. The built-in VR function provides an effect equivalent to a shutter speed 4.0 stops1 and includes a Sport VR mode for rapidly moving subjects.

Ready for professional use, the lens is sealed to resist the elements and is engineered for maximum usability, even when handheld. The zoom ring, focus function buttons, tripod collar ring and controls are all designed to ensure superior operability for more comfortable shooting.

COOLPIX P950: 2,000mm Zoom Power, 4K UHD Video & More
With an unbelievable 83x optical zoom NIKKOR lens, the 16-megapixel COOLPIX P950 is a powerful new addition to Nikon’s superzoom bridge camera lineup, which delivers unprecedented image quality from extreme distances. Beyond the staggering 24-2000mm lens, the COOLPIX P950 packs an advanced feature-set complete with Nikon’s renowned NIKKOR optics and advanced stabilization technology with 5.5 stops of VR image stabilization, allowing stargazers and birdwatchers to capture high-quality photos or 4K UHD videos at extreme distances with ease. Plus, by using the COOLPIX P950’s 166x** Dynamic Fine Zoom for far-away subjects and Macro Shooting capabilities to get as close as 0.4 inches, adventure-seekers can bring the unimaginable closer than ever.

Users can rely on the P950 to photograph life’s most unique subjects with incredible accuracy and focus thanks to its Target Finding AF capabilities, 7 fps continuous shooting and ISO sensitivity up to 6400. A great option for photographers of all skill levels, the COOLPIX P950 features user-friendly controls alongside an intuitive menu system and a 2359k-dot EVF, making it easier to review and capture one-of-a-kind shots. Using dedicated Bird-Watching and Moon Modes, photographers can effortlessly snap photos of their world and beyond. The new P950 also adds RAW (NRW) photo recording, an enhanced high-resolution electronic viewfinder and Nikon SnapBridge2,3,4 to seamlessly share images or remotely control the camera.

The COOLPIX P950 is also equipped with an accessory shoe to enable compatibility with a variety of useful accessories, including the optional DF-M1 Dot Sight, which helps users locate subjects and compose shots from far-away distances.

Pricing and Availability
The new NIKKOR Z 70-200mm f/2.8 VR S lens and COOLPIX P950 will be available in February for suggested retail prices (SRP) of $ 2,599.95* and $ 799.95*, respectively. The AF-S NIKKOR 120-300mm f/2.8E FL ED SR VR lens will also be available in February for a suggested retail price (SRP) of $ 9,499.95*. For more information about Nikon and their latest products, please visit?www.nikonusa.com.

1. Based on CIPA Standard. This value is achieved when attached to an FX-format digital SLR camera, with zoom set at the maximum telephoto position.
2. The camera’s built-in Bluetooth® capability can only be used to connect the camera to a compatible smart device running the SnapBridge app, and to take advantage of SnapBridge features.
3. This camera’s built-in Wi-Fi® capability can only be used with a compatible iPhone®, iPad®, and/or iPod touch® or smart devices running on the Android™ operating system. The Nikon SnapBridge application must be installed on the device before it can be used with this camera.
4. Using the SnapBridge App System Requirements:

a. Android 5.0 or later or 6.0.1 or later
b. A device with Bluetooth 4.0 or later (i.e., a device that supports Bluetooth Smart Ready/Low Energy) is required.
c. The SnapBridge app is available for compatible iPhone®, iPad® and/or iPod touch®, and for smart devices running the AndroidTM operating system. The app can be downloaded free of charge from Apple’s App Store® and GooglePlayTM. SnapBridge can be used only with compatible cameras.

-Android™ and Google Play™ are trademarks of Google Inc.
-Wi-Fi® and the Wi-Fi CERTIFIED logo are registered trademarks of the Wi-Fi Alliance. The N Mark is a trademark or registered trademark of NFC Forum, Inc. in the United States and in other countries. The Bluetooth® word mark and logos are registered trademarks owned by Bluetooth SIG, Inc. and any use of such marks by Nikon corporation and its Affiliates is under license.

*SRP (Suggested Retail Price) listed only as a suggestion. Actual prices are set by dealers and are subject to change at any time.
** At the maximum image size. The maximum zoom ratio varies by image size. Dynamic Fine Zoom magnification is calculated from the maximum wide-angle position of the optical zoom.

Nikon Nikkor Z 70-200 F2.8 VR S specifications

Principal specifications
Lens type Zoom lens
Max Format size 35mm FF
Focal length 70–200 mm
Image stabilization Yes
CIPA Image stabilization rating 5 stop(s)
Lens mount Nikon Z
Aperture
Maximum aperture F2.8
Minimum aperture F22
Aperture ring No
Number of diaphragm blades 9
Optics
Elements 21
Groups 18
Special elements / coatings ED, SR and aspherical elements + Nano Crystal and ARNEO coatings
Focus
Minimum focus 0.50 m (19.69″)
Maximum magnification 0.2×
Autofocus Yes
Motor type Stepper motor
Full time manual Yes
Focus method Internal
Distance scale Yes
DoF scale Yes
Focus distance limiter Yes
Physical
Weight 1440 g (3.17 lb)
Diameter 89 mm (3.5″)
Length 220 mm (8.66″)
Materials Magnesium alloy
Sealing Yes
Colour Black
Zoom method Rotary (internal)
Power zoom No
Filter thread 77 mm
Hood supplied Yes
Tripod collar Yes

Articles: Digital Photography Review (dpreview.com)

 
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Canon developing six new RF lenses, including ultra-compact 70-200 F2.8

17 Feb

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Canon has announced the development of six RF lenses which are expected to be released at various points in 2019.

The most captivating has to be the RF 70-200 F2.8L IS USM. The lens is almost impossibly small, yet manages to be as fast as Canon’s EF model. The 70-200 will be stabilized, though we won’t find out how many stops of shake reduction it provides for some time, as Canon has not yet published specs for any of the upcoming lenses.

Canon will be offering two versions of its RF 85mm F1.2L USM: a ‘regular’ model and a ‘DS’ variant. DS stands for Defocus Smoothing, which Canon says ‘offers a combination of beautifully smooth defocused bokeh.’ While we don’t know exactly what that means yet, it seems likely that the DS model includes an Apodization element, of the kind we’ve seen before in ‘APD’ and ‘STF’ lenses from other manufacturers.

The dual model approach echoes Fujifilm’s decision to market two versions of its XF 56mm F1.2 – a standard model and an ‘APD’ variant optimized for bokeh.

Meanwhile, there are two fast zooms on the way: the RF 15-35mm F2.8L IS USM and the RF 24-70 F2.8L IS USM.

Lastly, there’s a versatile (but slower) travel zoom lens in the works too – the RF 24-240mm F4-6.3 IS USM.

Press Release:

CANON ENSURES THE SUCCESSFUL FUTURE OF ITS RF MOUNT WITH THE DEVELOPMENT OF SIX NEW LENSES

New Lenses Under Development Cover a Range of Core Focal Lengths

MELVILLE, N.Y., February 13, 2019 – Continuing with the message of “optics at its core,” Canon U.S.A. Inc., a leader in digital imaging solutions, today announced that its parent company, Canon Inc, is developing six new RF-series lenses, further displaying the company’s commitment to the EOS R full-frame mirrorless camera system. Canon’s new RF mount allows for fast, light, and high-performing optics with a large opening diameter and short back focus distance. Each new lens in development will help fulfill the needs of amateur and advanced amateurs to professional photographers and videographers, covering critical focal lengths. In 2019, Canon’s already well-established optical lens heritage will celebrate a production milestone of 140 million EF and RF lenses and the celebration starts with the development announcement of these six lenses[i].

The six new RF lenses under development include:

  • RF 85mm F1.2 L USM
  • RF 85mm F1.2 L USM DS
  • RF 24-70mm F2.8 L IS USM
  • RF 15-35mm F2.8 L IS USM
  • RF 70-200mm F2.8 L IS USM
  • RF 24-240mm F4-6.3 IS USM

“Optics are the critical piece of the visual puzzle that bend light and capture an image as the artist envisioned,” said Kazuto Ogawa, president and chief operating officer, Canon U.S.A., Inc. “That is why it is so important for us to strengthen our family of RF lenses for the EOS R camera system. With this collection of new lenses, customers will have more of the tools they need, for the images they desire to create.”

All six RF lenses under development are built around Canon’s new RF mount, which features a large 54mm diameter and shorter back focus distance than on current EOS DSLR cameras. In addition, the RF mount enhances communication and power transmission between the lens and camera body, which has helped Canon to achieve the world’s fastest autofocus speed for a full-frame mirrorless camera system[ii].

The details of the new Canon RF lenses under development are as follows:

The RF 85mm F1.2 L USM is a large aperture mid-telephoto prime lens. It offers excellent performance for advanced and professional portrait photographers and is a widely popular focal length and aperture speed combination for users.

The RF 85mm F1.2 L USM DS, with Defocus Smoothing lens technology, is a uniquely designed lens that offers a combination of beautifully smooth defocused bokeh. Featuring a super-fast F1.2 aperture, the lens will help produce breathtaking portraits that will surely stand out from the crowd.

The RF 24-70mm F2.8 L IS USM is a high-performance, standard zoom lens for professionals and photo enthusiasts alike – ideal for shooting portraits, landscapes, documentaries or weddings.

The RF 15-35mm F2.8 L IS USM, offering a wide angle and fast aperture in a single package, is ideal for a variety of shooting applications including architecture, interiors or landscapes.

The RF 70-200mm F2.8 L IS USM is a must-have for any professional photographer, especially for those shooting weddings, sports or wildlife. This lens is a great all-around, high-speed, medium telephoto zoom lens and does well to round out any camera bag.

The RF 24-240mm F4-6.3 IS USM is the ideal lens for amateurs and advanced amateurs who love to travel, no matter the destination. The versatile, all-purpose lens offers a range of focal lengths for capturing extraordinary shots in a form factor that is both compact and lightweight.

Availability

All six of the new Canon RF lenses under development are expected to be available later in 2019*. To learn more about the lenses under development and to follow along for the official announcement, please visit usa.canon.com

[i] 140 million milestone figure is the accumulated production as at 19th December 2018. Figure includes RF lenses and Cinema lenses

[ii] As of 13 February 2019, among interchangeable lens digital mirrorless cameras incorporating a 35mm full frame equivalent image sensor with contrast detection AF and phase detection AF on the image plane. Calculated from the results of measured AF speed, based on CIPA guidelines (differs depending on shooting conditions and lens used). Measured using internal methods. Measurement conditions: EV12 (ambient temperature/ISO 100), Manual Mode, using the RF 24-105mm F4 L IS USM (at a focal length of 24mm) with the following settings: shutter released using the shutter button, 1-point AF (Center AF), One-Shot AF)

*Specifications, availability and prices are subject to change without notice. Actual prices are set by individual dealers and may vary.

Articles: Digital Photography Review (dpreview.com)

 
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Panasonic launches 50mm F1.4, 70-200 F4 OIS and 24-105mm F4 Macro OIS full-frame lenses

02 Feb

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Panasonic has launched a trio of Lumix S lenses alongside its S1 and S1R full-frame mirrorless cameras. The three new lenses are a 50mm F1.4 – Panasonic’s ‘reference lens’, a 70-200 F4 OIS and a versatile 24-105mm F4 OIS Macro, which will serve as the kit lens for both cameras.

The Lumix S Pro 50mm F1.4 features 13 elements – two aspherical and three ED – and an 11-blade aperture. Panasonic claims that one of the aspherical elements is among the largest ever created, with a diameter of over 40mm. The lens has two focus motors – linear and stepping – designed to operate with 480 fps sensor readout. Panasonic says that the lens has been designed for smooth exposure changes with minimal focus breathing for video capture.

The Lumix S Pro 70-200 F4 OIS’s stabilization works in conjunction with the S1/S1R’s in-body IS to provide up to 6.5 stops of shake reduction. It has 23 elements, including aspherical, UHR, UED and ED. It uses a linear motor with a 480 fps AF control. As with the 50mm F1.4, the 70-200 is weather-sealed, has a focus clutch and is designed to reduce focus breathing.

Finally, there’s the Lumix S 24-105mm F4 Macro OIS, which will serve as the kit lens for both the S1 and S1R. It too is stabilized, and has one ED, two aspherical ED, two aspherical and three ED elements. The 24-105 uses a linear motor, again with 480 fps AF control. The minimal focus distance on this general-purpose lens is 0.3m, with a maximum magnification of 0.5x.

All three lenses are dust and moisture-sealed, and the two ‘S Pro’ models include a focus clutch for quick switching between auto and manual focus.

The three new lenses will ship in early April. The 50mm F1.4 is priced at $ 2299, the 70-200 F4 at $ 1699 and the 24-105mm F4 at $ 1299. Buying the S1/S1R kit effectively lowers the price of the 24-105mm F4 to $ 899.

Press Release

Panasonic Launches Three L-Mount Interchangeable Lenses for the LUMIX S Series Full-frame Digital Single Lens Mirrorless Camera

LUMIX S PRO 50mm F1.4 (S-X50), LUMIX S PRO 70-200mm F4 O.I.S. (S-R70200) and LUMIX S 24-105mm F4 MACRO O.I.S. (S-R24105)

Newark, NJ (February 1, 2019) – Panasonic is proud to introduce three new interchangeable lenses based on the L-Mount system for the LUMIX S Series Full-frame Digital Single Lens Mirrorless Camera. Specially focusing on professional use, the LUMIX S Series pursues uncompromising photographic expression with its high-quality cameras and lenses.

The L-Mount is a lens mount for mirrorless cameras that was launched by Leica and is equally suitable for both the APS-C format and full-frame cameras. Leica Camera, Panasonic and Sigma are set to offer a user-friendly solution that will allow photographers to ‘mix and match’ any of the three manufacturers’ APS-C and full-frame cameras with any lens from each other’s product portfolios. The aim of the L-Mount Alliance is to provide customers with a diverse and future-proof range of products. The advantages are a large inner diameter of 51.6 mm that enables the realization of extremely fast lenses and extremely compact dimensions. The configuration of the lens-to-camera communication interface is future-proof and the L-Mount also offers an option for the construction of sealed systems that are insensitive to dust and moisture.?The L-Mount thereby opens up an almost limitless spectrum of new creative possibilities.

All interchangeable lenses of the LUMIX S Series provide high performance yet the “LUMIX S PRO” lenses further boast ultimate optical performance to be certified by LEICA for clearing stringent LEICA standards. Panasonic is committed to designing and developing 10 or more lenses with a focus on “LUMIX S PRO” lenses by 2020 and further expanding the S Series lens lineup.

LUMIX S PRO 50mm F1.4 (S-X50)

The LUMIX S PRO 50mm F1.4 is a large-aperture fixed focal length LUMIX S PRO lens that is the core of all LUMIX S Series lenses. Ensuring versatile use with its 50mm focal length and F1.4 high speed, the LUMIX S PRO 50mm F1.4 boasts stunningly high resolution and a descriptive performance from the center to the corners of the image despite its large aperture. It provides smooth defocus gradation from the focus peak to the neighboring area of the image. It also describes the point light sources in the background as impressive, beautiful bokeh. The optical performance of this LUMIX S PRO lens is outstandingly high to clear stringent LEICA standards.

Comprising 13 lenses in 11 groups, the use of 2 aspherical lenses and 3 ED (Extra-low Dispersion) lenses effectively suppresses both axial chromatic aberration and chromatic aberration of magnification. Astigmatism is also corrected with those aspherical lenses, achieving high resolving performance.

A double focus system combining a linear motor and stepping motor achieves sensor drive at a maximum speed of 480 fps. It realizes fast, high-precision AF to ensure that you will never miss a photo opportunity. Adoption of a focus clutch mechanism enables instant AF/MF switching and accurate manual focusing. The LUMIX S PRO 50mm F1.4 also excels in video recording performance with a mechanism that suppresses focus breathing, which was a fatal problem of all interchangeable lenses designed for still image photography.

The refined design of the LUMIX S Series provides high operability as a tool for professionals. The rugged dust/splash-resistant* design withstand use under harsh conditions even in 10 degrees below zero for high mobility. The filter diameter is 77mm, with an 11-blade circular aperture diaphragm.

*Dust and Splash Resistant does not guarantee that damage will not occur if this lens is subjected to direct contact with dust and water.

LUMIX S PRO 70-200mm F4 O.I.S. (S-R70200)

The second lens is also a LUMIX S PRO lens. The LUMIX S PRO 70-200mm F4 O.I.S. telephoto zoom lens provides high-resolution, high-contrast images across the entire zoom range. It can be used for wide-ranging situations, from portraits to sports. Panasonic LUMIX’s image stabilization system 5-Axis Dual I.S. (Image Stabilizer) 2*1 can be used with the LUMIX S PRO 70-200mm F4 O.I.S. for the first time as a lens of a full-frame mirrorless camera system, to ensure that you will never miss a photo opportunity. The optical performance of this LUMIX S PRO lens is outstandingly high to clear stringent LEICA standards.

The lens unit comprises 23 lenses in 17 groups and the use of an aspherical lens and 3 ED (Extra-low Dispersion) lenses effectively suppresses both axial chromatic aberration and chromatic aberration of magnification. Designed in pursuit of optimum lens alignment, it achieves beautiful bokeh with minimum vignetting.

The O.I.S. (Optical Image Stabilizer) in the lens effectively compensates for the hand-shake movement, making it easy to shoot even without a tripod or in low-lit situations. Complying with the camera’s Body I.S., the 5-Axis Dual I.S. 2*1 makes it possible to use 6-stop slower shutter speed*2. The high-precision linear motor achieves sensor drive at a maximum speed of 480 fps for fast auto focusing. The adoption of a focus clutch mechanism enables instant AF/MF switching and accurate manual focusing. The LUMIX S PRO 70-200mm F4 O.I.S. also excels in video recording performance with a mechanism that suppresses focus breathing, which was a fatal problem of all interchangeable lenses designed for still image photography.

The refined design of the LUMIX S Series provides high operability as a tool for professionals. The rugged dust/splash-resistant*3 design withstand use under harsh conditions even in 10 degrees below zero for high mobility. The filter diameter is 77mm, with a 9-blade circular aperture diaphragm.

*1 5-Axis Dual I.S. 2 can be used with the camera LUMIX S1R and S1, as of February 1, 2019.

*2 Based on the CIPA standard [Yaw/Pitch direction: focusing distance f=200mm, when LUMIX S1R is used.

*3 Dust and Splash Resistant does not guarantee that damage will not occur if this lens is subjected to direct contact with dust and water.

LUMIX S 24-105mm F4 MACRO O.I.S. (S-R24105)

The LUMIX S 24-105mm F4 MACRO O.I.S. is a versatile standard zoom lens covering wide-angle to medium-telephoto. It assures high descriptive performance across the entire zoom range. In addition to its versatile use with a wide and long zoom range, the LUMIX S 24-105mm F4 MACRO O.I.S. enables 0.5x macro shooting with a minimum focusing distance of 0.3m. Panasonic LUMIX’s image stabilization system 5-Axis Dual I.S. (Image Stabilizer) 2*1 can be used with LUMIX S 24-105mm F4 MACRO O.I.S. for the first time as a lens of full-frame mirrorless camera system, never to miss the photo opportunity.

The lens unit comprises 16 lenses in 13 groups and the use of 2 aspherical lenses and 2 ED (Extra-low Dispersion) lenses effectively suppresses chromatic aberration and achieves high resolution.

The O.I.S. (Optical Image Stabilizer) in the lens effectively compensates for the hand-shake movement, making it easy to shoot even without a tripod or in low-lit situations. Complying with the camera’s Body I.S., the 5-Axis Dual I.S. 2*1 makes it possible to use 6-stop slower shutter speed*2. The high-precision linear motor achieves sensor drive at a maximum speed of 480 fps for fast auto focusing. The LUMIX S 24-105mm F4 MACRO O.I.S. also excels in video recording performance with a mechanism that suppresses focus breathing, which was a fatal problem of all interchangeable lenses designed for still image photography.

The refined design of the LUMIX S Series provides high operability as a tool for professionals. The rugged dust/splash-resistant*3 design withstand use under harsh conditions even in 10 degrees below zero for high mobility. In addition, a fluorine coating on the front element repel water and oil and prevent them from attaching. The filter diameter is 77mm, with a 9-blade circular aperture diaphragm.

*1 5-Axis Dual I.S. 2 can be used with the camera LUMIX S1R and S1, as of February 1, 2019.

*2 Based on the CIPA standard [Yaw/Pitch direction: focusing distance f=105mm, when LUMIX S1R is used.

*3 Dust and Splash Resistant does not guarantee that damage will not occur if this lens is subjected to direct contact with dust and water.

Panasonic Lumix S Pro 50mm F1.4 specifications

Principal specifications
Lens type Prime lens
Max Format size 35mm FF
Focal length 50 mm
Image stabilization No
Lens mount Leica SL
Aperture
Maximum aperture F1.4
Minimum aperture F16
Aperture ring Yes
Number of diaphragm blades 11
Optics
Elements 13
Groups 11
Special elements / coatings 2 aspherical + 3 ED elements, fluorine coating
Focus
Minimum focus 0.44 m (17.32″)
Maximum magnification 0.15×
Autofocus Yes
Motor type Linear Motor
Full time manual Yes
Focus method Internal
Focus notes Has both linear and stepping motors
Distance scale Yes
DoF scale No
Physical
Weight 955 g (2.11 lb)
Diameter 90 mm (3.54″)
Length 130 mm (5.12″)
Materials Magnesium alloy
Sealing Yes
Colour Black
Filter thread 77 mm
Hood supplied Yes
Tripod collar No

Panasonic Lumix S Pro 70-200 F4 / Lumix S 24-105mm F4 specifications

  Panasonic Lumix S Pro 70-200mm F4 OIS Panasonic Lumix S 24-105mm F4 Macro OIS
Principal specifications
Lens type Zoom lens
Max Format size 35mm FF
Focal length 70–200 mm 24–105 mm
Image stabilization Yes
CIPA Image stabilization rating 6 stop(s)
Lens mount Leica SL
Aperture
Maximum aperture F4
Minimum aperture F22
Aperture ring Yes No
Number of diaphragm blades 9
Optics
Elements 23 16
Groups 17 13
Special elements / coatings 1 aspherical + 1 UED + 3 ED + 1 UHR elements, fluorine coating 2 aspherical ED + 2 aspherical + 1 UED + 2 ED elements, fluorine coating
Focus
Minimum focus 0.92 m (36.22″) 0.30 m (11.81″)
Maximum magnification 0.25× 0.5×
Autofocus Yes
Motor type Linear Motor
Full time manual Yes
Focus method Internal
Distance scale Yes No
DoF scale No
Physical
Weight 985 g (2.17 lb) 680 g (1.50 lb)
Diameter 84 mm (3.31″)
Length 179 mm (7.05″) 118 mm (4.65″)
Materials Magnesium alloy
Sealing Yes
Colour Black
Zoom method Rotary (internal) Rotary (extending)
Power zoom No
Filter thread 77 mm
Hood supplied Yes
Tripod collar Yes No

Articles: Digital Photography Review (dpreview.com)

 
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Lensrentals: Tamron 70-200 F2.8 G2’s resolution is excellent

08 Apr

Roger Cicala over at LensRentals has put Tamron’s new SP 70-200mm F2.8 Di VC USD G2 lens to the test. 

Cicala notes that on its own, the Tamron is impressively sharp all the way to the edges at its wide end, and even better in the middle of its focal range. Sharpness drops a bit at full telephoto, but Cicala still says the 70-200 ‘puts in a very good performance.’

The Tamron SP 70-200 F2.8 G2 impresses at its wide end of 70mm.

The Tamron’s performance is comparable to Canon’s 70-200 F2.8L II, though a bit softer at the wide end. When put up against what Cicala calls ‘the best 70-200 zoom on the planet’ – the Nikon F2.8 FL ED VR – the Tamron struggles to keep up, though the gap narrows at 200mm.

Sample variation from ten Tamron SP 70-200 G2 lenses at 70mm.

In addition to lots of MTF charts, Cicala provides some helpful information about copy variation using ten of the new Tamron 70-200mms.

Read the full story on the
LensRentals blog

See our Tamron 70-200mm F2.8 Di VC USD G2 sample gallery

Articles: Digital Photography Review (dpreview.com)

 
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Redesigned Nikon 70-200 F2.8 arrives with improved optics, electromagnetic diaphragm

19 Oct

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Nikon has released the latest iteration of its workhorse 70-200mm F2.8 lens. The AF-S Nikkor 70-200mm F2.8E FL ED VR, as it is known, has a new optical design, improved Vibration Reduction as well as an electromagnetic diaphragm.

The lens has a total of 22 elements, with 6 ED, 1 fluorite and 1 high refractive index element. A Nano Crystal Coat reduces flare and ghosting while fluorine coatings on the front and rear class helps prevent smudging. Vibration Reduction has been improved, now reducing shake by 4 stops (vs 3.5). The electromagnetic diaphragm allows for responsive adjustment and the ability to adjust the aperture in live view and movie mode on all camera bodies.

You’ll be able to pick up this 1.4 kg (3 lb) beast next month for $ 2799.95.

Press Release:

MASTER YOUR PERSPECTIVE WITH OPTICAL EXCELLENCE: NIKON ADDS TWO PRO-GRADE FX-FORMAT LENSES TO CELEBRATED NIKKOR LENS LINEUP

Extraordinary Next-Generation AF-S NIKKOR 70-200mm f/2.8E FL ED VR Sets a New Standard for Pro Telephoto Workhorse Lenses, While New PC NIKKOR 19mm f/4E ED is Nikon’s Widest Ever Tilt-Shift NIKKOR Offering

MELVILLE, NY (October 19, 2016 at 12:01 A.M. EDT) – Today, Nikon Inc. has announced two exciting FX-format additions to the storied NIKKOR lens lineup, designed to achieve amazing optical performance for the most demanding professional and enthusiast photographers. An evolution of one of Nikon’s most versatile and popular pro-zoom lenses, the newly redesigned AF-S NIKKOR 70-200mm f/2.8E FL ED VR sports an updated optical formula capable of amazing image quality, while optimized for high-speed shooting. Also introduced today is Nikon’s widest perspective control lens to date, the PC NIKKOR 19mm f/4E ED tilt-shift lens, which helps photographers effortlessly control perspective when capturing architecture, interiors, fine art, product photography and landscapes.

“Nikon continues to raise the bar of optical excellence, and our newest FX-format NIKKOR offerings provide experienced photographers with powerful tools to help ensure brilliantly sharp images, whether capturing a high-speed photo finish or creatively framing an architectural marvel,” said Kosuke Kawaura, Director of Marketing and Planning, Nikon Inc. “While the new AF-S NIKKOR 70-200mm f/2.8E FL ED VR builds upon the success of its predecessors to offer a true all-around NIKKOR optic, the PC NIKKOR 19mm f/4E ED will provide fantastic perspective control for a variety of challenging wide-angle applications.”

The Ultimate Workhorse Lens for Seasoned Photographers

Long considered an essential lens in the bag of professional photographers, this updated AF-S NIKKOR 70-200mm f/2.8E FL ED VR sets a new benchmark for fast telephoto zoom lenses, taking image quality and handling to the next level. An indispensable and powerful tool for nearly any photographic scenario, the NIKKOR 70-200mm remains the professional’s choice with a wide f/2.8 constant aperture that is ideal for capturing sports, weddings, stunning portraits and more, even in low-light.

The next generation design of the lens helps ensure the very best in image quality, speed and low-light performance, while offering balance and handling that is nothing short of superb. Nikon’s new 70-200mm provides up to four stops1 of Vibration Reduction (VR) image stabilization, an improvement from its predecessor that helps users to eliminate blur and camera shake even when shooting handheld or in challenging light. During burst shooting, the lens takes advantage of an electromagnetic diaphragm for consistent auto-exposure control. Additionally, a Silent Wave Motor (SWM) enables ultra-fast and quiet AF operation with seamless manual focus override. Discerning photographers will also appreciate assignable function buttons on the lens barrel that offer customization, perfect for engaging pre-set autofocus or other focusing options.

A new optical formula consisting of six ED elements, one Fluorite element, a high refractive element and Nano Crystal Coat helps make for a lighter and more versatile lens, while reducing chromatic aberration and helping to all but eliminate distortion, ghosting and flare. Ready for even the most rugged of assignments, the magnesium alloy lens barrel features superior weather-sealing that achieves anti-dust and waterdrop-resistance, while Fluorine coating on both the front and rear glass facilitates easy cleaning. Whether shooting with a camera like the Nikon D5, D810, D750 or D500, capturing sports or weddings, the AF-S NIKKOR 70-200mm f/2.8E FL ED VR is a fantastic lens choice for experienced photographers.

Seamlessly Control Perspective with the New Super-Wide PC NIKKOR Lens

Also new from Nikon is the latest perspective control lens (designated PC) in the NIKKOR lens lineup, the PC NIKKOR 19mm f/4E ED, a tilt-shift offering that will help photographers master perspective and depth-of-field. For storytellers who yearn to capture optically-challenging subjects like cityscapes and architecture, interiors or unique landscapes, this lens offers 97° of coverage – the widest focal length of any PC lens in the NIKKOR family. Tilt the lens to sharpen focus throughout a scene or create a miniature effect, or shift2 to adjust perspective in-camera, create panoramas or eliminate converging lines. For the first time with a NIKKOR PC lens, the direction of tilt operation can be made parallel or perpendicular to shift, offering users nearly unprecedented ability to control perspective, focus and depth-of-field, without having to lock and unlock to make adjustments.

Sporting a super-wide 19mm focal length, the lens provides a unique perspective ideal for shooting horizontal or vertical panoramas, or even filmmaking. With this ultra-wide angle in mind, the latest FX-format NIKKOR offering was crafted with three ED and two aspherical elements that help combat distortion and glare, while virtually eliminating chromatic aberration and coma, even at the widest aperture settings. The lens also features core NIKKOR technologies such as Nano Crystal Coat to combat ghosting and flare, an electromagnetic diaphragm for fast auto-exposure control, as well as a Fluorine coat that helps resist dirt, water spots and smudges. Ready for a variety of challenging ultra-wide applications, the PC NIKKOR 19mm f/4E ED is a powerful tool for discerning photographers looking for full creative and perspective control. It joins three other Gold Ring Series PC lenses in Nikon’s line-up; the PC-E NIKKOR 24mm F3.5D ED, PC-E Micro NIKKOR 45mm f/2.8D ED and the PC-E Micro NIKKOR 85mm f/2.8D.

Price and Availability

Both the AF-S NIKKOR 70-200mm f/2.8E FL ED VR and PC NIKKOR 19mm f/4E ED will be available starting in November 2016 for suggested retail prices (SRP) of $ 2,799.95* and $ 3,399.95*, respectively. For more information on these new Nikon products and pricing for optional accessories, please visit www.nikonusa.com.

1 Based on CIPA Standard. This value is achieved when FX-format compatible lenses are attached to a FX-format digital SLR camera and zoom lenses are set at the maximum telephoto position.

2 Depending on combination of shift and rotation, operation may be restricted by mechanical interference between the lens and camera when used with certain Nikon cameras.

  • Models that can be used without any limitation: D5, D4 series, D3 series, D810 Series, D500
  • Models that can be used with some limitations: Df, D800 series, D750, D610, D600, D300 series, D7200, D7100, D5500, D5300, D5200, D5100, D5000, D3400, D3300, D3200, D3100
  • Models that are not compatible with PC NIKKOR 19mm f/4E ED: D2 series, D1 series, D200, D100, D90, D80, D70 series, D3000, D60, D50, D40 series, film cameras, Nikon 1 series with FT-1

*SRP (Suggested Retail Price) listed only as a suggestion. Actual prices are set by dealers and are subject to change at any time.

Nikon AF-S Nikkor 70-200 F2.8E FL ED VR specifications

Principal specifications
Lens type Zoom lens
Max Format size 35mm FF
Focal length 70–200 mm
Image stabilization Yes (4 stops)
Lens mount Nikon F (FX)
Aperture
Maximum aperture F2.8
Minimum aperture F22
Aperture ring No
Number of diaphragm blades 9
Optics
Elements 22
Groups 18
Special elements / coatings 6 ED, 1 Fluorite, 1 HRI element + Nano Crystal & Fluorine coatings
Focus
Minimum focus 1.10 m (43.31″)
Maximum magnification 0.21×
Autofocus Yes
Motor type Ring-type ultrasonic
Full time manual Yes
Focus method Internal
Distance scale Yes
DoF scale No
Focus distance limiter Yes
Physical
Weight 1430 g (3.15 lb)
Diameter 89 mm (3.48″)
Length 203 mm (7.97″)
Materials Magnesium alloy
Sealing Yes
Zoom method Rotary (extending)
Power zoom No
Zoom lock Yes
Filter thread 77.0 mm
Hood supplied Yes
Tripod collar Yes

Articles: Digital Photography Review (dpreview.com)

 
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Sigma 70-200 HSM II 2.8 Hands-On Outdoor Review

17 Feb

hey guys ithree6mafia here, just doing my last review on the lens that i love the sigma 70-200, remember to SUBSCRIBE!COMMENT!RATE! and as usual send me a question of about anything as i will answer it:) THANKS FOR ALL THE SUPPORT:DD!! ADD ME ON FACEBOOK! www.facebook.com FOLLOW ME ON TWITTER! twitter.com JOIN THE FORUM 🙂 www.facebook.com
Video Rating: 3 / 5

 
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Sigma 70-200mm f/2.8 OS HSM vs Canon 70-200 f/2.8L IS II USM

02 Feb

For the season 2 premiere, the DRTV team gets a suitcase full of UK pounds for the budget of the new season of DRTV shows. In this video, he takes a rather luxurious approach to reviewing the Sigma 70-200mm f/2.8 EX DG APO OS HSM vs the Canon 70-200mm f/2.8 IS II L USM. Sigma 70-200mm: www.digitalrev.com Canon 70-200mm f/2.8L IS II USM: www.digitalrev.com
Video Rating: 4 / 5

First test with the pvc track dolly.
Video Rating: 5 / 5

 
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WP Photography – Nikon 70-200 f/2.8 VR1 Review (with Nikon TC-20E II)

21 Jan

A video review of my new lens, the Nikon 70-200 2.8 VR and Nikon’s 2x teleconverter. This lens was purchased for my portraiture work but today I took it to a country park to test it out as a setup for wildlife photography to play with the teleconverter. The lens is fantastically sharp and I try to cover all the main points about this lens that make it worth the money it costs. A very good lens for all kinds of work. I hope to show it again in a video of how I use it most and where I think it is best, portraiture. Any questions or comments, fire away! Review of this lens on my blog – wp-photography.co.uk www.wp-photography.co.uk www.twitter.com/wpphotographyuk www.facebook.com/wpphotographyuk
Video Rating: 4 / 5

 
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Nikon 70-200 f2.8 VRII Review w/ Sample Pictures – Focus – VR ii – Sharpness – Bokeh – Accuracy Test

28 Nov

photographyequipment.yolasite.com (Budget Equipment) razzi.me www.facebook.com twitter.com In this video I am doing hands on review of Nikkor 70-200 f/2.8G ED VRii lens. I tested the focus, sharpness at wide open aperture and at 200mm, bokeh, focus accuracy and VRII. It’s an exceptional lens with great sharpness and works great in low light situation when you cannot hand hold at slower shutter speed. Equipment Used in the Video DSLR: Nikon D3s Lenes: 70-200 f/2.8 VRii Speed light: Nikon SB700
Video Rating: 4 / 5

 
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Sigma 70-200 2.8 EX APO DG II vs. Tamron 70-200 2.8 Di Ld (Review)

22 Nov

im revewing these two lenses, sorry for the cut off. i will be getting either the Sigma or Nikon 80-200 2.8 and will be reviewon on

 
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