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Posts Tagged ‘100mm’

Venus Optics’ 100mm F2.8 Ultra Macro lens is now available with Pentax K mount, new stepless EF mount version also available

14 Nov

Venus Optics has announced its popular Laowa 100mm F2.8 Ultra Macro APO lens is now available for Pentax K mount cameras and is also available in a stepless aperture version for Canon EF mount.

When the Laowa 100mm F2.8 Ultra Macro APO lens was announced back in 2018, it was supposed to be available for Pentax K mount systems alongside Canon EF, Nikon F and Sony FE mounts. However, the K mount version never came to fruition, with Venus Optics even announcing RF and Z mount versions back in April of this year before any news of the K mount version came out.

A macro shot of the aperture coupling on the new Pentax K mount version of the Laowa 100mm F2.8 Ultra Macro APO.

Now, the wait is over. As with the previous versions of the lens, the Pentax K mount version is constructed of 12 elements in 10 groups, features an aperture range of F2.8-F22, uses a seven-blade aperture diaphragm and has a maximum 2x magnification ratio. The lens features an automatic aperture coupling lever, which allows the lens’ aperture to be controlled through the camera, but if you prefer a more hands-on approach, you can adjust the aperture using the manual aperture ring as well.

In addition to the Pentax K mount model, Venus Optics has also released a variation of its EF mount model that features manual stepless aperture control. This video-oriented version of the lens makes it easier to get just the right exposure and the inclusion of a 13 aperture-blade diaphragm over the seven-blade aperture diaphragm in the automatic aperture EF mount version should make for even smoother bokeh.

Below is a sample gallery of images taken with the Laowa 100mm F2.8 Ultra Macro APO lens by photographer Thomas Shahan, provided by Venus Optics:

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Both the Pentax K mount and Canon EF mount stepless manual focus versions of the Laowa 100mm F2.8 Ultra Macro APO are available on the Venus Optics online shop and through authorized retailers for $ 449.

Articles: Digital Photography Review (dpreview.com)

 
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Venus Optics releases Canon RF, Nikon Z mount version of its Laowa 100mm F2.8 2X APO Macro lens

22 Apr

Venus Optics has announced its Laowa 100mm F2.8 2X Ultra Macro APO Lens is now available for Canon RF and Nikon Z camera systems, joining versions for Canon EF, Nikon F and Sony FE mounts.

It’s been exactly two years since the lens was originally announced and in that time the Laowa 100mm F2.8 2X Ultra Macro APO has earned numerous accolades and positive reviews for being an impressive-yet-affordable macro lens that punches well above its price point.

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Aside from the additional mount options, the new models remain unchanged from their previously-announced counterparts. They’re constructed of twelve elements in ten groups, feature an F2.8 through F22 aperture range, offer 2x magnification and have 13-blade aperture diaphragms (same as the Sony FE version).

A size comparison from Venus Optics showing the Laowa 100mm F2.8 2X Ultra Macro APO lens (far-right) compared to similar macro lenses from Nikon, Canon and Sony.

The new models come in at the same size as the Sony FE model, weighing 650g (23oz) and measuring in at 72mm (2.8in) in diameter and 155mm (6.1in) long. Below is a gallery of sample images we captured with the original Canon EF version of the Laowa 100mm F2.8 2X APO Macro lens adapted to an EOS R:

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The Canon RF and Nikon Z mount models are also priced the same, retailing for $ 449 on Laowa’s website and authorized retailers. An optional tripod collar is available as an accessory for $ 30.

Articles: Digital Photography Review (dpreview.com)

 
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Panasonic updates its L-mount lens roadmap with two new primes, drops the 100mm F2.8 Macro

28 Feb

Panasonic has published (translated) an updated roadmap for its Lumix S L-mount lenses. The updated roadmap adds two new prime lenses and is notably missing the 100mm F2.8 Macro lens compared to the previous lens roadmap, released back in August 2019.

Based on the information shown in the above roadmap graphic, Panasonic will be releasing three prime lenses and three zoom lenses in 2020:

  • 24mm F1.8
  • 50mm F1.8
  • 85mm F1.8
  • Wide-angle zoom lens
  • Standard zoom lens
  • Telephoto zoom lens

No details are given for the focal lengths of the zoom lenses, but based on the infographic, it seems nearly every focal length from around 24mm through 280mm will be covered.

Although no specifics were mentioned in our recent interview with Yosuke Yamane, Director of Panasonic’s Imaging Business Division, he did talk about the importance of working alongside Sigma and Leica to expand and improve the lens options for the L-mount alliance, going so far as to saying the trio is ‘discussing changes to the communication protocol between the cameras and lenses.’

Articles: Digital Photography Review (dpreview.com)

 
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Tokina announces redesigned ATX-i 100mm F2.8 1:1 Macro lens for Canon EF, Nikon F mounts

15 Nov

Tokina has announced the release of its new ATX-i 100mm F2.8 Macro lens for full-frame Canon and Nikon DSLR cameras.

The ATX-i 100mm F2.8 Macro lens is constructed of nine elements in eight groups and features a 1:1 reproduction ratio at 30cm (11.8in) from the sensor with a minimum focusing distance of 11.5cm (4.5in). Tokina has used a ‘flat-field’ optical design which it claims ‘suppresses the field-of-view curvature to zero [for] excellent edge-to-edge sharpness at all focus distances and apertures.’

The lens uses Tokina’s One-Touch Focus Clutch Mechanism for quick switching between auto and manual focus by snapping the focus ring forward (for autofocus) or backward (for manual focus). The lens weighs 490g (17.28oz) and measures 9.5cm (3.74in) long and 7.3cm (2.87in) diameter.

Below are three sample photos captured with the lens and shared with us by Tokina:

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The redesigned 100mm F2.8 Macro is the second lens in the ATX-i lineup, joining Tokina’s redesigned ATX-i 11-16mm F2.8 lens. It is avaialble to pre-order today (B&H) and will begin shipping December 6, 2019 for an estimated price of $ 429.

Press release:

Kenko Tokina announces the release of the NEW atx-i 100mm F2.8 Macro F

Same great optics, brand new look – The atx–i 100mm f/2.8 Macro FF lens for full-frame Canon and Nikon DSLR cameras

Huntington Beach, CA, November 15, 2019: Kenko Tokina, Japan’s leading manufacturer of premium camera accessories, is releasing the Tokina atx-i 100mm f2.8 Macro FF lens for full-frame DSLR cameras from Nikon and Canon. Distributed in the US exclusively by Kenko Tokina USA, this new lens provides unparalleled versatility with the award-winning optics.

The Tokina atx-i 100mm F2.8 FF Macro is a versatile mid-range auto-focus telephoto lens with excellent close focusing capabilities reaching life-sized (1:1) reproduction at 11.8 inches (30cm) from the sensor plane. Engineered for Canon EF and Nikon F mount full-frame DSLR cameras.

At (1:1) reproduction, the lens provides a very comfortable 4.5 inches of working distance between the front of the lens and your subject. The fast f/2.8 aperture makes it easy to focus in low light and renders soft beautiful bokeh. Making it an excellent choice for portraits, landscapes, video, and small world photography.

The Tokina atx-i 100mm F2.8 Macro is a “flat-field” optical design that suppresses the field-of-view curvature to zero. This means the lens yields excellent edge-to-edge sharpness at all focus distances and apertures. The lens’ multi-coatings render natural color with extremely low light falloff, perfectly controlled chromatic aberration, flare and ghosting.

The One-Touch Focus Clutch Mechanism makes switching from auto-focus to manual focus simple. While in AF mode the user only needs to snap the focus ring back toward the camera to engage “real” manual focus control. This gives photographers an authentic tactile MF feel with hard stops on either side of the focus range like traditional manual lenses. Additionally, the directional rotation of the focus ring matches the direction of proprietary Nikon and Canon lenses.

“This is the second lens offering in the new atx-i series.” says Yuji Matsumoto, President at Kenko Tokina USA. “It combines the award-winning optics of the original ATX model with a sleek new look that matches the cosmetics of today’s advanced DSLR cameras.”

Worldwide sales of the Tokina atx-i 100mm F2.8 FF Macro lens will begin on December 6, 2019 with authorized Tokina USA retailers taking pre-orders November 15, 2019.

Estimated USA Street Price of $ 429.00

More information is available at https://tokinausa.com.

Articles: Digital Photography Review (dpreview.com)

 
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Laowa 100mm F2.8 2x Ultra Macro APO sample gallery

17 Sep

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The Laowa 100mm F2.8 2X Ultra Macro APO is unusual among macro optics for offering a maximum reproduction ratio of 2:1, enabling extreme closeup photography. Despite its impressive specifications, it’s priced at a wallet-friendly $ 449. Our UK-based contributor has been shooting with the 100mm F2.8 for a while, and we’ve uploaded a small sample gallery.

View our gallery of images on the Laowa 100mm F2.8 2X Ultra Macro APO

Articles: Digital Photography Review (dpreview.com)

 
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Venus Optics announces pricing, availability of its Laowa 100mm F2.8 2:1 macro lens

10 May

Venus Optics has announced that the Laowa 100mm F2.8 macro lens it first showed at Photokina last year will cost $ 449 and will begin shipping at the end of this month. The 100mm Ultra-Macro APO lens can achieve 2:1 magnification and joins the company’s 60mm F2.8 with the same magnification ratio to create a unique line-up of macro optics.

The version designed for Canon EF mount has electronic contacts to drive aperture control and EXIF data

The lens will be available for Canon EF, Nikon F and Sony FE mounts, and will come with slight variations depending on the mount version. The Canon model is chipped and has an aperture motor to enable body-controlled aperture changes and for EXIF data to be stored in the image. The Canon version will also has a nine-bladed iris, while the Nikon model features a seven-blade aperture diaphragm. The Sony FE version of the lens will has a 13 blade aperture diaphragm.

Below are a few sample photos provided by Laowa:

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Laowa says it has worked hard to suppress chromatic aberrations, not only in focused areas but also areas not covered by the depth-of-field – which it points out is a problem for many other lenses.

A tripod collar is available for an additional $ 30. For more information see the Venus Optics website.

Press release:

Venus Optics announces availability and pricing for Laowa 100mm f/2.8 2:1 Ultra Macro APO

Featuring a 2 times life-size reproduction with no visible CA, the new Laowa Macro is a high quality and versatile macro and portrait lens.

China, 7 May 2019 – Venus Optics, the camera lenses manufacturer who had previously launched a number of unique Laowa camera lenses, is proud to announce the availability and pricing of the new Laowa 100mm f/2.8 2X Ultra-Macro APO lens.

Followed by the success of the Laowa 60mm f/2.8 2:1 Macro, the 100mm f/2.8 2:1 Macro is the 2nd member of Laowa 2:1 macro line-up. This new 100mm lens can cover full frame sensor and focus from 2:1 magnification to infinity. 100mm is a more popular focal length for macro photographers. However, all of the current 100mm macro lenses in the market can only achieve 1:1 (life-size) or even smaller magnification. Shooting with smaller bugs is usually a challenge for macro photographers. The wider magnification range of the new Laowa Macro allows photographers to capture subjects at any size, making it one of the most versatile macro lens in the market. Despite having the wider range, Venus Optics manage to compress the size of the lens to the minimal and it is similar to other 1:1 macro lens in the market.

Laowa 100mm 2:1 Macro lens also features an apochromatic (APO) characteristic that chromatic aberration is invisible. Chromatic aberration (CA) is one of the most challenging topic for optics designer as it can usually ruin a perfect image. Some of the macro lenses in the market controls the chromatic aberration at the ‘in-focus’ area really well but the CA is uncontrollable in ‘out-of-focus’ rendition. The Laowa 100mm, however, delivers an exceptional performance on chromatic aberration suppression, both at the ‘in-focus’ area as well as ‘out-of-focus’ area. The subject in the image will not be polluted of any unwanted color fringing.

The Canon version of the Laowa 100mm f/2.8 2:1 Macro lens is integrated with a CPU chip and aperture motor. Photographers can now control the aperture and exposure through the camera itself and record the EXIF data into the photos. A focus indicator will also be shown in the camera to assist focus. This new feature also benefits macro photographers when composing at smaller f-stop as the aperture will only close when shutter is released, making the viewfinder so much brighter.

Not only it is an exceptional macro lens, the Laowa 100mm f/2.8 is also a very decent portrait lens when focus to infinity. The 12 elements in 10 groups optics design delivers a crystal sharpness image in both macro and infinity distances. The bright f/2.8 and circular aperture renders softly diffused bokeh and isolates the subject from its background. The lens has an internal focusing structure that will not extend when focus is changed. A multi-layer coating has also been applied to reduce lens flare and ghosting for increased contrast. Canon EF, Nikon F and Sony FE mounts are currently available.

Pricing & Availability

The suggested retail selling price in US of the new Laowa 100mm f/2.8 2:1 Ultra Macro APO lens is USD 449/pc (ex-VAT). Pricing varies in different countries.

The lens is now available to order from Venus Optics authorized resellers and official website (http://www.venuslens.net/) . Shipping is expected to start from late May onwards.

Articles: Digital Photography Review (dpreview.com)

 
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Tokina announces new 100mm F2.8 1:1 macro lens for Sony E mount cameras

22 Apr

Tokina has announced the FiRIN 100m F2.8 FE Macro Lens for Sony E mount camera systems.

The lens is constructed of nine elements in eight groups and features a nine blade aperture diaphragm. It features 1:1 maximum magnification, has a minimum focusing distance of 30cm (11.8in), uses a 55mm front filter thread and includes a printed magnification scale on the extending lens barrel to add an extra visual queue when composing shots.

The lens measures in at 123mm (4.84in) long by 74mm (2.91in) diameter and it weighs 570g (1.3lbs). The Tokina FiRIN 100m F2.8 FE Macro Lens is listed for pre-order at B&H for $ 599. Included in the box is the lens, front and rear lens caps, a BH-533 lens hood and a manual.

Articles: Digital Photography Review (dpreview.com)

 
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Leaked images: A detailed look at the unreleased Zeiss Otus 100mm F1.4 lens

11 Apr

It’s not official yet, but it appears Zeiss will soon announce the Otus 100mm F1.4 lens for Canon EF and Nikon F mounts, making it the longest focal length in the Otus lineup. DPReview has obtained leaked images, with permission, from Nokishita showing in detail the impending manual lens and its accompanying specifications from Zeiss.

According to the leaked technical sheets (that appear to come directly from Zeiss), the lens will feature an Apo Sonnar design with 14 optical elements in 11 groups including one aspherical element placed at the very back of the lens and multiple ‘special glass’ elements throughout. It will feature an aperture range of F1.4 – F16, have a minimum focusing distance of 100cm / 39.37in and weighs in at 1336g / 2.95lbs for the Nikon F version and 1405g / 3.10lbs for the Canon EF version.

The lens features a nearly identical design to Zeiss’ three other Otus lenses — the 28mm F1.4, 55mm F1.4 and 85mm F1.4 — and features the same 86mm front filter thread as the other three to negate the need of stepping rings for filters and accessories. Below is a full gallery of product shots of the unreleased lens:

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Being the lens isn’t yet official there’s no detail on availability or pricing, but based on the $ 4,990 price tag for Zeiss’ other Otus lenses, it’s a safe bet the 100mm F1.4 will end up around the $ 5,000 mark.

Articles: Digital Photography Review (dpreview.com)

 
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dPS Writer’s Favourite Lens: Canon 100mm Macro

21 Feb

The Canon 100mm macro lens was on my Want List for such a long time, next to the Canon 10-22mm Ultra Wide-Angle. Oddly, once I did get it, I never used it, and it sat gathering dust in the cupboard for a couple of years. Now it is my go-to lens for doing still life, food and of course, macro photography.

dPS Writer's Favourite Lens: Canon 100mm Macro

Why is it my favorite lens?

Sharpness, image quality, color, and versatility – it has it all!

I know when using this lens it is going to pick up absolutely every detail, and when it is sharp it is crystal clear. Unfortunately, due to the combined weight of the lens (625g) on my Canon 7D MK II, I find it difficult to handhold and get sharp shots. So I use it on my tripod to guarantee the focus is bang on.

dPS Writer's Favourite Lens: Canon 100mm Macro

Merits of the Canon 100mm macro lens

This lens has a richness to the colors that I appreciate, it gives the best color reproduction of any of my lenses. Also when you are shooting at its native 2.8, the soft background blur is quite delicious as well.

Finally, the versatility of this lens, given it is a macro lens, is impressive. I use it for macro, food photography, flower photography, and other still life subjects. It is also a favorite lens for portrait photographers due to the factors that make it my personal favorite.

It’s quiet, it’s fast and it’s a lovely lens to use. Once I mastered the art of fine focusing with a really tiny depth of field and was able to consistently get sharp shots, the quality of the images impressed me more and more.

dPS Writer's Favourite Lens: Canon 100mm Macro

How I use it

1 – Food Photography

Working with natural light in my home studio sometimes means the light is not always abundant. Or possibly you need to filter it quite heavily so you don’t blow out the highlights on some whipped cream or icing. So working in slightly less than ideal light conditions is where I find this lens really comes into its own.

With a 67mm filter diameter, it has a lot of surface area to bring in the available light.  The native f/2.8 aperture captures all the light possible. While I might have to increase ISO a small amount, it is not enough to affect the quality of the image.

With such high image quality, capturing the finest small details really adds character to food shots taken with this lens. Water droplets on fruit or the tiny hairs on a raspberry become things of wonder, brought into view by the capabilities of this lens.

dPS Writer's Favourite Lens: Canon 100mm Macro

2. Flower Photography

Doing photography of flowers is what finally forced me to get my Canon 100mm lens out of storage and start using it. I had become interested in still life photography and was using flowers as the subject to base my compositions around.

Flowers offer so many opportunities to be creative with this lens, you can shoot the whole flower, move in to shoot just a portion of it, or really get into the macro side of things.

dPS Writer's Favourite Lens: Canon 100mm Macro

The lovely colour and soft bokeh suit flower photography very well, and I enjoy using it a great deal. It is a lot of fun to experiment with areas of selective focus or just using depth of field in unexpected ways.

dPS Writer's Favourite Lens: Canon 100mm Macro

3. Macro photography

There is a whole world of things too small for our eyes to see naturally that suddenly become revealed when we shoot with a macro lens. It is fascinating to uncover tiny details in everyday objects.

Playing with abstracts of textures or just exploring the things we cannot normally see are possible with the 100mm macro lens. The ordinary becomes extraordinary when you can get up close and personal. When my camera is mounted on my tripod, I know that I can get sharp focus with a very narrow depth of field on a very small subject.

dPS Writer's Favourite Lens: Canon 100mm Macro

 

4. Other options

I am not a portrait photographer but I do have cats, and they are fun to shoot with this lens as it picks up so much detail. I personally struggle to sucessfully handhold my 7D Mark II with this lens and get sharp images, so I don’t shoot with it off my tripod very often.

dPS Writer's Favourite Lens: Canon 100mm Macro

Specifications

The Canon EF 100mm F2.8 IS L Macro lens – full specifications on Canon site – 625g, minimum focus distance 300mm, Hybrid Image Stabilization for handheld macro shooting.

Pros

  • Sharpness
  • Depth of field
  • Bokeh is smooth
  • Color
  • Hybrid Image Stabilizing
  • EF and EFS compatible
  • 1:1 magnification
  • Comes with a lens hood and carry bag

Cons

  • Heavy and can be difficult to handhold, requiring a tripod
  • Expensive
  • 300mm minimum focus distance

Conclusion

Overall for me, the pros of shooting with this lens far outweigh the cons. Have you used the Canon 100mm macro lens or one similar? Please share in the comments below if you enjoy it as much as I do.

dPS Writer's Favourite Lens: Canon 100mm Macro

The post dPS Writer’s Favourite Lens: Canon 100mm Macro by Stacey Hill appeared first on Digital Photography School.


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B+W releases 3-slot filter holder for 100mm filter system

17 Nov

German filter manufacturer B+W has announced a new filter holder to go with the 2mm thick 100mm square filters it launched this year.

The new holder is made from aluminum and offers three slots so users can use multiple filters at the same time. The holder has a light seal on the rear to prevent leaks during long exposures, and the system has adapter rings for lenses with threads of 52mm to 82mm.

You can pick up the new filter holder now for £95 (~$ 125 USD), while the adapter rings cost £25 (~$ 33 USD) each. For more information visit the website of distributer Manfrotto.

Press Release

B+W Filters Announces New Filter Holder

Perfect Addition to B+W’s Square Filter Range

B+W filters, one of the world’s leading filter manufacturers, has announced the launch of the new Filter Holder.

Excellent Quality with Increased Stability

Launched to complement the range of the square filters that were released earlier this year, the new filter holder fits 100 x 100 x 2mm filters. It features an aluminium frame which means increased stability and has the capacity to hold up to 3 square filters. The light seal avoids incidence, and adapter rings for Ø52, 55, 58, 62, 67, 72, 77 and 82mm are also available.

Full Filter System

The release of the Filter Holder means that B+W offer a full filter system. Along with the Filter Holder, the Square Filters guarantee excellent image quality due to the finely ground, polished special glass that is used as the base. The 3 layer combination coating optimises the filter to deliver results, and the combination coating (MRC Nano) prevents troublesome reflections by including a multilayer anti-reflection component with seven layers on each side of the filters.

Stable and Resistant

Both the Filters and Filter Holder from B+W ensure stability when taking photos – the aluminium frame of the Filter Holder makes it stable when in use, and the ND filter series are dimensionally stable thanks to the glass substrate which means they cannot warp or distort.

The new B+W Filter Holder is priced at £94.95, with the rings being £24.95 each.

For more information on the full range including the filters please see www.manfrotto.co.uk/bwfilters

About B+W

B+W Filters have been made in Germany since 1947 with a passion for optics, precision, quality and longevity. Produced in Bad Kreuznach under the umbrella of Schneider-Kreuznach, B+W has succeeded in establishing itself as one of the world’s leading filter manufacturers.

Today, in the manufacturing plant in Bad Kreuznach, state of the art production equipment, precise CNC machines and highly advanced reflection reducing technology guarantee top quality products. Comprehensive know-how and start of the art production technology have made a name for B+W filters throughout the world, and the company is widely known for guaranteeing perfect image quality. www.manfrotto.co.uk/bwfilters

Articles: Digital Photography Review (dpreview.com)

 
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