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Posts Tagged ‘20mm’

Dear Nikon: Please let us keep the 20mm F1.8G, Love, Dan

20 Jan

An open letter to Nikon 

Dear Nikon, 

Dan Bracaglia here from DPReview.com. It’s been brought to my attention (mostly due to the nagging of coworkers) that the Nikkor 20mm F1.8G lens you’ve loaned us needs to be returned to Nikon ASAP. I guess this makes sense, seeing as we’ve had it for about 20 months now. But perhaps I can convince you, beyond a reason of a doubt to allow us just a little more time with it. I ask because I truly love this lens. And here’s why:

There’s no such thing as a perfect lens, but a lens can certainly be the right tool for a specific job, and to that extent, it’s perfect. Your 20mm F1.8G is just that for me.

I first moved to Seattle about five months before you shipped DPReview the lens. I’d previously been living in New York City and photographing live music. Back then I largely shot with a 17-35mm F2.8 (the lens motor has since died) and an on-camera flash. It was the perfect setup for the rowdy punk rock shows I frequented.

ISO 12,800, 1/160 sec at F2. Edited to taste in Lightroom.

But, after moving I realized I was going to have to switch up my music rig. I became aware that shows in small and mid-size venues in Seattle were well-documented, but shows happening in less traditional spaces, like friends’ basements, living rooms or art/community centers were often not photographed (despite being well-attended). So I launched a photoblog with the goal of documenting my local music community.

Out of respect for these intimate environments, I vowed to leave my flash at home and shoot available light only. And what could be better for documenting in the dark than fast primes? 

When shooting shows with available light, three things matter most to me in a lens: its size/weight (too large = too intrusive), it’s brightest aperture and its focus speed. Your 20mm, Nikon, is a perfect balance of all these things. A look at the Sigma 20mm F1.4 to gives an idea of how big and cumbersome a brighter 20mm lens could be.

And when paired with my D750, the combination is fast-to-focus (using the center area) even in conditions that are often too dark for me to physically see. This is incredibly impressive and useful. Even if I can’t tell whether or not my subject is in focus, I need to be able trust that my camera and lens can. Simply put, when used together the D750 and 20mm F1.8G sing.

ISO 12,800, 1/160 sec at F1.8. Edited to taste in Lightroom.

I’ve been mostly shooting it alongside your marvelously cheap 50mm F1.8D, which was actually my favorite Nikon lens (shocking!) before I got my paws on the 20mm 1.8G. I use the 50mm for detail shots and the 20mm to capture the tone of the room. Both are coat-pocketable and don’t add much bulk to the D750. Moreover both are sharp enough for me by F2.2 and fast-to-focus. The only thing I don’t like about the 20mm against the 50mm is the price, which is much more than the quintessential fast 50. 

That’s where the loan comes in. I know, I know, I’m lucky to be able to have access to loaner gear (we do ALSO use the lens for camera testing and sample image shooting), it’s just hard to justify spending $ 800 on a lens that will likely be soaked in beer within two weeks of my purchase (not that it’s ever happened to your 20mm…). I suppose I should be grateful for having had the chance to use a piece of gear and fall in love with it before buying it. After all, the inherent danger of using loaner gear from any brand, is getting attached.

At the the end of the day, maybe I should look at the $ 800 price tag as less about the cost of the lens and more about the price of being able to continue to document something I love, without drawing much attention. And to that regard, I owe it to myself, my community and you, to pony up and buy one. 

I’ll do that, but maybe after just one more loan extension?

Sincerely,

Dan Bracaglia

P.S. Anyone at Nikon want to purchase a slightly busted 17-35mm F2.8 for $ 800?

Articles: Digital Photography Review (dpreview.com)

 
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Rokinon 20mm F1.8 and Cine DS 20mm T1.9 Full Frame Super Wide Angle lenses now available

30 Dec

Rokinon has announced the launch of its new Rokinon Digital Photo 20mm F1.8 and Cine DS 20mm T1.9 Full Frame Super Wide Angle lenses. Both lenses are made from high-strength aluminum alloy and feature a super-wide 94.8-degree view, a non-rotating 77mm filter mount, Rokinon’s Ultra Multi-Coating, and a quiet, smooth focusing control.

These prime lenses, say Rokinon, offer both fast aperture and ‘the full frame perspective of 20mm,’ offering a solution that falls between the maker’s similar 14mm and 24mm models. These 20mm lenses have a 7.9in / 0.20m minimum focusing distance, 13 elements in 12 groups, three extra-low dispersion elements, and a pair of aspherical elements.

In addition to the ‘common’ features shared between the lenses, the Cine DS lens features geared aperture and controls, a de-clicked aperture control ring, and dual right/left side distance and t-stop scales. 

The Digital Photo lens is available for Canon, Nikon AE, Sony E, Micro Four Thirds, Pentax K, and Fuji X mounts (MSRP $ 599), while the Cine DS lens ($ 799 on B&H Photo) is available for Canon, Nikon, Sony E, and Micro Four Thirds mounts.

Articles: Digital Photography Review (dpreview.com)

 
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New 20mm F2 4.5x macro lens released by Mitakon

20 Dec

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Chinese optical manufacturer Mitakon has announced a macro lens with a maximum magnification ratio of 4.5:1. The Zhongyi Mitakon 20mm F2 4.5x Super Macro offers the opportunity to fill the frame of a 35mm-sized camera with objects four and a half times smaller than the camera’s sensor and can focus as close as 20cm, according to the company’s specification sheet.

The lens is manual focus, has apertures from F2 to F16, and uses a 3-bladed iris. The construction is of six elements in four groups with a metal barrel and a total length of only 60mm. The lens can’t be used for normal infinity focusing and the lowest magnification factor is 4x, so it is solely for macro use.

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Mitakon says the lens is available in mounts for Canon EF, Nikon F, Sony FE, Sony A, Pentax K, Sony E, Fujifilm X and Micro Four Thirds cameras, and costs $ 199. For more information visit the Mitakon website.

Press release

ZY Optics releases the Zhongyi Mitakon 20mm f/2 4.5X Super Macro Lens for high magnification shots

Zhongyi Optics (ZY Optics) has released a new compact Super Macro Lens for full frame cameras, the Zhongyi Mitakon 20mm f/2 4.5x Super Macro Lens and it features a high reproduction ratio up to 4.5:1.

Zhongyi Mitakon 20mm f/2 4.5X Super Macro Lens is very compact in its class which allows photographers to capture extremely fine details or patterns with ease. The lens is capable of creating unbelievable macro images ranging from 4x to 4.5x magnification. Users no longer need to DIY or use any extension tubes to reach high magnification shooting. It incorporates a 6pcs of elements in 4 groups structure which delivers impressive resolution from corners to corners. Weighing merely 0.5 lbs (230g) and 6cm long, it is a perfect companion for wildlife and outdoor shooting. The wide angle of view and close focusing distance allows you to compose creative images with more information included into the frame. Greater magnification (up to 13:1) can also be achieved by stacking extension tubes or bellows. The high magnification is also extremely useful for scientific purposes.

The enclosure of the lens is made of metal to strengthen its durability. Canon EF, Nikon F, Sony FE, Sony Alpha, Pentax K, Sony E, Micro Four Thirds, Fuji X mounts are available.

Pricing & Availability

Zhongyi Mitakon 20mm f/2 4.5X Super Macro Lens is now available to ship and purchase at ZY Optics authorized resellers and at our official website (http://www.zyoptics.net/). The Recommended Retail price is USD 199.

Articles: Digital Photography Review (dpreview.com)

 
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Tokina FiRIN 20mm F2 FE MF lens to begin shipping January 27

13 Dec

Tokina launched the FíRIN 20mm F2 FE MF lens for Sony E mount just prior to Photokina this year, and has announced that the lens will go on sale at the end of January. The wide-angle lens features three super-low dispersion elements alongside a pair of aspherical elements, an F2 to F22 aperture range, and a nine-blade diaphragm. In addition to full-frame Sony E mount cameras, this lens can also be used with APS-C models.

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According to Tokina, its new FiRIN lens supports in-camera assist functions, and includes both manual focus up to a minimum 11-inch distance and aperture control. The lens sports a multi-layer coating for minimizing ghosting and lens flare, as well as printed distance and depth of field scales on the lens barrel.

The lens is slated for release on January 27 with a retail price of ¥108,000. Pre-orders are available through B&H Photo for $ 799.

Via: Tokina

Articles: Digital Photography Review (dpreview.com)

 
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Tokina launches FiRIN mirrorless lens series with 20mm F2.0 FE MF

18 Sep

Tokina has today introduced a new prime lens that is specifically designed for Sony E-mount mirrorless full-frame cameras. The 20mm F2.0 FE MF is the first lens in the new FiRIN mirroless lens series and combines a fast aperture with a wide angle of view and manual focus.

“This is an exciting first step into the mirrorless market for Tokina,” says Kenko Tokina USA President, Yasu Suga. “The all-new design delivers a sharp edge-to-edge image and greatly reduces exposure fall-off for a crisp, clear image. The lens is manual focus with manual aperture control but transmits distance and aperture information to the lens allowing the camera to utilize the 5-axis Image Stabilization, Manual Focus Assist, and other features that require electronic lens communication. I am happy to report that our engineers in Japan are hard at work designing more lenses for the FiRIN mirrorless series; the future is bright.”

The lens comes with a wide focus ring for easy manual focusing and the aperture ring can be “clicked” for stills photography and “de-clicked” for smoother operation when shooting video. Electronic contacts allow for communication with the camera. The lens will officially be unveiled at the Photokina trade show in Cologne, Germany, next week. We expect more information on pricing and availability to be released then as well.


Press release:

NEW TOKINA FíRIN 20mm F2 FE MF

HUNTINGTON BEACH, Calif., Sept. 13, 2016 /PRNewswire/ — Tokina USA introduces the fast aperture, full-frame 20mm F/2.0 FE MF prime camera lens. This lens marks the initial offering of FiRIN, a new mirrorless lens series. This new lens series from Tokina is designed for a photography market that is rapidly adopting mirrorless camera systems as a standard. The FiRIN 20mm f/2.0 lens is a bright, wide-angle lens that is compatible with Sony E-Mount cameras.

“This is an exciting first step into the mirrorless market for Tokina,” says Kenko Tokina USA President, Yasu Suga. “The all-new design delivers a sharp edge-to-edge image and greatly reduces exposure fall-off for a crisp, clear image. The lens is manual focus with manual aperture control but transmits distance and aperture information to the lens allowing the camera to utilize the 5-axis Image Stabilization, Manual Focus Assist, and other features that require electronic lens communication. I am happy to report that our engineers in Japan are hard at work designing more lenses for the FiRIN mirrorless series; the future is bright.”

The FiRIN 20mm f/2.0 features a wide focus ring for smooth manual control, an aperture ring that can be “clicked” and “de-clicked” on demand for cinema and photo use, and electronic contacts for maximum communication with the camera. The lens will be unveiled at Photokina 2016 in Cologne, Germany. The Kenko Tokina booth is located in Hall 5.2, stand C020.

Tokina 20mm F2 FE MF specifications

Principal specifications
Lens type Prime lens
Max Format size 35mm FF
Focal length 20 mm
Image stabilization No
Lens mount Sony FE
Aperture
Maximum aperture F2
Minimum aperture F22
Aperture ring Yes
Number of diaphragm blades 9
Optics
Elements 13
Groups 11
Special elements / coatings Multi-layer coatings
Focus
Minimum focus 0.28 m (11.02)
Maximum magnification 0.1×
Autofocus No
Full time manual Yes
Focus method Internal
Distance scale Yes
DoF scale Yes
Physical
Weight 490 g (1.08 lb)
Diameter 62 mm (2.44)
Length 69 mm (2.72)
Sealing No
Colour Black
Filter thread 62.0 mm
Hood supplied Yes
Tripod collar No

Articles: Digital Photography Review (dpreview.com)

 
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Lens Review: Sigma 20mm F1.4 DG HSM Art Lens

10 Aug

In my opinion, one of the best developments to happen in photography recently is the stepped-up offerings of third party lens manufacturers. Early in my photography career, third party lenses were decent alternatives for a lower cost option, but my own experience was that the cost savings also came at a cost in performance. Those lenses weren’t as sharp, focused slower, and weren’t built to the same quality of similar lenses by Nikon and Canon (and other camera brands).

Sample image from Sigma 20mm f/1.4 DG HSM Art

The Sigma 20mm lens allows for capturing expansive views when photographing landscapes.

Enter Sigma’s Art lineup of lenses. When the Sigma 35mm f/1.4 Art lens was introduced in 2012, it ushered in a new era of third party lenses, giving users lower cost options while maintaining high image quality and performance. As Sigma has continued to build out their Art lineup, adding a 50mm f/1.4, a mind-boggling 50-100mm f/1.8 zoom for APS-C cameras, and others – photographers are gaining new respect for Sigma as a lens maker. Recently, Sigma announced a new entry, the 20mm f/1.4 DG HSM Art lens, and I was thrilled to have an opportunity to try it out.

First Impressions: Sigma 20mm f/1.4 Art Lens

Sigma 20mm f/1.4 DG HSM Art

Image courtesy of Sigma

When the lens first showed up on my doorstep, I immediately unpacked it to see what Sigma has done.  It is impressive. An ultra-wide angle lens with an ultra-fast maximum aperture, the 20mm f/1.4 Art lens is one with quite a few applications including; photojournalism, wedding photography, street photography, and landscapes, to name a few. If the image quality for this lens lives up to the reputation of previous Art lenses, it’s going to be an incredible lens to work with.

A quick glance at the major manufacturers’ websites reveals that no other lens maker builds a 20mm lens with a maximum aperture as large as the Sigma 20mm f/1.4 Art lens. That fast aperture allows a lot of room for use of shallow depth of field, or for working in low light conditions. It also makes applications such as astrophotography a bit easier as well. The minimum aperture is only f/16, as opposed to f/22 on lenses such as the Canon Ef 24mm f/1.4. While that is not a huge issue, it does mean that when you’re trying to use slow shutter speeds on sunny days, a filter may be necessary.

Detail image of Sigma 20mm f/1.4 DG HSm Art

The bulbous front element of the Sigma 20mm f/1.4 DG HSM Art lens. Photo courtesy of Sigma.

Out of the box, the lens is fairly sizable (90.7mm x 129.8mm / 3.6  x 5.1 inches) and is a bit heavy (950 g / 33.5 oz.). It is considerably larger than my Nikon 24mm f/1.4 G or the Canon EF 24mm f/1.4L II. The outer barrel does have a bit of plastic feel to it, but the brass mount and considerable heft, assuage any fears of cheap build quality. Constructed of 15 elements in 11 groups, including F Low Dispersion, Special Low Dispersion, and aspherical elements, Sigma claimed class-leading image quality. I found minimal distortion and chromatic aberration in images I shot with this lens, and what I did find was easily corrected in Lightroom or Photoshop. The lens features a 9-blade rounded diaphragm aperture, excellent for soft rounded bokeh in out of focus areas of the image. Minimum focusing distance is 27.6 cm or 10.9 in.

My one disappointment with the lens is the bulbous front element, which eliminates the ability to use either screw-in filters such as polarizers, or the smaller 100mm drop-in filters. While I have a set of 150mm filters, my adapter would not fit the lens, and other manufacturers had yet to build an adapter that works. I am told by several filter manufacturers that they are working on a suitable adapter for the 150mm filter kits on the market.

The Sigma 20mm in the field

Sample image from Sigma 20mm f/1.4 DG HSm Art

Being a landscape photographer, the first thing I wanted to do was take this lens for a spin at one or two of my favorite local spots. While the lack of filters meant I had some difficult choices to make when photographing the sunset, I was anxious to use the wide angle lens to accentuate the foreground and the sky.

The Sigma 20mm f/1.4 Art gave me no issues and focused smoothly on my subject. The 94.5° field of view on a full frame sensor provides a nice panoramic image, allowing you to emphasize the immediate foreground while creating context in showing the background. The necessity of filters will be more dictated by your camera sensor’s dynamic range, but I found on my Nikon D810, I was able to expose for the highlights and recover the shadows in post-production. Sharpness throughout the scene was excellent, with minimal distortion and loss of resolution at the corners. Color and contrast are excellent as well.

20160624_Maureen-Chuck_0611b

My next test was to try the lens at a wedding. I will often employ a wide angle lens for capturing action on the dance floor, and occasionally for environmental portraits of the bride and groom like the image above. I found the Sigma 20mm f/1.4 Art lens excelled in both instances.

On the dance floor, even in low light, I found the lens to focus quickly and accurately. The fast aperture allowed me to minimize my use of flash in the reception hall (below), and use the ambient lighting for a more natural, festive look. In addition, for the formal portraits I used the lens outdoors at sunset for some bridal portraits, and was impressed with the image quality in a high contrast situation. I used an external strobe to light the bride and groom (image above), with the sunset in the background, and stopped all the way down to f/16 for a starburst effect on the sun.

Sample wedding image from Sigma 20mm f/1.4 DG HSM Art lens

My final test was to do some astrophotography with the lens. In the past, I’ve used both the Nikon 24mm f/1.4 and the Canon EF 24mm f/1.4L II lenses, and while both were satisfactory, each has a tendency to produce some comatic aberration, especially in the corners.

While I did find some coma using the Sigma 20mm f/1.4 Art, I found it to be less noticeable than either the Nikon or the Canon. The fast f/1.4 aperture allowed me to capture the stars, while using an ISO of 800 and a 15 second exposure time. If nothing else, this lens is an astrophotographer’s dream, being wider than any other f/1.4 lens currently on the market, which allows for capturing expansive sections of the night sky.

Sample images from Sigma 20mm f/1.4 Dg HSM Art lens.

Summary

In the 20mm f/1.4 Art lens, Sigma has managed to build an exceptional, wide aperture, wide angle lens that will suit a variety of photographers, from photojournalists, to landscape artists, street photographers and wedding photographers. Priced at $ 899, it’s less than half the price of the equivalent Nikon or Canon 24mm lenses, and provides a wider angle. Nikon’s 20mm f/1.8G is as close as the major manufacturers get to this lens, at a cost of $ 100 less than the Sigma. The Sigma 20mm f/1.4 DG HSM Art is available in Canon, Nikon, and Sigma mounts.

I highly recommend this lens to anyone in the market for an ultra-wide, ultra-fast lens. My one caveat is that if you’re not already invested in a 150mm filter system, you will need to do so if you want to use filters with this beast.

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The post Lens Review: Sigma 20mm F1.4 DG HSM Art Lens by Rick Berk appeared first on Digital Photography School.


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Samyang introduces full-frame 20mm F1.8 ED AS UMC

08 Aug

Samyang’s summer lens party continues with the announcement of a 20mm F1.8 full-frame prime. The manual focus lens offers seven aperture blades and a minimum focus distance of 0.2m/0.6ft. Two aspherical lenses and three extra-low dispersion elements are included in the lens’ 13 elements in 12 groups. The 20mm F1.8 will be offered in ten mounts:

  • Canon EOS
  • Nikon AE
  • Pentax K
  • Sony Alpha
  • Canon M
  • Fujifilm X
  • Samsung NX
  • Sony E
  • Four Thirds
  • Micro Four Thirds

A cinema version is also introduced: the 20mm T1.9 ED AS UMC.

The 20mm F1.8 photo lens will cost €499, and the 20mm T1.9 cine lens will cost €549.

Articles: Digital Photography Review (dpreview.com)

 
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Sigma 20mm F1.4 ‘Art’ lens real-world sample gallery

29 Jan

The Sigma 20mm F1.4 DG HSM | A is the newest member of Sigma’s family of ‘Art’ lenses. It’s also the widest member of the Art lens family, and with a maximum aperture of F1.4 Sigma claims that it’s the fastest 20mm lens in the world. We shot this lens on both 5DS R and 7D Mark II bodies, and since we had an EOS mount smart adaptor we even tried it on the Sony A7R II as well.

From what we’ve seen so far, this lens carries on the Art lineup’s tradition of stunning performance for the price, although this lens does have some characteristics that might not be ideal for all. For instance, it shows quite a bit of field curvature towards the brighter apertures when focused at nearer distances, and our rooftop shots show this particular copy performs better on the left side than the right side. As soon as an F-mount version of the Sigma is available, we plan on doing a shootout between this and the Nikon 20mm F1.8. In the meantime, enjoy a collection of images from the world’s widest F1.4 lens.

Articles: Digital Photography Review (dpreview.com)

 
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20:20 vision: Hands-on with Sigma’s 20mm F1.4 ‘Art’

23 Oct

Sigma has grown its ‘Art’ lineup of prime lenses again, with a new 20mm F1.4 for Canon, Nikon and Sigma mounts. The new 20mm F1.4 DG HSM | Art  is designed for full frame DSLRs, and Sigma claims that the 20mm F1.4 is the result of new production technologies including a 59mm double aspherical element. The new 20mm will go on sale from November priced at £849.99/$ 899.99, and we just got our hands on a sample at the Photo Plus Expo in New York. Click through for some first impressions

Articles: Digital Photography Review (dpreview.com)

 
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Wide angle: Sigma’s new Art lens is fastest 20mm in the world

17 Oct

Lens manufacturer Sigma has introduced a new lens to its Art range of premium optics that it claims is the fastest 20mm in the world. The new 20mm F1.4 DG HSM | Art  is designed for full frame cameras and will be available in mounts for Canon EF, Nikon F and Sigma models. Read more

Articles: Digital Photography Review (dpreview.com)

 
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