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Posts Tagged ‘45mm’

Hands-on with the new Olympus M.Zuiko Digital ED 17mm F1.2 and 45mm F1.2 Pro lenses

26 Oct

Olympus Digital ED 17mm F1.2 and 45mm F1.2 Pro lenses

Olympus has introduced two new lenses in its M.Zuiko Pro F1.2 prime lens lineup, the Digital ED 17mm F1.2 Pro and the Digital ED 45mm F1.2 Pro. Both lenses promise to give Micro Four Thirds shooters excellent flexibility in low light situations, in addition to providing shallow depth of field and excellent image quality.

The two prime lenses join the existing Digital ED 25mm F1.2 Pro in the Olympus lens lineup.

Olympus Digital ED 17mm F1.2 and 45mm F1.2 Pro lenses

Olympus says the design philosophy for its Pro F1.2 prime lenses is to deliver aesthetically pleasing ‘feathered’ bokeh without sacrificing any sharpness or resolution, even when shooting wide open. Both lenses use Olympus’ new Z Coating Nano technology to suppress flares and ghosting in order to Provide extremely clear image quality.

Olympus Digital ED 17mm F1.2 and 45mm F1.2 Pro lenses

So, what is ‘feathered bokeh’? Olympus says that unlike many lenses which Produce ring-shaped or solid bokeh (with sharper outlines), the Pro F1.2 primes deliver bokeh with extremely smooth transitions from in-focus to out-of-focus areas, resulting in smoother backgrounds that make a foreground subject stand out better, creating a sense of depth. Olympus says that feathered bokeh does not come at the expense of resolution, which remains extremely high, even wide open.

Olympus Digital ED 17mm F1.2 and 45mm F1.2 Pro lenses

The Digital ED 45mm F1.2 Pro is built around 14 elements in 10 groups, including one ED lens, four HR lenses, and one aspherical lens. It contains three bonded lens elements, including the ED lens, to compensate for problems that sometimes occur on wide aperture lenses, such as out-of-focus color bleeding (axial chromatic aberration) and peripheral color bleeding. It has a minimum focusing distance of 50cm and weighs in at 410g.

Olympus Digital ED 17mm F1.2 and 45mm F1.2 Pro lenses

The Digital ED 17mm F.12 Pro is built around 15 elements in 11 groups. Want to know how that breaks down? Get ready for acronym soup!

The 17mm F1.2 Pro includes six ED lenses (more than any other Zuiko lens), including one Super ED lens, three ED lenses, one EDA lens, and a newly developed ED-DSA lens, along with a Super HR lens and an aspherical lens. According to Olympus, this combination effectively compensates for chromatic aberrations, as well as spherical aberrations that can affect wide primes. The result, they say, is excellent optical performance with feathered bokeh.

The 17mm lens has a minimum focusing distance of 20cm and weighs in at 390g.

Olympus Digital ED 17mm F1.2 and 45mm F1.2 Pro lenses

What is a ED-DSA lens, you might ask? It’s a Dual Super Aspherical lens that features an extremely large thickness ratio between the center and periphery of the lens, made from ED glass. Olympus claims to be the first company to successfully mass produce this type of lens, and that it results in a lens which possess the characteristics of both an ED (Extra-low Dispersion) lens and a DSA (Dual Super Aspherical) lens to compensate for spherical, comatic, and astigmatism aberration.

According to Olympus, producing this lens as a single element reduces the total number of lens elements, improving performance as well as reducing the overall length of the lens.

Olympus Digital ED 17mm F1.2 and 45mm F1.2 Pro lenses

Both lenses use the Olympus MSC (Movie and Still Compatible) autofocus mechanism, which provides smooth high-speed focusing while remaining virtually silent, despite being wide diameter lenses. Olympus says this system provides class-leading AF performance when paired with the E-M1 Mark II body (as low as 0.12 seconds for the 17mm lens). Additionally, there are no limits on what AF points can be used, even at the widest aperture, thanks to Olympus’ use of on-sensor phase detect autofocus.

Olympus Digital ED 17mm F1.2 and 45mm F1.2 Pro lenses

All three M.Zuiko F1.2 Pro primes share virtually identical sizes, with less than a couple millimeters of variation between them, and have very similar weights. All use the same 62mm lens diameter, allowing them to share filters and other accessories.

Olympus Digital ED 17mm F1.2 and 45mm F1.2 Pro lenses

Both lenses are designed with ease of use in mind. The wide focus ring has been placed near the front of the lens in order to make manual focusing easier when paired with cameras that have large grips, such as the E-M1 Mark II. As with some other Olympus lenses, a clutch mechanism allows users to instantly switch from auto to manual focus by pulling the focus ring toward the camera body. Olympus even says it designed a gradually curving surface around the L-Fn function button to make it easier to access when shooting through the viewfinder.

Since all the Pro F1.2 lenses are so similar in size, Olympus has printed each lens’s focal length in oversized numbers to make it easy to tell them apart.

Olympus Digital ED 17mm F1.2 and 45mm F1.2 Pro lenses

In addition to excellent optical performance, Olympus has built the Pro F1.2 primes to meet the needs of demanding users. Both lenses are dustproof, splashproof, and freezeproof (to 14ºF/-10ºC), making them ideal for use even in extreme conditions.

Olympus Digital ED 17mm F1.2 and 45mm F1.2 Pro lenses

Both the 17mm and 45mm lenses should provide great performance for Micro Four Thirds photographers, especially those who work in low light conditions or who desire very shallow depth of field.

When combined with Olympus’ existing 25mm F1.2 Pro lens, the set represents a trio of fast primes at very useful focal lengths of 17mm, 25mm, and 45mm. (34mm, 50mm, and 90mm equivalent.) Their small size, when combined with a compact Micro Four Thirds camera body, could make a great kit for photographers who prefer to travel light but like to shoot with fast primes.

Olympus Digital ED 17mm F1.2 and 45mm F1.2 Pro lenses

The M.Zuiko Digital ED 45mm F1.2 Pro will be available in late November 2017, and the M.Zuiko Digital ED 17mm F1.2 Pro will be available in late January 2018. Both will retail for $ 1,199, the same price as the existing 25mm F1.2 Pro lens.

Articles: Digital Photography Review (dpreview.com)

 
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Olympus 45mm and 17mm F1.2 Pro lenses emphasize bokeh quality

26 Oct

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Olympus has announced 17mm and 45mm F1.2 Pro primes, offering high-end fast 35mm and 90mm equivalent lenses. The lenses use the same 60mm filters that the existing 25mm F1.2 Pro uses and, like that lens both are weather sealed and dust proof.

The two lenses expand the company’s series of F1.2 lenses, which are equivalent to 35 and 90mm F2.4 lenses for full frame. This allows Micro Four Thirds users to achieve very shallow levels of depth-of-field at the focal lengths where they need this capability. The lenses are designed to be consistent in size with one another.

Olympus says it’s focused the design not just on achieving sharpness but also on providing attractive bokeh. It says its research showed that bokeh with a soft edge produces the most attractive result, producing a smooth transition from in-focus to out-of-focus regions, and with minimal risks of interference patterns occurring in backgrounds.

To achieve this, both lenses are designed so that spherical aberration is not fully corrected (that would give completely uniform bokeh). Instead it focuses peripheral light rays slightly in front of the plane of focus, giving a soft roll-off to the edges of the bokeh. This, they say, is how many much-loved ‘classic’ lenses gave desirable, ‘3D’ rendering.

The 17mm lens includes a unique ED-DSA element, which has dual aspherical lenses formed from soft and hard-to-work extra low dispersion glass. They claim to be the only company currently able to do this.

The company also highlights that its cameras should be able to achieve very high levels of focus precision even with off-center points. Both lenses also have the snap-back focus clutch system, so that videographers can manual focus with a linear focus response.

Olympus mentions that there’s been a trend towards bokeh-optimized primes in recent years but says its design approach gives attractive bokeh without any of the light loss causes by the use of apodization filters in Fujifilm’s APD or Sony’s STF lenses.

Each lens will cost $ 1200. The 45mm will go on sale in late November, and the 17mm will be available in late January 2018.

Press release

BEAUTIFUL BOKEH: TWO NEW OLYMPUS LENSES EXPAND THE M.ZUIKO PRO F1.2 PRIME LINEUP

M.ZUIKO Digital ED 17mm F1.2 PRO and M.ZUIKO® Digital ED 45mm F1.2 PRO Offer Smooth Feathered Bokeh and High Resolution at the Brightest Aperture

CENTER VALLEY, PA., October 25, 2017 — Olympus expands its M.ZUIKO F1.2 PRO prime lens lineup with the new M.ZUIKO Digital ED 17mm F1.2 PRO (34mm focal length in 35mm equivalent) and the M.ZUIKO Digital ED 45mm F1.2 PRO (90mm focal length in 35mm equivalent). These Micro Four Thirds® system lenses join the currently available M.ZUIKO Digital ED 25mm F1.2 PRO (50mm focal length in 35mm equivalent) to deliver outstanding resolution and beautiful feathered bokeh at a maximum aperture of F1.2.

The M.ZUIKO Digital ED 17mm F1.2 PRO and M.ZUIKO Digital ED 45mm F1.2 PRO give M.ZUIKO PRO lens users more flexibility in low-light environments as well as an extraordinarily shallow depth-of-field. Each is designed to achieve a new level of depictive performance, delivering three-dimensional images that represent subjects as they appear in the real world through a combination of feathered bokeh and sharp resolution.

By focusing not only on the bokeh’s size but also its quality, each lens produces a feathered bokeh effect that better emphasizes the main subject and allows it to stand out within the image. The shallower depth of field produced at F1.2 is especially ideal for portrait photographers.

The newly developed ED-DSA lens, which possesses the characteristics of both an ED (Extra-low Dispersion) lens element and a DSA (Dual Super Aspherical) lens element, is incorporated in the M.ZUIKO Digital ED 17mm F1.2 PRO. The ED-DSA lens compensates for common wide-angle lens issues, including chromatic aberrations, distortion and color bleeding on the image periphery.

Like other lenses in the M.ZUIKO PRO series, the M.ZUIKO Digital ED 17mm F1.2 PRO and M.ZUIKO Digital ED 45mm F1.2 PRO feature compact, lightweight construction and a dustproof, splashproof, freezeproof (to 14°F/-10°C) design, giving photo enthusiasts and professionals the ability to capture brilliant images in a variety of shooting conditions.

U.S. Pricing and Availability
The M.ZUIKO Digital ED 45mm F1.2 PRO will be available late November 2017, while the M.ZUIKO Digital ED 17mm F1.2 PRO will be available late January 2018. Both lenses will have an estimated street price of $ 1,199.99 USD/$ 1,499.99 CAD. For a complete list of specifications for the M.ZUIKO Digital ED 45mm F1.2 PRO, visit the Olympus website: http://getolympus.com/lenses/m-zuiko-ed-45mm-f1-2-pro.html, and for the M.ZUIKO Digital ED 17mm F1.2 PRO lens, visit http://getolympus.com/lenses/m-zuiko-ed-17mm-f1-2-pro.html.

Main Features

1. Depictive performance that delivers feathered bokeh and outstanding resolution

Feathered bokeh provides an ultra smooth transition from the sharp to the defocused areas of the image to provide an overall softer background. This results in a subject that stands out with lifelike dimensionality.

In the M.ZUIKO Digital ED 17mm F1.2 PRO, there are 15 elements in 11 groups, including specialized lens elements like the newly developed ED-DSA lens. The ED-DSA lens element, which possesses the characteristics of both an ED (Extra-low Dispersion) lens and DSA (Dual Super Aspherical) lens, reduces the overall weight and the number of lens elements. This design effectively compensates for various types of aberrations that tend to occur in wide-angle lenses, such as chromatic aberration, distortion and color bleeding on the image periphery (magnification chromatic aberration).

The M.ZUIKO Digital ED 45mm F1.2 PRO contains three optimally placed and bonded lens elements, including one ED lens, which compensate for typical problems on wide-aperture lenses like out-of-focus color bleeding (axial chromatic aberration) and peripheral color bleeding (magnification chromatic aberration). The extensive use of special lenses incorporated into 14 elements in 10 groups results in superb optical performance and feathered bokeh effects, even at the widest aperture setting.

Both lenses use the same Z Coating Nano technology as the M.ZUIKO Digital ED 25mm F1.2 PRO for sharp, clear image quality that significantly reduces ghosts and flares that tend to occur in backlit images.

2. Fast, high-precision AF

Both lenses are equipped with the MSC (Movie- and Still-Compatible) autofocus mechanism that provides virtually silent and smooth high-speed focusing performance, even when using the maximum aperture of F1.2. Additionally, there are no AF point limitations, even at the widest aperture, due to the On-Chip AF system in all Olympus OM-D® and PEN® cameras.

Using Face Priority or Eye Priority AF, two modes which are highly regarded by professional portrait photographers, brings out the true power of these large-aperture lenses.

3. Compact, lightweight construction and dustproof, splashproof and freezeproof (14°F/-10°C) performance

The M.ZUIKO PRO F1.2 prime lens lineup is exceptionally compact, lightweight and provides unrivaled mobility, dustproof, splashproof and freezeproof (14°F/-10°C) performance consistent with the M.ZUIKO PRO series. A uniform lens filter diameter across the three F1.2 lenses allows for use of the same lens filters, such as protection filters and PL filters.

Other Features

  • Excellent close-up shooting: The M.ZUIKO Digital ED 17mm F1.2 PRO has a minimum focusing distance of 20 cm and a maximum image magnification of 0.15x (35mm equivalent: 0.3x), while the M.ZUIKO Digital ED 45mm F1.2 PRO has a minimum focusing distance of 50 cm and a maximum image magnification of 0.1x (35mm equivalent: 0.2x), providing outstanding close-up shooting performance.
  • Premium design: Each lens was designed with the professional photographer in mind. The focusing ring placed at the front of the lens makes focusing easier when paired with the large grip of the flagship OM-D E-M1 Mark II camera. The L-Fn Button is located on a gently curving surface to make it comfortable to access. The MF Clutch mechanism allows the photographer to instantly switch between auto and manual focusing mode by pulling the focusing ring toward the camera body.

Lens Accessories:
Lens Cap, LC-62F (bundled): This lens cap is designed for quick and easy removal from lenses with a filter diameter of ?62mm, and can be used even when the lens hood is still attached.

Lens Case, LSC-0811 (bundled): A purse-string-type lens case with three-layer construction thatsecurely protects the lens. The lens can be stored in the case with the lens cap, protection filterand lens hood (stored) attached to the lens.

Lens Hood, LH-66C (bundled): A lens hood specifically designed for the M.ZUIKO Digital ED 17mm F1.2 PRO lens to reduce the amount of unnecessary light entering the lens when shooting in backlit conditions. The hood release lock button features a nonprotruding design that prevents the hood from accidental detachment.

Lens Hood, LH-66B (bundled): A lens hood for use with the M.ZUIKO Digital ED 25mm F1.2 PRO and the M.ZUIKO Digital ED 45mm F1.2 PRO lenses to reduce the amount of unnecessary light entering the lens when shooting in backlit conditions. The hood release lock button features a nonprotruding design that prevents the hood from accidental detachment.

Protection Filter, PRF-ZD62 PRO (sold separately): This protection filter maximizes the abilities of M.ZUIKO PRO lenses bearing the Zuiko name. It features ZERO coating, which cuts reflection by approximately one-half compared to conventional multicoating, black-edged glass, and a satin-finished black alumite aluminum frame for a matte surface that suppresses reflections.

Sales Outline for Separately Available Accessories

Product Name

MSRP

Planned Launch Date

Lens Cap, LC-62F

$ 23.99 USD
$ 21.99 CAD

On sale

Lens Case, LSC-0811

$ 26.99 USD
$ 26.99 CAD

On sale

Lens Hood, LH-66B

$ 44.99 USD
$ 44.99 CAD

On sale

Protection Filter, PRF-ZD62 PRO

$ 64.99 USD
$ 64.99 CAD

On sale

Olympus 17mm and 45mm F1.2 Pro specifications

  Olympus M.Zuiko Digital ED 17mm F1.2 Pro Olympus M.Zuiko Digital ED 45mm F1.2 Pro
Principal specifications
Lens type Prime lens
Max Format size FourThirds
Focal length 17 mm 45 mm
Image stabilization No
Lens mount Micro Four Thirds
Aperture
Maximum aperture F1.2
Minimum aperture F16
Aperture ring No
Number of diaphragm blades 9
Optics
Elements 15 14
Groups 11 10
Special elements / coatings 1 Super ED, 3 ED, 1 ED-DSA, 1 EDA, 1 Super HR, 1 aspherical 1 ED, 4 HR, 1 aspherical
Focus
Minimum focus 0.20 m (7.87″) 0.50 m (19.69″)
Maximum magnification 0.15× 0.1×
Autofocus Yes
Motor type Stepper motor
Full time manual Yes
Focus method Internal
Distance scale No
DoF scale Yes
Physical
Weight 390 g (0.86 lb) 410 g (0.90 lb)
Diameter 68 mm (2.68″) 70 mm (2.76″)
Length 87 mm (3.43″) 85 mm (3.35″)
Materials Magnesium alloy
Sealing Yes
Colour Black
Filter thread 62.0 mm
Hood supplied Yes
Hood product code LH-66C LH-66B
Tripod collar No

Articles: Digital Photography Review (dpreview.com)

 
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Fujifilm adds GF 45mm F2.8 R WR, expands medium-format lens roadmap

10 Sep

Fujifilm’s offerings for its GF medium-format system have expanded with the addition of the Fujinon GF 45mm F2.8 R WR. It will provide a 36mm equivalent view of the world when used on the company’s GFX 50S, and is dust- and weather-resistant. Lens construction includes a 9 blade aperture and 8 groups with 11 elements, including one aspherical and two ED lenses.

Fujifilm plans to launch a GF 250mm F4 R LM OIS WR telephoto prime and a GF 1.4X TC WR teleconverter next year, both of which are hinted to on an existing roadmap. The 250mm gives a 198mm equivalent view.

A firmware update is also on the way for the GFX 50S to add support for Fuji’s X Raw Studio and better functionality with third party studio flash controllers. Here’s the full list of improvements:

FUJIFILM GFX 50S: V.2.0 Key Features

  1. Supports FUJIFILM X RAW STUDIO which enables users to convert RAW files with X Processor Pro.
  2. Improves radio flash controller usability allowing users to shoot with compatible third party studio flash in high speed sync or TTL mode via their radio controllers.
  3. Supports backup and restore of camera settings from one camera to another via FUJIFILM X Acquire.
  4. Addition of “Eye Sensor + LCD Image Display” in View Mode that allows for shooting through the viewfinder and checking images on the LCD.
  5. ON/OFF for 1/3-step shutter speed adjustment.
  6. Addition of “Shoot Without Card” mode so camera will not shoot without SD card inserted.
  7. Addition of “-6” and “-7” to EVF’s brightness settings.

The Fujinon GF 45mm F2.8 R WR is scheduled for arrival in November for $ 1700.

FUJIFILM ADDS SIXTH GF LENS TO GFX MEDIUM FORMAT MIRRORLESS CAMERA SYSTEM FOR STREET

FUJINON GF45mmF2.8 R WR Lens adds versatile wide angle lens to the series; updated GF Lens Roadmap announced and new GFX firmware coming soon

Valhalla, N.Y., September 7, 2017 – FUJIFILM North America Corporation today announced the new FUJINON GF45mmF2.8 R WR, a highly versatile wide angle lens. The GF45mmF2.8 R WR lens has a focal length equivalent to 36mm (in the 35mm format) and a maximum aperture of F2.8. With its compact and lightweight design weighing just 490g, this lens is perfect for street and documentary photography.

The new GF45mmF2.8 R WR is the sixth interchangeable GF lens to be added for the FUJIFILM GFX 50S medium format mirrorless digital camera system. Taking advantage of the mirrorless system’s structure, the G Mount has a short flange back distance of just 26.7mm that reduces the back focus distance as much as possible to prevent vignetting and achieve edge-to-edge sharpness. As with all GF Lenses, the GF45mmF2.8 R WR is a professional quality lens capable of reproducing rich tones and unique colors.

With a construction of 8 groups and 11 elements using one aspherical lens and two ED lenses, the GF45mmF2.8 R WR lens is equipped to provide the highest image quality while reducing aberrations. The lens features Nano GI coating to suppress ghosting and flare, and is weather and dust resistant capable of operating in environments as cold as 14°F/-10°C. The GF45mmF2.8 R WR lens combines reliability and high performance to be the ultimate tool for professional photographers.

FUJINON GF45mmF2.8 R WR Lens Key Features:

  • FUJIFILM G Mount is compatible with the FUJIFILM GFX 50S
  • Weather and dust resistant design capable of operating at temperatures as low as 14°F/-10°C
  • 8 groups and 11 elements construction using one aspherical lens and two ED lenses
  • 9 blade aperture creates smooth and circular bokeh
  • Nano GI coating suppresses ghosting and flare

New FUJINON GF Lens Development Roadmap
Also announced today is the latest development of the G Mount Lens Roadmap, showcasing the continued expansion of the interchangeable lens range for the FUJIFILM GFX 50S medium format mirrorless digital camera. The latest roadmap adds two new lenses: the GF250mmF4 R LM OIS WR telephoto prime lens with a focal length equivalent to 198mm (in 35mm format) and maximum aperture of F4 for beautiful bokeh when shooting portrait and landscape images; and the GF1.4X TC WR, a high-performance teleconverter capable of multiplying the focal length by 1.4x. Compatible with the GF250mmF4 R LM OIS WR lens, the GF1.4X teleconverter provides a focal length of 350mm (equivalent to 277mm in the 35mm format).

With the addition of the two lenses, the GF lens lineup includes a total of eight lenses covering focal lengths from 18mm – 277mm (in the 35mm format) to correspond to an expansive range of photographer needs.

New Firmware Updates Coming Soon
Fujifilm will release a new firmware update for the FUJIFILM GFX 50S medium format mirrorless digital camera. Expected in late November 2017, this update will add new support for FUJIFILM X RAW STUDIO, improved third party studio flash controller usability and new functions to improve operability.

FUJIFILM GFX 50S: V.2.0 Key Features

  1. Supports FUJIFILM X RAW STUDIO which enables users to convert RAW files with X Processor Pro.
  2. Improves radio flash controller usability allowing users to shoot with compatible third party studio flash in high speed sync or TTL mode via their radio controllers.
  3. Supports backup and restore of camera settings from one camera to another via FUJIFILM X Acquire.
  4. Addition of “Eye Sensor + LCD Image Display” in View Mode that allows for shooting through the viewfinder and checking images on the LCD.
  5. ON/OFF for 1/3-step shutter speed adjustment.
  6. Addition of “Shoot Without Card” mode so camera will not shoot without SD card inserted.
  7. Addition of “-6” and “-7” to EVF’s brightness settings.

Availability and Pricing
The new FUJINON GF45mmF2.8 R WR lens will be available in November 2017 for USD $ 1,699.95.

Fujifilm GF 45mm F2.8 R WR Specifications

Principal specifications
Lens type Prime lens
Max Format size APS-C / DX
Focal length 45 mm
Image stabilization Yes
Lens mount Fujifilm G
Aperture
Maximum aperture F2.8
Minimum aperture F32
Aperture ring Yes
Number of diaphragm blades 9
Optics
Elements 11
Groups 8
Special elements / coatings One aspherical, two ED elements + Nano GI, fluorine coatings
Focus
Minimum focus 45.00 m (1771.65″)
Maximum magnification 0.14×
Autofocus Yes
Full time manual Yes
Focus method Internal
Distance scale No
DoF scale No
Physical
Weight 490 g (1.08 lb)
Diameter 84 mm (3.31″)
Length 88 mm (3.46″)
Materials Magnesium alloy
Sealing Yes
Colour Black
Filter thread 62.0 mm
Hood supplied Yes
Tripod collar No

Articles: Digital Photography Review (dpreview.com)

 
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Photokina 2016: Hands-on with Phase One 45mm F3.5 and 150mm F2.8 ‘Blue Ring’ lenses

20 Sep

Hands-on with Phase One 45mm F3.5 and 150mm F2.8

Phase One is showing off two new ‘Blue Ring’ lenses at this year’s Photokina tradeshow in Cologne, Germany. We visited the Phase One booth earlier and got our hands on them.

First up is the new 150mm LS F2.8 IF, which offers a focal length equivalent to 64mm on full-frame, making it a useful portrait prime. At first glance this is an enormous lens, but a lot of its apparent size is actually the detachable hood.

Hands-on with Phase One 45mm F3.5 and 150mm F2.8

F2.8 is fast for a medium-format lens, which should ensure nice shallow depth of field when used wide-open for portraits. Here’s a view straight down the front of the lens. See what we mean about that big hood?

Hands-on with Phase One 45mm F3.5 and 150mm F2.8

With the hood removed, the 150mm becomes a good deal smaller. The new lens can synchronize with flash at shutter speeds of up to 1/1000sec and can focus as close as 100cm/3.2ft. It uses 8 elements in 7 groups and accepts 105mm screw-in filters. It could be yours for only $ 6990/€5990.

Hands-on with Phase One 45mm F3.5 and 150mm F2.8

Next up is the 45mm LS F3.5, which Phase One tells us will offer extremely good edge-to-edge sharpness, even wide-open. Aimed at landscape photographers, the 45mm (and indeed the 150mm) offers a simple auto/manual focus clutch switch. Shifting to manual focus is as easy as pulling the focus ring towards the camera.

Hands-on with Phase One 45mm F3.5 and 150mm F2.8

Like the 150mm, the 45mm features a leaf shutter inside the lens itself, and it can synchronize with flash at shutter speeds of up to 1/1600sec. Construction comprises 10 elements in 7 groups.

Hands-on with Phase One 45mm F3.5 and 150mm F2.8

Equivalent to a 28mm field of view on full-frame, the new 45mm F3.5 has a closest focusing distance of 55cm/1.8ft. It is available now for $ 5990/€5290.

Hands-on with Phase One 45mm F3.5 and 150mm F2.8

This is Lau Norgaard, VP of R&D at Phase One. He’s pretty pleased with his new lenses – what do you think? Let us know in the comments.

Articles: Digital Photography Review (dpreview.com)

 
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Something special: Tamron SP 35mm F1.8 and SP 45mm F1.8 real-world galleries

15 Oct

Tamron seemed to have taken a cue from Sigma when it launched the SP 35mm and 45mm F1.8, following that company’s lead in offering fast, high quality fixed focal length lenses. Designed for full frame camera bodies, the SP 35mm and 45mm boast weather-proofing, fluorine coatings and close-focusing abilities not usually found at these focal lengths. Take a look at two full galleries of real-world sample images. Read more

Articles: Digital Photography Review (dpreview.com)

 
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Tamron relaunches SP series with 35mm F1.8 Di VC USD and SP 45mm F1.8 Di VC USD

02 Sep

Japanese lens manufacturer Tamron has announced it has revamped its SP lens range, starting with the SP 35mm F1.8 Di VC USD and the SP 45mm F1.8 Di VC USD. As a company that usually produces zoom lenses it’s surprising to see the first two SP models are fixed focal lengths primes, boasting new design values inside and out according to Tamron. Read more

Articles: Digital Photography Review (dpreview.com)

 
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Samsung announces price and availability of NX300 and 45mm F1.8 lens

26 Mar

samsung_nx300.png

Samsung has announced that its NX300 mirrorless camera will be available in both US and European markets by the end of this month as a kit with the 20-50mm lens for $ 749.99 and £599 respectively. The 3D-capable camera is built around a 20MP sensor, 3.3″ OLED screen and built-in Wi-Fi. The kit will also include a free copy of Adobe Photoshop Lightroom 4 editing software. The company has also announced that the 45mm F1.8 2D/3D lens will be available at the same time for $ 499.99. There is currently no information about its European price.

News: Digital Photography Review (dpreview.com)

 
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Samsung NX 12-24mm to cost $600, 45mm F1.8 around $300

25 Oct

45mm_frontpage.png

Samsung has announced US pricing for the 12-24mm F4-5.6 ED wide-angle zoom and 45mm F1.8 mid-telephoto prime for its NX system. The lenses – announced at Photokina – will cost around $ 600 for the wide-angle zoom and $ 300 for the 45mm F1.8. Oddly we’re told there are no samples of the 45mm F1.8 at the show where they’re being ‘unveiled’, so we can’t know if it’s any closer to the promised ‘ultra-professional look and feel’ than the inexpensive-feeling early examples we saw at Photokina.

News: Digital Photography Review (dpreview.com)

 
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Olympus M.Zuiko Digital ED 45mm F1.8 first impressions and samples

23 Sep

Olympus 45mm F1.8 first impressions and preview samples. The recent spate of camera and lens announcements has given us the chance to use the Olympus M.Zuiko Digital ED 45mm F1.8. Given how long we’ve been asking manufacturers for a portrait lens in the 100mm-equivalent region, we pounced on this when it came into the office. As well as a preview samples gallery, we’ve also prepared some first impressions of shooting with the Micro Four Thirds ‘Family Portrait’ lens.
News: Digital Photography Review (dpreview.com)

 
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Olympus unveils 12mm F2.0 and 45mm F1.8 fast primes for Micro Four Thirds

03 Jul

Alongside its three PEN bodies, Olympus has announced the M. Zuiko Digital ED 12mm F2.0 and M. Zuiko Digital ED 45mm F1.8 prime lenses for Micro Four Thirds. The 12mm F2.0 is a metal-bodied 24mm equivalent featuring a unique snap-focus manual focus mode. A snap-back focus ring reveals a traditional depth-of-field scale for ‘zone’ focusing and offers improved focus ‘feel.’ Later in the year it will be accompanied by the 45mm F1.8 portrait lens, making Olympus one of the only manufacturers to offer a fast prime at a roughly 100mm equivalent focal length, ideally suited to portraiture. There is also a relatively compact, bouncable and remotely commandable flash, the FL-300R, helping the PEN range look more like a complete system. More details of the 12mm F2.0 are included in our E-P3 preview, along with a gallery of sample images.
News: Digital Photography Review (dpreview.com)

 
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