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Nikon Z-mount 1.4x and 2x teleconverters arrive in August

21 Jul

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Nikon has announced that it will add two teleconverters to its mirrorless Z-series lineup this summer: the Z Teleconverter TC-1.4x and TC-2.0x. Both are weather-sealed, with fluorine coatings on front and rear elements to resist smudges, and retain autofocus capabilities with all AF points up to F11. The teleconverters will be compatible with ‘select’ Nikkor Z lenses, including the 70-200mm F2.8 VR S. It’s likely (but unconfirmed) that they’ll also work with the 100-400 and 200-600mm tele-zoom lenses currently on the Z-mount roadmap that should be released next year.

Both teleconverters are compact designs with a protruding front element meaning that, like recent F-mount equivalents, they cannot be ‘stacked’ or combined.

The 1.4x and 2.0x teleconverters will sell for $ 550 and $ 600, respectively, and will go on sale in late August. They will be sold alongside the previously-announced but delayed Z 70-200mm F2.8 S, which is expected to become available in the same timeframe.

Press release

EMBARK ON THE FULL-FRAME MIRRORLESS JOURNEY: NIKON UNVEILS THE Z 5, AN INNOVATIVE AND FEATURE-RICH MIRRORLESS FX-FORMAT CAMERA FOR EMERGING CREATORS

Nikon Expands the NIKKOR Z Lens Lineup with the Addition of the Extremely Compact and Versatile NIKKOR Z 24-50mm f/4-6.3 as well as the new Z TELECONVERTER TC-2.0X and TC-1.4X; Nikon Also Announces Free Webcam Utility

MELVILLE, NY (July 21, 2020) – Today, Nikon Inc. announced the Z 5, the new full-frame (FX-format) entry-point into its award-winning lineup of Z series mirrorless cameras. The Nikon Z 5 combines sophisticated features inherited from the Z 7 and Z 6 with the benefits of Nikon’s next generation Z mount at an unprecedented value. For those new to mirrorless or creators looking to push the limits of their craft with the power of full-frame, the compact Z 5 will exceed expectations. With an incredibly robust feature set, including in-camera vibration reduction (VR) image stabilization (IBIS) and the perfect balance of seamless automation and full manual control, creators can effortlessly share their artistic passions, travel adventures and so much more.

Nikon also unveiled the new NIKKOR Z 24-50mm f/4-6.3, the shortest, lightest and most affordable full-frame zoom lens in the NIKKOR Z lineup. Designed for on-the-go creators, the 24-50mm lens is the ideal companion for Z series users who want to capture it all – from vast landscapes and cityscapes, to street photography and striking portraits.

“The Nikon Z 5 offers the next generation of creators a gateway into the full-frame Z series lineup, opening the door to the limitless possibilities of mirrorless photo and video capture, while providing the means to share their creativity with others,” said Jay Vannatter, Executive Vice President, Nikon Inc. “With the addition of the NIKKOR Z 24-50mm f/4-6.3, Nikon is introducing the smallest full-frame NIKKOR Z lens to date, providing an extremely lightweight, versatile option to help users pursue all creative endeavors, regardless of which Z series camera they use.”

Nikon Z 5: The Full-Frame Journey Starts Here
As the new entry point to Nikon’s full-frame mirrorless lineup, the Nikon Z 5 offers a lot of power and capabilities at an attractive price, empowering the next generation to begin their journey with the confidence to learn and grow as creators.

  • Incredible Image Quality: Featuring a powerful FX-format 24.3-megapixel CMOS sensor, the Z 5 is the gateway to the benefits of full-frame, helping creators to capture intensely detailed images, ultra-shallow depth of field and clean low-light shots with unrivaled consistency. From portraits that flatter, nighttime landscapes that astound and street shots that impress, the gorgeous tones, faithful colors, minimal noise, and revered Nikon color science all play a part to help users capture images that are true to their vision.
  • High Speed Performance and Processing: Engineered with the EXPEED 6, Nikon’s fastest image processor to date, the Z 5 is a dependable, high-performance tool designed for content creation. EXPEED 6 allows for a boost in processing power and energy efficiency while rendering subtle textures and small details with amazing results.
  • Stellar Low-Light Performance: With an ISO range up to 51,200 (expandable to 102,400), the camera effectively reduces noise, maintaining both high sensitivity and resolution to excel in low-light situations, making it ideal for shooting everything from low-light events to an all-nighter under the Milky Way.
  • Capture with Speed: With shutter speeds up to 1/8000, the Z 5 can capture fast-moving subjects with clarity including fast-action sports and wildlife. This higher maximum shutter speed enables photographers to better tame even the brightest mid-day light to unleash the potential of fast-aperture NIKKOR glass. When the moment strikes, the camera can also capture full resolution bursts at 4.5 fps with full AF/AE.
  • Silent and Smooth: The combination of the camera’s silent photography mode and In-Body 5-Axis VR stabilization provides quiet, stable shooting to document sensitive moments without distractions.
  • Vast Lens Selection: Whether shooting glamorous portraits from a studio on the sidewalk, long-distance wildlife, epic wide landscapes in the field or street photography, the growing lineup of NIKKOR Z lenses provides Z 5 users the versatility to capture incredible shots with sharpness across the frame and superior light gathering in any situation. For even more flexibility, the vast array of traditional F-mount NIKKOR lenses can be used via the Mount Adapter FTZ to enhance images with a unique focal length or beautiful bokeh, while gaining the benefits of in-body stabilization.
  • Dual UHS-II SD Card Slots: Equipped with two UHS-II card slots for overflow, backup or separating RAW and JPEG photos, the Z 5 enables photographers to shoot with extreme confidence when using widely available consumer SD cards.

Simple Yet Sophisticated for Expanding Creativity
A great option for emerging creators getting started, the Nikon Z 5 is packed with powerful tools and user-friendly controls to help users explore and capture their artistry with ease.

  • Focus Anywhere: The Z 5 boasts 273[1] on-sensor AF points, to quickly and accurately track subjects throughout the frame, while Eye-Detection AF capabilities help precisely capture the eyes of humans and animals. The wide array of AF points covers nearly the entire frame, and multiple AF modes allows the user to have pinpoint control or fully automatic assurance to easily lock onto a subject.
  • Easily Shift Gears: The Nikon Z 5 offers the ability to effortlessly switch between manual mode for the ultimate in control, as well as a large variety of automatic creative modes to help mirrorless users capture truly distinct images and video.
  • Creativity Built-in: Equipped with 20 Creative Picture Controls, and advanced features like Focus Shift Shooting and multiple exposure mode, users can compose unique images, produce extraordinary depth of field, or combine several shots and layer images on top of each other with the in-camera image overlay function.
  • Advanced Video Capture: The Z 5 makes it easy to document any creative vision in 4K UHD/30p[2] or in 1080/60p (full-frame). When recording video, the PDAF system is rapid to react, allowing users to quickly lock critical focus on subjects, and is fully customizable to fit any production style. In-camera VR image stabilization and electronic VR reliably eliminate the shake when shooting video, plus users get the added benefit of focus peaking and the ability to capture stills while recording.
  • Flexible Recording Modes: In addition to the traditional interval timer and in-camera time-lapse modes, the Nikon Z 5 is equipped with a new Time-Lapse Movie mode that gives users the best of both worlds for more streamlined movie making – the ability to use images from interval timer mode and create a time-lapse in-camera.
  • Unique Lighting Options: For enhanced creative control, the camera features a hot shoe, and is fully compatible with the Nikon Speedlight wireless lighting system.
  • Get Connected: The Nikon SnapBridge[3] app makes it easy to remotely control the Z 5 or seamlessly transfer and share content to a smartphone, tablet, Mac, or PC thanks to built-in Wi-Fi[4] and Bluetooth[5] connectivity.

Rugged Reliability and Engineered for Versatility
In addition to providing high-quality imaging capabilities, the Nikon Z 5 is compact and comfortable in-hand while promising the rugged reliability as well as innovative features and controls that Nikon is known for.

  • Legendary Nikon Build: Designed with a durable, weather-sealed exterior for worry-free use, the Z 5 employs the same magnesium alloy shell and robustness as the Z 6 and Z 7. Both the camera and NIKKOR Z 24-50mm f/4-6.3 lens are built with consideration for dust and drip resistance and are ready to tackle the next adventure.
  • Functional Operability: The camera sports a powerful, high-resolution 3.2-inch LCD monitor with the capabilities to tilt, touch, tap, swipe, and pinch for an intuitive and flexible user-experience. Meanwhile, the 3.6M-dot Quad-VGA EVF ensures users can see exposure, ISO, white balance and creative picture controls in real time, making the transition from optical viewfinders seamless for new mirrorless shooters.
  • Packed with Power: Powered by the new EN-EL15c battery, the Z 5 offers significant advancements in the number of shots per charge and is the first Nikon camera to enable constant power through the USB port, even with select portable USB power banks[6]. For added power and grip, the camera is also compatible with the MB-N10 hot-swappable battery pack.
  • Webcam Ready: When connected via the USB-C cord, the Z 5 can be used as a webcam, making the camera a great option for modern vloggers, influencers and gamers looking to improve their livestreaming capabilities.

NIKKOR Z 24-50mm f/4-6.3: Portable, Yet Powerful
The NIKKOR Z 24-50mm f/4-6.3 is the latest addition to the rapidly expanding lineup of NIKKOR Z lenses and is the smallest FX-format NIKKOR Z lens yet. Optically designed to take advantage of the advancements of the wide Z mount, this lens delivers sharpness across the entire frame and a versatile zoom range for everyday use. The 24-50mm is less than three inches long when retracted, making it the perfect lens for shooters seeking a versatile yet compact option for lightweight travel and street photography. When used together, the Z 5 and 24-50mm lens are the ideal discrete travel kit that can easily be packed and carried for all-day adventures. This compact NIKKOR Z lens is also an enticing option for Z 6 and Z 7 users who want a small all-around lens for portraits, landscapes, and street photography.

New Z Teleconverters Take NIKKOR Z Lenses to New Lengths
Designed for photographers and videographers who need more telephoto reach in their kit, the new Z TELECONVERTER TC-1.4X and Z TELECONVERTER TC-2.0X bring added versatility with 1.4x and 2.0x magnification to select NIKKOR Z lenses. These lightweight teleconverters are great tools for those photographing sports, wildlife and aviation, reducing the need to crop images and allowing for tighter compositions with maximum resolution.

The new TC-1.4X and TC-2.0X teleconverters maintain superior rendering performance and minimize various lens aberrations, while retaining focusing speed, VR functionality and minimum focusing distance. As an added benefit, the new teleconverters allow Nikon Z series cameras to retain functionality on all focus points up to f/11, making it easy to focus on and track subjects throughout the entire frame. Featuring the same robust construction as NIKKOR Z lenses, the teleconverters are designed with a fluorine coating on the front and rear elements to resist dirt and smudges, and offer a durable, weather-sealed body to protect against the elements.

When the teleconverters are used with the NIKKOR Z 70-200mm f/2.8 VR S (availability scheduled for late August), the focal length on the telephoto end is extended to 280mm (1.4x) or 400mm (2.0x) producing a significant expansion of this telephoto lens’ shooting range. These new teleconverters will also be compatible with applicable interchangeable lenses for Nikon Z mount mirrorless cameras that Nikon will release in the future.

New Webcam Utility Software for Nikon Cameras
In August, Nikon will release a beta version of the Webcam Utility software for many Nikon DSLR and Z series mirrorless cameras, including the new Z 5. Initially available for Windows 10, the free software will allow compatible Nikon cameras to be used as webcams. When connected via USB, this free software will provide users with incredible sharpness, clarity and flattering depth of field for all of their livestreaming needs including teleconferencing and gaming.

For more information on how to use your Nikon camera as a webcam, please visit https://www.nikonusa.com/en/learn-and-explore/live-streaming-with-nikon-cameras.page

Pricing and Availability
The Nikon Z 5 will be available in August in several configurations, including body-only for a suggested retail price (SRP) of $ 1,399.95*, a one-lens kit with the new NIKKOR Z 24-50mm f/4-6.3 for an SRP of $ 1,699.95* and a one-lens kit with the NIKKOR Z 24-200mm f/4-6.3 VR lens for an SRP of $ 2,199.95* for those seeking extra reach when photographing wildlife or travel adventures. Also available in August, the NIKKOR Z 24-50mm f/4-6.3 lens can be purchased separately for an SRP of $ 399.95*. The new Z TELECONVERTER TC-1.4X and TC-2.0X will have an SRP of $ 549.95 and $ 599.95 respectively and will be available in late August.

For more information on the latest Nikon products, including the new Z 5 and NIKKOR Z 24-50mm f/4-6.3 lens, as well as the full Nikon Z mount system, please visit?www.nikonusa.com.

Specifications, equipment, and release dates are subject to change without any notice or obligation on the part of the manufacturer.

*SRP (Suggested Retail Price) listed only as a suggestion. Actual prices are set by dealers and are subject to change at any time.

1. With recording of still images using the FX-format image area and single-point AF. 231 focus points with movie recording.

2. When using this mode, the frame is cropped approx. ×1.7.

3. Using the SnapBridge App System Requirements:

a. Android 5.0 or later or 6.0.1 or later
b. A device with Bluetooth 4.0 or later (i.e., a device that supports Bluetooth Smart Ready/Low Energy) is required.
c. The SnapBridge app is available for compatible iPhone®, iPad® and/or iPod touch®, and for smart devices running the AndroidTM operating system. The app can be downloaded free of charge from Apple’s App Store® and GooglePlayTM. SnapBridge can be used only with compatible cameras.

4. This camera’s built-in Wi-Fi® capability can only be used with a compatible iPhone®, iPad®, and/or iPod touch® or smart devices running on the Android™ operating system. The Nikon SnapBridge application must be installed on the device before it can be used with this camera.

5. The camera’s built-in Bluetooth® capability can only be used to connect the camera to a compatible smart device running the SnapBridge app, and to take advantage of SnapBridge features.

6. Anker PowerCore+ 26800 PD 45W is the recommended portable charger. Use a USB cable with two Type-C connectors supplied with the portable charger. For more information about the portable charger, please visit the manufacturer’s website: Anker.com/support

Articles: Digital Photography Review (dpreview.com)

 
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Canon introduces RF 600mm and 800mm F11 IS STM lenses, 1.4x and 2x teleconverters

13 Jul

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Canon has announced a pair of super-telephoto fixed-aperture lenses: the RF 600mm F11 IS STM and RF 800mm F11 IS STM.

The use of gapless dual-layer diffractive optics and fixed apertures of F11 allowed Canon to reduce the size and length of the lenses compared to their EF equivalents. Canon also says the design of the DO elements also allows for much lower pricing than would otherwise be possible. Both lenses are collapsable, which reduces their stowed length by around 25%. Neither is weather-sealed.

The design of the DO elements also allows for much lower pricing

The image stabilization on the lenses reduces shake by five stops on the 600mm and four stops on the 800mm. Canon does not claim any additional image stabilization advantage when using the IBIS systems in the newly launched EOS R5 and R6. Both lenses use stepping motors to drive their focus groups, so focus is unlikely to match the speeds and silence of the company’s lenses using Nano USM motors. When attached to the R5 and R6, AF coverage area is 60% x 40% (W x H).

The RF 1.4x and 2x will give the 600mm F11 and 800mm F11 even more reach

Canon has also introduced a pair of teleconverters alongside the RF lenses released today. The RF 1.4x and 2x will give the 600mm F11 and 800mm F11 even more reach. With the 2x teleconverter attached, the 800mm F11 becomes a 1600mm F22 – and yes, the R5 and R6 can maintain autofocus at that aperture.

The teleconverters are also compatible with the just-announced 100-500mm F4.5-7.1L. Note, however, that the 100-500mm must be set to 300mm or longer before the teleconverter can be attached, so the lens becomes either an effective 420-700mm or a 600-1000mm, depending on which converter you’re using.

The 600mm, 800mm and both converters will be available later this month. The 600mm is priced at $ 699, while the 800mm comes in at $ 899. The 1.4x and 2x converters will sell for $ 499 and $ 599, respectively.

Press release:

THE SECRET IS OUT: CANON OFFICIALLY ANNOUNCES THE CANON EOS R5 AND R6, THE COMPANY’S MOST ADVANCED FULL-FRAME MIRRORLESS CAMERAS EVER

The Company is Also Announcing Four RF Lenses, Two RF Lens Extenders, and a PRO Printer

MELVILLE, N.Y., July 9, 2020 – With anticipation at a fever pitch, Canon U.S.A. Inc., a leader in digital imaging solutions, is excited to introduce the company’s next generation of full-frame mirrorless cameras – the EOS R5 and EOS R6. These groundbreaking cameras are the result of many years of collecting and listening to feedback from Canon users and are sure to meet the needs and demands of a variety of creators. The EOS R5 is a camera designed for professional applications featuring a new 45-megapixel full-frame CMOS sensor and uncropped 8K video recording up to 29.97 fps. The EOS R6 is geared towards advanced amateurs featuring a 20.1-megapixel full-frame CMOS sensor and 4K video recording up to 59.94 fps. The addition of the EOS R5 and the EOS R6 cameras within the EOS R series lineup further solidifies Canon’s commitment to providing the equipment needed for users to bring their content to the next level.

Canon is also introducing four RF lenses and two RF lens extenders: The Canon RF100-500mm F4.5-7.1 L IS USM, Canon RF600mm F11 IS STM, Canon RF800mm F11 IS STM, and RF85mm F2 MACRO IS STM lenses. All four new lenses were designed to meet the ever-expanding demands of the skilled creatives who capture amazing imagery using EOS R series cameras, including the new EOS R5 and EOS R6. In addition to the lenses, there are two new RF lens extenders, a 1.4x and a 2x model, allowing for users to take their compatible RF lens focal lengths even farther, and a 13-inch professional printer, the imagePROGRAF PRO-300, to bring photos to life through the power of print.

“For all of the Canon research and development team members who worked tirelessly on the production of these new products, today marks the culmination of a long journey. For those people looking for the next great tools to work with to expand their creative possibilities, the door is now wide open,” said Tatsuro “Tony” Kano, Executive Vice President and General Manager of Canon U.S.A.’s Imaging Technologies & Communications Group. “The industry has asked for new products that can push their levels of creativity to new heights, and we are confident that the EOS R5 and EOS R6, alongside the new lenses, lens extenders, and the pro printer, will fulfill those needs and more.”

Canon EOS R5 and EOS R6
Both the EOS R5 and EOS R6 cameras have the ability to capture the action of a variety of fast-moving subjects with impressive accuracy and speed. When using the mechanical shutter, each can shoot up to 12 fps and up to 20 fps when using the completely silent shutter. Both cameras are the first to be outfitted with Canon’s advanced Dual Pixel CMOS AF II which utilizes up to approximately100 percent coverage of the AF area and EOS iTR AF X incorporating AF tracking algorithms using deep learning technology and enhanced readout speed of the CMOS sensor and processing speed thanks to the DIGIC X image processor. The 1,053 automatically selected AF Zones are made even more potent by the ability to detect the human eye, face or head as well as the eye, face or body of animals such as dogs, cats and even birds. Adding to the feature set is the 5-axis In-Body Image Stabilizer, having coordinated control with Optical Image Stabilizer in IS equipped RF lenses. This provides up to 8 stops of shake correction, a feature that many creators have long asked for from Canon. Both the EOS R5 and R6 cameras come with a new LP-E6NH battery with a higher capacity than the previous model.

As the new flagship model in the EOS R series lineup, the EOS R5 camera has features that pack a punch for a variety of users who create both still and video content. It has a powerful 45-megapixel full-frame CMOS sensor and is driven by the speedy DIGIC X image processor, giving wide dynamic range as well as boasting an ISO range of 100-51,200 that is expandable up to 102,400. In a camera full of eye-popping features, one that really stands out is the ability to record uncropped 8K RAW internal video recording up to 29.97 fps and 8K internal video recording up to 29.97 fps in 4:2:2 10-bit Canon Log (H.265)/4:2:2 10-bit HDR PQ (H.265). The camera can also record 4K internal video recording up to 119.88 fps in 4:2:2 10-bit Canon Log (H.265)/4:2:2 10-bit HDR PQ (H.265). External recording in 4K is also available up to 59.94 fps. When in DCI modes, the 8K and 4K video recording is uncropped and Dual Pixel CMOS AF II is available in all 8K and 4K recording modes. Additional features of the EOS R5 camera include:

  • Dual-card slots: 1x CFexpress and 1x SD UHS-II
  • Built-in 0.5-inch OLED EVF with approximately 5.76 million dots and a 119.88 fps refresh rate
  • 3.2-inch 2.1 million dots vari-angle LCD touch screen
  • 5GHz/2.4GHz Built-in Wi-Fi® and Bluetooth Technology with the ability to utilize the image.canon application, as well as optional WFT-R10A wireless file transmitter with Ethernet support
  • Enhanced operating controls such as rear-dial, multi-controller • The ability to voice tag photos and videos
  • Weather, drip and dust sealing on par with the EOS 5D series

The EOS R6 camera is well-equipped with a host of new features to push the limits of creativity for imaging enthusiasts. The combination of the EOS-1D X Mark III based 20.1-megapixel full-frame CMOS sensor and the DIGIC X image processor produces an ISO range of 100-102,400 and is expandable to 204,800. Internal video recording at 4K is capable up to 59.94 fps or 1080p up to 119.88 fps in 10 bit 4:2:2 Canon Log(H.265) or HDR PQ(H.265). The camera also features a built-in 0.5-inch OLED EVF with approximately 3.69 million dots and a 119.88 fps refresh ratevi. Additional features of the EOS R6 camera include:

  • Dual UHS-II SD card slots
  • 3-inch 1.62 million dots vari-angle LCD touch screen
  • 2.4GHz Built-in Wi-Fi®vii and Bluetooth Technologyviii with the ability to utilize the image.canon application
  • Enhanced operating controls such as rear-dial, multi-controller
  • Weather, drip and dust sealing on par with the EOS 6D series

Battery Accessory
The optional BG-R10 battery grip accessory will be available for both the EOS R5 and EOS R6 full-frame mirrorless cameras. The BG-R10 accommodates up to two batteries and is compatible with the new LP-E6NH, LP-E6N and LP-E6 batteries. The convenient BG-R10 grip accessory can also improve handling for users while capturing portrait photography.

Canon RF100-500mm F4.5-7.1 L IS USM
The Canon RF100-500mm F4.5-7.1 L IS USM is a high-performance and versatile super-telephoto zoom lens that will find its way into the bags of many photographers. The compact and lightweight lens features optical image stabilization of up to five stops* of shake correction with three different IS modes, including standard, panning and during exposure only. Two Nano USM motors are at the heart of this lens and provide users with high-speed, smooth and quiet auto focus with a minimum focusing distance of three feet. Additional features of the Canon RF100-500mm F4.5-7.1 L IS USM include:

  • Rotation-Type zoom ring and torque adjustment allows for precision control and feel
  • Customizable control ring that enables photographers to adjust exposure compensation, shutter speed, aperture or ISO
  • 12-pin Communication System
  • Canon L-Series grade dust and weather-resistant construction with a fluorine coating
  • Lens hood with side window allows specialty filters to be adjusted even while Lens Hood is attached
  • Compatible with the new 1.4x and 2x RF lens extenders (from 300 to 500mm focal length)

Canon RF600mm and 800mm F11 IS STM
The Canon RF600mm and RF800mm F11 IS STM lenses are the first fixed focal length super-telephoto RF lenses and are incredibly compact and lightweight. The portability of the new lenses is made even greater due to the ability for the lens barrel to retract and lock in place when the lenses are stowed away and not in use. Diffractive Optics technology helps to reduce the necessary number of lenses and greatly diminish the cost of the lenses, making them affordable for a broader group of photographers. Additional features of the Canon RF600mm and RF800mm F11 IS STM lenses include:

  • Lightweight – the RF600mm weighs approximately 2.05lb and the RF800mm weighs approximately 2.78lb, respectively
  • Compact size, RF600mm measures approximately 7.85inch and RF800mm with measures approximately 11.09inch when retracted, respectively
  • Fixed f/11 aperture
  • Optical image stabilization of five stops* for the RF600mm and four stops* for the RF800mm of Shake Correction
  • Lead screw-type STM enables smooth auto focusing for still-image and video shooting
  • Customizable control ring that allows photographers to adjust exposure compensation, shutter speed, aperture or ISO
  • 12-pin Communication System
  • Compatible with the new 1.4x and 2x RF lens extenders

Canon RF85mm F2 MACRO IS STM
The third RF85mm lens in the RF lineup, the Canon RF85mm F2 MACRO IS STM is compact and lightweight, featuring a bright f/2 aperture helping to capture images that have exceptional bokeh. The lens features a maximum magnification of 0.5x and a minimum focusing distance of 1.15 feet, providing users with macro-photography capability. Additional features of the Canon RF85mm F2 MACRO IS STM include:

  • Optical Image Stabilization with up to five stops* of Shake Correction
  • Hybrid IS compensates for angular and shift camera shake during macro photography
  • Control Ring for Direct Setting Changes.
  • 12-pin Communication System
  • Nine blade Circular Aperture

RF Lens Extenders
Lens extenders have long been a practical and useful tool for a variety of photographers. That story continues with the introduction of the Extender RF 1.4x and Extender RF 2x. The new lens extenders inherit the same high image quality, precision AF and reliability, such as being drip and dustproof, of EF lens extenders. When used in combination with the newly-released compatible lenses, the capturing range can be dramatically increased, providing consumers with additional use cases for their existing RF lenses.

Canon imagePROGRAF PRO-300
Completing the lineup of professional printer options from 13 inches through 60 inches, Canon also unveiled today the new 13-inch Canon imagePROGRAF PRO-300 Inkjet Printer along with a new Premium Fine Art Rough paper. Providing an improved workflow and high-quality output within a smaller footprint compared to previous models, this new printer excels at professional printing performance. Combined with the new Premium Fine Art Rough paper that features a textured surface to express the depth of an image, the printer along with the paper and new EOS R5 or EOS R6 camera introduces a new powerhouse professional imaging trio that meets creators’ demands.

Pricing and Availability
The EOS R5 full-frame mirrorless camera is scheduled to be available at the end of July for an estimated retail price of $ 3899.00 for the body only and $ 4999.00 for the R5 and RF 24-105mm F4 L IS USM lens kit**.

The EOS R6 full-frame mirrorless camera is scheduled to be available at the end of August for an estimated retail price of $ 2499.00 for the body only, $ 2.899.00 for the R6 and RF 24-105 F4-7.1 IS STM lens kit or $ 3,599.00 for the R6 and RF 24-105mm F4 L IS USM lens kit**.

The BG-R10 battery grip accessory and WFT-R10A are both scheduled to be available at the end of July for an estimated retail price of $ 349.99 and $ 999.99**, respectively.

The RF100-500mm F4.5-7.1 L IS USM lens is scheduled to be available in September 2020 for an estimated retail price of $ 2,699.00. The RF600mm F11 IS STM and RF800mm F11 IS STM lenses are scheduled to be available at the end of July 2020 for an estimated retail price of $ 699.99 and $ 899.99, respectively. The RF85mm F2 MACRO IS STM lens is scheduled to be available in October 2020 for an estimated retail price of $ 599.99 **.

The RF Extender 1.4x and 2x are scheduled to be available at the end of July for an estimated retail price of $ 499.99 and $ 599.99** each.

The imagePROGRAF PRO-300 Printer will be available later in July for a suggested retail price of $ 899.99. Premium Fine Art Rough paper will also be available later in July for a suggested retail price of $ 44.99 for Letter size, $ 109.99 for 13” x 19” inches and $ 169.99, 17” x 22” inches**.

For more information please visit, www.usa.canon.com/virtualproductlaunch

** Specifications, availability and prices are subject to change without notice. Actual prices are set by individual dealers and may vary.

Canon RF 600mm / 800mm F11 IS STM specifications

  Canon RF 600mm F11 IS STM Canon RF 800mm F11 IS STM
Principal specifications
Lens type Prime lens
Max Format size 35mm FF
Focal length 600 mm 800 mm
Image stabilization Yes
CIPA Image stabilization rating 5 stop(s) 4 stop(s)
Lens mount Canon RF
Aperture
Maximum aperture F11
Minimum aperture F11
Aperture ring No
Number of diaphragm blades 9
Aperture notes Fixed aperture
Optics
Elements 10 11
Groups 7 8
Special elements / coatings DO lens (Gapless double-layer diffractive optics) Gapless double-layer diffractive optics
Focus
Minimum focus 4.50 m (177.17″) 6.00 m (236.22″)
Maximum magnification 0.14×
Autofocus Yes
Motor type Stepper motor
Focus method Internal
DoF scale No
Physical
Weight 930 g (2.05 lb) 1260 g (2.78 lb)
Diameter 93 mm (3.66″) 102 mm (4″)
Length 270 mm (10.61″) 352 mm (13.85″)
Sealing No
Colour Black
Filter thread 82 mm 95 mm
Hood supplied Yes

Articles: Digital Photography Review (dpreview.com)

 
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1.4x and 2x teleconverters on the way for Panasonic S-series

02 Jun

Two teleconverters will be making their way into Panasonic’s full-frame S-system this July. The 1.4x and 2x teleconverters will be compatible with the current S Pro 70-200mm F4 OIS, as well as the 70-200mm F2.8 arriving later this year. The 1.4x converter will give each lens approximately a 100-280mm range, and the 2x converter will likewise extend the zoom range to 140-400mm.

The 1.4x converter comprises 7 lenses in 4 groups, and includes 2 Ultra High Refractive Index Lenses (UHR). The 2x converter is composed of 8 lenses (2 UHR) in 4 groups. Both teleconverters are dust and splash-resistant, and will go on sale in July, priced at $ 499 and $ 599, respectively.

Press release:

Panasonic Announces New Teleconverters for LUMIX S Series Telephoto Zoom Lenses

1.4x Teleconverter DMW-STC14 and 2x Teleconverter DMW-STC20

Newark, NJ (May 31, 2019) – Panasonic today announced new teleconverters for the LUMIX S Series telephoto zoom lenses – a 1.4x Teleconverter DMW-STC14 and a 2x Teleconverter DMW-STC20– available in July . The latest teleconverters can be attached to the LUMIX S PRO 70-200mm F4 O.I.S. (S-R70200)*1, turning the lens into a super telephoto lens with extended zoom range of maximum 400mm with high-speed and high-precision AF. The rugged and dust/splash-resistant*2 design withstands use under harsh conditions, even in -10 degrees Centigrade for high mobility.

Both teleconverters DMW-STC14 and DMW-STC20 will also be compatible with the new 70-200mm / F2.8 S Series lens, to be introduced later in 2019.

Specifications:
DMW-STC14
Lens Composition 7 lenses including 2 UHR (Ultra High Refractive Index Lens) lenses in 4 groups

DMW-STC20
Lens Composition 8 lenses including 2 UHR (Ultra High Refractive Index Lens) lenses in 4 groups

*1 The firmware needs to be updated to its latest version.
*2 Dust and Splash Resistant does not guarantee that damage will not occur if this lens is subjected to direct contact with dust and water.

?Design and specifications are subject to change without notice.

Articles: Digital Photography Review (dpreview.com)

 
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Fujifilm releases 1.4x teleconverter and macro extension tubes for GF system

13 Apr

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Fujifilm is set to ship three new lens accessories for its medium format GF system.

First is the GF 1.4X TC WR teleconverter, which is designed for the 250mm F4 R LM OIS WR lens also announced today. It boosts the 35mm equiv. focal range of that lens to 277mm, though the aperture increases by a stop. The teleconverter is weather-sealed and weighs in at 400g. It will be available in May for $ 849.95 USD / $ 1059.99 CAD.

Next are a pair of macro extension tubes, which increase the magnification ratio of any of Fujifilm’s GF lens. The MCEX-18G WR is 18mm long while the MCEX-45G WR is 45mm. Both are weather-sealed and are priced at $ 329.99 USD / $ 409.99 CAD.

Press Release:

FUJIFILM INTRODUCES A NEW TELEPHOTO LENS FOR THE GFX MEDIUM FORMAT MIRRORLESS CAMERA SYSTEM

The GFX System Expands with the New FUJINON GF250mmF4 R LM OIS WR Lens, FUJINON GF1.4X TC WR Teleconverter and MCEX-18G WR and MCEX-45G WR Macro Extension Tubes;
Firmware Updates for GFX, X-H1, X-T2, X-Pro2, X-E3 and X100F

Valhalla, N.Y., April 12, 2018 – FUJIFILM North America Corporation today announced the launch of the FUJINON GF250mmF4 R LM OIS WR, a lens that expands the telephoto range for the FUJIFILM GFX 50S medium format mirrorless digital camera system.

When combined with the GFX medium format sized sensor with an area approximately 1.7 times larger than 35mm format, the GF250mmF4 R LM OIS WR lens achieves exceptional image quality. Composed of 16 lenses in 10 groups, this lens delivers unsurpassed color reproduction, three dimensional image quality, as well as ultra-high resolution and rich bokeh.

In addition, this telephoto lens is equipped with a powerful five-stop optical image stabilization and a new focus preset function, which allows the photographer to instantly activate focus settings previously saved in the lens memory. With a rugged, lightweight magnesium alloy lens barrel designed to be dust and weather-resistant, the GF250mmF4 R LM OIS WR is capable of operating in temperatures as low as 14°F/-10°C. The front lens element has a fluorine coating designed to repel water and dirt even under tough outdoor conditions.

FUJINON GF250mmF4 R LM OIS WR Lens Key Features:

• Ultra-high image quality achieved with16 lenses in 10 groups, 1 super ED lens and 2 ED lenses.
• Powerful five-stop optical image stabilization to maximize high image resolution.
• Silent, high-speed autofocus operation and new mechanism to fix linear motor position. when turning power off or when in playback mode. Available with new GFX 50S firmware.
• Made with magnesium alloy, ensuring a robust, durable body.
• Dust and weather-resistant design capable of operating in temperatures as low as 14°F/-10°C.

FUJINON Teleconverter GF1.4X TC WR

The new FUJINON Teleconverter GF1.4X TC WR is designed for use with the new GF250mmF4 R LM OIS WR giving approximately 277mm in 35mm format equivalent, without compromising image quality.

MCEX-18G WR and MCEX-45G WR Macro Extension Tubes

The MCEX-18G WR and MCEX-45G WR Macro Extension Tubes further expand the range of macro photography. Connecting these macro extension tubes to GF lenses allows for images to be captured at high magnification ratio. The MCEX-18G WR and MCEX-45G WR Macro Extension Tubes are compatible with all existing GF lenses.

Availability and Pricing

The new FUJINON GF250mmF4 R LM OIS WR lens will be available in Late May 2018 for USD $ 3,299.95 and CAD $ 4,124.99. The FUJINON Teleconverter GF1.4X TC WR will be available in Late May 2018 for USD $ 849.95 and CAD $ 1,059.99 and Macro Extension Tubes, MCEX-18G WR and MCEX-45G WR will both be available in Late May 2018 for USD $ 329.99 and CAD $ 409.99.

Articles: Digital Photography Review (dpreview.com)

 
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Tamron announces new 1.4X and 2X teleconverters

03 Sep

Tamron has announced two new teleconverters, designed to be used with select telephoto Tamron lenses, starting with the company’s new SP 150-600mm F5-6.3 Di VC USD G2. The 1.4X and 2X converters are moisture and dust-resistant, and turn the 150-600mm into a 210-600mm or 300-1200mm equivalent zoom, respectively. Both teleconverters use Tamron’s BBAR (Broad-Band Anti-Reflection) coatings to reduce ghosting and flare, and the 2X converter uses a low-dispersion element to suppress aberrations.

The 1.4X and 2X converters will cost $ 419 and $ 439 respectively. They’ll be available in Canon and Nikon mounts starting September 23rd in Japan, with availability in the US soon after.

TAMRON ANNOUNCES TWO TELECONVERTERS

New models designed exclusively for Tamron lenses

TELECONVERTER 1.4x (Model TC-X14)
TELECONVERTER 2.0x (Model TC-X20)

September 1, 2016, Commack, New York – Tamron, a leading manufacturer of optics for diverse applications, announces the launch of two teleconverter models exclusively[1] for select Tamron lenses. These accessories make it easy to expand the versatility of the new SP 150-600mm F/5-6.3 Di VC USD G2 (Model A022) ultra-telephoto zoom lens. TELECONVERTER 1.4x (Model TC-X14) increases the focal length by a factor of 1.4x, while TELECONVERTER 2.0x (Model TC-X20) doubles the focal length. Delivery of the new teleconverters, each available in Canon and Nikon mounts, will start on September 23 in the Japanese market and soon thereafter in the U.S. market at a price of $ 419 for the 1.4X and $ 439 for the 2X.

PRODUCT HIGHLIGHTS

1. Increases maximum focal length
Although the maximum focal length is increased, the minimum object distance remains nearly the same, so the magnification ratio during close focusing is enhanced. Both teleconverters are carefully designed and constructed to preserve the original superior image quality of the lens. The 2.0x model uses one LD (Low Dispersion) lens element to suppress aberrations. BBAR (Broad-Band Anti-Reflection) coatings are deployed on both models to help minimize ghosting and flare.

2. Autofocus and VC features are retained with compatible lenses
Autofocus functions normally with compatible lenses (please refer to Compatible Tamron Lens List below). VC (Vibration Compensation) performance is maintained.

3. Moisture-Proof and Dust-Resistant Construction
The new teleconverters are ideal for use in outdoor photography when matched with any lens that has a Moisture-Resistant Construction because special seals that are dust-resistant and moisture-proof are used at every joint and seam.

4. Sturdy, durable barrel design
The barrel frame of the teleconverters are made of die cast aluminum, except for some parts of the exterior finish, to maintain extra strength when used with large lenses. The design utilizes a bayonet mount made of brass on the camera side and stainless steel on the lens side to ensure excellent durability even with repeated mountings and detachments.

Design Concept

These accessories embody Tamron’s new design that’s born from the pursuit of functional beauty and achieved by smoothly blending engineering and design enhancements. Meticulous craftsmanship is applied to every detail. The new teleconverters feature a metal lens barrel and share this same design concept. Both teleconverters provide remarkable ease of use-even the release lever offers a comfortable touch to the photographer’s finger.

Compatible Tamron Lens List (As of September, 2016)

SP 150-600mm F/5-6.3 Di VC USD G2 (Model A022)
For Canon and Nikon

Changes in zoom range when used with SP 150-600mm F/5-6.3 Di VC USD G2 (Model A022)

  Mounted on 35mm full-frame DSLR camera Mounted on APS-C format DSLR camera
 Without teleconverter  150-600mm  Approx. 233-930mm
 With 1.4x teleconverter  210-840mm  Approx. 326-1302mm
 With 2.0x teleconverter  300-1200mm  Approx. 465-1860mm

Changes in magnification ratio when used with SP 150-600mm F/5-6.3 Di VC USD G2 (Model A022)

  Maximum Magnification Ratio 
Without teleconverter 1:3.9
With 1.4x teleconverter 1:2.8
With 2.0x teleconverter 1:2

Available focusing mode when used with SP 150-600mm F/5-6.3 Di VC USD G2 (Model A022)

  When using viewfinder When using live view mode
 With 1.4x teleconverter AF*1*2/MF  AF*2/MF
 With 2.0x teleconverter MF   AF*2/MF

*1 Autofocus functions normally on any camera that offers F/8 autofocusing (see your camera’s instruction manual for your camera’s ability).
*2 Subjects with low contrast and/or luminosity values can sometimes result in out-of-focus images.

[1]Compatible model is SP 150-600mm F/5-6.3 Di VC USD G2 (Model A022) (As of September 1; Tamron)

Optical Construction:

SPECIFICATIONS

TELECONVERTER 1.4x

  • Model : TC-X14
  • Magnification : 1.4x
  • Optical Construction : 6 elements in 3 groups
  • Maximum Diameter : for Canon Ø70mm / for Nikon Ø62.6mm
  • Length[1] : for Canon, Nikon 0.8 in
  • Entire Length[2] : for Canon 1.3 in (34.1mm) / for Nikon 1.3 in (32.3mm)
  • Weight : for Canon 7.2 oz / for Nikon 6.3oz
  • Standard Accessories : Mount cap, Rear cap, Lens case
  • Compatible Mounts : Canon, Nikon

*Use of the TC-X14 tele converter reduces the effective aperture by one f/stop.

TELECONVERTER 2x

  • Model : TC-X20
  • Magnification : 2x
  • Optical Construction : 9 elements in 5 groups
  • Maximum Diameter : for Canon Ø69.8mm / for Nikon Ø62.3mm
  • Length[1] : for Canon, Nikon 2.1 in
  • Entire Length[2] : for Canon 2.6 in (66.8mm) / for Nikon 2.6 in (65mm)
  • Weight : for Canon 12.7 oz / for Nikon 10.8oz
  • Standard Accessories : Mount cap, Rear cap, Lens case
  • Compatible Mounts : Canon, Nikon

*Use of the TC-X20 tele converter reduces the effective aperture by two f/stops.

Specifications, appearance, functionality, etc. are subject to change without prior notice.

[1]Length is the distance from the front tip of the lens to the lens mount face.
[2]Entire Length is the distance between the tip of the lens and the tip of protrusion.

Articles: Digital Photography Review (dpreview.com)

 
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Fujifilm brings weather-sealed 35mm F2 lens, 1.4x teleconverter to X-mount

21 Oct

Fujifilm has added another lens to its X-mount, this one being a low-cost Fujinon XF 35mm F2 prime. This compact lens features a nearly silent internal AF system, 9-blade circular aperture, 2 ED elements, and is sealed against moisture and dust. Also announced is a 1.4x teleconverter, which is currently only compatible with the XF 50-140mm F2.8 zoom. It will, however, be compatible with future lenses, including the XF 100-400mm super telephoto lens expected next year. Read more.

Articles: Digital Photography Review (dpreview.com)

 
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Nikon announces updated 400mm F2.8 telephoto and 1.4x teleconverter

14 May

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Nikon has announced updated versions of its 400mm F2.8 telephoto lens and 1.4x teleconverter. The AF-S Nikkor 400mm f/2.8E FL ED VR promises improved autofocus, exposure accuracy and speed, while being 816g (nearly 2lb) lighter than its predecessor. Meanwhile the AF-S Teleconverter TC-14E III  features revised optics, and a redesigned barrel for increased moisture and dust resistance. Both will be available in August 2014, with RRPs of $ 11,999.95 and $ 499.95 respectively. Learn more

News: Digital Photography Review (dpreview.com)

 
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Fujifilm announces 1.4x teleconverter for X100/X100S

16 Apr

TCL-X100_Black-db2.png

Fujifilm has formally announced the TCL-X100, a 1.4x teleconverter for the X100 and X100S that was first shown at CP+ back in February. The converter brings the focal length up to 33mm (50mm equiv.) and features an HT-EBC coating to reduce flare. Owners of the X100 and X100S will need to update their firmware in order to take advantage of the TCL-X100. The teleconverter will be available this May in your choice of black or silver for a price to be announced later.

News: Digital Photography Review (dpreview.com)

 
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Ricoh announces HD Pentax DA AF 1.4X AW rear converter

06 Feb

14x-news.png

Ricoh has announced the HD Pentax DA AF 1.4X AW Rear Converter – a weather-resistant 1.4x teleconverter. It’s designed to maintain autofocus both with lenses that use built-in focus motors, and those which are driven from the camera body. It’ll be available in March 2014 for a price of $ 599.95 / £379.99. See full details, including a list of compatible lenses

News: Digital Photography Review (dpreview.com)

 
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Just posted: Canon EF 200-400mm f/4L IS USM Extender 1.4x review

25 Jun

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Just posted: Our quick review of the Canon EF 200-400mm f/4L IS USM Extender 1.4x: the world’s first SLR lens with a built-in switchable teleconverter. It’s been two years in the making, but when Canon offered to show us a production version of its professional super-telezoom, we couldn’t help but be intrigued. In this review we’ve teamed up with DxOMark to bring you full optical test data of this unique lens, backed up by some quick real-world examples. So how does it perform? Click through to find out. 

News: Digital Photography Review (dpreview.com)

 
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