RSS
 

Posts Tagged ‘25mm’

Meike’s 25mm F1.8 manual lens for Nikon Z-mount costs only $75

14 Aug

It’s only been a few days since Meike introduced it’s 85mm F1.8 autofocus prime, but it’s already back with the announcement of another lens, a 25mm F1.8 manual focus prime for Nikon Z-mount cameras.

The lens is constructed of seven elements in five groups, has an aperture range of F1.8 through F16, features a minimum focusing distance of 25cm (9.8”) and uses a nine-blade aperture diaphragm.

The lens measures in at 61mm (2.4”) in diameter, 41mm (1.6”) long and weighs approximately 170g (6oz). Meike notes that the lens is entirely manual to the point that you’ll need to set your camera to release the shutter without a lens, as it won’t recognize a lens is attached.

Meike’s website makes mention of APS-C throughout the entire product page, but also shows the lens attached to the Nikon Z7 we have contacted Meike to confirm whether this lens is exclusively for APS-C or also full-frame

The lens is available now for just $ 75 on Meike’s website. It comes with the lens, front/rear caps, a carry pouch and a microfiber cleaning cloth.

Articles: Digital Photography Review (dpreview.com)

 
Comments Off on Meike’s 25mm F1.8 manual lens for Nikon Z-mount costs only $75

Posted in Uncategorized

 

Panasonic Lumix G 25mm F1.7 sample gallery

27 Mar

$ (document).ready(function() { SampleGalleryV2({“containerId”:”embeddedSampleGallery_1927835807″,”galleryId”:”1927835807″,”isEmbeddedWidget”:true,”selectedImageIndex”:0,”isMobile”:false}) });

Panasonic’s 25mm F1.7 is not a new lens but it does offer good optical performance for the money – it’s also a lens that never received our sample gallery treatment, until now. Think of it as the brand’s nifty fifty – because at about $ 150 this 50mm equiv. would be an excellent addition to any Micro Four Thirds kit.

It’s also worth mentioning that much of this gallery was shot with Seattle in COVID-19 lockdown, so we had to get a little creative with subject matter!

See our Panasonic 25mm F1.7 lens gallery

Are there any other lenses you’d like to see us shoot sample galleries for which we haven’t already? Let us know in the comments below.

Articles: Digital Photography Review (dpreview.com)

 
Comments Off on Panasonic Lumix G 25mm F1.7 sample gallery

Posted in Uncategorized

 

Meike launches new 25mm T2.2 cine lens with ‘decent build quality’ for MFT camera systems

24 Aug

Hong Kong-based Meike has added to its collection of lenses with a new 25mm T2.2 cine lens for Micro Four Thirds camera systems.

The lens is entirely manual with a minimum focusing distance of 25cm/9.84in and a 77mm front filter thread. The optical construction includes ten elements in eight groups, which makes for a 49.7 degree angle of view.

The 25mm T2.2 cine lens weighs 560g/1.23lbs and features a pair of geared rings for changing its focus and aperture. Interestingly, even Meike seems hesitant on the quality of construction. In the product description on its Amazon page, Meike says the lens offers ‘decent build quality.’ Humble, sure, but not exactly reassuring.

Alongside the lens, which is currently available on Amazon for $ 340, is a rear lens cap, front lens cap, and a microfiber bag for safe transport.

Articles: Digital Photography Review (dpreview.com)

 
Comments Off on Meike launches new 25mm T2.2 cine lens with ‘decent build quality’ for MFT camera systems

Posted in Uncategorized

 

Venus Optics officially launches the Laowa 25mm F2.8 2.5-5X Ultra Macro

10 Mar

$ (document).ready(function() { SampleGalleryV2({“containerId”:”embeddedSampleGallery_7760408335″,”galleryId”:”7760408335″,”isEmbeddedWidget”:true,”selectedImageIndex”:0,”isMobile”:false}) });

About a week ago, Venus Optics’ Japanese distributor Sightron announced two new lenses: the Laowa 9mm F2.8 Zero-D and 25mm F2.8 2.5-5x Ultra Macro. And while the 9mm F2.8 Zero-D still hasn’t made its way onto the English language Venus Optics site yet, today did see the official announcement of the strange Laowa 25mm F2.8 2.5-5x Ultra Macro.

Nothing has changed about the lens’ design since last week’s debut: the 25mm F2.8 2.5-5x Ultra Macro is still made from 8 elements in 6 groups—including an ultra low dispersion lens and multilayer coating on each element—which allow for a max working distance of 40 mm (5x) to 45 mm (2.5x). Ultimately, this lens was designed to be as portable as possible, as this comparison between it and the Canon MP-E 65mm F2.8 1-5x Macro demonstrates:

Size comparison: Laowa 25mm F2.8 2.5-5x Ultra Macro vs Canon MP-E 65mm F2.8 1-5x

The Venus Optics Laowa 25mm F2.8 2.5-5x Ultra Macro will be available starting in March for the price of $ 400 USD. You can also purchase an optional tripod collar ($ 30), Micro Four Thirds adapter ($ 30), or Fuji X mount adapter ($ 30).

For more information, if you’d like to pre-order your own, or if you want to scroll through a series of official sample images, head over to the Venus Optics website.

Articles: Digital Photography Review (dpreview.com)

 
Comments Off on Venus Optics officially launches the Laowa 25mm F2.8 2.5-5X Ultra Macro

Posted in Uncategorized

 

Venus Optics unveils Laowa 9mm F2.8 Zero-D and 25mm F2.8 2.5-5x Ultra Macro lenses

26 Feb

Venus Optics, the company behind the Laowa line of lenses, has announced two new lenses through Japanese parent company Sightron. The first is the Laowa 9mm F2.8 Zero-D, a ‘zero distortion’ wide-angle prime for mirrorless APS-C cameras. The second is another strange full-frame macro lens: the Laowa 25mm F2.8 2.5-5x Ultra Macro.

Neither of these lenses have appeared on Venus Optics’ English language website just yet, but we expect them to pop up soon. In the meantime, here’s what we know about the new glass.

Laowa 9mm F2.8 Zero-D

$ (document).ready(function() { SampleGalleryV2({“containerId”:”embeddedSampleGallery_2253990199″,”galleryId”:”2253990199″,”isEmbeddedWidget”:true,”selectedImageIndex”:0,”isMobile”:false}) });

The long-rumored Venus Optics Laowa 9mm F2.8 Zero-D is an wide-angle prime designed for mirrorless APS-C cameras—specifically, the Sony E, Fuji X, and Canon EF-M mounts. With its 113° angle of view, Venus Optics claims this lens is the widest angle F2.8 lens currently available for APS-C cameras.

Inside, you’ll find 15 lens elements in 10 groups—including three low dispersion elements and two aspherical elements—that attempt to reduce distortion to ‘zero’ (or as close to it as Venus Optics could manage). You’ve also got a 7-blade aperture and a metal construction that promises “excellent robustness and luxury.”

The lens is scheduled to arrive in April, but price for this one is still TBD.

Laowa 25mm F2.8 2.5-5X Ultra Macro

$ (document).ready(function() { SampleGalleryV2({“containerId”:”embeddedSampleGallery_8242421169″,”galleryId”:”8242421169″,”isEmbeddedWidget”:true,”selectedImageIndex”:0,”isMobile”:false}) });

Slightly more defined—and lots more weird—is the Laowa 25mm F2.8 2.5-5x Ultra Macro lens for full-frame cameras. Specifically, you’ll find this one in the Canon EF, Nikon F, Pentax K, Sony FE mounts when it, too, ships in April.

At its closest, the lens offers 5x magnification, using an optical design of 8 elements in 6 groups—including an ultra low dispersion lens and multilayer coating on each element—to deliver a working distance of just 40mm at 5x.

Here’s a full review of the newly announce lens by YouTuber Photos by Richard (sample photos available on his website).

Like the 9mm F2.8 Zero-D, the 25mm F2.8 2.5-5x Ultra Macro also ‘adopts a metal enclosure,’ and is scheduled to ship in April. Venus Optics hasn’t announced pricing yet, but according to Photo Rumors, the lens will cost $ 400 in the US.

To learn more about either of these lenses, check out both Google Translated press releases below.

Press Release

LAOWA 9mm F2.8 Zero-D

SiteLong Japan Co., Ltd. announces the new product “LAOWA 9mm F2.8 Zero-D” of LAOWA (Venus Optics).

Product Overview

  • Product name LAOWA 9mm F2.8 Zero-D
  • Suggested retail price Open price
  • Expected market price TBD
  • Scheduled release date around early April 2018

Main Product Features

  • This product is the best lens for photographing landscape photographs, architectural photographs, interior photographs, star photographs and so on.
  • Use 3 special low dispersion lens (ED lens) and 2 glass aspheric lenses luxuriously. By adopting an optical design with extremely reduced distortion to zero, it is possible to capture landscape photographs and architectural photographs without the influence of distortion.
  • It is the widest angle lens (113 °) lens among the wide-angle lenses for APS-C cameras of the open F 2.8 which are on sale now.*
  • It adopts metal enclosure with excellent robustness and luxury. Effective flower type hood is attached.
  • This product is the brightest, the most compact and lightweight lens among the same class products. Because it is very convenient to carry, it is also ideal for daily snapshot.
*As of February 1, 2018 VenusOptics examined

Main Specifications

  • Focal length: 9mm
  • Maximum F value: F2.8
  • Viewing angle: 113 degrees (corresponding format: APS-C)
  • Lens construction: 10 groups of 15
  • Number of diaphragm blades: 7
  • Shortest shooting distance: 12 cm
  • Maximum magnification: 0.13 times
  • Filter diameter: ? 49 mm
  • Weight: ~ 215g* Variable depending on mount
  • Corresponding mount: FUJIFILM X, Canon EF-M, Sony E

*Product specifications are subject to change without notice due to improvements etc.

LAOWA 25mm F2.8 2.5-5X ULTRA MACRO

SiteLong Japan Co., Ltd. announces the new product “LAOWA 25 mm F 2.8 2.5-5 X ULTRA MACRO” of LAOWA (Venus Optics). LAOWA 25mm F2.8 2.5-5x ULTRA MACRO is a macro exclusive lens with a magnification of 2.5x to 5x.

Product Overview

  • Product name LAOWA 25mm F2.8 2.5-5x ULTRA MACRO
  • Suggested retail price Open price
  • Expected market price TBD
  • Scheduled release date around early April 2018

Main Product Features

  • It is a macro lens for full size of manual focus.
  • The shortest shooting distance is 173 to 223.5mm and shooting magnification 2.5 to 5 times is available.
  • It is possible to secure a working distance of 40mm (5 times) to 45mm (2.5 times) by optical design with a special configuration. It can correspond to various lighting to obtain better shooting result.
  • By adopting ultra low dispersion lens (UD lens), by appropriately suppressing chromatic aberration and color fringe, it is possible to capture images with high sharpness and high color reproducibility.
  • Each lens is coated with multilayer coating, minimizing ghost and flare. Therefore, under a strong light source, it is possible to take pictures with a very high contrast and neutral color.
  • Adopting a metal enclosure with excellent robustness.
  • It is compact, lightweight and excellent in portability.

Main specifications

  • Focal length: 25mm
  • Open F value: F2.8
  • Field of View: 10.3 degrees
  • Lens construction: 6 groups 8 pieces
  • Minimum aperture: F16
  • Maximum aperture: F2.8
  • Minimum photographing distance: 173 mm to 223.5mm
  • Working Distance: 40mm – 45mm
  • Shooting magnification: 2.5 times to 5 times
  • Number of diaphragm blade: 8
  • Weight: 400g
  • Corresponding mount: Canon EF, Nikon F, Pentax K, Sony FE

*Product specifications are subject to change without notice due to improvements etc.

Articles: Digital Photography Review (dpreview.com)

 
Comments Off on Venus Optics unveils Laowa 9mm F2.8 Zero-D and 25mm F2.8 2.5-5x Ultra Macro lenses

Posted in Uncategorized

 

Zeiss unveils ‘small, robust and versatile’ Loxia 25mm F2.4 lens

16 Feb

$ (document).ready(function() { SampleGalleryV2({“containerId”:”embeddedSampleGallery_7827976509″,”galleryId”:”7827976509″,”isEmbeddedWidget”:true,”selectedImageIndex”:0,”isMobile”:false}) });

The Zeiss Loxia manual focus lens family for Sony full-frame mirrorless cameras just gained a new member. Say hello to the Loxia 25mm F2.4, a wide-angle lens that boasts a compact design, the ability to de-click the aperture for video shooting, and “outstanding image performance across the entire image field.”

Zeiss is calling this lens “small, robust and versatile,” a “new focal length of modest proportions” that joins four other manual-focus Loxia lenses: the 21mm F2.8, 35mm F2, 50mm F2, and 85mm F2.4.

The point of the Loxia line and its lack of autofocus is to provide compact, durable, lightweight companions for the Sony full-frame E-mount system that do not draw too much attention—great for street and travel photographers who are happy to trade the convenience of autofocus to remain as inconspicuous as possible.

Here is a sample photo shot with the Loxia 25mm F2.4 in Taipei, by photographer Jeff Hsiao, for your pixel peeping pleasure:

Photo © Jeff Hsiao, courtesy of Zeiss

To see more official Sample Photos, visit the Zeiss Camera Lenses Flickr account.

The Zeiss Loxia 25mm F2.4 will be available in March for €1,300 (including German VAT) or $ 1,300 USD (excluding local taxes), lens hood included. Zeiss also says to look out for a special filmmakers set comprising all five Loxia lenses to be available soon. To learn more, read the full release below or visit the Zeiss website.

Press Release

The New ZEISS Loxia 2.4/25 – Flexibility for Photography On-the-Go

With this compact wide-angle lens, ZEISS is adding a new focal length of modest proportions to its ZEISS Loxia lens family.

OBERKOCHEN/Germany, 2018-02-14. – With the ZEISS Loxia 2.4/25 compact wide-angle lens, ZEISS is adding a new focal length to its lens family that will benefit both landscape and architectural photographers: “High resolution across the entire image as well as low distortion ensure the perfect result,” says Product Manager Christophe Casenave. “The compact lens delivers great images thanks to the new optical design.” The ZEISS Loxia 2.4/25 also features high-quality mechanical parts, and the durable metal housing makes this a reliable lens for photographers on the road.

The right companion for years to come

Small, robust and versatile: the lenses in the ZEISS Loxia family for mirrorless cameras in the Sony Alpha series are particularly well-suited for street and travel photographers who love being inconspicuous as they capture special moments in cities and in nature without carrying around a lot of equipment. The compact design of the ZEISS Loxia lenses has been specially developed for the mirrorless full-frame Sony E-mount cameras. Used in tandem, the lens and camera enable filmmakers and photographers to achieve a high-quality result, while the equipment’s modest dimensions ensure users always have whatever they need with them. “This is a significant advantage for anyone who wants to blend into the background and is also on the road a lot,” says Product Manager Casenave. The all-round talent from the ZEISS Loxia family is also great for filming.

Bringing creativity to life through precise, manual focusing

Traditional photography and cutting-edge technology all in one: with the ZEISS Loxia 2.4/25, photographers can let their artistic creativity run free. “A steady hand and the manual focusing means users achieve impressive results,” says Casenave. The electronic interface for the ZEISS Loxia 2.4/25 transfers both lens data and focus movements to the Sony camera and then activates the focus peaking or the zoom function. Demanding photographers can achieve a wide range of creative possibilities thanks to precise, manual focusing, including a retro look and feel.

Precise and sophisticated – the ZEISS Loxia lens family featuring five focal lengths between 21 and 85 millimeters gives users a large number of creative possibilities when taking photographs or filming because of its technical refinement, linking traditional photography with modern technology.

A strong all-rounder for taking photographs and filming

The ZEISS Loxia family comprises five lenses with focal lengths between 21 and 85 millimeters. The lenses with manual focusing are all compact, durable and do not draw too much attention. With these lightweight companions, photographers and filmmakers have the necessary equipment and flexibility they need while on the road. The ZEISS Loxia lenses along with all the accessories have the same diameter and enable users to quickly and easily switch between different focal lengths during a shoot. The lenses offer the optimum foundation for capturing photographs and filming, both individually and as a set. These strong all-round talents excel at a wide range of uses.

Price and availability

The ZEISS Loxia 2.4/25 will be available at the ZEISS Webshop and at dealers from March 2018. The price of the new ZEISS Loxia 2.4/25 is €1,299 (incl. German VAT) or $ 1,299 US (excl. local taxes). The lens hood is included. Filmmakers can look forward to a special offer on a set comprising all five ZEISS Loxia focal lengths ranging from 21 to 85 millimeters.

For more information, please visit www.zeiss.com/photo/loxia2425

Articles: Digital Photography Review (dpreview.com)

 
Comments Off on Zeiss unveils ‘small, robust and versatile’ Loxia 25mm F2.4 lens

Posted in Uncategorized

 

Meike teases three new lenses: 50mm F1.7, 25mm F2.0 and 25mm T2.2

08 Feb

Chinese accessory and optical manufacturer Meike has posted a picture on its website of three lenses it intends to launch in the coming months. Two stills lenses are promised, a 50mm and a 25mm, as well as a 25mm designed for movie shooters.

It is reported that the first will be a 50mm F1.7 for mirrorless systems—including the Canon EOS M mount—which is due in the middle of next month. A 25mm F2 shown in the same graphic is quite a different design to the 50mm, and different also from Meike’s existing mirrorless and APS-C range of lenses, so it isn’t easy to guess what systems this model will be aimed at. The third lens is a 25mm T2.2 Cinema lens, which appears to be the company’s first foray into this video market.

Finally, as for how much these lenses might cost, it’s worth noting that the company’s current 50mm F2 retails for about $ 80… so they tend to be pretty affordable.

For more information, visit the Meike website.

Articles: Digital Photography Review (dpreview.com)

 
Comments Off on Meike teases three new lenses: 50mm F1.7, 25mm F2.0 and 25mm T2.2

Posted in Uncategorized

 

Hands-on with Zeiss Milvus 25mm F1.4

28 Oct

Hands-on with Zeiss Milvus 25mm F1.4

Zeiss just announced a new prime lens for full-frame Canon and Nikon DSLRs: The Milvus 25mm F1.4 is very big, very heavy, and should be very high-performing – and we just got our hands on one.

Hands-on with Zeiss Milvus 25mm F1.4

The new Milvus 25mm F1.4 is the fourth widest lens in the family – which ranges from 15mm to 135mm – and brings the total number to Milvus lenses to 11, four of which boast fast F1.4 apertures. As we’d expect from previous lenses in this series, build quality is extraordinarily good. If you can handle the size and weight, the experience of using a Milvus is nothing short of luxurious.

Hands-on with Zeiss Milvus 25mm F1.4

Optical construction comprises 15 elements in 13 groups, including a grand total of six aspherical elements, for a (claimed) almost total reduction of CA. If that sounds like an expensive way to make a lens, it is. The Milvus will cost $ 2400 (but that’s still a lot less than a new Leica Thambar).

Hands-on with Zeiss Milvus 25mm F1.4

At 123mm (4.8 inches) long and 1225 g (43.20 oz), the Milvus 25mm F1.4 is a large, heavy lens. The Canon EOS 5D Mark IV shown here is a pretty chunky camera, but the Milvus makes it look like an Olympus OM-D E-M10 III…

Hands-on with Zeiss Milvus 25mm F1.4

Announced earlier this year, the Milvus 35mm F1.4 is similarly tank-like, weighing in at 1174 g (41.40 oz).

Hands-on with Zeiss Milvus 25mm F1.4

As well as being slightly lighter, the Milvus 35mm F1.4 is a little less expensive than the 25mm too, at $ 2228.

Articles: Digital Photography Review (dpreview.com)

 
Comments Off on Hands-on with Zeiss Milvus 25mm F1.4

Posted in Uncategorized

 

Zeiss reveals Milvus 25mm F1.4 lens, the 11th in the manual-focus family

22 Oct

Zeiss has added a new wide-angle lens to its Milvus line of full-frame, manual focus lenses for Nikon and Canon DSLRs. The new Milvus 25mm F1.4 is now the fourth widest lens in the family—which ranges from 15mm to 135mm—and brings the total number to Milvus lenses to 11, four of which boast fast F1.4 apertures.

According to Zeiss, the Milvus 25mm F1.4 is “suitable primarily for landscape and architecture photography, and for journalistic shots and videos” thanks to its fast aperture and a new optical design that uses 15 elements in 13 groups to deliver “high-contrast photos and a harmonious bokeh.” They also claim “hardly any color fringes,” even when you’re shooting with the lens wide-open.

Like the entire Milvus line, the new 25mm F1.4 is manual focus only, and features a robust all-metal housing as well as ‘special seals’ for protection against dust and splashes.

The new Milvus 25mm F1.4 will be available starting November 2nd for 2,400 Euros (including tax) or $ 2,400 USD. To learn more about this lens or the entire Milvus line, head over to the Zeiss website by clicking here.

Press Release

ZEISS Unveils High-Speed DSLR Lens: ZEISS Milvus 1.4/25

With its new wide-angle focal length, the ZEISS Milvus family now boasts eleven lenses for single-lens reflex cameras, including four focal lengths with a maximum aperture of 1.4, which are perfect for videographers too.

OBERKOCHEN/Germany, 2017-10-18.

The ZEISS Milvus 1.4/25 is the latest focal length to be added to ZEISS’s largest range of lenses for full-frame single-lens reflex cameras. The lens, which was developed for the DSLR systems from Canon and Nikon is suitable primarily for landscape and architecture photography, and for journalistic shots and videos. “The completely new optical design ensures superior performance across the entire image field,” says Christophe Casenave, Product Manager at ZEISS. “This results in high-contrast photos and a harmonious bokeh.”

High-speed wide-angle lens

Thanks to a maximum aperture of 1.4, this lens can even capture exceptional images in poor light. “Even at full aperture, there are hardly any color fringes,” says Casenave. “The finest details can be reproduced in high definition and contrast all the way into the corners.” The metal housing is what makes the lens robust, and its dirt and dust protection even makes the ZEISS Milvus 1.4/25 ready for action in adverse weather. The large 172-degree focus rotation angle enables precise manual focusing for adding creative touches to photos and videos.

The largest ZEISS lens family yet

Featuring eleven focal lengths ranging from 15 to 135 millimeters, including two macros, the ZEISS Milvus family covers a host of applications, such as portrait, landscape, architecture and street photography. “We can offer every photographer just the right lens,” says Casenave.

Perfect for videographers too

The four ZEISS Milvus focal lengths 25, 35, 50 and 85 millimeters with an aperture of 1.4 are just perfect for filming. Thanks to their high speed, they are suitable primarily for interviews and documentaries where the videographer can utilize natural light. Thanks to the de-click function in the version for the Nikon-Mount the aperture can be adjusted continuously. ZEISS Lens Gears in a range of sizes permit the use of follow-focus systems.

Price and availability

The ZEISS Milvus 1.4/25 retails for 2,400 Euros including 19 percent sales tax (RRP) or $ 2,400 USD and will be available starting November 2nd 2017 at dealers and from the ZEISS online shop.

Articles: Digital Photography Review (dpreview.com)

 
Comments Off on Zeiss reveals Milvus 25mm F1.4 lens, the 11th in the manual-focus family

Posted in Uncategorized

 

SLR Magic introduces E-mount Cine 25mm F1.4

25 Apr

SLR Magic will be showing off a new prime for videographers at NAB: the Cine 25mm F1.4. Costing $ 400 and available at the end of May, the 25mm F1.4 will be available in E-mount and will be compatible with both APS-C and full-frame Sony cameras. The lens is a quite compact 78.4mm / 3.05in and weighs 520g / 18.34oz. A manually controlled aperture uses 13 blades. NAB attendees can take a look at the lens in person at SLR Magic’s booth.

Press Release:

Hong Kong, China (April 24, 2017) – SLR Magic extends it’s full frame lens lineup with the SLR Magic CINE 25mm F1.4 wide angle lens. This product will be officially introduced during the upcoming 2017 NAB Show in the Las Vegas Convention Center. There will be a demo at the SLR Magic booth (Central Hall, C2663) during the NAB Show from 24 – 27th April 2017.

The field of view of the SLR Magic CINE 25mm F1.4 opens up many new creative composition opportunities, particularly in the fields of interior, architectural and landscape cinematography and photography. The compact size of the SLR Magic CINE 25mm F1.4 wide angle lens also makes it a good choice of lens to be used with gimbals.

We place our highest priority in the development on our lenses to fulfill the demands of professional cinematographers and photographers. The design and build of the SLR Magic CINE 25mm F1.4 is solid and reliable.

SLR Magic is currently looking for volunteers to test the SLR MAGIC CINE 25mm F1.4 E mount lens at a special price. If interested:

1 ) Send an email to support@slrmagic.com with the subject ” SLR MAGIC CINE 25mm F1.4 lens volunteer + (your name)”.

2 ) Include sample videos/photos or link to photo/video reviews you have done in the past.

THE SLR Magic CINE 25mm F1.4 (MSRP: $ 399 US) will be available from authorized SLR Magic dealers by the end of May, 2017.

Technical Data

SLR Magic CINE 25mm F1.4

Lens Type: Fast standard lens

Compatible Cameras: FE-mount and E-mount cameras

Optical Design: 11 elements in 9 groups

Distance Settings:

Distance range: 0.25m to ?, combined scale meter/feet

Aperture: Manually controlled diaphragm, 13 aperture blades, Lowest value 16.

Filter Mount: Internal thread for 52mm filter; filter mount does not rotate.

Surface Finish: Black anodised

Dimensions:

Length to bayonet mount: approx. 78.40mm (approx. 3.05in)

Largest diameter: approx. 64.64mm (approx. 2.54in)

Weight: approx. 520g (approx. 18.34oz)

Articles: Digital Photography Review (dpreview.com)

 
Comments Off on SLR Magic introduces E-mount Cine 25mm F1.4

Posted in Uncategorized

 
« Older Entries