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Posts Tagged ‘1025mm’

Panasonic’s versatile Leica DG Vario-Summilux 10-25mm F1.7 lens available in July

01 Jun

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Panasonic has announced that its Leica DG Vario-Summilux 10-25mm F1.7 ASPH lens – first teased at Photokina 2018 – will be available for purchase in July. Panasonic is marketing the 10-25mm, which in full-frame terms is equivalent to 20-50mm on a Micro Four Thirds body, as a single lens that covers five commonly used equivalent focal lengths: 20, 24, 28, 35 and 50mm.

The lens features a total of 17 elements, including aspherical, ED and UHR glass. The lens uses a stepping motor to provide fast, quiet focus. It has a nine-blade aperture and minimum focus distance of 28cm (11″). The lens isn’t as large or as heavy as one would expect, and is very well-built and fully weather-sealed. It’s the first Panasonic Micro Four Thirds lens with a focus clutch and a clickless aperture ring is also provided.

The 10-25mm was very much designed with video in mind, with minimal focus breathing, ‘seamless’ iris control for smooth exposure changes and linear focus response.

The Panasonic Leica DG 10-25mm F1.7 ASPH will be available in July for $ 1799/£1799.

Panasonic Introduces The World’s First* Standard Zoom Lens Achieving Full-range F1.7

LEICA DG VARIO-SUMMILUX 10-25mm / F1.7 ASPH. (H-X1025)

*As a digital interchangeable lens for a mirrorless camera, as of May 31, 2019

Newark, NJ (May 31, 2019) – Panasonic is proud to introduce a new standard zoom digital interchangeable lens, the LEICA DG VARIO-SUMMILUX 10-25mm / F1.7 ASPH.

(H-X1025), which boasts a large F1.7 aperture throughout the entire 20-50mm (35mm camera equivalent) zoom range and exceptionally high optical performance, clearing the stringent LEICA standards. The LEICA DG VARIO-SUMMILUX 10-25mm / F1.7 ASPH. is suitable not only for stills shooting, but also for video recording, to satisfy both professional photographers and videographers.

The full-range F1.7 ASPH. high-speed aperture provides beautiful bokeh and high descriptiveness. Covering a focusing distance from wide angle to standard zoom range, the LEICA DG VARIO-SUMMILUX 10-25mm / F1.7 ASPH. functions as a multiple fixed focal-length lens, providing the same or higher level of descriptiveness than a fixed focal-length lens can offer. It is suitable for a variety of daily shooting situations, from dynamic landscapes to portraits–even in low-lit scenes– eliminating the need to change lenses between variations in environment.

Comprising 17 elements in 12 groups, the lens system features three aspherical lenses and four ED (Extra-low Dispersion) lenses that effectively suppress the axial chromatic aberration and chromatic aberration of magnification. Spherical aberration and distortion are also corrected by the aspherical lenses for stunningly high resolution. The use of aspherical lenses coupled with the optimum design of the lens system, results in a compact size and light weight, while maintaining its outstanding optical performance.

Compatibility with a maximum 240-fps high-speed sensor drive realizes high-speed and high-precision auto focusing. Notably, the new lens excels in video recording performance. In addition to the silent operation achieved by the inner focus drive system, the stepless aperture ring and micro-step drive system in the aperture control section help the camera smoothly catch up to brightness changes when zooming or panning. The optical design achieves exceptional barycentric stability to minimize image shifts during zooming. Adoption of a focus clutch mechanism enables instant AF/MF switching and accurate manual focusing. The LEICA DG VARIO-SUMMILUX 10-25mm / F1.7 ASPH. also excels in video recording performance with a mechanism that suppresses focus breathing, which was previously a fatal problem of all interchangeable lenses designed for still image photography.

The rugged dust/splash-resistant* design withstands use under harsh conditions even at -10 degrees Centigrade for high mobility. Nine blades give the aperture a rounded shape that produces an attractively smooth defocus effect in out-of-focus areas when shooting at larger aperture settings. Filter diameter is in 77mm. A highly reliable metal mount endures long time use.

Panasonic is committed to expanding the of Micro Four Thirds lineup through its LUMIX G series of cameras and lenses.

*Dust and Splash Resistant does not guarantee that damage will not occur if this lens is subjected to direct contact with dust and water.

  • Design and specifications are subject to change without notice.

Leica DG Vario-Summilux 10-25mm F1.7 ASPH lens specifications

Principal specifications
Lens type Zoom lens
Max Format size FourThirds
Focal length 10–25 mm
Image stabilization No
Lens mount Micro Four Thirds
Aperture
Maximum aperture F1.7
Minimum aperture F16
Aperture ring Yes
Number of diaphragm blades 9
Optics
Elements 17
Groups 12
Special elements / coatings 1 UHR, 3 aspherical, 4 ED elements
Focus
Minimum focus 0.28 m (11.02)
Maximum magnification 0.14×
Autofocus Yes
Motor type Stepper motor
Full time manual Yes
Focus method Internal
Distance scale Yes
DoF scale No
Physical
Weight 690 g (1.52 lb)
Diameter 88 mm (3.46)
Length 128 mm (5.04)
Materials Magnesium alloy
Sealing Yes
Colour Black
Zoom method Rotary (extending)
Power zoom No
Zoom lock No
Filter thread 77 mm
Hood supplied Yes
Tripod collar No

Articles: Digital Photography Review (dpreview.com)

 
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Hands-on with Panasonic’s 10-25mm F1.7 Micro Four Thirds lens

01 Jun

Panasonic Leica DG Vario-Summilux 10-25mm F1.7 ASPH

The Panasonic Leica DG Vario-Summilux 10-25mm F1.7 ASPH is a fast zoom lens that covers several popular focal lengths. When mounted on a Micro Four Thirds body, where it’s equivalent to 20-50mm, you can hit 20mm, 24mm, 28mm, 35mm or 50mm with a single lens (and a fast one, at that). It will ship in July for $ 1799/£1799.

The lens was originally announced last year at Photokina, and saw a mockup under glass at CP+ back in March.

We were able to get our hands on a preproduction lens, so click through to learn more about this beast of a lens.

Big, but not that big

Make no mistake, the 10-25mm F1.7 is a hefty lens, but it’s not nearly as large or heavy as one would expect given its ambitious spec. The lens is 128mm (5″) long, has a max diameter of 88mm (3.5″) and weighs in at 690g (1.5lb). By comparison, Sigma’s 18-35mm F1.8 Art lens is a bit shorter, but almost 20% heavier, despite covering a narrower range of focal lengths.

The 10-25mm is a pricey lens, and it feels like it in the hand. It’s virtually all metal and is dust and splash-resistant. The lens can function down to -10°C/+14°F.

Seventeen elements

It shouldn’t come as a huge surprise that this ambitious lens requires a lot of glass. The 10-25mm F1.7 has 17 elements in 12 groups and includes aspherical, ED and UHR elements. The lens is threaded for 77mm filters, which serves as an example as how compact (relatively speaking) the 10-25 is.

The lens uses a stepping motor that focuses quickly and quietly.

Grabbing control over focus

The 10-25 is the first Panasonic Micro Four Thirds lens to have a focus clutch, making it easy to quickly switch between auto and manual focus. As you can see from the photo above, the lens can focus down to 28cm (11″).

With the clutch pulled back, the manual focus response is linear. This will be especially useful for video shooters, since it means you can be certain of how much the focus will change in response to you turning the lens. There’s a feedback stop at either end of the focus range but they’re not hard stops: the focus ring will continue to rotate beyond the close and far points, so it’s not great for use with a follow-focus.

Stills shooters are likely to appreciate that it gives an experience much more like an old, mechanically-driven lens,

Put a ring on it

The aperture ring, which travels from F1.7 to F16, is click-less, another feature the video crowd will appreciate. Something we like about the dial, at least on the prototype we used, is that there’s a detent to prevent you from accidentally switching the ring out of Auto mode.

Just as importantly for videographers, the aperture/iris is driven smoothly, without steps. This allows subtle adjustments in exposure (either manually or in auto mode), without the brightness of the video visibly jumping.

No going to great lengths

The lens extends when you adjust the zoom, but not by much: here it’s shown at full-extension.

Its comparably low weight should make it easy for a gimbal to stabilize, and the limited change in length should also mean its center of gravity doesn’t move very much. This should make it possible to get away without having to re-balance for different focal lengths, which is a clear benefit over using a series of prime lenses.

L-mount teleconverters

Panasonic released a pair of teleconverters for its S-series full-frame bodies alongside the 10-25mm F1.7. These 1.4x and 2x converters are compatible with Panasonic’s S Pro 70-200mm lenses: the currently available F4 version as well as the F2.8 model coming later this year.

Both teleconverters feature UHR (ultra-high refractive index lens) elements, and Panasonic claims that there’s virtually no reduction in resolution when using them.

The 1.4x and 2x teleconverters are priced at $ 499/£489 and $ 599/£579, respectively.

Articles: Digital Photography Review (dpreview.com)

 
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DPReview TV: Panasonic 10-25mm F1.7 preview + Cine Gear announcements

01 Jun

Hot on the heels of Panasonic’s announcements from Cine Gear 2019, Chris and Jordan give us a hands-on preview of the new 10-25mm F1.7 lens, along with details of the new VLog upgrade for the S1 and the announcement of a new video-oriented full frame mirrorless model, the S1H.

Get new episodes of DPReview TV every week by subscribing to our YouTube channel!

  • Introduction
  • Design and handling
  • Focus breathing
  • Versus Sigma 18-35mm F1.8 with Metabones Speedbooster
  • Macro capability
  • Autofocus
  • Size and weather sealing
  • Panasonic S1 firmware update (SFU2)
  • Panasonic S1H pre-announcement details
  • Wrap-up

Articles: Digital Photography Review (dpreview.com)

 
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CP+ 2019: Panasonic shows 10-25mm F1.7 mockup

03 Mar

Panasonic Leica Vario-Summilux 10-25mm F1.7

Panasonic announced that it would be building a 10-25mm F1.7 zoom back at Photokina in later 2018 and has a mockup on show at CP+ in Yokohama. The red box on the label says ‘Development Announcement’ in Japanese. If nothing else, it’s a striking way to confirm the company’s commitment to the Micro Four Thirds system as a high-end format.

Scarce details

Very little additional information has been given, but the mockup shows it will have a dedicated aperture ring like the Panasonic Leica 15mm F1.7 prime. The mockup also makes clear just how much larger it’s going to be than the 12-60mm F2.8-4.0.

Five primes in a tube

Panasonic seems committed to its ‘five primes in one lens’ concept, by marking the 10, 12, 14, 18 and 25mm focal lengths on the zoom ring, representing 20, 24, 28, 35 and 50mm equivalent focal lengths that are popular choices for prime lenses. This shouldn’t be taken to mean the lens will only offer these focal lengths, though.

For video, as well as stills

While the ‘five primes’ idea is a great way of appealing to photographers, we suspect plenty of videographers will also be interested in the idea of a lens that gives them a wide-angle to normal field of view with a constant F1.7 aperture, meaning no need to change lenses (or change any rigging built around the camera), between shots. Sadly there are still no details of either price or availability.

Articles: Digital Photography Review (dpreview.com)

 
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