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Posts Tagged ‘60mm’

Zenit teases upcoming 60mm F2.8 macro, 58mm F1.9 and 35mm F2 lenses

11 Aug

Over the past week, Zenit has announced three new lenses: the Zenitar 60mm F2.8 macro lens, the Selena 58mm F1.9 lens and the Zenitar 35mm F2 lens. All three lenses will feature electronically-controlled apertures and are set to be available later this year.

Krasnogorsky Zavod main building. Credit: ??? ???, used under CC BY-SA 4.0

Zenit doesn’t divulge too many details about the lenses, aside from the most basic specifications. In machine-translated press releases, Zenit says all three lenses will be constructed in the S. A. Zverev (KMZ) factory in Krasnogorsk, Russia, which has a long history of producing cameras and optics.

The Zenitar 60mm F2.8 macro lens will offer a 1:1 magnification ratio and feature a minimum focusing distance of 23cm (9”). Information on the Selena 58mm F1.9 is even more scarce, with no other specifications outside of the focal length and maximum aperture being revealed. Both the Zenitar 60mm F2.8 and Selena 58mm F1.9 will be available in Canon EF and Nikon F mount at release.

As with the previous two lenses, detailed specifications of the Zenitar 35mm F2 aren’t provided, but we do know it will be available for Sony E-mount cameras. Zenit says it plans to release future versions for other mirrorless mounts as well.

All three lenses are set to go on sale in the United States, Germany, Italy and China through Zenit’s online store and authorized retailers. The press releases suggest the lenses will be made available during the International Forum on Photography and Video Filming, which takes place from October 8–10 in Moscow.


Update (August 10, 2020 10:00 AM ET): Added details about the forthcoming Zenitar 35mm F2 lens and confirmed the mount options for the Zenitar 60mm F2.8 macro and Selena 58mm F1.9.

Articles: Digital Photography Review (dpreview.com)

 
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Cosina announces new Voigtlander Nokton 60mm F0.95 lens for Micro Four Thirds cameras

19 Feb

Cosina Japan has lifted the veil on its latest lens for Micro Four Thirds camera systems, the Voigtlander Nokton 60mm F0.95.

The manual focus lens, which is set for an April 2020 release in the Japan market for ¥145,000, is constructed of 11 elements in 8 groups, features an aperture range of F.095 through F16 and features a ten-blade aperture diaphragm. The minimum focusing distance is 34cm (13.4in) and it features a 77mm front filter thread.

Below are a few low-res sample images provided by Cosina:

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Cosina has also added a new aperture switching mechanism that will de-click the aperture ring for times when you don’t want the tactile and auditory feedback. The lens measures in at 82.5mm (3.25in) diameter and 87.7mm (3.45in) long, and weighs in at 860g (1.9lbs).

No pricing or availability information has been given for regions outside of Japan.

Articles: Digital Photography Review (dpreview.com)

 
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3 Tips for Capturing your Holiday with the Nikkor 60mm Micro Lens

10 Sep

The post 3 Tips for Capturing your Holiday with the Nikkor 60mm Micro Lens appeared first on Digital Photography School. It was authored by Lily Sawyer.

Going on holiday is so exciting for me. It’s a chance to unwind and take it easy. The one thing I don’t want to do on holidays is carry heavy equipment for my photography. I do that already as my day job and heavy cameras paired with heavier lenses are a drag. When on holiday, I usually take one camera body and one small prime lens with me. That’s it!

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This article is about capturing your holiday photos with the simplest of gear: a camera and lens. I used my Nikon D750 full-frame camera and a Nikkor 60mm micro prime lens for all the photos featured in this article. The combination is small in size and light in weight. Just a note though, as the D750 has a full-frame sensor, the 60mm viewed through it is a 60mm. If you use a cropped-sensor camera, this 60mm becomes a 90mm when viewed through the smaller sensor. Therefore it’s not something I recommend as a holiday combo. If you only have a cropped-sensor camera, then you are better off going with a 35mm fixed lens.

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Why Nikkor 60mm?

You may ask why 60mm, not 50mm, not 35mm? That’s a valid question. I used to take the 50mm as that focal length is most versatile and I love it’s lightness too. I have previously written an article here on the 50mm and its versatility. But I have swapped this for my 60mm as my go-to holiday lens recently.

1. The 60mm medium focal range is versatile

Landscape

If you have enough space to back off from the subject, you can take a good landscape photo without distortions (like cropping out too many tourists for example) and without it being too unnecessarily wide. Landscape in wide-open areas is easy. You can do more “considered” compositions because of the viewpoint the focal length allows. You can also “crop” in-camera just by moving forward or backward to include or exclude areas within the frame.

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Portraits

A portrait, by strict definition, is usually a view from the shoulders to the head. However, you can loosen it up a bit by going half body or even full-body! It’s not close-up nor too wide. The Nikkor 60mm Micro is the perfect focal length for a portrait. Because it’s an f/2.8 lens, you can still get shallow depth of field and achieve a pleasing background compression for a flattering image. This is especially so when I want to accentuate the subject and blur the background.

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Close-Up

Because the Nikkor 60mm Micro has a micro/macro lens capability, I can capture close-ups (including extreme close-ups) with it too. The photos below are of a wall covering at Peterhof Palace in St. Petersburg, Russia. We were passing through the darkly lit rooms (no flashes allowed) in a tour group so there was no stopping for a long time. It’s quite literally aim, shoot and go! I wanted to capture the intricate embroidery on these fabric wall coverings and a patch of the design. The Nikkor 60mm Micro gives fairly heavy vignetting, especially when shooting close-ups in low light. Close-range photography usually requires more light which wasn’t available here. However, the vignetting created works for me because I wanted to focus on the central areas of the patterns.

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All in all, the Nikkor 60mm Micro is light and nifty and has macro capabilities. With it, you can shoot really close-up details, through to much wider views, as shown in the photo below.

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2. Shoot to tell a story

I have recently written an article, 3 tips in photographing details in a scene, where I talked about shooting to tell a story. This is essentially utilizing the elements of story-telling as you visually capture scenes. So, you can tell the beginning, middle and end of a story effectively just by using photos.

Varied angles

You can make a story more interesting by employing a variety of angles. Think of a film being shot. You often have several cameras with various lenses coming in from different angles: wide, medium, high, low and close-up. These viewpoints offer new and different insights into the scene at hand.

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Emotions

Capturing moments that carry emotions is a surefire way of immortalizing memories in our minds. Action photos often help with these. The photos below of my daughter blowing soapy suds will remind her of her delight upon seeing a fountain overflowing with foamy white stuff! It was a marathon day when we visited Tallinn, Estonia. Crossing roads was tricky with all the runners zooming past too. A nice smile at the camera when we got on a train, and a much-needed rest from miles and miles of walking while sightseeing. All precious memories.

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Series

A series of shots showing a progression or a beginning, middle and end can also be a fun and interesting way of telling a story of a moment. It doesn’t have to be a complicated moment. A snapshot of something that catches your eye will do, like the little scene below. Including a couple of other shots of the same material but from a different perspective will bring new interest.

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3. Don’t forget the details

Details help us remember and set memories firmly in our minds so we can chat about it for years to come. I make annual family albums which my kids love to pore over and talk about regularly. They give us a lot of laughter as we recall the fun events of our holidays and reminisce the special moments. Still life, scenery, close-ups…they all play a part in helping us capture details more effectively to tell stories of our lives.

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I hope you found this little article on how to capture your holiday photos with just one lens, such as the Nikkor 60mm Micro helpful. Do share more tips in the comments below.

 

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The post 3 Tips for Capturing your Holiday with the Nikkor 60mm Micro Lens appeared first on Digital Photography School. It was authored by Lily Sawyer.


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7Artisans 60mm F2.8 APS-C macro lens for mirrorless cameras now available

12 Jun

Chinese company 7Artisans has launched the 60mm F2.8 APS-C macro lens that first appeared earlier this year. The new manual focus lens features a minimum 26cm (10in) focusing distance, F2.8 to F16 aperture, 8 elements in 7 groups, a 39mm filter size, de-clicked aperture ring, and 550g (19.4oz) weight.

The new 7Artisans macro lens is made from aluminum alloy and supports extension attachments for shooting 2:1 and 3:1 macro images. 7Artisans says its new lens offers ‘excellent image quality at infinity and 1:1 macro conditions.’ Below is a collection of sample images provided by 7Artisans:

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The new 7Artisans model is available for Canon EOS M, Canon EOS RF, Fujifilm X, MFT, Nikon Z and Sony E mounts.

Articles: Digital Photography Review (dpreview.com)

 
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My thoughts on the Micro Nikkor 60mm f/2.8G Lens and the 105mm Macro

28 Apr

The post My thoughts on the Micro Nikkor 60mm f/2.8G Lens and the 105mm Macro appeared first on Digital Photography School. It was authored by Lily Sawyer.

I must tell you first of all that before I had the Micro Nikkor 60mm f/2.8G lens, I have always used the bigger and heavier big brother – the Micro Nikkor 105mm f/2.8G Macro. While this article will be about what I think of the 60mm, I feel I must also compare it with the 105mm as I have used both.

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Lens specs

Let’s start with the basic similarities: both are prime lenses with an f/2.8 maximum aperture and f/32 minimum aperture, have the same number of diaphragm blades and both rounded blades. Both are autofocus, and being G lenses, have an internal ultrasonic motor type.

In terms of differences, the 105mm has vibration reduction while the 60mm hasn’t. The 105mm weighs in at 720g, much heavier due to the size and optics with 14 elements compared to the 60mm at 425g with 12 elements. Interestingly, both have the same filter thread size at 62mm which I found handy when changing filters.

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The main difference, however, for me (and the most crucial one of all) is the focusing distance, which is roughly 6 inches for the 60mm and double that for the 105mm at 12 inches. Why does this difference matter to me?

With the 60mm, I need to be really close to the subject to fill the frame. It can get quite tricky when being so close and sometimes I revert to manually focusing the lens. When photographing rings, to get a really great shot, you have to be extremely close for the ring to take up a lot of the frame. As I usually prop both the ring and lens on a steady surface, I can take my time to focus and get really close.

However, because it’s a wider lens than the 105, sometimes I just can’t fill the frame enough with very tiny objects. I then resort to cropping in post-production for these instances.

The 105mm lens with it’s narrower field of view means I don’t have to get as close to the subject and still can get close enough to fill the frame with it. I find there is less need for cropping in post-production too. Because I am usually photographing still life objects such as rings, movement isn’t an issue. However, this becomes one if you were photographing, say insects, where you can’t be close enough otherwise you disturb them and lose the insects as well as your shot.

When I use these lenses

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Generally, and as a rule, when I’m doing smaller and shorter shoots like an engagement session, I bring three lenses – wide, medium and long. Because my shoots are mostly on location and often we walk around quite a lot, I try to pack as lightly as possible. For these types of shoots, I use my three prime lenses: a 35mm f/1.4 G, an 85mm f/1.8G, and a 105mm f/2.8 macro. The 105mm here acts as my longer lens and my macro without the bulk of the 70-200mm zoom and another micro lens being the 60mm.

When I do a wedding that only requires a few hours coverage, I also don’t bring my entire arsenal. Instead, I carefully choose my lenses to make sure I have everything covered for those hours. For short weddings, I pack my 24-70mm f/2.8 G, 70-200mm f/2.8G, 85mm f/1.8G, and 60mm f/2.8G. I don’t need the bulk of the 105mm when I cover that focal length with my zoom but I still need a macro, and the 60mm is perfect.

How I use these lenses

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I find the Nikkor 60mm Micro Lens is such a versatile focal length and being a micro lens means I do not have to carry my 50mm f/1.4G along with my other lenses anymore. It fulfills both macro capability – mainly for the ring shot and close-up details like food, table setting, and flowers – and a versatile focal length that allows for natural portraits without distortion and those not-so-close-up details.

When using the 60mm for portraits, I am usually shooting with apertures between f/2.8 – f/5.6. When using it as a micro/macro, I am shooting at apertures between f/7.1 – f/11.

The 105mm, as well as being a macro lens, is also perfect for portraits and gives you that creamy bokeh with gorgeous background compression.

When using the 105mm for portraits (which I love doing), I am usually shooting with apertures between f/2.8 – f/4. When using it as a micro/macro, I am shooting at apertures between f/7.1 – f/8. I find that this lens really sings at f/7.1. I have set my camera to 1/3 stops hence the f/7.1.

Performance

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Both lenses have top specs and perform brilliantly. Generally speaking, I find that when shooting with both lenses, more ambient or available light is required.

Both lenses tend to produce more vignetting than other lenses. However, there is one main difference to the performance of both lenses. Provided there is enough light for the subject matter, the 60mm is faster and quicker to grab focus whereas the 105mm is slower and often hunts for focus. The 60mm works better for moving objects without flash than the 105mm in the same scenario. While the use of artificial light such as electronic flashes does away with this issue, I am mainly speaking about natural or ambient light.

Recommendation

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In summary, I highly recommend both lenses both in quality and overall performance. I think there is a lens for each purpose. You just need to analyze which lens you require to achieve your aim. I don’t think there is a one lens for all. My preference is for prime lenses because of their cleanness and sharpness of images, and for me, they perform better.

However, they cannot compare with the zoom lenses when it comes to fast-moving and hectic shoots like weddings where I physically cannot be zooming in and out with my feet all day.

If you are looking for a prime that gives you the flexibility to shoot portraits and macro, then the 105mm is your lens. However, if you are after more of a travel, photojournalistic, natural view type of images and need a micro, then the 60mm would be my suggestion.

On family holidays, I used to carry my 50mm f/1.4 G. You can read here an article I have written on 5 creative uses of the 50mm. But that was during my pre-60mm days. Since then, my 60mm has replaced my 50mm for these occasions. If I am only allowed one lens for family holidays and travel, I go for the 60mm. I may have lost the wider aperture of the 50mm f/1.4 G, but as holidays are usually during the summer when light is abundant, the difference it makes is not an issue.

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I hope you found this helpful. Do let me know your thoughts in the comments section below.

The post My thoughts on the Micro Nikkor 60mm f/2.8G Lens and the 105mm Macro appeared first on Digital Photography School. It was authored by Lily Sawyer.


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7Artisans announces a new 60mm macro lens for multiple mounts

01 Mar

7Artisans is set to launch a new macro lens in a range of mounts from MFT to APS-C in May this year, according to Photo Rumors. Details are a little thin on the ground, but what is known so far is that the lens will cost in the region of $ 200 and will have a close-focus distance of 65mm.

The maximum aperture will be F2.8 and with the help of an optional extension tube users can expect to achieve 5x magnification for extreme macro photography. The website says the lens will be available in Sony E, Canon EF-M, Fujifilm X and Micro Four Thirds mounts and we should expect it to arrive in May of this year.

The 60mm focal length is a popular choice for photographers using cameras with APS-C sensors, as the angle of view achieved is similar to that of the classic 90mm macro on a full frame system. Mounted on a Micro Four Thirds model however the focal length will seem much more like a 120mm. For more information keep an eye on the 7Artisans website where it will probably pop up a little closer to the launch date, or during the CP+ show starting today, where the lens may well be exhibited.

Articles: Digital Photography Review (dpreview.com)

 
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Yongnuo reveals YN 60mm F2 MF macro lens

10 May

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Hong Kong company Yongnuo—known for releasing ultra-affordable photography accessories and, more recently, lenses as well—has introduced its newest lens: the YN 60mm F2 MF macro lens.

The model has a minimum focus distance from 0.234m / 9.2-inches and offers up to a 1:1 magnification ratio, as well as an infinity mode, manual focus with support for half-press shutter focus prompt and automatic exposure. The lens is made up of a metal bayonet, 10 glass elements in nine groups, and seven aperture blades.

Other features include gold-plated metal contacts, integrated electromagnetic aperture, and a focus distance indicator. The lens firmware can be updated from the camera rather than over USB, assuming the camera supports the feature.

There has been no official word on what mount it will be made for, but the gold-plated contacts in the product shot make this a Canon EF lens. Price also hasn’t been revealed, but we expect it to come in quite a bit cheaper than your typical 60mm macro lens if Yongnuo’s reputation as a budget brand is to continue.

To learn more about this lens, head over to the Yongnuo website.

Articles: Digital Photography Review (dpreview.com)

 
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Leica adds 60mm F2.8 macro to TL lens lineup

02 Sep

Leica has announced a 60mm F2.8 macro lens for its TL-mount cameras, which is just the T (Typ 701) at this point.

The company was very short on details about the APO-Macro-Elmarit-TL 60mm F2.8 ASPH, aside from saying that it will have a 1:1 reproduction ratio and will arrive this Fall in black or silver. When mounted on the APS-C ‘T’, the lens will be equivalent to 90mm.

This will be the sixth lens for the TL mount.

Press release:

Leica Announces Newest Addition to the T Lens Portfolio: the Leica APO-Macro-Elmarit-TL 60mm

All future lenses for the Leica T camera system will be marketed under a new name: “TL”

September 1, 2016 – Beginning today, a new prime lens is available for the Leica T camera system – the Leica APO-Macro-Elmarit-TL 60 mm f/2.8 ASPH. Considered to be the reference lens in the APS-C segment, this lens delivers macro exposures with a reproduction ratio of 1:1 and impresses with best imaging performance.

Like the Leica Summilux-TL 35 mm f/1.4 ASPH., the Leica APO-Macro-Elmarit-TL 60 mm f/2.8 ASPH. is available in both black and silver.

With this new addition, the lens portfolio of the Leica T camera system now offers a total of six lenses – including three prime lenses and three zoom lenses – that together offer a range of focal lengths for every photographic situation. The two fast prime lenses, the Leica Summicron-TL 23 mm f/2 ASPH. and the Summilux-TL 35 mm f/1.4 ASPH, are classic focal lengths for reportage photography. The APO-Macro-Elmarit-TL 60 mm f/2.8 ASPH. complements them ideally as a lens for finely detailed close-up photography. Finally, the three compact zoom lenses, the Leica Super-Vario-Elmar-TL 11–23 mm f/3.5–4.5 ASPH., Vario-Elmar-TL 18–56 mm f/3.5–5.6 ASPH., and APO-Vario-Elmar-TL 55–135 mm f/3.5–4.5 ASPH., cover an entire range of focal lengths equivalent to 17 to 200 mm in 35 mm format and deliver outstanding images with rich contrast from corner to corner of the frame.

As the Leica T and the new Leica SL share the same L bayonet mount, the name ‘TL’ will be implemented for all new Leica T lenses moving forward. Thanks to the flexibility offered by the TL-Lenses for a wide range of applications on cameras with the L-Bayonet, Leica once again showcases the company’s fundamental principle of system-compatibility and sustainability and offers users access to an even wider portfolio of Leica products

All Leica TL-Lenses impress with outstanding imaging performance at lengths that range from infinity to their closest focusing distance and deliver images with the unique Leica look and bokeh. Designed by the optical engineering specialists in Wetzlar, the lenses all offer the exceptional imaging performance for which Leica lenses are renowned. The combination of optical and technical expertise and the use of only the finest materials guarantee consistent quality and reliability in every situation.

Articles: Digital Photography Review (dpreview.com)

 
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Field Test: Sigma 19mm, 30mm and 60mm F2.8 DN lenses

09 May

Sigma’s 19mm F2.8 DN, 30mm F2.8 DN and 60mm F2.8 DN Art lenses were launched at the CP+ show in Yokohama way back in January 2013. We’ve been using these inexpensive primes on both Sony E-mount and Micxro Four Thirds cameras for a while now, and our man in London, Damien Demolder has written up his impressions. We pooled our sample images for this field test. Read more

Articles: Digital Photography Review (dpreview.com)

 
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Venus Optics 60mm macro 2x lens promises high magnification on a budget

15 Jan

Anhui ChangGeng Optical Technology Company Limited, a new Chinese lens manufacturer, has introduced a 60mm lens under the Venus Optics brand name that it says can deliver 2x magnification macro photography. The f/2.8 manual focus lens is designed to cover both full frame and APS-C sensors for macro work, but will introduce vignetting when used at normal focus distances with the larger format. Read more

Articles: Digital Photography Review (dpreview.com)

 
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