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Posts Tagged ‘24200mm’

Nikon Z 24-200mm F4-6.3 VR sample gallery

19 Jul

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The Nikon Z 24-200mm F4-6.3 VR is a multipurpose zoom lens for Nikon’s full-frame Z-mount cameras. Intended to be a ‘do anything’ lens, the 24-200mm should be perfect for travel and everyday photography.

As such, we’ve been shooting with the 24-200mm in as many different situations as we can find. Check out our gallery of samples to see how it performs.

View samples from the Z 24-200mm F4-6.3

Articles: Digital Photography Review (dpreview.com)

 
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Sony announces Cyber-shot RX100 VI with 24-200mm zoom

08 Jun

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Sony has announced the Cyber-shot RX100 VI, a 1″-type compact camera with a 20.1-megapixel Exmor RS stacked CMOS sensor, 24-200mm equivalent F2.8-4.5 zoom lens, 315 phase detection points covering approximately 65% of the sensor, and the ability to shoot at 24 fps with autofocus.

The RX100 VI becomes the first in the Cyber-shot RX100-series to gain a touchscreen, allowing both touch shutter and touch focus. The screen can tilt up to 180 degree upwards and 90 degree downwards, extending shooting flexibility. The new camera is essentially the same size as its predecessor the RX100 V, but its depth has been increased slightly, by 1.8mm.

The RX100 VI includes the latest Bionz X processor with front-end LSI, as used in the most recent Alpha cameras

Sony says that the RX100 VI contains processing and experience developed in the creation of the a9 sports camera. It includes the latest Bionz X processor with front-end LSI, as used in the most recent Alpha cameras. This helps give what the company says is the world’s fastest AF (measured at 0.03 seconds) and with twice the EyeAF tracking performance of the Mark V.

The RX100 VI’s Hybrid AF system includes 315 phase detection points, covering approximately 65% of the sensor for ‘high-density tracking’.

The RX100 VI’s 24-200mm lens comprises 15 elements in 12 groups, featuring two ED (extra-low dispersion) aspherical glass elements and eight aspherical lens elements including four AA (advanced aspherical) lenses. Sony describes the pocketable camera as having “two lenses worth of interchangeable lens”, incorporating the range of a 24-70mm lens and a 70-200mm in one “do anything” camera. Meanwhile, it offers a claimed 4EV of image stabilization. Unlike its predecessor, there is no ND filter for video shooters.

LensEquivalentApertures([“Equivalent focal length (mm)”,”Panasonic ZS100″,”Canon G7 X II”,”Panasonic LX10″,”Sony RX100 V”,”Panasonic ZS200″,”Sony RX100 VI”], [[24,null,””,4.90909090909091,”Canon G7 X II at 24mm: F4.9″,3.8181818181818183,”Panasonic LX10 at 24mm: F3.8″,4.90909090909091,”Sony RX100 V at 24mm: F4.9″,9.0,”Panasonic ZS200 at 24mm: F9.0″,7.6363636363636367,”Sony RX100 VI at 24mm: F7.6″],[25,7.6363636363636367,”Panasonic ZS100 at 25mm: F7.6″,null,””,4.0909090909090917,”Panasonic LX10 at 25mm: F4.1″,5.454545454545455,”Sony RX100 V at 25mm: F5.5″,null,””,8.7272727272727284,”Sony RX100 VI at 25mm: F8.7″],[26,7.9090909090909092,”Panasonic ZS100 at 26mm: F7.9″,null,””,4.90909090909091,”Panasonic LX10 at 26mm: F4.9″,6.0000000000000009,”Sony RX100 V at 26mm: F6.0″,null,””,null,””],[27,8.1818181818181834,”Panasonic ZS100 at 27mm: F8.2″,null,””,5.454545454545455,”Panasonic LX10 at 27mm: F5.5″,null,””,null,””,null,””],[28,null,””,null,””,6.0000000000000009,”Panasonic LX10 at 28mm: F6.0″,6.8181818181818183,”Sony RX100 V at 28mm: F6.8″,9.5454545454545467,”Panasonic ZS200 at 28mm: F9.5″,null,””],[29,null,””,null,””,6.8181818181818183,”Panasonic LX10 at 29mm: F6.8″,null,””,null,””,null,””],[30,8.7272727272727284,”Panasonic ZS100 at 30mm: F8.7″,null,””,null,””,null,””,null,””,null,””],[31,null,””,null,””,7.6363636363636367,”Panasonic LX10 at 31mm: F7.6″,null,””,null,””,null,””],[32,9.0,”Panasonic ZS100 at 32mm: F9.0″,6.0000000000000009,”Canon G7 X II at 32mm: F6.0″,null,””,7.6363636363636367,”Sony RX100 V at 32mm: F7.6″,null,””,9.5454545454545467,”Sony RX100 VI at 32mm: F9.5″],[34,9.2727272727272734,”Panasonic ZS100 at 34mm: F9.3″,null,””,null,””,null,””,null,””,null,””],[35,null,””,null,””,null,””,null,””,10.090909090909092,”Panasonic ZS200 at 35mm: F10.1″,null,””],[36,9.5454545454545467,”Panasonic ZS100 at 36mm: F9.5″,null,””,null,””,null,””,null,””,null,””],[39,null,””,6.8181818181818183,”Canon G7 X II at 39mm: F6.8″,null,””,null,””,null,””,null,””],[40,null,””,null,””,null,””,null,””,null,””,10.90909090909091,”Sony RX100 VI at 40mm: F10.9″],[50,null,””,null,””,null,””,null,””,11.454545454545457,”Panasonic ZS200 at 50mm: F11.5″,null,””],[54,null,””,7.6363636363636367,”Canon G7 X II at 54mm: F7.6″,null,””,null,””,null,””,null,””],[70,null,””,null,””,null,””,7.6363636363636367,”Sony RX100 V at 70mm: F7.6″,12.81818181818182,”Panasonic ZS200 at 70mm: F12.8″,null,””],[72,null,””,null,””,7.6363636363636367,”Panasonic LX10 at 72mm: F7.6″,null,””,null,””,null,””],[90,null,””,null,””,null,””,null,””,13.636363636363637,”Panasonic ZS200 at 90mm: F13.6″,null,””],[100,null,””,7.6363636363636367,”Canon G7 X II at 100mm: F7.6″,null,””,null,””,null,””,null,””],[109,null,””,null,””,null,””,null,””,null,””,12.272727272727273,”Sony RX100 VI at 109mm: F12.3″],[135,null,””,null,””,null,””,null,””,15.545454545454547,”Panasonic ZS200 at 135mm: F15.5″,null,””],[144,15.818181818181818,”Panasonic ZS100 at 144mm: F15.8″,null,””,null,””,null,””,null,””,null,””],[157,16.090909090909093,”Panasonic ZS100 at 157mm: F16.1″,null,””,null,””,null,””,null,””,null,””],[160,null,””,null,””,null,””,null,””,15.818181818181818,”Panasonic ZS200 at 160mm: F15.8″,null,””],[200,null,””,null,””,null,””,null,””,16.636363636363637,”Panasonic ZS200 at 200mm: F16.6″,12.272727272727273,”Sony RX100 VI at 200mm: F12.3″],[250,16.090909090909093,”Panasonic ZS100 at 250mm: F16.1″,null,””,null,””,null,””,17.181818181818183,”Panasonic ZS200 at 250mm: F17.2″,null,””],[300,null,””,null,””,null,””,null,””,17.454545454545457,”Panasonic ZS200 at 300mm: F17.5″,null,””],[360,null,””,null,””,null,””,null,””,17.454545454545457,”Panasonic ZS200 at 360mm: F17.5″,null,””]], {“isMobile”:false})

The RX100 VI’s XGA OLED pop-up EVF is similar to previous models in the series, but once popped-up, the finder optics no longer need to be manually extended for use.

Sample Gallery:

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On the video front, the RX100 VI is capable of full-width, oversampled 4K video with support for 8-bit HLG (Hybrid Log Gamma) for easy HDR capture. The RX100 VI is also able to record superslow motion video at either 250, 500 or 1000 fps.

The new Sony Cyber-shot RX100 VI will ship next month, priced at $ 1200 (£1,150 in the UK).

At the same press conference, Sony also announced the VCT-SGR1 shooting grip, designed for the RX0 and RX100-series cameras. The VCT-SGR1 includes camera controls, an adjustable head and built-in tripod. It will be available in September for around $ 100.

Press release:

Sony’s New RX100 VI Combines Versatile 24-200mm Large Aperture, High Magnification Zoom Lens with World’s Fastest AF Speed

  • Maintains compact body size of acclaimed RX100 series while adding a ZEISS® Vario-Sonnar T* 24-200mm F2.8 – F4.5 Large Aperture High Magnification Zoom Lens
  • World’s Fastest 0.03 seconds AF speed combined with 315 focal-plane phase-detection AF points covering approximately 65% of frame
  • 1.0-type stacked 20.1 MP Exmor RS™ CMOS image sensor with DRAM chip and upgraded BIONZ X™ image processor and Front-end LSI
  • High-speed continuous shooting at up to 24 fps with full AF/AE tracking
  • Optical image stabilization equivalent to a 4.0-stop faster shutter speed
  • High Resolution 4K Movie Shooting with full pixel readout and no pixel binning plus 4K HDR for instant HDR workflow

NEW YORK, Jun.5, 2018 – Sony – a worldwide leader in digital imaging and the world’s largest image sensor manufacturer – has today announced another exciting model for their popular Cyber-shot RX100 series of compact cameras, the RX100 VI (model DSC-RX100M6).

The innovative new RX100 VI camera is the first of all the RX100 models to include a high magnification zoom lens, as it packs in an impressive ZEISS® Vario-Sonnar T* 24-200mm F2.8 – F4.5 lens yet doesn’t sacrifice the pocket-size portability, fast responsiveness and high image quality that has become the hallmark of Sony’s RX100 lineup. It’s extensive zoom, impressive image quality and versatility for both still images and video make it an ideal choice for capturing daily life, cityscapes, portraiture, sports, wildlife and everything in between.

The new model is equipped with a 20.1 MP 1.0-type stacked Exmor RS™ CMOS image sensor with DRAM chip and an upgraded BIONZ X™ image processing system with a front-end LSI that maximizes processing speed and optimizes image quality in all shooting environments. Additionally, the RX100 VI features an incredibly efficient Fast Hybrid AF system with 315-point phase-detection AF points on the sensor that can acquire focus in as little as 0.03 seconds, the world’s fastest AF acquisition time for 1.0-type sensor cameras. It can also shoot at up to 24 fps at full resolution with continuous AF/AE tracking and produces beautiful 4K video with full pixel readout and no pixel binning.

“We’re continuing to innovate our RX camera lineup, providing our customers new and different ways to capture what they’ve never been able to capture before,” said Neal Manowitz, Vice President of Digital Imaging for Sony Electronics. “The new RX100 VI is the latest example, delivering extensive reach, extremely advanced autofocus, high-speed shooting and more, while still being able to slip easily into your pocket. It’s the ultimate pocket travel camera.”

New High-Magnification 24-200mm Zoom Lens plus Outstanding Image Quality

A first for Sony’s RX100 series of cameras, the new ZEISS® Vario-Sonnar T* 24-200mm F2.8 – F4.5 lens packs the power of both 24-70mm and 70-200mm focal lengths into a singular compact design. This is achieved thanks to its unique design featuring two ED (extra-low dispersion) aspherical glass elements and eight aspherical lens elements including four AA (advanced aspherical) lenses. All pieces work together seamlessly to deliver outstanding sharpness from corner-to-corner at all focal lengths, maintaining the acclaimed image quality of the RX100 series.

The impressive new lens on the RX100 VI maintains a large aperture throughout the entire zoom range, ensuring portraits can be created with beautiful background defocus, fast moving subjects can be captured with crisp focus and no blurring, and much more. Additionally, the lens has built-in Optical SteadyShotTM image stabilization that is equivalent to a 4.0-stopvifaster shutter speed, helping to prevent camera shake or blurry imageseven in a low-light condition or at telephoto zoom range.

Lightning-Fast AF Performance and Shooting Speeds

The new RX100 VI model features a Fast Hybrid AF system that ultimately allows the camera to lock focus in as little as 0.03 seconds. This innovative AF system combines the respective advantages of 315-point focal-plane phase-detection AF points that cover approximately 65% of the sensor and contrast-detection AF. This high speed focusing complements the versatile 24-200mm range of the lens, ensuring all subjects can be captured with precise detail and clarity.

Additionally, a first for the RX100 series of cameras, the RX100 VI includes Sony’s advanced High-density Tracking AF technology, which concentrates AF points around a subject to improve tracking and focus accuracy. The popular Eye AF technology is also available with approximately 2x the tracking performance of the current RX100 series model[ix]. Further, the camera has LCD touch focusing and touchpad focus point control for users that would like to drag their fingers to ideal focus points of their choice.

An ideal complement to the AF system, the RX100 VI offers continuous high-speed shooting at up to 24 fps with full AF/AE tracking, with an impressive buffer limit of up to 233 images. The display lag of the EVF has been substantially reduced compared to prior models, allowing shooters to capture the decisive moment with ultimate confidence. Also, for convenience during image playback, continuously shot images can be displayed in groups instead of individual shots.

The RX100 VI also has a high speed Anti-Distortion Shutter (maximum shutter speed of up to 1/32000 second) that reduces the “rolling shutter” effect commonly experienced with fast moving subjects, and can shoot completely silently in all modes, including continuous high speed shooting, when electronic shutter is engaged. A mechanical shutter mode is also available as well if required by the user.

Advanced Movie Capabilities Including 4K HDR

The pocket-friendly RX100 VI is packed with a variety of video capabilities that will satisfy even the most demanding video enthusiasts.

With Fast Hybrid AF, the focal-plane phase-detection AF points ensures accurate focusing and tracking performance, even for the severe focusing requirements of 4K movie shooting. AF drive speed and AF tracking sensitivity can also be adjusted via the menu system, giving shooters plenty of flexibility based on their focusing preferences.

In 4K mode, the new RX100 VI utilizes full pixel readout without pixel binning to ensure that all the finer details of 4K video are captured with minimal moire and ‘jaggies’.

For the first time in a Cyber-shot camera, the RX100 VI features 4K HDR compatibility thanks to its new HLG (Hybrid Log-Gamma) picture profile that offers an instant HDR workflow solution. Additional professional caliber video features include S-Log3/S-Gamut3, 120p Full HD mode, Picture Profile, proxy recording and more. The RX100 VI is also able to record super slow motion video at either 240fps, 480 fps or 960 fps.

Premium Design, Control and Convenience

The new RX100 VI is equipped with a high-contrast 2.35 million dot XGA OLED Tru-Finder™ with ZEISS®T* Coating, ensuring true-to-life image preview and playback functionality. The EVFitselfretracts in and out of the camera body based on user preference, and can be activated instantly by asingle One-push Access button.

A first for Sony’s RX series, RX100 VI has a touch shutter that can be activated by tapping the back LCD screen, a zoom lever with customizable zoom speeds and an LCD that can be rotated 180 degrees upward or 90 degrees downward for a variety of shooting angles for the creator. There is also aMonitor Auto OFF function that boosts max number of still images by up to 30%, and the camera is also Wi-Fi®, NFC™ and Bluetooth® compatible.

Pricing and Availability

The new Sony Cyber-shot RX100 VI compact camera will ship next month for about $ 1,200 US and $ 1,600 CA.

Sony Cyber-shot RX100 VI specifications

Price
MSRP $ 1200/£1150
Body type
Body type Compact
Body material Aluminum
Sensor
Max resolution 5472 x 3648
Other resolutions 3:2 (3888 x 2592, 2736 x 1824), 4:3 (4864 x 3648, 3648 x 2736, 2592 x 1944), 16:9 (5472 x 3080, 3648 x 2056, 2720 x 1528), 1:1 (3648 x 3648, 2544 x 2544, 1920 x 1920)
Image ratio w:h 1:1, 4:3, 3:2, 16:9
Effective pixels 20 megapixels
Sensor photo detectors 21 megapixels
Sensor size 1″ (13.2 x 8.8 mm)
Sensor type BSI-CMOS
Processor Bionz X
Color space sRGB, AdobeRGB
Color filter array Primary color filter
Image
ISO Auto, 125-12800
Boosted ISO (minimum) 80
Boosted ISO (maximum) 25600
White balance presets 9
Custom white balance Yes
Image stabilization Optical
CIPA image stabilization rating 4 stop(s)
Uncompressed format RAW
JPEG quality levels Extra fine, fine, standard
File format
  • JPEG (Exif v2.3, DCF v2.0)
  • Raw (Sony ARW v2.3)
Optics & Focus
Focal length (equiv.) 24–200 mm
Optical zoom 8.3×
Maximum aperture F2.8–4.5
Autofocus
  • Contrast Detect (sensor)
  • Phase Detect
  • Multi-area
  • Center
  • Selective single-point
  • Tracking
  • Single
  • Continuous
  • Face Detection
  • Live View
Autofocus assist lamp Yes
Digital zoom Yes (3.8x)
Manual focus Yes
Normal focus range 8 cm (3.15)
Macro focus range 8 cm (3.15)
Number of focus points 315
Screen / viewfinder
Articulated LCD Tilting
Screen size 3
Screen dots 1,228,800
Touch screen Yes
Screen type TFT LCD
Live view Yes
Viewfinder type Electronic
Viewfinder coverage 100%
Viewfinder magnification 0.59×
Viewfinder resolution 2,359,296
Photography features
Minimum shutter speed 30 sec
Maximum shutter speed 1/2000 sec
Maximum shutter speed (electronic) 1/32000 sec
Exposure modes
  • Auto
  • Program Auto
  • Aperture Priority
  • Shutter Priority
  • Manual Exposure
Scene modes
  • Portrait
  • Sports Action
  • Macro
  • Landscape
  • Sunset
  • Night Scene
  • Handheld Twilight
  • Night Portrait
  • Anti Motion Blur
  • Pet Mode
  • Gourmet
  • Fireworks
  • High Sensitivity
Built-in flash Yes
Flash range 5.90 m (at Auto ISO)
External flash No
Drive modes
  • Single
  • Continuous
  • Self-timer (single, continuous)
  • Single/continuous bracketing
  • WB bracketing
  • DRO bracketing
Continuous drive 24.0 fps
Self-timer Yes
Metering modes
  • Multi
  • Center-weighted
  • Spot
Exposure compensation ±3 (at 1/3 EV steps)
AE Bracketing ±3 (3 frames )
WB Bracketing Yes
Videography features
Format MPEG-4, AVCHD, XAVC S
Modes
  • 3840 x 2160 @ 30p / 100 Mbps, XAVC S, MP4, H.264, Linear PCM
  • 3840 x 2160 @ 30p / 60 Mbps, XAVC S, MP4, H.264, Linear PCM
  • 3840 x 2160 @ 25p / 100 Mbps, XAVC S, MP4, H.264, Linear PCM
  • 3840 x 2160 @ 25p / 60 Mbps, XAVC S, MP4, H.264, Linear PCM
  • 3840 x 2160 @ 24p / 100 Mbps, XAVC S, MP4, H.264, Linear PCM
  • 3840 x 2160 @ 24p / 60 Mbps, XAVC S, MP4, H.264, Linear PCM
  • 1920 x 1080 @ 120p / 100 Mbps, XAVC S, MP4, H.264, Linear PCM
  • 1920 x 1080 @ 120p / 60 Mbps, XAVC S, MP4, H.264, Linear PCM
  • 1920 x 1080 @ 100p / 100 Mbps, XAVC S, MP4, H.264, Linear PCM
  • 1920 x 1080 @ 100p / 60 Mbps, XAVC S, MP4, H.264, Linear PCM
  • 1920 x 1080 @ 60p / 50 Mbps, XAVC S, MP4, H.264, Linear PCM
  • 1920 x 1080 @ 60p / 28 Mbps, MP4, H.264, AAC
  • 1920 x 1080 @ 60p / 28 Mbps, AVCHD, MTS, H.264, Dolby Digital
  • 1920 x 1080 @ 60i / 24 Mbps, AVCHD, MTS, H.264, Dolby Digital
  • 1920 x 1080 @ 60i / 17 Mbps, AVCHD, MTS, H.264, Dolby Digital
  • 1920 x 1080 @ 50p / 50 Mbps, XAVC S, MP4, H.264, Linear PCM
  • 1920 x 1080 @ 50p / 28 Mbps, MP4, H.264, AAC
  • 1920 x 1080 @ 30p / 50 Mbps, XAVC S, MP4, H.264, Linear PCM
  • 1920 x 1080 @ 30p / 16 Mbps, MP4, H.264, AAC
  • 1920 x 1080 @ 25p / 50 Mbps, XAVC S, MP4, H.264, Linear PCM
  • 1920 x 1080 @ 25p / 16 Mbps, MP4, H.264, AAC
  • 1920 x 1080 @ 24p / 50 Mbps, XAVC S, MP4, H.264, Linear PCM
  • 1920 x 1080 @ 24p / 24 Mbps, AVCHD, MTS, H.264, Dolby Digital
  • 1920 x 1080 @ 24p / 17 Mbps, AVCHD, MTS, H.264, Dolby Digital
  • 1280 x 720 @ 30p / 6 Mbps, MP4, H.264, AAC
  • 1280 x 720 @ 25p / 6 Mbps, MP4, H.264, AAC
Microphone Stereo
Speaker Mono
Storage
Storage types SD/ SDHC/SDXC, Memory Stick Pro Duo/ Pro-HG Duo
Connectivity
USB USB 2.0 (480 Mbit/sec)
HDMI Yes (micro-HDMI with uncompressed 4K/30p output)
Microphone port No
Headphone port No
Wireless Built-In
Wireless notes 802.11b/g/n with NFC
Remote control Yes (wired or smartphone)
Physical
Environmentally sealed No
Battery Battery Pack
Battery description NP-BX1 lithium-ion battery & USB charger
Battery Life (CIPA) 240
Weight (inc. batteries) 301 g (0.66 lb / 10.62 oz)
Dimensions 102 x 58 x 43 mm (4.02 x 2.28 x 1.69)
Other features
Orientation sensor Yes
Timelapse recording No
GPS None

Articles: Digital Photography Review (dpreview.com)

 
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