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Posts Tagged ‘100400mm’

Gallery and impressions: The Tamron 100-400mm F4.5-6.3 is light, sharp and stabilized

28 Jan
Shot on the Canon EOS 80D.
ISO 800 | 154mm | 1/200 sec | F5.6

The Tamron 100-400mm F4.5-6.3 Di VC USD is a well-priced ($ 800) telephoto lens with a useful zoom range. Available in both Canon EF and Nikon F mount, this lens is useful on both full-frame and crop bodies, offering a 150-600mm equiv. field of view on the latter. We first saw it at PPE 2017 and were impressed by its reasonable size and weight given its reach – at 1.11 kg / 2.45 lb – it is the lightest lens in its class.

See our Tamron 100-400mm F4.5-6.3 sample gallery Optically, the 100-400mm is constructed of 17 elements arranged in 11 groups, including low-dispersion elements to correct for aberrations. It also features multiple coatings to reduce ghosting and flare, as well as a protective fluorine coating on the front element. Image stabilization is crucial when it comes to long zoom lenses and Tamron’s optical Vibration Correction system offers the equivalent of 4 stops of correction (CIPA rated).

Shown with the optional tripod collar attached, sold separately for $ 130.

Key Specifications:

  • 100-400mm zoom range
  • 150-600mm equiv. field of view on APS-C
  • F4.5-6.3 maximum aperture
  • VC Image stablization
  • Dust and moisture resistant
  • Silent AF
  • Florine coating on front element
  • Minimum focus distance: 1.5m
  • Maximum magnification ratio: 1:3.6
  • Filter thread: 67mm
  • Available in Canon EF and Nikon F mount

Wildlife and outdoor sports shooters can take solace in the fact that this lens is moisture resistant, with eight rubber gaskets, including one at the base of the lens mount. It’s compatible with Tamron’s TAP-in Console, allowing users to update firmware and/or fine-tune AF. It can also be used with the company’s 1.4X and 2X teleconverters. An A035TM accessory tripod collar is sold separately for $ 130.

Shot on the Canon EOS 5DS R.
ISO 200 | 100mm | 1/1600 sec | F4.5

Design and Handling

According to Tamron the lightweight design of this lens is mostly due to its magnesium alloy internal construction, though it is worth noting the outer shell of the lens is plastic (the lens mount is metal). The lens telescopes when zoomed, increasing in length about 50%. At its most compact it is about 20 cm / 7.8 in long.

Well-constructed, solid feeling and well-balanced, nothing rattles around inside the lens when shaken (my favorite test). Zooming from 100mm to 400mm requires a one quarter turn of the large rubberized zoom ring (located at the front of the lens).

Zooming from 100mm to 400mm requires a one quarter turn of the large rubberized zoom ring

‘Lens creep’ is an annoying fact of life when using telescoping lenses, fortunately it was not an issue during field testing. Just in case, there is a lock on the lens barrel (which can only be used when the zoom is retracted in to 100mm).

Toward the base of the lens barrel you’ll find an AF/MF switch as well as as a controller for selecting one’s VC (vibration compensation) mode: Mode 1 is for normal stabilization, Mode 2 is for use when panning. Users can also turn off VC completely, which useful if you’re on a tripod. Just below the focus ring is the focus distance scale window.

Performance

Hand-held at 400mm, shot using a 1/125 sec shutter because I live in Seattle and it is always dark outside. Shot on the Canon EOS 80D
ISO 800 | 400mm | 1/125 sec | F6.3

Tamron is pitching this lens as appropriate for sports and wildlife shooters, two groups that require reliable AF and effective stabilization. Fortunately, our real world usage shows the 100-400mm excelling in both areas.

The image stabilization system proved effective at helping to eliminate camera shake at shutter speeds I’d ordinarily not feel comfortable using, given the focal length used. The moment you engage AF the IS system kicks in – with one’s eye to the finder the effectiveness of the compensation is immediately apparent.

Autofocus is both silent (hello ultrasonic drive) and fast (powered by two processors). Acquisition is nearly instant in AF-S and it’s equally fast and impressive in AF-C. Users can expect it to maintain focus on the moving subjects they point it at, assuming their camera body is up to the challenge.

Image Quality

The lens is sharp through the zoom range, out of focus areas are also inoffensive. Shot on the Canon EOS 5DS R.
ISO 400 | 400mm | 1/500 sec | F6.3

Though this lens has a slow maximum aperture and is best used for daylight shooting, all signs point to it being optically very good. Our copy of the 100-400mm was well-centered and universally sharp across the frame at all focal lengths we shot. Ghosting and flare are rare.

[It is] universally sharp across the frame at all focal lengths we shot

Chromatic aberration is also really well controlled, though it does appears in some images. Lateral CA is easy to correct in Adobe Camera Raw and other Raw processing programs.However axial CA, which you can see in this shot, is much more difficult to correct for. We also noted some vignetting when used on full-frame, but that is also fairly easy to correct in post.

Bokeh is about what we would expect for a complex telephoto lens. It can look nice toward the longer end, when there’s good subject separation, but closer to 100mm, it can look a little busy, as is the case in this shot.

Conclusion

For travel photographers looking for a casual, lightweight telephoto lens to explore with, the Tamron 100-400 F4.5-6.3 is a solid choice. Shot on the EOS 5DS R.
ISO 400 | 143mm | 1/1250 sec | F5

The Tamron 100-400mm F4.5-6.3 is a great telephoto lens for daylight photography, whether your subjects are moving or not. It offers fast, silent autofocus, good stabilization and is optically impressive at all focal lengths. All that comes in a weather-resistant package that also happens to be the lightest in its class.

We feel comfortable giving it our recommendation

Priced the same as the Sigma 100-400mm F5-6.3 DG OS HSM, the most obvious difference between the two is the Tamron is faster on the wide end, F4.5 vs F5 (and it’s also a hair lighter). That aside, the two offer very similar features like image stabilization, multi layer coatings and special elements for dealing with CA. We’ll have to revisit the Sigma to see just how well the two compare. But having spent a good amount of time with the Tamron, we feel comfortable giving it our recommendation.

What we like:

  • Sharp, versatile zoom range on both APS-C and full-frame
  • Lightest lens in its class
  • Moisture and dust resistant
  • Impressive image stablization
  • Silent AF is fast and accurate

What we don’t:

  • Slow aperture range
  • Pricey tripod collar sold separately
  • Vignettes on full-frame (though easy to correct)

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Articles: Digital Photography Review (dpreview.com)

 
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Review: Sigma 100-400mm F5-6.3 DG OS HSM Contemporary Lens

29 Oct

I believe it was Robert Capa who said, “If your pictures aren’t good enough, you’re not close enough.” While this is not incorrect nor is it bad advice, the fact remains that there will be times when our feet simply can’t do the zooming for us. To facilitate getting up close and personal without actually being up close and personal, photographers rely on telephoto lenses to bridge the gap between themselves and their subject.

Review: Sigma 100-400mm F5-6.3 DG OS HSM Contemporary Lens

The Sigma 100-400mm F5-6.3 Contemporary Lens

With each lens I evaluate with every passing year, I am fortunate enough to bear witness to the staggering advances lens manufacturers are making in the world of photographic optics. Today, there are many instances where aftermarket “non-native” third-party camera lenses either meet or even surpass the performance of their more expensive cousins manufactured by their respective camera brand. We now have a high-grade glass without the high-grade price tags. This is especially true when it comes to long range telephotos and fast primes.

So, when the opportunity arose for me to get my hands on one of the newest budget-conscious telephotos, the Sigma 100-400mm F5-6.3 DG OS HSM Contemporary lens, I lept at the chance. I have a couple of friends who spoke quite favorably of this particular lens, so I had to see it for myself. Take a few minutes, sit back and relax, and let me tell you exactly why the Sigma 100-400mm might be a good choice for you if your bag is missing a good long-range zoom lens.

Build Quality

The main housing of the Sigma 100-400mm lens is made from a solid-feeling hard plastic. Being from the Sigma Contemporary line, it lacks the metallic-feeling TSC (thermally stable composite) construction of their Art series lenses. Even without this type of material, the lens feels incredibly solid in the hand and feels great. The zoom and focus rings are both rubberized and work smoothly.

The Sigma 100-400mm is exceptionally balanced. Overall, for a lens of this size, it feels surprisingly nimble when mounted on my Canon 7D.

Review: Sigma 100-400mm F5-6.3 DG OS HSM Contemporary Lens

Review: Sigma 100-400mm F5-6.3 DG OS HSM Contemporary Lens

Oddly enough, the balance seems to improve when the lens is extended out to its maximum focal length of 400mm. The lens hood included with this lens also offers a great hand-hold which facilitates easy “push/pull” zooming.

Review: Sigma 100-400mm F5-6.3 DG OS HSM Contemporary Lens

The lens sports a zoom-lock switch which is quite useful for carrying around a telephoto lens. This prevents gravity from slowly extending the lens while hiking or walking. The zoom-lock switch on the Sigma 100-400mm firmly locks the lens into place at its 100mm focal length.

Review: Sigma 100-400mm F5-6.3 DG OS HSM Contemporary Lens

Weather sealing

The folks at Sigma have beefed up the weather sealing of their lenses considerably. As primarily an outdoor and wilderness shooter, I am constantly at the mercy of the elements. The weather sealing of this lens is superb.

Something that I love to see is a visible rubber gasket on the lens bayonet mount. This type of extra assurance and protection against dirt and moisture making their way to my camera’s sensor makes me feel all warm and fuzzy inside even when the conditions outside are decidedly not.

Review: Sigma 100-400mm F5-6.3 DG OS HSM Contemporary Lens

Review: Sigma 100-400mm F5-6.3 DG OS HSM Contemporary Lens

One thing to note on the overall design of the 100-400mm is that it certainly has a lot of external switches. While these switches are each quite actionable and serve a purpose, they also make it difficult to manipulate the various lens functions without looking. With high range zoom lenses such as this such problems aren’t uncommon.

Review: Sigma 100-400mm F5-6.3 DG OS HSM Contemporary Lens

Image Quality

Sharpness

The sharpness of the Sigma 100-400mm is wonderful for the price range of this lens. In fact, I was stunned to see just how crisp the images produced at the maximum apertures actually were. Both at 100mm and 400mm the sharpness was impressive.

 

Review: Sigma 100-400mm F5-6.3 DG OS HSM Contemporary Lens

400mm at f/9.

Review: Sigma 100-400mm F5-6.3 DG OS HSM Contemporary Lens

100mm at f/6.3.

Review: Sigma 100-400mm F5-6.3 DG OS HSM Contemporary Lens

400mm at f/6.3.

There was slight edge softening while at 100mm f/5 and at 400mm f/6.3. The incredible thing about the sharpness, which I feel speaks to the true quality of this lens, was only noticed while I was examining test images for this review at 3:1 magnification. Look closely at these two photos. The first was made at 100mm.

Review: Sigma 100-400mm F5-6.3 DG OS HSM Contemporary Lens

100mm

The second is the same scene but zoomed to 400mm.

Review: Sigma 100-400mm F5-6.3 DG OS HSM Contemporary Lens

At 400mm.

Look closely at the left side of the clock tower. Here, let me help you. Below is the same image magnified in post-processing to about 1:1.

Review: Sigma 100-400mm F5-6.3 DG OS HSM Contemporary Lens

The Same image viewed at 1:1 (100%) in Lightroom.

Yes, those are wasps or some other type of insects swarming around the clock tower! Considering the small size of the insects coupled with the distance, approximately 600 yards, the resolving power of this lens is exceptional.

Chromatic Aberration

Chromatic aberrations detected with the Sigma 100-400mm are barely worth mentioning. At 100mm using a relatively wide f/5 aperture, there is a minutely observable purple/magenta fringe in high contrast areas. Other than that, there is nothing remarkable to speak of with this lens.

Autofocus Performance

Fast and responsive is the best description I can give to the 100-400mm Sigma autofocus. The AF performed well and focused locked well while in AI Servo mode on my Canon. The autofocus was quite silent and worked great for not disturbing “temperamental” wildlife.

Review: Sigma 100-400mm F5-6.3 DG OS HSM Contemporary Lens

Can you spot the hiding deer?

Review: Sigma 100-400mm F5-6.3 DG OS HSM Contemporary Lens

There she is, A 400mm reach helps out immeasurably.

Optical Stabilization

The point of vibration reduction, sometimes referred to as optical stabilization, is where the Sigma 100-400mm didn’t exactly impress. Not that the OS didn’t work but the overall improvement was not as drastic as I have observed with some other lenses of this type.

Review: Sigma 100-400mm F5-6.3 DG OS HSM Contemporary Lens

With no stabilization.

Review: Sigma 100-400mm F5-6.3 DG OS HSM Contemporary Lens

With OS1 Mode turned on.

There are two OS modes present on the 100-400mm not including the “Off” mode. They are OS1 and OS2. The OS1 mode is general OS. This serves to reduce multi-directional camera shake and what I generally left the lens set to during my tests. OS2 is geared exclusively towards panning with the 100-400mm and works to reduce single plane vibration.

Customization

Sigma offers a USB dock so that firmware and custom modes can be uploaded directly to the lens via computer with the Sigma Optimization utility. That’s where the custom mode switch comes into play. You can customize Autofocus and Optical Stabilization functions within the lens. I have never used the functionality but if you want ultimate control over every aspect of your gear, this is a great option.

The Tripod Collar Conundrum

The common complaint I’ve gathered about the Sigma 100-400mm F5-6.3 is concerning the lens’s tripod collar; there isn’t one. This comes as somewhat of a surprise to some photographers, myself included. Although, it seems to be of more importance to some than others.

Personally, the lack of a tripod ring is not a huge problem for me. The featherlike balance of the lens negates the need for a tripod mount in my opinion. Still, if you plan on using the lens with a smaller, adapted camera body, the weight of the lens could be an issue. If you want a lens with a tripod ring or collar, this might not be the choice for you.

Final Thoughts on the Sigma 100-400mm F5-6.3

So, what’s the bottom line on the Sigma 100-400mm F5-6.3 DG OS HSM Contemporary Lens?

First of all, the sharpness is outstanding. Even at its widest aperture, the sharpness is exceptional with very little edge softening.

The build quality is more than capable of serving as a “go-to” telephoto for sports and outdoor work and the beefy weather sealing only enhances the workability of this lens.

If you absolutely MUST have the capability of a tripod collar then look elsewhere because the Sigma 100-400mm lens simply doesn’t have one. If you don’t care about that, then for around $ 799 USD, this telephoto from Sigma won’t fail to impress.

The post Review: Sigma 100-400mm F5-6.3 DG OS HSM Contemporary Lens by Adam Welch appeared first on Digital Photography School.


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Tamron unveils lightweight 100-400mm F4.5-6.3 ultra-telephoto zoom for $800

29 Oct

Tamron just revealed its newest ultra-telephoto zoom. Meet the Tamron 100-400mm F4.5-6.3 Di VC USD (Model A035) for full-frame Canon and Nikon DSLRs—a lens that combines compact, lightweight construction with ‘superior’ image quality and ‘fast and precise AF’, according to Tamron. The lens’ tagline: heavyweight performance in a lightweight lens.

The new lens was revealed this morning, and its claim to fame is its size and weight. At just 39.3 oz., the new 100-400mm lens is the lightest in its class thanks to the use of magnesium allow in ‘key areas’ of the lens barrel. Inside that barrel you’ll find 17 lens elements in 11 groups—including three low dispersion (LD) elements—and Tamron’s high-speed Dual MPU that allows for ‘fast and precise AF’ as well as four stops of stabilization.

Below are some sample photos captured with the new Tamron 100-400 F4.5-6.3 Di VC USD at the racetrack by photographer Takahito Mizutani for Tamron:

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The Tamron 100-400mm F4.5-6.3 Di VC USD will be available starting November 16th, in both Canon and Nikon mounts, for $ 800. To find out more or see more impressive sample photos, read the full press release below or head over to the Tamron website.

Press Release

100-400mm F/4.5-6.3 Di VC USD (Model A035)

Tamron announces the launch of a new ultra-telephoto zoom lens with fast and precise AF, superior image quality and a lightweight, compact design

October 26, 2017, Commack, New York— Tamron USA, Inc. , announces the launch of a new ultra-telephoto zoom lens, 100-400mm F/4.5-6.3 Di VC USD (Model A035), for full-frame Canon and Nikon DSLR cameras. The Model A035 delivers fast and precise AF performance and consistently powerful VC (Vibration Compensation) 4 stops*1 benefits thanks to the high-speed Dual MPU (Micro-Processing Unit) control system that is found in the latest Tamron lens models. The advanced optical design of Model A035 includes three LD (Low Dispersion) lens elements for aberration reduction and Tamron’s original eBAND Coating for superior anti-reflection performance. At 1,115g (39.3 oz), the new lens is the lightest in its class*2 and features magnesium alloy in key areas of the lens barrel to ensure weight reduction, and improve strength and portability. Model A035 is compatible with Tamron’s 1.4X tele converter and the Tamron TAP-in ConsoleTM that enables lens customizations for focus adjustments, VC mechanism adjustments and more. Additionally, an Arca Swiss compatible tripod mount is available as an optional accessory. The new Tamron 100-400mm will be available in both Canon and Nikon mounts on November 16th at $ 799.

PRODUCT HIGHLIGHTS

1. High-speed Dual MPU (Micro-Processing Unit) control system delivers quick and highly responsive autofocus performance plus outstanding VC image stabilization

The Dual MPU system includes an MPU dedicated to vibration compensation processing, enhancing the computational capacity of the entire system. An MPU with built-in DSP (Digital Signal Processor) provides high-speed digital signal processing and achieves outstanding autofocus performance and vibration compensation, both indispensable for ultra-telephoto photography.

2. Superb image quality in an ultra-telephoto zoom lens

The Model A035 includes three LD (Low Dispersion) lens elements for optimal optical design and aberration correction. Lighter weight, increased light transmission and crisp images with excellent contrast are achieved by reducing the number of lens elements while ensuring an appropriate balance with aberration correction. The A035 has minimum object distance (MOD) of 1.5 m (59 in) and a maximum magnification ratio of 1:3.6 for close-up work.

3. Exclusive eBAND Coating reduces flare and ghosting

The new A035 features Tamron’s eBAND (Extended Bandwidth & Angular-Dependency) Coating, which has an extremely low refractive index and fine multiple-layer coating technology, to achieve outstanding antireflection performance. BBAR (Broad-Band Anti-Reflection) Coating, with excellent antireflection characteristics, increases light transmission. These coating technologies greatly reduce the ghosting and flare that can occur when subjects are backlit.

4. Lightest weight, 1,115 g (39.3 oz) lens in the ultra-telephoto zoom lens class*, and only 196.5 mm (7.7 in) long

Magnesium alloy is used in key areas of the lens barrel to improve weight reduction, strength and portability. Total length of 196.5 mm (Nikon mount) means a compact size for an ultra-telephoto zoom lens covering up to 400 mm, and the A035 can therefore be easily carried in a standard camera bag. Combined with excellent vibration compensation functions, the compact size enables successful handheld ultra-telephoto photography.

*Length is the distance from the front tip of the lens to the lens mount face.

5. Optional accessory tripod mount is Arca-Swiss compatible

An Arca-Swiss style tripod mount is available as an optional accessory. Designed exclusively for Model A035, it provides quick and secure attachment to a tripod and greater stability. An easy-to-hold grip shape includes an expanded mounting plane, and the use of magnesium helps achieve lighter weight, thereby further facilitating handheld photography.

6. Compatible with tele converters and TAP-in Console

Model A035 is compatible with tele converters designed exclusively for Tamron lenses to achieve 1.4X and 2X the original focal length*. It’s also compatible with Tamron’s TAP-in Console (Model TAP-01), an optional accessory enabling users to update lens firmware and customize the lens settings, including adjustments of focusing positions for autofocusing and the operation modes for the lens’s Vibration Compensation system.

*Use of the 1.4× tele converter results in light reduction of 1 F stop; use of the 2× tele converter results in the loss of 2 F stops

7. Moisture-Resistant construction and fluorine coating for enhanced weather protection

The surface of the front element is coated with a protective fluorine compound that has excellent water- and oil-repellant qualities. The front surface is easier to wipe clean and is less vulnerable to the damaging effects of dirt, dust, moisture or oily fingerprints, allowing for much easier maintenance. Also, with active use of the A035 for outdoor photography likely, sealant is used in each of the movable and joining areas of the lens barrel to resist the intrusion of moisture.

8. Electromagnetic diaphragm system now used also for Nikon-mount lenses

An electromagnetic diaphragm system, which has been a standard feature for Canon-mount lenses, is now employed in Nikon-mount lenses*. More precise diaphragm and aperture control is possible because the diaphragm blades are driven and controlled by a built-in motor through electronic pulse signals.

* Available only with cameras compatible with the electromagnetic diaphragm (D5, D4s, D4, D3X, Df, D850?D810, D810A, D800, D800E, D750, D600, D610, D300S, D500, D7500, D7200, D7100, D7000, D5600, D5500, D5300, D5200, D5100, D5000, D3400, D3300, D3200, D3100). (As of October, 2017; Tamron)

9. External design places importance on functionality and ease of use

While inheriting the design that makes use of many organic curves and the delicately polished form down to fine details that characterize the SP lens series, the new Model A035 comes with a highly sophisticated design that also places a lot of importance on the lens’s functionality and ease of use, featuring an overall form that faithfully encompasses the internal structures within, a slim Luminous Gold brand ring and the switch shape design.

Tamron 100-400mm F4.5-6.3 Di VC USD specifications

Principal specifications
Lens type Zoom lens
Max Format size 35mm FF
Focal length 100–400 mm
Image stabilization Yes
CIPA Image stabilization rating 4 stop(s)
Lens mount Canon EF, Nikon F (FX)
Aperture
Maximum aperture F4.5–6.3
Minimum aperture F32–45
Aperture ring No
Number of diaphragm blades 9
Optics
Elements 17
Groups 11
Special elements / coatings Three LD elements + eBAND coating
Focus
Minimum focus 1.50 m (59.06)
Maximum magnification 0.28×
Autofocus Yes
Motor type Ring-type ultrasonic
Full time manual Yes
Focus method Extending front
Distance scale Yes
DoF scale No
Physical
Weight 1135 g (2.50 lb)
Diameter 86 mm (3.39)
Length 199 mm (7.83)
Materials Magnesium alloy
Sealing Yes
Colour Black
Zoom method Rotary (extending)
Filter thread 67.0 mm
Hood supplied Yes
Tripod collar No
Optional accessories Tripod collar

Articles: Digital Photography Review (dpreview.com)

 
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Hands-on with new Tamron 100-400mm F4.5-6.3 Di VC USD

27 Oct

Hands-on with new Tamron 100-400mm F4.5-6.3 Di VC USD

The new Tamron 100-400mm F4.5-6.3 Di VC USD is a lightweight telezoom aimed at enthusiast full-frame and APS-C DSLR users. The lightest zoom in its class (minus the optional tripod foot) the 100-400mm trades brightness for portability, weighing in at 40 ounces (roughly 1.1 kilograms).

Hands-on with new Tamron 100-400mm F4.5-6.3 Di VC USD

Optical construction comprises 17 elements in 11 groups, including extraordinary LD (low dispersion) elements. Minimum focus is a respectable 59 inches (1.5m) which works out at a a maximum magnification ratio of 1:3.6.

The optical Vibration Correction system offers the equivalent of 4 stops of correction, which should make a big difference to usability for telephoto shots, at and around 400mm. We’ve been impressed by the performance of Tamron’s stabilization in the past, and in theory, the new 100-400mm should be hand-holdable down to 1/60sec at 400mm.

Hands-on with new Tamron 100-400mm F4.5-6.3 Di VC USD

Despite being a full-frame zoom, the 100-400mm feels relatively light, and very well-balanced. In the 100mm zoom position, the lens is 7.8 inches long.

Hands-on with new Tamron 100-400mm F4.5-6.3 Di VC USD

Zoomed out to 400mm, the 100-400mm gets longer by roughly 50%, but still feels well-balanced. The large zoom ring moves smoothly throughout the zoom range. A smaller focus ring is positioned behind it, but separated by enough space that you probably won’t grab the wrong ring by mistake.

Automatic focusing is powered by twin processors, and judging from a very quick test on the show floor (with a Nikon D500) AF seems fast and positive, at least in single-shot mode.

Hands-on with new Tamron 100-400mm F4.5-6.3 Di VC USD

Although the sample we tried out didn’t display any ‘zoom creep’ there is a lock on the barrel to prevent the lens extending when carried.

Hands-on with new Tamron 100-400mm F4.5-6.3 Di VC USD

The tripod ring is optional, but recommended. Although it makes the 100-400mm slightly heavier, it offers a very solid platform for tripod use. Although you can’t tell from this image, the base of the foot is Arca-SWISS compatible.

Hands-on with new Tamron 100-400mm F4.5-6.3 Di VC USD

The Tamron 100-400mm F4.5-6.3 Di VC USD is fully compatible with Canon and Nikon DSLRs, both full-frame and APS-C. We had the chance to use it (briefly) on a Nikon D500 and it balances well, both at 100 and 400mm positions. This view gives a sense of the relatively small size of the lens. Despite its telephoto reach, it’s about the same size and weight as a typical 70-200mm F4.

As we’d expect, the Tamron 100-400mm F4.5-6.3 Di VC USD is compatible with Tamron’s TAP-in Console and 1.4X and 2X teleconverters (although don’t expect stellar AF performance at the long end of the zoom with either!). It will be available starting November 16th for $ 800.

Articles: Digital Photography Review (dpreview.com)

 
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Sample gallery update: Sony FE 100-400mm F4.5-5.6 GM OSS

14 Oct

The Sony FE 100-400mm F4.5-5.6 GM OSS is a powerful piece of kit, despite its less-than-fast aperture. More importantly, it is sharp throughout its versatile zoom range.

We’ve beefed up of our initial sample gallery with some additional photos of bison, bears, prong horned antelope and drift cars. These join our original samples of models, beach scenes and horseback riders. Now how’s that for versatility?

See our Sony 100-400mm F4.5-5.6 GM OSS sample gallery$ (document).ready(function() { SampleGalleryStripV2({“galleryId”:”4598193995″}) })

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Articles: Digital Photography Review (dpreview.com)

 
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Tamron developing lightweight, compact 100-400mm F4.5-6.3 lens

18 Sep

Third-party lens maker Tamron has officially announced that it is working on a new tele-zoom lens for full-frame cameras: the 100-400mm F/4.5-6.3 Di VC USD (Model A035).

Thanks to the use of magnesium in key areas of the barrel, Tamron claims the lens is both durable and, weighing in at just 1.12kg, the lightest in its class. The optical design incorporates three low dispersion elements to control chromatic aberration and Tamron’s eBAND (Extended Bandwidth & Angular-Dependency) coating to minimize reflections and flare.

Tamron also included a high-speed Dual MPU (Micro-Processing Unit) control system, which works in conjunction with Tamron’s Ultrasonic Silent Drive focusing motor to deliver AF speed and precision.

The lens will be compatible with Tamron’s 1.4X teleconverter and the Tamron TAP-in Console that lets you fine-tune and adjust focus and stabilization, among other parameters. An Arca Swiss compatible tripod mount will be available as an optional accessory.

If everything goes to plan, the 100-400mm F/4.5-6.3 Di VC USD will be available by the end of 2017 in Canon and Nikon mount versions.

Press Release

Tamron announces the development of a new ultra-telephoto
zoom lens with superior image quality, advanced features
and lightweight, compact design

100-400mm F/4.5-6.3 Di VC USD (Model A035)

September 15, 2017 – Commack, New York – Tamron USA, Inc. announces the development of a new ultra-telephoto 100-400mm F/4.5-6.3 Di VC USD zoom lens (Model A035) for full-frame DSLR cameras. The advanced optical design of Model A035 includes 3 LD (Low Dispersion) lens elements for greater aberration reduction and Tamron’s original eBAND Coating for superior anti-reflection performance.

At 39.3 oz., the new lens is the lightest weight in its class[1] and features magnesium material in key areas of the lens barrel to improve weight reduction, strength and portability.

The Model A035 delivers fast and precise autofocus performance and consistently powerful VC (Vibration Compensation) benefits thanks to the high-speed Dual MPU (Micro-Processing Unit) control system that is found in the latest Tamron lens models.

Model A035 is fully compatible with Tamron’s 1.4X teleconverter and the Tamron TAP-in ConsoleTM that enables lens customizations for focus adjustments, VC mechanism adjustments and more. Additionally, an Arca Swiss compatible tripod mount is available as an optional accessory.

This combination of features and optional accessories join to create a lens that photographers everywhere will enjoy using in various shooting situations, including low-light conditions that require handheld operation as well as those where convenient attachment to a tripod is preferred.

[1] Among 100-400mm F/4.5-6.3 lenses for 35mm full-frame DSLR cameras (As of September 15, 2017; Tamron)

PRODUCT HIGHLIGHTS

  1. 3 LD (Low Dispersion) lens elements effectively compensate for axial chromatic aberrations, a potential issue for ultra-telephoto lenses, and other various aberrations.
  2. eBAND (Extended Bandwidth & Angular-Dependency) Coating, with superior anti-reflection performance to eliminate flare and ghosting, provides flawless, crystal clear images.
  3. High-speed Dual MPU (Micro-Processing Unit) control system delivers quick and highly responsive autofocus performance and outstanding vibration compensation.
  4. Lightest weight (39.3 oz.) lens in the ultra-telephoto zoom lens category.
  5. Optional accessory tripod mount is Arca Swiss-compatible.
  6. MOD (Minimum Object Distance) of 59″ and maximum magnification ratio of 1:3.6
  7. Moisture-Resistant Construction and Fluorine Coating for weather protection
  8. Fully compatible with 1.4X teleconverter and TAP-in ConsoleTM

Articles: Digital Photography Review (dpreview.com)

 
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Review of the Panasonic Lumix G Leica DG Vario-Elmar 100-400mm Lens

05 Sep

In this review, I’ll discuss my experience testing out the Panasonic Lumix G Leica DG Vario-Elmar 100-400mm f4-6.3 IS lens. It is compatible with mirrorless four thirds camera systems.

Downsizing

Last winter, I adopted my first new camera system since I started shooting seriously two decades ago. I’ve used Canon cameras for my entire professional career, though I’m hardly a devout follower of the brand. I’ve shot Canon for the simple reason that I own Canon gear, am content with the quality, and switching to something new was just too much trouble.

Panasonic Lumix G Leica DG Vario-Elmar 100-400mm f4-6.3 lens

However, in my work as a wilderness photographer and guide, weight and size of my equipment are a big deal. Often, I’ve found myself leaving gear at home that I’d otherwise like to have, for the simple reason that there wasn’t space or the gear weighed too much. So, I started looking for a compact system that would provide the quality and flexibility I needed.

I ended up with a Panasonic Lumix GX85 mirrorless body, as an experiment into the micro 4/3rds system. Without mincing words, I’ve been extremely impressed with this very compact, very light, and very capable little camera. In the months I’ve been using it, it has easily out-stripped my Canon DSLRs as my most-used camera.

Panasonic Lumix G Leica DG Vario-Elmar 100-400mm f4-6.3 lens

A flash of sunlight on the tundra of the Brooks Range. Panasonic-Leica 100-400, 187mm, f5.0, 1/250th.

Looking for lenses

With weight and size as a major consideration, I’ve started shopping for additional lenses, to see if there is anything available that would allow me to part with at least some of my Canon kit. Rather than spend a bunch of bucks, I’m trying things out via rental lenses. The first big telephoto I’ve tried is the Panasonic Lumix G Leica DG Vario-Elmar 100-400mm f4-6.3 lens.

When mounted on a micro 4/3rds camera like the Lumix GX85, the 100-400mm lens has a full-frame equivalent of 200-800mm, which definitely appealed to my inner wildlife photographer.

I recently spent about 10 days with this lens on a wilderness trip to the Arctic National Wildlife Refuge. This review is about how it functioned and the resulting image quality. I’ll leave the technical assessment of chromatic aberration, color fidelity, and variable sharpness in other, more capable, hands.

First Impressions of the Panasonic 100-400mm lens

Out of the box, the all metal construction of this lens struck me as sturdy, compact, sleek, and well-made. The rotating focus and zoom rings were smooth and precise and there was no grinding or slippage. The simple lock-out ring was easily adjusted to keep the zoom from slipping forward or back. No complaints.Panasonic Lumix G Leica DG Vario-Elmar 100-400mm f4-6.3 lens

I promptly took it out of for a quick walk around my home here in Fairbanks, Alaska and made a few images of flowers, testing the focus and bokeh.

Panasonic Lumix G Leica DG Vario-Elmar 100-400mm f4-6.3 lens

This was the only image I made with the lens where it had a hard time auto-focusing. I suspect it was due to the relatively dark background and low-contrast subject. 400mm, f/6.3, 1/160th.

Panasonic Lumix G Leica DG Vario-Elmar 100-400mm f4-6.3 lens

The background bokeh retains some detail in this image at 400m, f/7.1, 1/2000th.

Sharpness is surprisingly good even at 400mm (800mm equivalent) though I did find the autofocus in low-contrast situations to be a bit slow and imprecise. The image of the Delphinium (purple flower, above) took multiple attempts to grab focus, presumably due to the dark background.

Panasonic Lumix G Leica DG Vario-Elmar 100-400mm f4-6.3 lens

Cottongrass. Even at 400mm, the center piece of cotton is tack sharp. 400mm, f8, 1/2500th.

The combination of the micro 4/3rds sensor (which as a 2x crop factor) and the f6.3 aperture (at 400mm) did extend the depth of field and reduced the clean bokeh I’m used to with my faster Canon 500mm f4. However, when the subject is set suitably away from the background this improves markedly.

Into the Field

Panasonic Lumix G Leica DG Vario-Elmar 100-400mm f4-6.3 lens

Looking north from the mountain front toward the coastal plain of the Arctic National Wildlife Refuge. 100mm, f4.7, 1/2500th.

The following morning, I boarded a small bush plane and flew from Fairbanks, over the arctic circle to the northern Brooks Range and coastal plain of the Arctic National Wildlife Refuge.

Panasonic Lumix G Leica DG Vario-Elmar 100-400mm f4-6.3 lens

I was impressed with the color and contrast detail using the lens. 137mm, f/8.0, 1/1600th.

The long and short of that trip is that the weather sucked. Usual, y the Arctic Refuge is a dry place (it’s actually an Arctic desert) but not on this trip. My clients and I spent long hours holed up drinking hot chocolate, rather than hiking across the dramatic landscape. This was a bit of a drag, but it did make us appreciate the rare moments when the weather cleared enough to allow rays of sun to fall on the tundra.

During those moments, I would scurry out, camera in hand, and make images. Usually, when photographing the landscape, I rely on wide angles, and short telephotos. However, the specks of interesting light that found their way to the ground through the low clouds were small, and I found the reach of the 100-400mm lens a near-perfect match for the conditions.

Bird photography

I also had the chance to make a few images of the Semipalmated Plovers that shared our riverside camp.

Panasonic Lumix G Leica DG Vario-Elmar 100-400mm f4-6.3 lens

Semipalmated Plover on the a gravel bar on the coastal plain of the Arctic National Wildlife Refuge. The feather detail is extremely good, even when viewed at 100%. 250mm, f/11, 1/500th.

Panasonic Lumix G Leica DG Vario-Elmar 100-400mm f4-6.3 lens

Semipalmated Plover. 400mm, f/9.0, 1/200th (Handheld at 800mm equivalent! That’s some solid image stabilization there.)

I’m accustomed to making wildlife photos with a monstrous 500mm f/4, which while huge, also has amazing image quality and a lovely, clean background bokeh. I expected this lens to be second-rate at best.

And yet, I was pleasantly surprised. Image sharpness was more than acceptable throughout the lens’ range. And the bokeh issue was resolved (at least somewhat) by laying down on the ground and shooting at the bird’s eye level. This provided a good separation from the bird to the background.

Panasonic Lumix G Leica DG Vario-Elmar 100-400mm f4-6.3 lens

Sun patch detail. 400mm f/6.3, 1/250th.

In situations where this kind of separation is impossible to create (say a forest, or shrubby area), then the extended depth of field of this slower, faster lens will unquestionably be an issue.

The image stabilization in the lens and camera worked seamlessly together, making handheld shooting a breeze. Even at an 800mm equivalent, and surprisingly long shutter speeds, it performed well.

Final Thoughts

I just couldn’t help comparing this lens to my Canon 500mm f/4. I know it isn’t a fair comparison. The 500mm weighs nearly 8lbs, while the 100-400mm comes in just over two. The street price of the 500mm is a college-fund draining $ 9,000 USD, while the Panasonic 100-400mm slips in at a comparatively cheap $ 1,800 USD.

Lens Review: Panasonic Lumix G Leica DG Vario-Elmar 100-400mm

Rotten weather meant that snow fell on the mountains just above our camp…in July! Ahhh, Alaska. 180mm, f/9.0, 1/500th.

But the very fact that I AM comparing these two wildly different sized and priced lenses says something very good about the Panasonic-Leica 100-400mm, I think. For what it is and what you get, this lens is extraordinary.

Is it as good as a 500mm f/4 prime Canon L-series lens? No way. Is it still really, really good? Yes, it is, and for the price and size, I’m not sure it can be beaten.

I’m not ready to trade in my big glass for this little, solid lens, but when it comes to light backcountry journeys, I could sure as heck see the Panasonic Lumix 100-400mm f4-6.3 lens as a great addition to my kit.

The post Review of the Panasonic Lumix G Leica DG Vario-Elmar 100-400mm Lens by David Shaw appeared first on Digital Photography School.


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Sigma announces firmware update for Sigma 100-400mm f/5-6.3 OS Contemporary for Canon

05 Aug

Sigma has announced a firmware update for its SIGMA 100-400mm F5-6.3 DG OS HSM Contemporary lens for Canon mount. Version 1.02 of the firmware fixes problems with the optical image stabilization when the lens is attached to Sigma’s Sony E-mount converter MC-11 EF-E.

As usual, users who own the Sigma USB dock can update the firmware via the Sigma Optimization Pro software. Users who own the MC-11 converter can update by connecting the latter to a computer via USB-cable. In both cases, you should make sure you are running the latest version of Sigma Optimization Pro which is 1.4.1 for Windows and 1.4.0 for Macintosh computers.

Articles: Digital Photography Review (dpreview.com)

 
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Firmware update improves AF performance of Sigma 100-400mm F5-6.3 DG OS HSM lens for Canon

07 Jun

Sigma has released new firmware for its 100-400mm F/5-6.3 DG OS HSM lens for Canon mount. According to Sigma, firmware version 1.01 improves the AF performance of the lens. When attached to the Sigma mount converter MC-11 AF performance will be improved as well. In addition the optical image stabilization mechanism can operate at faster speeds.

As usual, Sigma lens owners with the Sigma USB Dock must first update the Sigma Optimization Pro software to, at minimum, version 1.4.1 (Windows) or version 1.4.0 (Mac) before downloading and installing the new firmware.

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Sony FE 100-400mm F4.5-5.6 GM sample gallery

24 May

With the FE 100-400mm F4.5-5.6 GM lens, Sony is seeking to fill a super-telephoto gap in its lens lineup with the announcement of the a9 sports camera. It may not have the fast aperture of competitors’ telephoto primes, but the zoom range is versatile, and the lens looks to be very sharp with pleasing out-of-focus backgrounds, plus it comes with a very close focusing distance to boot.

We’ll be updating our gallery with more sports oriented samples on Sony’s a9 as we begin fully testing that camera, so stay tuned! In the meantime, enjoy some horses jumping and scenes from the El Capitan State Beach outside of Santa Barbara, CA.

Sony FE 100-400mm F4.5-5.6 GM gallery

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