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Archive for January, 2013

What’s New In Photoshop CS6

13 Jan

Adobe® Photoshop® CS6 software delivers even more image editing power, new creative options, and the Adobe Mercury Graphics Engine for blazingly fast performance. Retouch with new Content-Aware features, and create superior designs as well as movies using new and reimagined tools and workflows.*

Upgrade to Photoshop CS6 for greater speed, power, and productivity. A fresh, elegant interface features groundbreaking design tools like Content-Aware Patch, a new Blur Gallery, a faster and more precise Crop tool, and intuitive video creation. Or become an Adobe Creative Cloud™† member to also get over a dozen new features, including new Smart Object support for Blur Gallery and Liquify, export of text and shape styling as CSS, and other new features exclusively in Creative Cloud.

Any suggestions, ideas? Feel free to comment on this article!

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New York Undercover: Digital Underground Pt 3

13 Jan

**Watch in High Quality** Episode: # 31 — Digital Underground Part: 3 Summary: Lt. Cooper’s daughter ends up missing because of a pedophile she met through email. Original Airdate: Sept 28 1995 Cast: Eddie Torres: Michael DeLorenzo JC Williams: Malik Yoba LT. Cooper:…

This is what I use for my wildlife photography. Canon 30D w/ grip, 600mm f/4L, 400mm f/5.6L, 1.4x extender, 580EX2 flash w/ Better Beamer, Wimberly v.1 head w/ flash arm, Benro tripod.
Video Rating: 5 / 5

 

Canon EOS 60D HD Video + Zoom H4n Audio Test

13 Jan

www.emmettlollis.com – I just got my Canon EOS 60D today. I decided to do a recording test using the 60D for video and the Zoom H4n for audio. I’m very pleased with this combination. The audio and HD video are both fantastic when combined. Yes the focus is a little blurry but I’m still learning the features. I also made some test clips at a concert tonight and that came out great as well. Be sure to visit my site and don’t forget to view this video in HD!
Video Rating: 5 / 5

www.arthurwoo.com Had a chance to watch and record the band “Makru” — great music! I’ve had my Zoom h4n for a couple of weeks and it was a good test to see how the audio was coming out of the main mixing board. The quality I got on the recording was pretty good! The low end isn’t a beefy as I’d normally like. With that I would have had to use the mics on the Zoom recorder to get some of the ambient sounds, but I wasn’t able to do so due to the set up of the mixer and the outputs they had available. It was recorded to the “external” mic 1 plug on the back of the Zoom. Kit used: Canon 60D Sigma 17-50mm f2.8 LCDVF 3:2 Zoom H4N Plugged into the main output of the mixing board

 
 

Ark of Hope (2000-2001)

13 Jan

Check out these visual art images:

Ark of Hope (2000-2001)
visual art
Image by origamidon
Church Street, Burlington, Vermont USA • Seen in an exhibition of the work of Sally Linder, at the Firehouse Gallery. Burlington artist Sally Linder’s work explores the experience of arduous, elaborate, mystical and cultural journeys and creates bodies of work in reaction to them. These projects have included spending a month alone in a remote cave in the canyon land of Utah, living with the Dayaks, Antandroy, and Bakweri tribes in the jungles of Borneo, Madagascar, and Cameroon, and traveling to the informal settlements around Johannesburg, South Africa. This retrospective surveys Linder’s paintings from 1992 – 2009, bringing together both her figurative and abstract bodies of work.

As the original sign carved into the building says: Ethan•Allen•Engine•Co•No•4 ? "Designed by A. B. Fisher, a prolific 19th century Burlington architect, this firehouse ranks as one of the most attractive buildings in downtown Burlington. Built in the heyday of volunteer fire companies, it was completed in the spring of 1889." *

Now operating as The Firehouse Center for the Visual Arts , The FCVA provides visitors with a fully-integrated arts experience through contemporary exhibitions and educational programming informed by the work in the Firehouse Gallery. The FCVA includes a community darkroom and photography studio; artist-in-residence studio; multimedia conference facility for lectures, film series, and panel discussions; and Resource Room and Library with public meeting space and Internet access. Burlington City Arts (BCA) opened all five floors of the building in 2004 after an extensive historic renovation, and has yet to complete the .5 million capital campaign. ? The Firehouse Center for the Visual Arts is programmed and managed by Burlington City Arts.

? * For some dates & historical details, I am indebted to the Chittenden County Historical Society, and their fine, three volume set: Historic Guide to Burlington Neighborhoods: Vol. I, 1991; Vol. II, 1997; Vol. III, 2003. David J. Blow, author; Lillian Baker Carlisle, Editor; Sarah L. Dopp, photographs.

Fantasmas (Phantoms)
visual art
Image by chooyutshing
This public art display is at Raffles City Shopping Centre for the Singapore Biennale 2008. This work is created by Issac Montoya, a rainbow-coloured portrait of a young woman screams from a large scale photograph. Layered within are two more images that are revealed once one looks through red and blue filters.

 
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Nikon D5100 Video autofocus young girl

13 Jan

Test Nikon D5100 + Nikon 50mm f/1.8D AF Nikkor My Favourite Game (Kosmopolitans Mix) – OST Omikron Feat. Baby Queen Vintage Cafe Lounge & Jazz Blends (Selected by RoseMary)
Video Rating: 4 / 5

Questions? Go here: www.youtube.com Hands-on review on Nikon 80-200mm ƒ/2.8D AF-S ED-IF. Autofocus available on all DSLRs.

 
 

SLR Photography Introduction and Tips

13 Jan

LINKS: Nikon Cameras: D3100: amzn.to D5100: amzn.to Canon Cameras: T3: amzn.to T1i: amzn.to T2i: amzn.to T3i: amzn.to Lens: Nikon 50mm f/1.8 Prime Lens: amzn.to Canon 50mm EF Prime Lens f/1.8: amzn.to

 
 

Tips for Teleconverters

13 Jan

Photographer Jason P. Odell explains the basics of teleconverters and their limitations on your photography.

 

Fuji Guys – Fujifilm X10 Part 3 – Top Features

13 Jan

(3 of 3) Billy & Greg (the Fuji Guys) are back for the last video on the Fujifilm X10 premium compact camera to outline the top features of the camera. For more information visit www.fujifilm.ca Follow the Fuji Guys on Twitter: www.twitter.com

 
 

Adding Scale to Your Landscapes

13 Jan

We often think of landscapes as sweeping vistas fading away into the distance, taking our eyes on a journey through flower strewn fields, cascading mountain peaks, skyscraper speckled skylines and rolling waters. When you’re standing behind the camera capturing that magical view it’s easy to see and understand the immense scope of what you’re viewing. However, that sense of size doesn’t always translate to the photo you’re viewing later on your computer screen.

That’s because our eyes scale down those big peaks we’re looking at in your image without any frame of reference – we weren’t there with you after all – of the scope of what we’re looking at. One way to help create scale is by adding in people or other very recognizable sized subjects to your landscape images.

Below – these rafters help give scale to the river scenery and depth through layering.

Distant Scale

One of the better ways to show scale in your landscape is by adding in a person (or persons) in the mid to far distance. Their comparatively small size in a larger frame shows the expansiveness of the surrounding scenery. We visually know roughly how large a person should be and judge from there the scope of everything around them.

Above – this kite surfer helps size up the beach scene and cars add a secondary frame of reference.

Foreground Scale

It can be difficult to add scale to a landscape with a distant person when the nearest point they could be in the distance is inaccessible or just too far away to make out. The next best thing is to add context to that image with a person in the foreground. Look to frame the landscape around that person; making them stare into the distance helps involve them in the landscape without arresting away all the focus onto them. Use a part of their body, half body perspective or the whole thing walking along in the foreground – it’s all up to you as long as it’s adding context.

Below – this Chinese man scoping into the distance adds scale and interest.

Objects as Scale

Common objects like cars can sometimes serve as objects of scale. This can be tricky though. It has to be an object you and your audience knows intuitively well. Do you really know how big that truck or building is in the distance? Your eyes can judge it, but it’s not as familiar as a person, making it harder for you brain to create an accurate scale. When people simply aren’t available however try adding scale with familiar objects.

Above – this boat adds a reference point, but do I really know how large it is?

 

No matter how you frame it, adding people to your landscape imagery can help create a scale and depth you might find yourself missing. Grab a friend on your next explorations and give it a shot.

 

Post originally from: Digital Photography Tips.

Check out our more Photography Tips at Photography Tips for Beginners, Portrait Photography Tips and Wedding Photography Tips.

Adding Scale to Your Landscapes


Digital Photography School

 
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12. Januar 2013

12 Jan

Ein Beitrag von: Martin Scriba


kwerfeldein – Fotografie Magazin

 
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