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  • Nikon’s new Z6 Filmmaker’s Kit saves you $650 on external recorder, mic, gimbal and more

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    Nikon has introduced its Z6 Filmmaker’s Kit, which includes just about everything the budding videographer needs for more advanced movie-making. In the box with the Z6 and Nikkor S 24-70mm F4 S lens you’ll find:

    • FTZ Adapter
    • Atomos Ninja V 4K external recorder
    • Rode VideoMic Pro+
    • MOZA Air 2 3-axis hand-held gimbal
    • Extra EN-EL15b battery
    • Coiled HDMI cable
    • 12 month Vimeo Pro membership
    • Online course for making music videos, featuring Nikon Ambassador Chris Hershman

    One thing not included is an XQD card, so that’s an additional expense.

    The Filmmaker’s Kit will be priced at $ 3999 and will be available in late January. We did the math on what all of this would cost separately and came up with $ 4650, so you’re definitely saving some money if you need all of that gear.

    Press Release

    NIKON UNVEILS THE NEW NIKKOR Z 14-30MM F/4 S ULTRA-WIDE-ANGLE ZOOM LENS, THE WORLD’S FIRST1 FULL-FRAME 14MM FILTER-ATTACHABLE LENS

    Nikon Also Debuts Z 6 Filmmaker’s Kit: An Immersive Toolkit for the Modern Multimedia Creative

    LAS VEGAS – CES BOOTH #14006 (January 7, 2019 at 9:01 P.M. EST/6:01 P.M. PST) – Today, Nikon Inc. announced two new products, including the NIKKOR Z 14-30mm f/4 S, the first ultra-wide zoom lens to take advantage of the amazing capabilities of the next generation Nikon Z Mount. This newest S-Line NIKKOR lens is a popular focal length for landscape, travel, event and architecture photographers, offering a combination of performance and portability that’s only possible with Nikon’s revolutionary new Z Mount.

    Featuring a new optical design, the compact and lightweight NIKKOR Z 14-30mm f/4 S delivers the high level of optical performance that still and video creators expect from the NIKKOR name. By utilizing the larger diameter and technological benefits of the Z Mount, Nikon was able to design an ultra-wide-angle lens that delivers superior optical performance and maximizes the potential of high pixel-count digital cameras such as the 45.7-megapixel Nikon Z 7. Additionally, the design features a nearly flat front lens element, making the NIKKOR Z 14-30mm the world’s first filter-attachable ultra-wide-angle zoom lens covering a focal length from 14mm.

    Nikon Inc. has also announced the Nikon Z 6 Filmmaker’s Kit. Featuring a selection of popular video equipment for the Z 6, the kit allows video creators to take full advantage of the Z 6’s industry-leading video features. Included accessories such as the Atomos Ninja V 4K HDR 5” Monitor Recorder and MOZA Air 2 3-Axis Hand-Held Gimbal Stabilizer make the new Filmmaker’s Kit an enticing value for those ready to explore the Nikon Z 6’s stellar video capture and multimedia potential.

    “The NIKKOR Z 14-30mm lens demonstrates the optical superiority of the Z system, taking advantage of the newest high-performance lens technologies while maximizing compactness and portability,” said Jay Vannatter, Executive Vice President, Nikon Inc. “The Nikon Z series is a powerfully capable camera system for all types of video production, and with the Z 6 Filmmaker’s Kit, we’re giving videographers and content creators the gear they need to begin capturing high-quality videos with the most compelling hybrid camera on the market.”

    The NIKKOR Z 14-30mm f/4 S: An Exceptional Combination of Portability and Performance

    The new 14-30mm lens was designed for photo and video shooters looking for a sharp ultra-wide zoom lens with which to seek out gorgeous landscapes or cityscapes on their next travel adventure, and is an excellent choice for capturing interiors, architecture or events. It’s a lens for those who need to pack light without sacrificing image quality – an ultra-wide-angle lens that delivers portability and performance that pushes the boundaries of what is optically possible in a lens of its size.

    • Lightweight and Ultra-Portable: At just 3.5-inches long when retracted, and weighing only 485g/1.07lbs, the NIKKOR Z 14-30mm f/4 S is approximately 28.6% lighter and 32% shorter than the popular AF-S NIKKOR 16-35mm f/4G ED VR, and approximately 51.5% lighter and 35% shorter than the tried-and-true AF-S NIKKOR 14-24mm f/2.8G ED for the F mount.
    • Uncompromising Optics: Featuring a new optical formula that utilizes four Extra-Low Dispersion (ED) elements and four aspherical elements, the 14-30mm f/4 offers unparalleled control of distortion and chromatic aberration. Additionally, the use of Nikon’s anti-reflective Nano Crystal Coat effectively reduces ghosting and flare, delivering clearer images that maintain contrast in challenging lighting situations.
    • Filter Attachable: For the first time on a 14mm FX-format (full-frame) lens1, photographers will be able to attach various types of screw-on filters (82mm) to the front of this ultra-wide-angle lens, infinitely expanding the creative possibilities of the NIKKOR Z 14-30mm f/4 S for landscape and cityscape photographers, videographers and more.
    • Stepping Motor Technology: Featuring the latest Nikon Stepping Motor (STM) technology, the new lens provides smooth, fast and quiet AF performance—ideal for photographers shooting in sensitive environments, as well as videographers who must avoid focus noise in productions.
    • Control Ring: As with the rest of the S-Line of NIKKOR Z lenses, the 14-30mm f/4 includes a customizable control ring that can be assigned to manual focusing, exposure compensation or aperture control depending on personal preference or shooting situation, maintaining different custom settings when in photo and video mode.
    • Fully Compatible with In-Camera 5-Axis VR: To help ensure the sharpest possible images and most stable video, the new NIKKOR Z 14-30mm f/4 S is fully compatible with the in-body 5-axis VR found in the Nikon Z 6 and Z 7, providing up to 5 stops2 of image stabilization without adding to the size or weight of the lens itself.
    • Optimized Video Performance: In addition to the speedy and near-silent stepping motor technology and customizable control ring, the lens reduces focus breathing, preventing the angle of view from changing unintentionally when adjusting focus.
    • Reliability: The NIKKOR Z 14-30mm f/4 S is designed with consideration to dust and drip resistance, and features a fluorine coat that effectively repels dust, water droplets, grease and dirt.

    The New Nikon Z 6 Filmmaker’s Kit

    For users who are looking to take full advantage of the Nikon Z 6’s industry-leading video capabilities, this powerfully cinematic camera is now available as part of a new Filmmaker’s Kit. The bundle includes a range of equipment that helps users unlock the Z 6’s advanced video features and powerful potential.

    The kit includes: a Nikon Z 6 camera, NIKKOR Z 24-70mm f/4 S lens, Mount Adapter FTZ, Atomos Ninja V 4K HDR 5” Monitor Recorder3, Rode VideoMic Pro+, MOZA Air 2 3-Axis Hand-Held Gimbal Stabilizer, an additional EN-EL15b battery, a coiled HDMI cable, 12-month Vimeo Pro membership, and The Art of Making Music Videos Nikon School online course featuring Nikon Ambassador Chris Hershman.

    The Z 6 ushers in a new era in high-quality video capture for Nikon shooters. The camera’s fast and accurate autofocus, full-frame 4K/30p recording with full-pixel readout, zebra stripes, timecode and focus peaking offer users a professional-grade shooting experience. With the Z 6 Filmmaker’s Kit, users can access the advanced video features, like 10-bit HDMI output and N-Log video recording, while capturing gimbal-smooth video and crystal-clear audio. The kit provides filmmakers, vloggers and YouTubers with all the equipment they need to begin capturing high-quality 4K footage right away.

    Price and Availability

    The NIKKOR Z 14-30mm f/4 S lens will be available in the spring for a suggested retail price (SRP) of $ 1,299.954.

    The Nikon Z 6 Filmmaker’s Kit will available in late January for a suggested retail price (SRP) of $ 3,999.954.

    1. Among FX-format (full-frame) compatible interchangeable lenses for digital cameras, available as of January 8, 2019. Based on Nikon research.
    2. Based on CIPA Standard. This value is achieved when FX-format compatible lenses are attached to a FX-format digital SLR camera and zoom lenses are set at the maximum telephoto position.
    3. Batteries and SSD sold separately.
    4. SRP (Suggested Retail Price) listed only as a suggestion. Actual prices are set by dealers and are subject to change at any time.

    – Specifications, equipment and release dates are subject to change without any notice or obligation on the part of the manufacturer.

    – MOZA is a trademark of Gudsen Technology Co., Ltd, registered in the U.S. and other countries

    – Other trademarks and trade names are those of their respective owners.

    Articles: Digital Photography Review (dpreview.com)

  • Nikon introduces 14-30mm F4 ultra-wide zoom for Z-mount

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    Nikon has introduced the Nikkor Z 14-30mm F4 S lens, the first ultra-wide zoom for its full-frame mirrorless system. This compact lens weighs just 485g (17oz) and supports screw-in (82mm) filters, a rarity for this type of lens.

    The 14-30 contains a total of 14 elements, including four aspherical and four ED. Nikon’s Nano Crystal Coat helps prevent ghosting and flare, and a fluorine coating makes it easier to clean water drops and fingerprints off of the front and back elements. Nikon claims that the design of the lens reduces focus breathing. The lens uses an STM (stepping motor) for responsive and quiet autofocus.

    As with all of Nikon’s Z-mount lenses, the 14-30mm F4 is sealed against dust and moisture. There’s also a customizable control ring which can be assigned to handle manual focus, exposure compensation or aperture control.

    The Nikkor Z 14-30mm F4 S will be available this Spring for $ 1299.

    Official sample photos

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    Press Release

    NIKON UNVEILS THE NEW NIKKOR Z 14-30MM F/4 S ULTRA-WIDE-ANGLE ZOOM LENS, THE WORLD’S FIRST1 FULL-FRAME 14MM FILTER-ATTACHABLE LENS

    Nikon Also Debuts Z 6 Filmmaker’s Kit: An Immersive Toolkit for the Modern Multimedia Creative

    LAS VEGAS – CES BOOTH #14006 (January 7, 2019 at 9:01 P.M. EST/6:01 P.M. PST) – Today, Nikon Inc. announced two new products, including the NIKKOR Z 14-30mm f/4 S, the first ultra-wide zoom lens to take advantage of the amazing capabilities of the next generation Nikon Z Mount. This newest S-Line NIKKOR lens is a popular focal length for landscape, travel, event and architecture photographers, offering a combination of performance and portability that’s only possible with Nikon’s revolutionary new Z Mount.

    Featuring a new optical design, the compact and lightweight NIKKOR Z 14-30mm f/4 S delivers the high level of optical performance that still and video creators expect from the NIKKOR name. By utilizing the larger diameter and technological benefits of the Z Mount, Nikon was able to design an ultra-wide-angle lens that delivers superior optical performance and maximizes the potential of high pixel-count digital cameras such as the 45.7-megapixel Nikon Z 7. Additionally, the design features a nearly flat front lens element, making the NIKKOR Z 14-30mm the world’s first filter-attachable ultra-wide-angle zoom lens covering a focal length from 14mm.

    Nikon Inc. has also announced the Nikon Z 6 Filmmaker’s Kit. Featuring a selection of popular video equipment for the Z 6, the kit allows video creators to take full advantage of the Z 6’s industry-leading video features. Included accessories such as the Atomos Ninja V 4K HDR 5” Monitor Recorder and MOZA Air 2 3-Axis Hand-Held Gimbal Stabilizer make the new Filmmaker’s Kit an enticing value for those ready to explore the Nikon Z 6’s stellar video capture and multimedia potential.

    “The NIKKOR Z 14-30mm lens demonstrates the optical superiority of the Z system, taking advantage of the newest high-performance lens technologies while maximizing compactness and portability,” said Jay Vannatter, Executive Vice President, Nikon Inc. “The Nikon Z series is a powerfully capable camera system for all types of video production, and with the Z 6 Filmmaker’s Kit, we’re giving videographers and content creators the gear they need to begin capturing high-quality videos with the most compelling hybrid camera on the market.”

    The NIKKOR Z 14-30mm f/4 S: An Exceptional Combination of Portability and Performance

    The new 14-30mm lens was designed for photo and video shooters looking for a sharp ultra-wide zoom lens with which to seek out gorgeous landscapes or cityscapes on their next travel adventure, and is an excellent choice for capturing interiors, architecture or events. It’s a lens for those who need to pack light without sacrificing image quality – an ultra-wide-angle lens that delivers portability and performance that pushes the boundaries of what is optically possible in a lens of its size.

    • Lightweight and Ultra-Portable: At just 3.5-inches long when retracted, and weighing only 485g/1.07lbs, the NIKKOR Z 14-30mm f/4 S is approximately 28.6% lighter and 32% shorter than the popular AF-S NIKKOR 16-35mm f/4G ED VR, and approximately 51.5% lighter and 35% shorter than the tried-and-true AF-S NIKKOR 14-24mm f/2.8G ED for the F mount.
    • Uncompromising Optics: Featuring a new optical formula that utilizes four Extra-Low Dispersion (ED) elements and four aspherical elements, the 14-30mm f/4 offers unparalleled control of distortion and chromatic aberration. Additionally, the use of Nikon’s anti-reflective Nano Crystal Coat effectively reduces ghosting and flare, delivering clearer images that maintain contrast in challenging lighting situations.
    • Filter Attachable: For the first time on a 14mm FX-format (full-frame) lens1, photographers will be able to attach various types of screw-on filters (82mm) to the front of this ultra-wide-angle lens, infinitely expanding the creative possibilities of the NIKKOR Z 14-30mm f/4 S for landscape and cityscape photographers, videographers and more.
    • Stepping Motor Technology: Featuring the latest Nikon Stepping Motor (STM) technology, the new lens provides smooth, fast and quiet AF performance—ideal for photographers shooting in sensitive environments, as well as videographers who must avoid focus noise in productions.
    • Control Ring: As with the rest of the S-Line of NIKKOR Z lenses, the 14-30mm f/4 includes a customizable control ring that can be assigned to manual focusing, exposure compensation or aperture control depending on personal preference or shooting situation, maintaining different custom settings when in photo and video mode.
    • Fully Compatible with In-Camera 5-Axis VR: To help ensure the sharpest possible images and most stable video, the new NIKKOR Z 14-30mm f/4 S is fully compatible with the in-body 5-axis VR found in the Nikon Z 6 and Z 7, providing up to 5 stops2 of image stabilization without adding to the size or weight of the lens itself.
    • Optimized Video Performance: In addition to the speedy and near-silent stepping motor technology and customizable control ring, the lens reduces focus breathing, preventing the angle of view from changing unintentionally when adjusting focus.
    • Reliability: The NIKKOR Z 14-30mm f/4 S is designed with consideration to dust and drip resistance, and features a fluorine coat that effectively repels dust, water droplets, grease and dirt.

    The New Nikon Z 6 Filmmaker’s Kit

    For users who are looking to take full advantage of the Nikon Z 6’s industry-leading video capabilities, this powerfully cinematic camera is now available as part of a new Filmmaker’s Kit. The bundle includes a range of equipment that helps users unlock the Z 6’s advanced video features and powerful potential.

    The kit includes: a Nikon Z 6 camera, NIKKOR Z 24-70mm f/4 S lens, Mount Adapter FTZ, Atomos Ninja V 4K HDR 5” Monitor Recorder3, Rode VideoMic Pro+, MOZA Air 2 3-Axis Hand-Held Gimbal Stabilizer, an additional EN-EL15b battery, a coiled HDMI cable, 12-month Vimeo Pro membership, and The Art of Making Music Videos Nikon School online course featuring Nikon Ambassador Chris Hershman.

    The Z 6 ushers in a new era in high-quality video capture for Nikon shooters. The camera’s fast and accurate autofocus, full-frame 4K/30p recording with full-pixel readout, zebra stripes, timecode and focus peaking offer users a professional-grade shooting experience. With the Z 6 Filmmaker’s Kit, users can access the advanced video features, like 10-bit HDMI output and N-Log video recording, while capturing gimbal-smooth video and crystal-clear audio. The kit provides filmmakers, vloggers and YouTubers with all the equipment they need to begin capturing high-quality 4K footage right away.

    Price and Availability

    The NIKKOR Z 14-30mm f/4 S lens will be available in the spring for a suggested retail price (SRP) of $ 1,299.954.

    The Nikon Z 6 Filmmaker’s Kit will available in late January for a suggested retail price (SRP) of $ 3,999.954.

    1. Among FX-format (full-frame) compatible interchangeable lenses for digital cameras, available as of January 8, 2019. Based on Nikon research.
    2. Based on CIPA Standard. This value is achieved when FX-format compatible lenses are attached to a FX-format digital SLR camera and zoom lenses are set at the maximum telephoto position.
    3. Batteries and SSD sold separately.
    4. SRP (Suggested Retail Price) listed only as a suggestion. Actual prices are set by dealers and are subject to change at any time.

    – Specifications, equipment and release dates are subject to change without any notice or obligation on the part of the manufacturer.

    – MOZA is a trademark of Gudsen Technology Co., Ltd, registered in the U.S. and other countries

    – Other trademarks and trade names are those of their respective owners.

    Nikon Nikkor Z 14-30mm F4 S specifications

    Principal specifications
    Lens type Zoom lens
    Max Format size 35mm FF
    Focal length 14–30 mm
    Image stabilization No
    Lens mount Nikon Z
    Aperture
    Maximum aperture F4
    Minimum aperture F22
    Aperture ring No
    Number of diaphragm blades 7
    Optics
    Elements 14
    Groups 12
    Special elements / coatings 4 ED and 4 aspherical elements + Nano Crystal Coat
    Focus
    Minimum focus 0.28 m (11.02″)
    Maximum magnification 0.16×
    Autofocus Yes
    Motor type Stepper motor
    Full time manual Yes
    Focus method Internal
    Distance scale No
    DoF scale No
    Physical
    Weight 485 g (1.07 lb)
    Diameter 89 mm (3.5″)
    Length 85 mm (3.35″)
    Materials Magnesium alloy
    Sealing Yes
    Colour Black
    Zoom method Rotary (extending)
    Power zoom No
    Zoom lock No
    Filter thread 82 mm
    Hood supplied Yes
    Tripod collar No

    Articles: Digital Photography Review (dpreview.com)

  • Nikon to add Eye AF, Raw video and CFexpress support to Z-series

    Nikon has announced a trio of features under development for its Z6 and Z7 mirrorless cameras. First is Eye AF, a feature long found on Sony mirrorless cameras, including the a7 III and a7R III against which the Z6 and Z7 compete.

    Another significant upcoming feature is the ability to output ProRes RAW video to an Atomos Ninja V. This would make the Z6 and Z7 the first stills/video hybrid cameras to support RAW video output, suggesting that Nikon is very serious about competing in the video space. In that context, the just-announced Z6 Filmmaker’s Kit with a bundled Ninja V recorder makes a lot of sense.

    Finally, the company confirmed that support for CFexpress cards is on the way. CFexpress cards are capable of much higher read/write speeds than current XQD media.

    More detail on all three features will be announced at a later date.

    Press Release

    NIKON DELIVERS IMAGING INNOVATION, INSPIRES CREATORS AT CES® 2019

    New Products Including NIKKOR Z 14-30mm f/4 S Lens and Nikon Z 6 Filmmaker’s Kit Will be Showcased; Attendees Invited to Booth to See Amazing Speakers, Fun & Sharable Displays as Well as Future Z System Updates

    LAS VEGAS – CES BOOTH #14006 (January 7, 2019) – Today, Nikon Inc. announced details surrounding their activities and new products at CES 2019. This year, Nikon will livestream a myriad of exciting and inspiring presentations from renowned Nikon Ambassadors and photographers directly from the show floor, while also offering instantly shareable and interactive experiences for show attendees. Additionally, Nikon will be showing the latest digital imaging innovations available now and in the near future with a Z Series exhibition featuring the new NIKKOR Z 14-30mm f/4 S lens, the Nikon Z 6 Filmmaker’s Kit and a display of upgrades currently in development for the Z Series that will add new features and enhance usability.

    Booth Activities: Livestream, Presentations and Shareable Moments

    During CES, the Nikon booth will host live presentations and panel discussions from various Nikon Ambassadors and photographers covering a wide array of topics; from capturing weddings to conservation, outdoor adventures to iconic rock legends and more. Nikon will also be holding hands-on demonstrations and discussions with Nikon Ambassadors at an additional stage within the booth. Show attendees are encouraged to visit Nikon for giveaways, to chat with a product expert, or to check out the full line of award-winning Nikon DSLR cameras. While there, visitors can also experience the vast selection of NIKKOR lenses and an assortment of other products, including the COOLPIX P1000 with its powerful 125x optical zoom lens.

    For those around the world who want to join in, Nikon will again be livestreaming all presentations directly from the booth from Tuesday, January 8 to Friday, January 11. To watch, please visit www.nikonusa.com/live or www.facebook.com/nikonusa. A full schedule of Nikon presentations can be found below.

    New for CES 2019

    • NIKKOR Z 14-30mm f/4 S Lens – This is the first ultra-wide zoom lens for the Z Mount System and the world’s first* full-frame 14mm filter-attachable lens. This new S-Line lens is ideal for a variety of shooting scenarios including landscapes, interiors and architecture. The 14-30mm f/4 S lens is both compact and lightweight while delivering incredible sharpness and versatility. This new lens takes full advantage of the benefits of Nikon’s new Z Mount and demonstrates superior optical performance that maximizes the potential of high pixel-count digital cameras like the 45.7-megapixel Nikon Z 7. The NIKKOR Z 14-30mm f/4 S lens will be available in Spring 2019 for a suggested retail price of $ 1,299.95**.
    • Nikon Z 6 Filmmaker’s Kit – For content creators and filmmakers looking to fully utilize the Nikon Z 6’s advanced video capabilities, Nikon has created a new Filmmaker’s Kit incorporating the camera as well an array of essential video capture accessories. The bundle includes: a Nikon Z 6 camera, NIKKOR Z 24-70mm f/4 S lens, Mount Adapter FTZ, Atomos Ninja V 4K HDR 5” Monitor Recorder, Rode VideoMic Pro Plus, MOZA Air 2 3-Axis Hand-Held Gimbal Stabilizer, an additional EN-EL15b battery, a coiled HDMI cable, a 12-month Vimeo Pro membership and a complimentary Nikon School Online class. The Nikon Z 6 Filmmaker’s Kit will be available in late January 2019 for a suggested retail price of $ 3,999.95**.
    • Share Your Experience from the Nikon Pop-Up Studio – CES attendees are encouraged to stop by the Nikon booth to experience the interactive fan area, which will give show-goers the chance to capture visually fun and distinct moments to share with their own social media followers and friends. A selection of carefully curated scenes will depict whimsical and colorful interactive environments that create fun photo opportunities. All still images and slow-motion video will be captured by the latest Nikon Z series mirrorless cameras and NIKKOR lenses, delivering incredible image quality and results.

    The Nikon Z Series: Upcoming Firmware on Display

    The Nikon Z series will continue to adapt to changing user needs through the development and roll-out of firmware updates to meet and exceed creative expectations. Taking into account feedback from photographers and creators, Nikon will display three feature updates under development that open creative opportunities for the Z 6 and Z 7. Displays will include:

    • CFexpress – Coming soon to the Z 6 and Z 7 cameras is support for CFexpress, which is compatible with the XQD memory card form-factor.
    • Eye AF – Under development is an Eye AF function, which will automatically detect the subject’s eyes to make attaining critical focus on the eyes easier. It will allow users to capture photos in which focus has been clearly acquired on the subject’s eye, which is useful for portrait, event and street photography scenarios.
    • RAW Video Support – Nikon is currently developing a feature that works with the ATOMOS Ninja V to output video in RAW format, using the ProRes RAW codec.

    Details, including the release date of new firmware updates, will be shared at a later date.

    Nikon Theater Presentation Schedule

    The Nikon Theater will feature a full schedule of inspiring and engaging photographers throughout CES. Presentations will be available via livestream so those not attending CES 2019 can watch remotely here: www.nikonusa.com/live or www.facebook.com/nikonusa. Presentations will be captured using Nikon cameras, NIKKOR lenses and various automated broadcast solutions from MRMC, a Nikon company.

    Day 1 – Tuesday, January 8 (Show Hours: 10:00 A.M. – 6:00 P.M. PST)

    • 10:45 AM- 11:15 AM: Day to Night – Stephen Wilkes
    • 11:30 AM- 12:00 PM: Adventures in Z Land – Joe McNally
    • 12:00 PM- 12:30 PM: Showing Motion with A Single Frame – Kristi Odom
    • 12:45 PM- 1:15 PM: Ocean’s Matter – Brian Skerry
    • 1:15 PM- 1:45 PM: Flowmotion (and the importance of finding your style) – Rob Whitworth
    • 2:00 PM- 2:45 PM: Framing the Narrative: Photography in Conservation – Panel Discussion with Ami Vitale, Brian Skerry, James Balog
    • 2:45 PM- 3:15 PM: Framing the Narrative – Ami Vitale
    • 3:30 PM- 4:15 PM: The Power of Personal Projects – Panel Discussion with Stacy Pearsall, Jen Rozenbaum, Tamara Lackey
    • 4:15 PM- 4:45 PM: Z Pictures Everywhere: Travel, In – Studio and Every Day Life! – Tamara Lackey
    • 5:00 PM- 5:30 PM: The Human Element: A New Vision of Nature – James Balog
    • 5:30 PM- 6:00 PM: How to Wow – Jerry Ghionis

    Day 2 – Wednesday, January 9 (Show Hours: 9:00 A.M. – 6:00 P.M. PST)

    • 9:45 AM- 10:15 AM: A Colorful Career in Black and White – Stacy Pearsall
    • 10:30 AM- 11:00 AM: Sports Photography: Capturing Moments from Sandlots to the Pros – Rod Mar
    • 11:00 AM- 11:30 AM: Magazine Portraits: Celebrities, Athletes, and the Race Against Time – Joey Terrill
    • 11:45 AM- 12:30 PM: Photographing Animals and Wildlife – Panel Discussion with Ron Magill, Michelle Valberg, Keith Ladzinski
    • 12:30 PM- 1:00 PM: Storytelling the Wild Way – Ron Magill
    • 1:15 PM- 2:00 PM: Sports and Action Photography – Panel Discussion with Andrew Hancock, Jen Edney, Jen Pottheiser, Rod Mar
    • 2:00 PM- 2:30 PM: Creative Storytelling in Sports Photography – Andrew Hancock
    • 2:45 PM- 3:15 PM: Finding Your Way in Sports Photography – Jen Pottheiser
    • 3:15 PM- 3:45 PM: The Modern Photographer – Keith Ladzinski
    • 4:00 PM- 4:45 PM: Concert Photography: “Then and Now” – Panel Discussion with Baron Wolman, Knight, Owyoung, Jenn Deveraux
    • 4:45 PM- 5:15 PM: Music Photography: Low Light, All Access- Todd Owyoung
    • 5:30 PM- 6:00 PM: My Journey into Adventure Photography- Jen Edney

    Day 3 – Thursday, January 10 (Show Hours: 9:00 A.M. – 6:00 P.M. PST)

    • 9:45 AM- 10:15 AM: Wildlife Photography: Creating Emotional Impact – Michelle Valberg
    • 10:30 AM- 11:00 AM: Z Joy of Photography – Matthew Jordan Smith
    • 11:00 AM- 11:30 AM: Journey Through Landscape – Taylor Glenn
    • 11:45 AM- 12:30 PM: Photography in Social World – Keith Ladzinski,
    • 12:30 PM- 1:00 PM: Small Footprint Video Production: The Making of Morning – Corey Rich
    • 1:15 PM- 2:00 PM: Storytelling with Motion – Video Panel Discussion with Corey Rich, Chris Hershman, Keith Ladzinski, Diane Fitzmaurice
    • 2:00 PM- 2:30 PM: Intimate Portraits: Healing on Both Sides of the Lens – Jen Rozenbaum
    • 2:45 PM- 3:15 PM: I Saw the Music – Baron Wolman
    • 3:15 PM- 3:45 PM: Filmmaking in The Music Industry – Chris Hershman
    • 4:00 PM- 4:45 PM: On the Rise – Getting Started in Photography – Up and Coming-Young Photographers – Panel Discussion with Taylor Gray, Kiamarie Stone, Nicolas Bruno
    • 4:45 PM- 5:15 PM: Be Consistent: Build Your Brand – Kiamarie Stone
    • 5:30 PM- 6:00 PM: Wedding Day Moments Captured – Cliff Mautner

    Day 4 – Friday, January 11 (Show Hours: 9:00 A.M. – 4:00 P.M. PST)

    • 9:15 AM- 9:45 AM: Photographer Talk
    • 9:45 AM- 10:15 AM: Creative Landscapes: Finding Shots Beyond the Obvious – Mandy Lea
    • 10:30 AM- 11:00 AM: Relive the Moments: Documenting Life – Charmi Pena
    • 11:00 AM- 11:30 AM: Exploring the Art of Landscape and Time- lapse Photography – Taylor Gray
    • 11:45 AM- 12:30 PM: The Power of Portrait Photography – Panel Discussion with Jerry Ghionis, Charmi Pena, Dixie Dixon
    • 12:30 PM- 1:00 PM: Lights, Camera, Fashion – Dixie Dixon
    • 1:15 PM- 2:00 PM: Making Dynamic Landscape Photograph s- Panel Discussion with Mike Mezeull II, Joshua Cripps, Mandy Lea
    • 2:00 PM- 2:30 PM: Why I Love Chasing Extreme Weather – Joshua Cripps
    • 2:45 PM- 3:15 PM: The Wild Among Us – Melissa Groo
    • 3:15 PM- 3:45 PM: Nature’s Fury: The Allure of Tornado Alley – Mike Mezeul II

    For more information on Nikon’s latest products including new the NIKKOR Z 14-30mm f/4 S lens and Nikon Z 6 Filmmaker’s Kit, please visit www.nikonusa.com. For more information about Nikon’s presence at CES 2019, including the livestreaming of presentations through the show, please visit www.nikonusa.com/live or www.facebook.com/nikonusa.

    Articles: Digital Photography Review (dpreview.com)

  • Panasonic S1/S1R to ship in March; HLG Photo and High-Res mode added to feature list

    Panasonic has announced that its Lumix DC-S1 and DC-S1R full-frame mirrorless cameras will ship at the end of March. The company also disclosed two previously unmentioned features that will be offered on both cameras.

    First is a ‘HLG Photo Mode’, which captures photos with high dynamic range using the Hybrid Log Gamma profile. Photos are saved as HSP files, which can be viewed on HLG-compliant devices.

    These will be among the first cameras to be able to take advantage of the latest HDR displays: showing a natural-looking image with a wider dynamic range (not squeezing a wide dynamic range into the limitations of older, standard-DR monitors). The movie and broadcast industries have already developed a series of standards for capturing and showing HDR footage but there’s been less progress in the photographic world.

    Apple’s recent iPhones can capture and display HDR images but it’s not clear which standard they’re using: the HDR images only currently appear as HDR on the device’s own screen. By adopting the simple and increasingly widespread HLG system (currently used by the BBC and cameras from Panasonic, Fujifilm and Sony), Panasonic could help establish a way for photographers to shoot and edit HDR stills, knowing that some displays will know how to show them correctly.

    The second feature is a multi-shot high-resolution mode, that uses the camera’s sensor-shift image stabilizer. The camera moves the sensor a tiny amount to capture eight separate exposures, which are combined into a single image with high levels of detail. A ‘suppress motion blur’ option is available, which we’ll surely be testing once we have an S1/S1R to review.

    Lumix S1 sample photos by Daniel Berehulak

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    Press Release

    Panasonic Announces Additional Key Functions for the New Full-frame Mirrorless Camera at CES 2019

    Las Vegas, NV (January 7, 2019) – Following an announcement at Photokina 2018, Panasonic will unveil additional key features of the new LUMIX S full-frame mirrorless cameras at CES 2019. The LUMIX S full-frame mirrorless cameras and lenses will be available at the end of March 2019.*

    A Whole New Style of Photo Expression

    High Dynamic Range Still Photo – HLG Photo Mode

    HLG Photo allows images to be shot with a wider dynamic range. By reproducing both glaring lights and dark shadows that are likely to be overexposed or underexposed, the Lumix S achieves rich, precise color expression as close as possible to visual memory.

    HLG Photos are produced as an HSP file. The user can play back these vibrant images on the latest Panasonic HLG-compliant 4KTV via HDMI cable connection or other HLG-compliant devices. It is also ideal for photographers’ photo presentations.

    Stunning Details with a Realistic Sensation

    High Resolution Mode

    Taking advantage of the Body Image Stabilizer. (I.S.) mechanism, eight consecutive images are automatically shot while shifting the sensor. These eight images are synthesized into a single image by the new Venus Engine, which boasts high-speed signal processing. Precise details are faithfully reproduced to be saved as a beautiful, highly realistic image. This mode is ideal for shooting natural landscapes or fine art objects with delicate details.

    Considering situations where moving subjects are included in the scene, sub options are available to suppress motion blur, so photographers can use this mode the same as shooting in a normal photo shooting mode.

    Articles: Digital Photography Review (dpreview.com)

  • Report: FAA to test new pilot programs to speed up remote drone identification tech

    In 2017, news surfaced the Federal Aviation Administration (FAA) had taken the first steps toward establishing drone identification rules, which would require a drone to remotely identify itself to law enforcement. The remote ID system could help identify drones operated in restricted airspace, such as drones over airports, but multiple reports have indicated there could be a significant delay.

    In November, the Wall Street Journal reported the FAA was ‘significantly behind’ schedule on establishing drone identification rules, something necessary for the large scale commercial use of drones. As well, law enforcement and government officials have increasingly expressed concerns over illegal drone operation and their inability to rapidly identify these UAVs.

    In its most recent update, the WSJ has revealed a Federal Register notice from December that details pilot projects aimed at speeding up remote ID system testing. According to the report, the FAA wants to create up to eight prototype projects financed by private companies in order to test different identification options.

    These prototype projects would be used both to gather real-world data and verify that the remote identification technologies work while speeding up the overall time it will take the FAA to establish the new rules. Neither timelines nor project costs have been revealed at this time, but assuming that a rule proposal in made in the next few months, final regulations may be established in the next year or two.

    Articles: Digital Photography Review (dpreview.com)

  • Expand Your Creativity by Taking Self-Portraits

    The post Expand Your Creativity by Taking Self-Portraits appeared first on Digital Photography School. It was authored by Stacey Hill.

    If someone asked me “what is the ONE thing you have done that improved your photography the most?” my answer would be Self Portraiture. No, not your average cell phone social media shot, but a fully-conceptualized project. One that is planned and executed down to the last detail, and then shot by the photographer who is also in front of the camera.

    I don’t shoot people because they can be awkward and self-conscious in front of the camera. Often they have no idea how to pose, don’t listen and take direction, and can be impatient with the process. They can also be easily distracted, and you have to spend a lot of energy to keep them happy and engaged. For those who make a living shooting people/portraits, I salute you because it is hard work.

    However, for those of us who don’t like to photograph other people, we are then left with a dilemma. Having a human in the shot helps us tell a more involved story, gives the viewer something to relate to, and helps us engage with the image. Therefore, using ourselves in the picture becomes a choice. Which leads us to the challenge; how do we plan out an entire image and shoot it, while being IN it at the same time?

    Not only do we have to design and plan the whole shoot, which is enough of a challenge anyway, but we also have to put our self in front of the camera at the same time.

    So we take something that is hard to do and make it even harder. Why would we do that? What are the benefits?

    I had to come back and do this shoot a second time because all my first set of shots were not 100% in focus. I marked my focus point with a white stone this time

    Creative Freedom

    Using yourself as the model gives you enormous creative freedom. It allows you to try creative directions a paying client may not want to do.  You can be adventurous and take more risk with the shot style.

    Some themes you could play with include:

    • 50’s pinup style shoots or burlesque or lingerie
    • Cosplay with lots of armor and weapons
    • Western-themed with a horse and a lasso
    • Fairytale redo of Cinderella or Red Riding Hood
    • A fantasy wedding theme
    • Pirates
    • Sport
    • 1920’s speakeasy
    • Zombie horror
    • Elaborate composited scenes not possible in reality like levitation and flying furniture and people

     

    Sticky fake blood looks effective for this zombie-themed shot. It tells a story with just the hand and arm.

    Thinking outside the box

    There are so many more ways to create a self-portrait. You can use your whole body or only a part of it. Using the hands alone can tell stories in so many ways. Many people do not like having their face in the frame, and showing complex extreme emotion is a challenging concept for a lot of people.

    Why are our portraits often of people smiling and being happy? Do we not also feel sadness, grief, anger, confusion, depression, anxiety, despair?  How can we explore the full human condition?

    What are the other stories we can tell using the full range of emotions available to us? How else can we create powerful emotive imagery? What stories can we tell that encompass our vision and experiences?

    Are there things we personally find challenging or interesting? What fascinates and drives us? Are there demons dwelling in our psyche to be uncovered and exposed in front of a lens? What is our story? Do we want to share a reality or instead craft an alternate fantasy world instead?

    My mantra is “I want my images to evoke a response.” Any response is fine. Just so long as my images are SEEN, not just scrolled past on the phone. How can they stand out from the crowd of the millions of other images uploaded every minute online? I also want them to be uniquely mine by permitting myself to create what is necessary to get a specific shot.

    My question to you is “how do you get someone to stop scrolling and see YOUR image, or to like or comment on it?” How do you innovate with your imagery to make it different, noticeable or more engaging?

    Learn to take risks

    For the record, there is nothing wrong with the traditional style of portrait/self-portrait images, but there are those of us who strive for something more. We strive for something different, something extreme or extraordinary. In which case, starting with yourself is an excellent way to experiment in a safe, controlled environment. An environment where it is okay if you make a mistake and take twice as long to do something because you are only using your time. Somewhere everything you try is a learning experience and often a valuable one.

    However, putting yourself as the subject in a shot is a risk. Everyone suffers the same doubts. “Will I look OK?”
    “Will people like this image of me?”
    “I hate how my face looks when I smile” and so on.

    Underneath we are all the same fragile creatures, so putting yourself front and center takes a lot of courage.

    If you are choosing to do something more creative, then the risk may feel greater.
    “Will I look like an idiot dressed as a pirate?”
    “I’m afraid of doing a nude or lingerie shot.”

    It is easy to worry about what people think.
    It can also be hard to overcome the ingrained societal concepts of good or expected behavior. Society expects us to be smiling and happy in a portrait shot. Many people do not cope well when presented with your screaming face covered in blood!

    You may feel concerned about going outside to shoot where other people can see you.
    “What is this person in a strange costume doing making weird poses in front of the camera?”
    Yes, that is a real thing.

    My response to that is first of all, who cares what other people think? Second, if we want the shot of a particular place to tell a story, then we do what is necessary to get the shot. Are we risking embarrassment by doing this? Maybe, but I am also comfortable with the idea that no one has died of embarrassment.

    Breaking through my comfort zones and pushing my boundaries is one of the most valuable things I have done to improve my photography. Self-portraiture has been a big part of that journey because it gave me the freedom to take risks and try something new. Because I am using myself as the model, if it doesn’t work, I can try again. I can try something different, or refine my process in a better way.

    Think about how you could tell new or different stories if you had the time and made the opportunities to craft self-portrait images that tell your story!

    Self-portrait secret weapons

    1. A Wireless Remote
    2. Shooting Tethered (either cabled or wireless with a trigger)

    A wireless remote

    Having a wireless remote is faster and more efficient. You can get yourself into position and shoot a whole range of different poses without having to dash back and forward between the camera and your position.

    Shooting tethered

    If you are in a studio or working close enough to the camera, shooting tethered makes the process even better. You can make sure your pose is within the frame, can see any issues and adjust them quickly. Shooting tethered allows you to fine tune everything while you are shooting the scene. You save time too, in case you cut your head off accidentally and need to reposition again and again.

    Being able to see how the final image looks on a bigger screen is also very helpful for creative direction. Several of my shots I would not have conceptualized without the opportunity to see the potential of them on the laptop screen. Sometimes merely adjusting the tilt of the head or the angle of the chin completely changes the tone or feel of an image.

    Slightly out of focus while I was trying out shooting tethered for the first time. Helped to position the fan in exactly the right place

    Give yourself time to play

    When you are the only set of hands and have to be in two places at once, it takes time to set the shot up. Give yourself plenty of time to shoot, so there is no rushing. That way you can deal with any issues and be relaxed about your time frame.

    Also, allow yourself time to play and experiment while in front of the camera. By having time to play, you can spark up new concepts and ideas you didn’t initially have. Ideas that can turn out to be valuable. I have specifically scheduled time in my studio with a few props to experiment with a concept. With no specific intention for a shoot, just time to create visually in an unstructured manner. I can take small risks, try new things, move on to the next idea and experiment.

    This exercise has taught me a great deal about posing, and how to move the body to get the best visual outcome. This exercise is invaluable for talking to portrait clients later, as you can empathize with how odd it feels, but explain why it matters too.

    Planning a self-portrait image

    Many elements go into creating an image. For example, subject, light, story, and mood. With a self-portrait image, you have to start from the beginning and build the entire picture. You must integrate all the necessary elements in such a way that allows you to create both behind the camera and in front of it simultaneously.

    1. What

    What is the concept or idea behind your image?

    2. How

    How are you going to execute it? What constraints or limitations are there? What are the technical or physical challenges and what lighting is needed?

    3. Where

    Where do you shoot it? Do you shoot inside or outside, or in a specific place? Is the background composited in later?

    4. Theme

    What styling or theme do you want the shot to have? Be as creative as you like or can afford.

    5. Pose

    How will you be posed? Is it a pose you can hold and adjust easily for a range of options? Is the pose comfortable and safe?

    6. Props

    What props are needed to tell the story? Do you require hair, makeup, clothing, or other accessories to tell the story?

    7. Extras

    Some other things you may need to consider are: site permissions, shooting fees, access, public audience, personal safety, weather conditions, and travel distance/time.

    Other considerations

    These are all the things you may need to account for if doing a shoot with a client or a model. You can go the safe route and do classic headshots, or outdoor portraits in a garden. It is a safe option when dealing with a client who may not want a more challenging style of image, may not have the time or budget to get dressed up in costume or isn’t interested.

    Figuring out how to do this by yourself (assuming you don’t have any assistance) can take some practice. If you have an elaborate, complicated costume, can you get dressed in it by yourself? Can you do it in the back of your car if there isn’t anywhere else you can get changed? Can you wear it and drive at the same time?

    How much gear are you carrying? Can you take it in one trip to the session site? Are you and your gear safe while working outside?

    Everything becomes much more complicated. You need to take a normal approach to things and make it even simpler. Then you repeat until every stage is possible for one person to achieve.

    The final edit from the original shot seen above

    Conclusion

    Using people in images helps tell an engaging visual story. However, not all photographers have the luxury of friends/family to pose for them or can afford a model. Some photographers may prefer not to deal with a stranger due to the complexity of the shoot, and the time required. So putting yourself in the frame may be the only option.

    Putting yourself front and center can be intimidating. Some of us prefer to be behind the camera. However, we can dress in costume, wear wigs, elaborate makeup, masks or shoot in such a way that our identity is not apparent.

    Masking your identity also forces you to be more creative with how you think about staging and shooting your image. It can be a challenge because everything takes longer and the complexity increases with the need to be both in front of the camera and composing the shot.

    There are so many learning opportunities and experiences to be had by taking the time to play. When it is just you and a camera, there is great freedom involved to try random concepts and ideas. Things you may not have ever considered before.

    Pinterest and Instagram are great places to find inspirational ideas. Start making yourself a board, gather props, take a deep breath and put yourself in the frame.

    It will be tough going initially, but it is worth it. Even just for the learning experiences, you gain from making mistakes. However, don’t let that stop you. Go forth and create!

    Share with us some of your images below.

     

    The post Expand Your Creativity by Taking Self-Portraits appeared first on Digital Photography School. It was authored by Stacey Hill.


    Digital Photography School

  • Nikon Z 50mm F1.8 S sample gallery

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    The Nikon Z 50mm F1.8 is one of three lenses to launch with the Z system, and it’s quickly becoming a staff favorite thanks to its edge-to-edge sharpness and a pleasing absence of chromatic aberration. Nikon claims that the Z 50mm F1.8 redefines what an F1.8 standard lens can do – take a look at our gallery and see for yourself.

    See our Nikon Z 50mm F1.8 S
    sample gallery

    Articles: Digital Photography Review (dpreview.com)

  • Senior Photo Tips for Better Senior Photography

    The post Senior Photo Tips for Better Senior Photography appeared first on Digital Photography School. It was authored by Jackie Lamas.

    Photographing teens who are about to embark on a new phase of life is an honor as a photographer. However, it can be tricky to photograph teens who are both very self-aware and yet not a full adult yet. Read the following tips to get the most out of a senior photography session.

    1. Pre-Consultation with both the teen and parent

    It’s essential to schedule a pre-consultation with both the teen and the parent. This way, you can interview the teen and get a better idea of what they envision for their session. Senior portraits that include the input and ideas of the teen tend to go smoother as the teen is more excited to participate.

    Having the parent at the pre-consultation can also help to get an idea of what he or she is looking for as far as wall prints, invitations, graduation announcements, etc. As they are the one paying, they can also choose which options best suit their needs and budget.

    Include the teen in the process of choosing wardrobe and locations.

    Sit down in a casual and comfortable setting so that you can develop a natural conversation with the teen. Bring samples to show them so that they can see and touch the products.

    Giving them printed pricing sheets printed to take home. Doing so helps them to keep in mind the products they may want after they view the photos. In turn, helping you make a more significant sale after the session is complete.

    Make and print out a small questionnaire for both the teen and parent to fill out. Ask questions like, ‘what background do you envision for your session: natural, urban, mixture?’ Or, ‘do you play any sports? If so, would you like to be photographed in your uniform?’

    These questions help you to get a better understanding of what the senior photos represent for the family. Being able to see their likes, dislikes and hobbies narrows down the location, time of day, type of lighting, and even posing.

    Some seniors may already have a clear idea as to what they are looking for as far as their photo session goes, making things easier. However, you may encounter many teens that don’t have a clue. This is where you can guide them. Show the teens previous senior sessions that you’ve photographed in different locations and styles. You’ll probably get an excellent idea as to what they don’t like, helping narrow down what they do want.

    2. Play music during the session

    Music can help the teen relax and feel less nervous during the session. Have them choose a playlist of music they like before or during the session.

    Music can also fill in gaps while you are photographing them and can’t focus on a conversation.

    Music can be a small detail that can easily get overlooked. However, music can be a game changer when you have a particularly shy teen who isn’t talkative. It can set the tone for the session and motivate the senior to pose a certain way and make particular expressions.

    The client experience is what drives word of mouth and referrals from current clients. When you give the teen some control of their senior session, they feel heard and seen. A small decision in choosing which music to listen to can make the whole experience positive.

    3. Props and accessories

    Props can be a big help during sessions with a senior. There are many props you can use, however, the following are the most popular and specific to senior portraits:

    • Musical instruments
    • Sports props like balls, uniforms, backgrounds
    • The teen’s car
    • Their hobbies, like a camera for photography, art supplies or an easel for painting
    • A prop that is descriptive of the teen’s personality
    • The cap and gown for their school
    • Ballons with the graduation year
    • A sign

    Adding props can add more variety and add a more personal touch to the photos.

    Props also help the teen to be more relaxed posing with something that they like. It also gives the session a fun, playful feel while providing the senior with a better overall experience. For example, if the senior loves to ride horses, you can go where they keep their horse and take a few photos.

    Or if a teen is really into djing, they can bring their favorite vinyl records to the shoot. Props help to give the session a little more personality.

    4. Posing

    Posing can be tricky with senior photography. You have to keep poses teenage appropriate while also being mindful that they are young adults on the verge of entering the real world.

    Choose poses that offer variety. For girls, this can mean crossing their feet as they stand with their arms at their hips or interlocked hanging freely. For boys, have them stand against a column or wall and prop up a leg or keep it casual with both feet relaxed.

    Sitting on steps also creates nice solid portraits. Don’t be afraid to experiment with different lenses to get different looks during the session.

    For example, a lens at 35mm may be an interesting shot in an urban area, giving the portrait more space around the senior. A more compressed, longer lens can give beautiful bokeh and isolate the teen’s face for a beautiful mid-length portrait.

    Playing with props and giving their hands an action to do can help calm nerves. Be mindful of idol hands because they can look out of place within the portrait if they are hanging at the sides.

    Use their hands to hold jackets, give the elbow a bit of bend to create more shape, put them in pockets, play with hair or props, have them fix their shirt or dress. Giving their hands something to do can also help relax the teen while they are in front of the camera.

    Stairs are a great place to sit seniors and take both full-length and close-up photos.

    Check out some inspirational photos and save them to your phone. Sometimes a little inspiration can help you create something different when the session feels a bit stagnant.

    The great thing about teen and senior photography is that they are perfect opportunities for you to experiment. After you’ve achieved the sure photographs that both they and their parents will love, offer to do something more experimental. Go for different lighting if that is something you’ve wanted to try. Doing this can help you offer a different feel to the session and final images.

    5. Inviting more seniors to the session

    Having the opportunity to photograph more than one senior at the same session can be a fun experience for all involved. If this is the case, ensure you are charging per person, or you have given the main client a group quote. Also, determine how many seniors you can photograph effectively in the amount of time you have for the session.

    Photograph the group together in three to four setups. Then take turns taking 5 or more solid portraits of each senior. If they are all members of the same sports team or club, ask them to bring props. Props could include their uniform or other items that represent the activity in which they participate.

    Give each teen time to change out of the group photo wardrobe so that they can also experience their own time with you. This makes them feel like they have their own mini-session within the big group photos. The more photos you include of each teen, the more opportunities you have to sell prints and products as well.

    Try and take candid photos of the group too. Getting natural reactions while they are just hanging out and talking can also be as meaningful as the posed photos.

    In conclusion

    Senior photography is much more than the classic graduation portrait that parents used to look for. They are about inclusion and having the teen actively participate in order to capture their true personality before embarking on their next adventure in life.

    Keeping it light and fun, as well as experimenting with different lighting and poses, can help make the senior session much more interactive and exciting.

    The post Senior Photo Tips for Better Senior Photography appeared first on Digital Photography School. It was authored by Jackie Lamas.


    Digital Photography School

  • Gear: Leica C-Lux Camera Review

    The post Gear: Leica C-Lux Camera Review appeared first on Digital Photography School. It was authored by Kunal Malhotra.

    One of the latest offerings by Leica is the C-Lux compact camera which features 20-Megapixel, 1-inch CMOS sensor. With the focal length range of 8.8-132mm (24-320mm as per 35mm format), this is a multi-purpose camera. You can shoot photos of multiple genres like street, portraits, landscape, wildlife, and events using the 15x zoom range on this camera by Leica.

    Talking about a few key highlighting features, the Leica C-Lux allows you to shoot 4K video, shoot images at 10fps burst rate and has a sensitivity range up to ISO 25600.

    Build quality and ergonomics

    The moment you hold the Leica C-Lux in your hand, you get mesmerized by its looks and ergonomics. This camera looks and feels premium from the very first second you use it.

    The grip on this camera allows you to use it for hours without sweat or pain in your fingers. The thumb support at the back of the camera allowed me to make a strong grip while clicking both photos and videos.

    I like how Leica has made this compact camera ‘compact’ – making sure it is fully-loaded with the latest features. While the built quality feels sturdy, the camera weight is not very heavy.

    Physical features

    My favorite physical feature on this camera has to be the customizable ring on the lens. By default, the role of the ring is to adjust the focal length of the lens. However, you can customize it to control either the manual focus or aperture value. So if you frequently focus manually or shoot in aperture priority, you are going to love this feature. I shoot in aperture priority in most situations, and the ring helped me save time and effort switching between aperture values.

    On the back side of the C-Lux camera sits the 3.0“ TFT LCD touchscreen and 0.21“ LCD viewfinder with diopter adjustment from -4 to +3 diopters. The touchscreen is responsive and you can touch-and-focus while shooting photos and videos. However, the viewfinder is something that did not impress me. It felt like there was light leakage from the sides which distracted my view.

    There is a pop-up flash hidden on the top center of the camera, which can be used by merely sliding a physical key. The back panel also features three custom function buttons which can be used as per the user convenience.

    Image quality

    While this camera has a focal length range from 24mm to 360mm, you may want to know its performance at both ends. I found the images to be sharp and crisp between 24mm and 200mm, and it gets a bit soft beyond 200mm focal length. Nevertheless, while shooting in daylight, it gives incredible results even at 360mm. However, as the light reduces, the crispness becomes a bit average.

    If you are someone who shoots more in daylight and you want a longer focal length range in your compact camera, this could be a great choice for you. The optics in this camera lens enables you to capture images with good color reproduction.

    Low-light performance

    The real test of a camera is when it gets used in low light conditions. I took this camera for a run at night and clicked some street photos. The ISO performance up to 1600 ISO is excellent considering it features a 1-inch sensor. But beyond 1600 ISO you will start noticing grain in your images.

    I was shocked to see this camera perform brilliantly in low light conditions while shooting video. I expected high grain at ISO 800, but this camera worked like a charm even at ISO 1600. This camera is equipped to shoot 4K video at 30fps and 1080p video at 60 fps.

    Monochrome mode

    Leica is known to have one of the best sensors for monochrome photography. But is it any good in this, one of the most affordable cameras? I fell in love with monochrome photography the day I started using this camera. The monochrome images felt entirely different coming out of this camera; perhaps because it is my first Leica camera. This camera captures amazing contrast and dynamic range, as you can see in the image below.

    Autofocus performance

    Most of the time I used the touch-to-focus feature, and there is a reason behind that. Ideally, I use manual focus point selection, but after a few shots I could trust the C-Lux touch focus accuracy. The focus speed also feels quite fast without much focus hunting, even in low-light conditions. But when you are beyond 200-250mm in low light conditions, the focusing becomes slower, and the focus hunting begins.

    Features

    There are some useful features in this camera including Focus Stacking and Exposure Stacking modes. One of the benefits of using a small sensor camera is that you get to use some fantastic features. These two modes allow you to capture multiple photos and give you a final image using either the focus point of your choice to focus stack or combine multiple exposures to achieve a high dynamic range (HDR) image.

    Moreover, if you are social media enthusiast, the C-Lux camera allows you to instantly transfer images and videos via Wi-Fi or Bluetooth with the help of the ‘Leica C-Lux’ app.

    Final thoughts

    Amidst so many options, why would you choose the US$ 1050, 20 Megapixel, 1-inch sensor Leica C-Lux compact camera? If you are a frequent traveler and wish to carry a camera that does most of the job for you, this may be an ideal choice. Also, if you want the ‘Leica’ branding and love clicking in monochrome, you may fall for this little camera. With features including 4k photos at 30fps, focus and exposure stacking, 4k video and that smooth custom ring, I would recommend this Leica camera.

    What are your views about this compact camera from Leica? Would you go for it?

    The post Gear: Leica C-Lux Camera Review appeared first on Digital Photography School. It was authored by Kunal Malhotra.


    Digital Photography School

  • Fractal Filters are faceted photo filters that turn your camera into a kaleidoscope

    There’s no shortage of weird and wild photography accessories designed to add a little flair to photographs, but Fractal Filters might be one of the most interesting to hit the market in some time.

    Created by Nikk Wong and originally funded on Kickstarter, Fractal Filters are creative photo filters designed to add prism-like effects to photographs using shaped and faceted glass elements.

    Currently, the Fractal Filters are sold in a ‘Classic 3 Pack’ that use the patented PrismaLed optics and unique cuts to add rainbows, reflections, and halos to photographs. The kit includes the Penrose Fractal Filter, Pascal Fractal Filter, Julia Fractal Filter, a carrying case, and a sticker.

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    The filters are made to be held by hand in front of a camera lens using the three extra-large finger holes built into the aluminum frame. Wong suggest using lenses with a focal length longer than 40mm and at F5.6 or wider, but the idea is to get creative, so don’t feel limited.

    In Wong’s own words, ‘Fractal Filters are designed to provide the user a unique way to look through the lens, both making difficult shooting situations easier and easy situations more spontaneous and creatively elastic.’ Below is a gallery of sample images capture with the Fractal Filters:

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    The ‘Classic 3 Pack’ kit is available for $ 99 on Fractals’ website and includes the Penrose Fractal Filter, Pascal Fractal Filter, Julia Fractal Filter, a carrying case, and a sticker.

    Articles: Digital Photography Review (dpreview.com)