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  • 20 Ways to Improve Your Photography by Improving Yourself

    The post 20 Ways to Improve Your Photography by Improving Yourself appeared first on Digital Photography School. It was authored by Mat Coker.

    Photo: Guillermo Sánchez

    Sometimes what holds us back in photography is not a lack of “know how” or new gear, but not growing anymore as people. Before you try to improve your photography with a new camera or lens, try working on some weak part of your personality. Once you’ve improved yourself as a person, you’ll make much better use of that new camera or lens!

    Whether you’re an amateur or professional, here are 20 personality problems to tackle that can help you grow as a photographer.

    Golden hour photography of kids sledding in the snow

    Imagine if adults kept growing at the rate toddlers do. One day they’re watching the big kids play, and then suddenly they’ve figured it out for themselves.

    1. Stop being lazy – accomplish something big

    If you always have a nagging feeling that you should be accomplishing more, then now is the time to do it. Instead of letting half-baked ideas and almost-finished projects pile up, get something completed.

    It’s so easy to be lazy. That’s the danger. Accomplishing great things takes work, but being lazy doesn’t.

    You can spend hours scrolling through photos that other photographers have taken, always lusting over their projects. Or, you can get off the couch to finish one of your own projects.

    Before long, you’ll look back and see a trail of finished work.

    2. Don’t work so hard

    Maybe you’re the opposite of lazy. Maybe you can’t stop working. Suppose you run a photography business and feel a lot of guilt about missing so much family time. You must stop working a bit and pay attention to the other important things in your life.

    When you make more time for friends and family and a little bit of downtime, you’ll grow in your creativity and do greater things when you get back to work.

    Expand your relationships and life experiences and you’ll bring a much deeper version of yourself to your work.

    Cut back on the hours you work by eliminating tasks that are not essential to your projects or business.

    Candid photo of a toddler reading books.

    Workaholics could schedule some time into their week to relax with a book. Expand yourself with a thrilling novel or good “how to” book.

    3. Get organized

    Begin to de-clutter and simplify your life. For example, do you just dump all your photos onto a hard drive or leave them floating around the cloud? You need to get those photos organized.

    Get all your photos into one place and get them sorted out.

    If you’re a project photographer, them sort them by year and by the project.

    If you take a lot of photos every day or every week, I highly recommend sorting them by date.

    The system I use is simple.

    • All photos go into a monthly folder
    • The monthly folders go into a yearly folder
    • All yearly folders go into one main folder labeled Photos

    When your photos are organized you can begin to sift through them, print them, and enjoy them.

    When your photos are in one place it is easy to back them up and know they’re safe.

    4. Embrace a little chaos

    Perhaps you are so orderly in life that you can’t stand any chaos.

    Maybe you’re a photographer who can’t stand dealing with toddlers or people with strong personalities. You need to get out of your comfort zone and embrace a little chaos. Let the toddlers run wild a bit, maybe you’ll notice some great candid moments when you’re not asserting so much control.

    Instead of meticulously planning every detail of your life, leave some things to chance. Allow for surprising spontaneity and see where it takes you.

    Candid photography of a toddler exploring

    Those white pants were so clean when we left the house! Toddlers are agents of chaos. But they’re exploring their world and learning so much.

    5. Be more kind

    Does your mouth lack a filter? Do you boast that you don’t care about people’s feelings? Are you always annoyed with your clients and don’t mind telling them so?

    I recommend you work on being more polite. It’s going to be difficult, but try biting your tongue once in a while.

    Don’t be a troll, leaving nasty comments on photography websites. When you say things kindly, your words might help somebody to improve themselves.

    Practice saying one thing to every client or photographer in your life that would build them up. When you learn to help others grow, you grow deeply too.

    6. Don’t let people walk all over you

    Don’t misunderstand the nature of kindness by letting people take advantage of you.

    If you’re a photographer in business, you must make people respect your talent, time and prices. Your work is worth something (perhaps more than you think).

    Sure, you’ve got a heart of gold. But wake up and see that letting people take advantage of you does nothing to help them.

    When the kids get sick it always throws a wrench into our plans. But sometimes those sick days are gateways to something new. We discover something more of their personality or spend the day reading books or listening to stories together. Sometimes, when something ruins our plans it leads to something better.

    7. Volunteer

    If you know that compassion is a weak point for you, then you should volunteer your photography skills. Go out and work for free, blessing a family or charity who would be thrilled by your offer to help. You might even enjoy the experience!

    8. Compassion has some limits

    Many photographers suffer burnout in their photography business. One of the main reasons is that they charge too little for their services. When you charge too little, you have to work too much to make a decent living. You will burn out.

    Charge a price that is fair to you and your client, not just fair for them. Don’t feel like you have to give everyone discounts. And don’t listen to those few people who will tell you your prices are too high.

    Balance good business and your own photography pursuits with some compassion for those who are truly in need.

    Toddler portrait with shoes on the wrong feet

    Toddlers always put their shoes on the wrong feet!

    9. Learn to accept stress without snapping

    Do you find yourself constantly snapping in anger or wanting to cry about stress?

    You need to learn to accept difficult things more gracefully. It might not be easy. When everything in you wants to snap, restraint takes strength.

    Begin by understanding that not everything is worth freaking out over, even though you may feel like it. Often, your initial feelings tell you how to act, and snapping has become a habit.

    When you feel volatile feelings rising up, stop and think about them. Is this the best response?

    Walk away from dramatic situations and wait to respond when you are at peace.

    You’ll find it much easier to deal with criticism of your photography, difficult clients and unruly subjects.

    10. Recognize that sometimes your emotions deceive you

    Do you feel like crying or throwing up when you think a client has ripped you off or somebody says they hate their photos?

    It’s tough to get bad news. But what if you could receive that news without the flood of overwhelming negative emotions? You can make peace with those clients more easily when your emotions are not raging. Sometimes the situation isn’t even half as bad as your emotions are telling you.

    Make yourself calm down before you talk with clients or people who upset you. You can overcome overwhelming emotions.

    Get toddlers to engage with the camera by playing games with them.

    Drawn to the camera in a game of peekaboo.

    11. Go out and meet people

    Being introverted is not a bad thing, but being very withdrawn is. Spending time on your own is fine, but hating to be around people isn’t a good thing.

    You can’t make the most of life on your own. You’ll grow as a photographer when you spend more time with people.

    If you’re awkward around people, try acting like an extrovert. Just pretend you love people. Strike up conversations and take an interest in those around you. Before you know it, you’ll be more confident and less withdrawn.

    Even if you’re a landscape or wildlife photographer, you’ll benefit from friendships and relationships with other photographers. You can even expand your photography by including people in your landscape and wildlife photos.

    12. Most people are not thinking bad things about you

    If you’re always worried about what people think about you, you should know this; they’re not thinking about you!

    Most people don’t think bad things about you and most people don’t spend much time thinking of you at all.

    Resist whatever thoughts you have that scare you about people.

    If street photography is your thing, don’t be afraid to actually approach people on the street for a portrait. You’ll be nervous, but your imagination is probably playing tricks on you.

    Candid photo of a toddler hiding

    13. Be more assertive

    If you’re too afraid to take control of your portrait sessions then you need to grow in your assertiveness. Perhaps you love waiting for candid moments, but maybe you’re more afraid to step in and tell people what to do.

    People like a certain amount of assertiveness. Most people prefer that you take some control.

    14. Don’t be a control freak

    Being assertive is a great quality unless you overdo it! You can be so assertive that you don’t let other people be themselves. Your portrait clients like knowing that you’re confident and in control, but they don’t like it when you won’t listen to them and work with their ideas.

    Humorous toddler portrait

    He thinks he’s so funny stealing my seat every time I get up!

    15. Cheer up!

    You will go through periods when you just don’t feel the love toward photography that you used to. That’s okay. But the best way to get out of that slump is to act like you love it. Go through the motions of loving it. Don’t act like your photography work is drudgery.

    16. Don’t jump on every opportunity!

    You can be way too enthusiastic about photography, jumping on every opportunity that comes along.

    You can buy every piece of gear, accept every job, and take on every project. But committing to everything will be committing to too much.

    Slow down and only commit to what you’re best at or what you want to learn about most.

    Candid portrait of a toddler

    Dropping fistfuls of sand on himself, he hasn’t got a care in the world.

    17. Go explore

    Do you feel so insecure about things that you avoid new situations? If you haven’t experienced anything new in a while, you need to go and explore.

    Find new landscapes. Meet new people. Try a different art form.

    18. Reflect on what you’ve explored

    If you’re constantly exploring and discovering new things it might be time that you stop and do some reflecting. What are you discovering through all this exploration? What are you learning about yourself, other people and the world around you? How has your photography improved? How might you improve more?

    19. Read a book about a photographer

    Maybe you know everything about every photography technique out there, but nothing about the heart of photography. Maybe you know little about the deeply human part of photography.

    Go to the library and grab a biography of some photographer to read. Learn about the life experiences that led to their work and techniques.

    20. Flesh out your ideas in a photo

    If you love ideas and are constantly reading, try bringing some of those ideas to life through photos.

    Funny toddler portrait

    Sometimes I’m not just capturing moments. I’m trying to capture moments that express something about my subject. What’s the nature of a toddler? What are the ideas about toddler-hood that could be captured in a photo?

    Choose 2-3 ways to improve yourself as a photographer

    You’ve just read 20 ways to improve yourself that will also help you grow as a photographer. Choose 1 of these things to work on over the next few weeks or 2-3 things that you can work on over the year. As you grow as a person, you’ll grow as a photographer too.

    The post 20 Ways to Improve Your Photography by Improving Yourself appeared first on Digital Photography School. It was authored by Mat Coker.


    Digital Photography School

  • Nikon AF-S 500mm F5.6E PF sample gallery

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    Nikon’s AF-S 500mm F5.6E PF has some big – er, small? – shoes to fill. It follows up on the company’s earlier AF-S 300mm F4 PF (Phase Fresnel) lens, which offers up solid reach and impressive image quality in a compact package.

    And like the 300mm, we’ve been impressed with the 500mm F5.6E PF’s image stabilization, build quality and image quality. From eagles to frisbee players, we’ve been toting this lightweight telephoto around with us to see just what it’s capable of. Take a look through our sample gallery to see for yourself.

    Articles: Digital Photography Review (dpreview.com)

  • So You Want to Make a Website? Part 2: How to Create a Website

    The post So You Want to Make a Website? Part 2: How to Create a Website appeared first on Digital Photography School. It was authored by Carl Spring.

    In Part 1 of the So You Want to Make a Website? Series, we looked at which platform was best for your needs. In Part 2, we delve into the setup process. There may be small differences with WordPress (depending on who you choose for your hosting), however, things will be very similar whoever you choose. 

    1. Squarespace

    A homepage for a Squarespace website in editor view

    Choose a template and off you go. Whilst not as expansive in choice as WordPress. Squarespace offer some very stylish templates.

    With Squarespace, setting up your website is as easy as going to squarespace.com, choosing a design and clicking ‘start with this theme.’ Squarespace is a great platform that allows you to try before you buy. You get a 14-day free trial of the platform without the need for a credit card, allowing you to take the platform for a test drive.

    When you go on the site, start with the template section and look for one you like. Squarespace has a search option to help you choose a theme that’s relevant to what you want your website to do. Once you find a theme you like the look of, you can preview it across multiple platforms at the click of a button. There are also links to real life websites that have been built using the theme you are previewing. That way you can test its functionality.

    Once you have chosen your theme, click ‘start with this design’ and Squarespace creates your website. After a simple login and hello, you can get down to business.

    Starting your build

    In Squarespace, you work with seven tabs. Each is clearly labeled and easy enough to get your site design started intuitively. By default, all pages get set as demos. To create your unique pages, click on it and Squarespace creates a working page for your site.

    From here, you can add text and photos. You can also style the page as you desire. It is an intuitive platform, but if you get stuck, there are some great tutorials to help you. Squarespace also has a dedicated support team you can contact.

    The Styles Editor is the main menu where you can tweak several options of your site. These include options such as fonts, color, and text size. These options enable you to personalize your site and make it match your style or brand. Switching templates is easy if you find you aren’t happy with the one you started with. Again, this is a simple, hassle-free process.

     

    A screenshot showing Squarespace styles menus

    Within the styles menu you can change your site styles, complete with realtime previews.

    Domain names and Email

    Finally, in the settings page, you can register your free domain and access a free year of Google’s G-Suite email. You can set up your domain name and personal email address (yourname@yoursite.com) quickly and with minimum hassle. As a paying customer, domain registration (your web address) is free and becomes automatically linked to your account. I recommend this option when you start because it keeps things simple from a setup point of view.

    Extending your trial

    Once your Squarespace trial is up, you can extend it for a further two weeks if you need to. However, if you like the platform, pay for your chosen plan, and your site can be live within minutes. If, after your trial, you think the platform is too restrictive (some do), you have lost nothing.  You won’t even have the annoyance of canceling your credit card.

    Finally, there are several vouchers out there for 10% off your first purchase. Make sure you take advantage of one when you purchase your site.

    2. WordPress

     

    A screenshot showing the options available on CPanel

    This looks daunting, but it is simpler than you think.

    While this may seem a like a more complicated option – it isn’t. WordPress installation is quite simple, as most hosting companies have a one-click install option.

    In regards to hosting companies, there are many, and they vary in price, speed and customer support. Some are better than others, so do your research. A quick Google search will help you out immensely here. The main three things to look out for are security, support, and speed. Site loading time is a factor Google takes into account when ranking sites, so speedy hosting helps. Having security is essential so that your site doesn’t get hacked. Support comes in handy when you get stuck with any issues in regards to your site being offline. Similar to Squarespace, you can register your domain name with your hosting company (usually for a small fee). Doing this makes the setup process more straightforward.

    Creating an Email address

    Creating an email is incredibly easy using your hosting CPanel. Just click on the email button, choose your email address and password and click ‘OK’. It really is that simple.

    A screenshot of email settings in Cpanel

    Fill in this field and you will have a personalized email. It really is that simple.

    Installing WordPress

    With your hosting purchased, you now need to access your control panel (CPanel) to install WordPress. CPanel is daunting on first look, but you soon get used to it. This area is where good support from your hosting company can be useful. I can’t give specifics as this varies by company, but all good hosting companies will have guides to help you. Once you have WordPress installed. It is time to start creating your website.

    Building your site

    Once you are set up, you need to login to your admin area (AKA backend). In the Admin area, you’ll find the tools you need to create your site. Once you are logged in, you have access to all the tools to control your website.

    The three main options you will use day to day are posts, pages, and media. When setting up your site, you may also need to use a couple of other options — appearance (where you choose your theme of the website) and Plugins, where you can add plugins for specific things such as SEO. There are a lot of different options with WordPress, but like everything, using it becomes more comfortable over time.

    Screenshot of the WordPress system

    It may look a little daunting, but it isn’t as scary as you think.

    Installing a theme

    Once you have installed WordPress, it is time to choose your theme/template. There are thousands of fully-customizable WordPress themes that range from free to $ $ $ . Check out the free themes first, but these often have less functionality and features than the paid ones. Free themes can be prone to things such as poor coding (meaning your site will not load as fast) or may be outdated. Lastly, free templates generally will not offer great support. I am not saying there aren’t some great free ones available, but it takes more to find a good one. However, you do get what you pay for.

    On the other hand, paid themes tend to be more feature-rich. They also tend to have better support, which can be invaluable if you run into a problem. Updates also tend to occur more frequently and are less prone to bugs and errors (this does not mean they do not suffer from these problems though). I can guarantee there is a WordPress theme you will love. The hardest part may be choosing.

    Installing a theme is just as simple. Go to the Appearance tab and upload the theme you have purchased. Alternatively, choose directly from the themes offered. Depending on the template, things vary from here. Work with the support team on your particular theme to get the best from it.

    Now that you have your theme installed, it is time to start to create your content. You’ll learn how in Part 3 of the series.

    You may also find the articles helpful:

    So You Want to Make a Website? Part 1: Squarespace versus WordPress

    How to Find the Right Website Platform that Works For You

    Free Versus Paid Photography Portfolio Websites – Which is Best for You?

    The post So You Want to Make a Website? Part 2: How to Create a Website appeared first on Digital Photography School. It was authored by Carl Spring.


    Digital Photography School

  • How to Edit Landscape and Nature Photos with the Lightroom Gradient Tool and Range Mask Features

    The post How to Edit Landscape and Nature Photos with the Lightroom Gradient Tool and Range Mask Features appeared first on Digital Photography School. It was authored by Simon Ringsmuth.

    Lightroom has always had a rich set of tools to allow photographers to get the most out of their images. However, until recently the ability to edit landscape and nature photos was a bit lacking.

    While, global adjustments, like changing white balance and exposure have always worked great in Lightroom, fine-tuning edits can be problematic. Recent updates have seen incredible improvements to the Filter tools in Lightroom. An added tweak called Range Mask makes all the difference for photographers who need complete control over the precise implementation of their edits.

    Lightroom Gradient Tool and Range Mask

    The three most common ways to edit specific parts of an image in Lightroom are through the use of the Graduated Filter, Radial Filter, and Adjustment Brush. If you want to smooth the skin on your portraits, increase the saturation of your skies, or change the color cast of your clouds these tools can be just the ticket. But what if you have a tree that sticks up into the sky or an uneven horizon dotted with buildings and power lines?

    The usefulness of the filter tools is somewhat restricting when you want to limit your edits to particular sub-parts of a picture. Until recently the Auto-Mask option was the best way to confine your edits to certain colors or locations within an image. Landscape and nature photos are especially tricky because of the uneven edges and jagged borders that exist between sections of the photo that need editing. However, the Range Mask option solves almost all of these issues with ease.

    How it works

    To illustrate this, I’m going to walk you through the editing process of the following image. My brother Andy took it while he was on a tour of the swamps in Louisiana, USA, with his family last summer. The initial image has a nice composition but feels dull and uninteresting, which is a far cry from the real experience.

    Adjusting White Balance with a Graduated Filter

    One change to punch things up is altering the white balance of the sky to bring out the bright blues and make the image more vibrant.

    The first step is to click over to the Graduated Filter panel. Dial in a white balance that skews more towards the cooler end of the spectrum and reduce the exposure just a bit. Next, click and drag from top to bottom on the image to put the filter in place.

    The sky is now a rich blue, however, a big problem becomes evident: the color cast of the trees has changed too. This result is not what I want. Clicking the Show Selected Mask Overlay button in the bottom left corner under your image reveals that the graduated filter has been applied to everything including the trees as well as the sky.

    Fine-tuning the Graduated Filter using the Range Mask

    Fine-tuning a tool such as the Graduated Filter, used to involve a series of steps. These steps included brushing out the mask in places you didn’t want it in combination with the auto-mask feature. It worked, but results were often a little sketchy. They also required a great deal of tweaking and fine-tuning. That’s not to say the brush option is useless-far from it! I have an example later in this article that shows how useful it can be.

    However, all this has changed in recent versions of Lightroom. You can now use the Range Mask to apply any of the three filter tools to specific parts of an image based on lightness or color similarity.

    The default value for Range Mask is Off, but with one of your Filter adjustments selected you can then choose to enable Range Mask for Color, Luminance or Depth.

    • Color applies the filter to specific parts of the image based on how similar they are to color values that you select.
    • Luminance applies the filter to specific parts of the image based on how light or dark those parts are.
    • Depth works only with cameras that record depth information and applies the filter to specific parts of the image based on how close or how far away they are. Some mobile phones have this feature but most traditional cameras do not, so Depth will often be disabled unless you are editing images taken with certain mobile phones.

    Range Mask – Color

    For this image, I’m going to use the Color option, though Luminance works great in many nature and landscape photos as well.

    With Color selected, you can either click and drag on your image to select a range of colors or can click multiple points by shift+clicking. This selection is where the mask gets applied. I find that shift+clicking generally works better, although your mileage may vary depending on your editing goals and the type of picture you are working with.

    You can click up to five spots on the image to refine your color selection. Use the slider in the Range Mask panel to fine-tune things further. This slider hones the edges of your Range Mask. If you find that the border between the edited and unedited portions of your image is a bit stark, adjusting the Amount slider will help mitigate this issue.

    The result of this one Gradient Filter, along with the Range Mask, is an image that is already much improved from the original.

    Looking at a 100% crop of a portion of the image reveals just how precisely the Gradient Filter has been applied thanks to the Range Mask. Here is a portion from the top-right of the original unedited image.

    Here is the same portion with the Gradient Filter applied, using the Range Mask to apply the Filter to only selected color ranges. In this case, the color of the sky.

    Notice how precisely the edits were applied, and how intricate the edges around the tree leaves are. This illustrates why the Range Mask option is so useful for landscape and nature photos. There are many tricky edges and small parts of the image that can take a very long time to fix without it.

    Range Mask – Luminance

    Another way to use the Range Mask is with the Luminance option. This option only applies the mask to the brightest or the darkest portions of the Gradient, or other Filter, that’s applied.

    The overall idea here is the same, but the implementation is a tad different. Instead of selecting colors where you want the Range Mask applied, you use the Range sliders to concentrate the mask on the lightest, darkest or mid-range parts. One of the most useful things here is the Show Luminance Mask box which gives you a real-time preview of where your mask application. This helps you as you are adjusting the sliders.

    Here’s an image I shot while hiking in the mountains near Seattle. It’s not bad, but a few edits would help improve the picture. Edits may help it look a little closer to how it appeared when my wife and I were tromping around in the wilderness that day with my cousin.

    I want to bring out the color in the foreground trees in this image. A Graduated Filter with Luminance Range Mask is perfect in this scenario because the edits can be applied just to the darker portions of the image. With the filter in place and the mask tweaked to be applied only to the darker parts, I can ensure my edits are going to show up just where I want them to by checking the Show Luminance Mask option.

    Fine-tuning using Brush

    As demonstrated above, the Range Mask is extremely useful for nature and landscape photographers. It applies the Graduated Filter to just the right portions of the image and not the entire picture evenly. If you want to customize your Graduated Filter further, click the Brush option (not the Brush Adjustment Tool) and proceed to add to, or erase, the Filter wherever you want.

    In this case, I’d like to remove the Graduated Filter from the lake in the foreground. Even though I can tell from my Luminance Mask overlay that it’s not being applied too heavily to that area, removing all traces of it with the brush will help me get the exact picture I want.

    The end result is a photo with much warmer green tones in the trees and a lake that reflects the blue sky above, which is just the look I was aiming for.

    Conclusion

    Hopefully, these examples give you an idea of how powerful the combination of Graduated Filters and Range Masks are for nature and landscape photographers. I’m always eager to hear from the DPS community. Have you found this particular tool useful? Are there any other tips you’d like to share about using the Lightroom Gradient Tool and Range Mask? Leave your thoughts in the comment section below.

    The post How to Edit Landscape and Nature Photos with the Lightroom Gradient Tool and Range Mask Features appeared first on Digital Photography School. It was authored by Simon Ringsmuth.


    Digital Photography School

  • DPReview TV: Sigma 70mm F2.8 Macro Art lens review

    This week on DPReview TV, Chris and Jordan test Sigma’s latest macro lens, the 70mm F2.8 DG Macro Art. Find out why they like it in this uniquely Canadian presentation.

    Get new episodes of DPReview TV every week by subscribing to our YouTube channel!

    • Introduction
    • Focus by Wire
    • Close Focus Distance
    • Size vs Stabilization
    • Focal Length Advantages
    • Autofocus Performance
    • Lack of Stabilization vs Competition
    • Wrap-up

    Sample gallery from this episode:

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    Articles: Digital Photography Review (dpreview.com)

  • Canon offers new developer kits for EOS bodies and PowerShot SX70 HS

    Canon users who want to develop applications for their camera will be able to do so with new expanded SDK and API kits just announced by the company. The release updates the existing EOS Digital SDK (Software Development Kit) and introduces a new Camera Control API (Application Programming Interface) that is compatible with the new PowerShot SX70 HS bridge camera.

    The kits allow users to develop their own methods for triggering and controlling some settings of compatible cameras, and in the case of the SX70 HS for controlling the powered zoom lens. As the new Camera Control API ‘features an agnostic operating system’ it can be operated from almost any platform, so will be compatible with a wide range of control devices from smartphones to desk top computers. The current ED SDK is only compatible with Windows and Mac environments.

    The new version of the ED SDK, that adds the SX70 HS to the list of compatible cameras, is available now on the Canon Developers Website, while the Camera Control API will be released in March.

    Press release:

    Canon Europe Announces New SDK and API Package for Developers and Integrators

    Power your enterprising vision with Canon PowerShot SX70 HS,
    the first product supported in 2019

    Canon Europe, a world leader in digital imaging solutions, announces the release of its new camera API package, offering a range of resources to developers. The combined EOS Digital software development kit (SDK) and all-new Camera Control API (CCAPI) create unique opportunities for developers and software engineers to take advantage of select Canon cameras and lenses, launching with the PowerShot SX70 HS.

    Many developers have already benefited from Canon SDKs, enabling them to integrate Canon cameras and lenses in their solutions and control them remotely, wired via USB. Such applications include photo booths, robotic / automated units, event photography and recording, mass portrait / passport and photogrammetry systems.

    The EDSDK benefits will allow users to control Canon cameras remotely from a Mac or PC and use the same code across all compatible Canon cameras. To take advantage of multi-platform support on select models[1] for fast development, the new CCAPI features an agnostic operating system, allowing wireless usage in any environment, such as Windows, Mac, Android, iOS or Linux.

    Key EDSDK/CCAPI functions include:

    • Detecting, connecting/disconnecting the camera
    • Checking and changing camera settings, including time
    • Remote shooting
    • Downloading/erasing images, formatting cards

    “We are delighted to be expanding our EOS Digital SDK to the PowerShot series[2] and provide a tool that enables control of the camera and its power zoom remotely”, said Yuko Tanaka, ITCG Product Marketing Director. “In addition, the new Camera Control API is based on Internet Protocol, making it compatible with all operating systems”.

    The PowerShot SX70 HS is Canon latest premium bridge camera, that delivers a truly portable and versatile shooting experience. The camera features a powerful 65x optical fixed lens zoom, equivalent to a 21–1365mm focal length. It also has DSLR-style looks and handling, a 7.5cm Vari-Angle LCD screen, 20.3 Megapixel sensor and 4K Ultra High Definition video. The PowerShot SX70 HS is an ideal all-in-one camera, capable of handling all types of shooting scenario, without the need to carry multiple lenses.

    Camera API Package Availability
    The camera API package is a release driven by business users’ feedback and is part of Canon’s commitment to deliver convenient solutions to developers and integrators. The EOS Digital SDK is available for immediate download at www.didp.canon-europa.com.

    The Camera Control API will be available from March 2019 via the Canon developer’s website.

    For more information on the Canon PowerShot SX70 HS, please visit:
    https://www.canon-europe.com/cameras/powershot-sx70-hs/

    Articles: Digital Photography Review (dpreview.com)

  • Video: How photography impacts mood, experiences and more

    WIRED has published a video exploring the topic of photography’s impact on humans, particularly selfies and the impact photographing moments can have on one’s experience and memories. The video touches on topics ranging from anxiety over one’s appearance caused by distortion in selfies to ways photographing scenes both improves and impairs memories of the moment.

    WIRED senior editor Peter Rubin talked with multiple professionals as part of the video, including facial plastic and reconstructive surgeon Dr. Boris Paskhover, who explained that over the last few years, a number of patients have expressed concerns with the size of their nose based on how it appears in selfies. Dr. Paskhover previously published a study analyzing the selfie distortion effect.

    In addition to the potential insecurity caused by selfies, the video also looked at the effect photographing scenes, such as a meal or concert, may have on the photographer. As part of this, Rubin talked with Alixandra Barasch, a marketing professor at NYU, who highlighted potential positives and negatives associated with taking pictures, a topic about which she’d previously published a study.

    According to Barasch, photography can have a negative impact on the photographer’s memory of primarily non-visual aspects of the moment, such as sound and taste, but provide a more engaged, immersive feeling in primarily observational experiences. Barasch recommended sharing images after the experience was over, however, to avoid growing distracted and anxious by the social platform.

    Finally, Rubin conducted an experiment with professional photographer Chris Burkard, who joined Rubin in wearing eye-tracking glasses to compare what he looked at versus a non-professional. The results, though deviating from the topic of photography’s impact on the people taking pictures, were interesting nonetheless.

    Articles: Digital Photography Review (dpreview.com)

  • 13 Creative Exercises for Photographers [video]

    The post 13 Creative Exercises for Photographers appeared first on Digital Photography School. It was authored by Caz Nowaczyk.

    In this great video by B&H Photo & Video, photographer David Flores, along with the help of B&H’s Todd Vorenkamp, discuss 13 ways you can get your creative photography juices flowing.

    In the video, David outlines the following 13 creative exercises for photographers.

    13 creative exercises for photographers

    1. 2 Dozen

    Find a spot and stand in it. Take 24 photos while in that spot.

    2. Ten of One

    Take 10 photos of one small object. You may need to use close-up or macro.

    3. Four Corners

    Choose one subject and place it in each for corners of your frame.

    4. Set artificial restrictions

    Set yourself restrictions of using one of only the following: Color, black and white, photographing while lying down, shadows, only one location, one lens, over-exposing, under-exposing, filling the frame, or negative space. You may think of others you can use too.

    5. Use Film

    Buy a roll of film so you have to limit your max shooting number to 24 or 36.

    6. 12 abstracts

    Pick one single common object, take 12 photos.

    7. A portable subject

    Find something to carry with you and work it into your subject.

    8. The Unselfie-selfie

    Put yourself into the frame. Use a tripod and set up some nicely framed compositions.

    9. The Mixing Bowl

    Lot’s of exercises in one. Write a bunch of different exercises down onto a piece of paper and cut them into strips. Place them into a bowl/hat and pick one out. That is the exercise you focus on.

    10. The Change-Up

    Try a different genre of photography.

    11. 9 elements

    Include the 9 elements of art. Light, Shadow, line, shape, form, texture, color, size, depth. Add focus, tonality, quality of light, negative space. Take only one image per element.

    12. Steps

    Go somewhere you have always wanted to photograph. Pick a number of steps to take before stopping to take a photograph. Use this number over a few blocks and see what you end up photographing.

    13. Two Trips

    Go to a space without your camera and then go back with your camera afterward and photograph the things you had noticed.

     

    You may also find the following articles helpful in finding photographic inspiration.

    • 25 Photography Projects Perfect for the New Year
    • How to Make Creative Photos with Prism Photography
    • 7 Ways To Take Your Photography To The Next Level
    • How To Stimulate Your Photography by Learning From the Best
    • 7 Steps to Find Inspiration so You Can Create Phenomenal Photographs
    • 200 Photography Assignments that Inspire, Motivate and Teach
    • 7 Tips for Finding Inspiration When You’re Stuck
    • 7 Ideas to Inspire Your Creativity

    The post 13 Creative Exercises for Photographers appeared first on Digital Photography School. It was authored by Caz Nowaczyk.


    Digital Photography School

  • Readers’ Choice Awards: voting extended

    If you’ve been sleeping on your chance to weigh in on the best photographic product of 2018, we’ve got great news: you have a little extra time. Voting in our final poll – the winner-takes-all – has been extended through Sunday, January 6th. Currently, the Sony a7 III is in the lead by 5 percent of the vote – a healthy but not insurmountable lead over the Fujifilm X-T3. Don’t miss the chance to have your say in the results!

    See the winning products from the first round of voting and cast your ballot now

    Articles: Digital Photography Review (dpreview.com)

  • ProGrade Digital releases dual-slot SD card reader with speeds up to 1.25GB/s

    ProGrade Digital has announced a new dual SD card reader round out its memory card reader lineup.

    The Dual-Slot SD Card Reader is the fourth in ProGrade Digital’s lineup that includes a CFast & UHS-II SD, CompactFlash & UHS-II SD, and dual UHS-II microSD card readers. It uses the USB 3.1, Gen. 2 interface and supports the maximum 10Gb/s (1.25GB/s) transfer speed.

    The card reader also uses ProGrade Digital’s patent-pending magnetic base and features LED indicators for both card slots to display data transfer activity. The device is backwards compatible with UHS-I cards and USB 3.0 devices.

    In addition to the card reader, ProGrade Digital includes two 45cm (18in) USB cables: one Type A to Type C and one Type C to Type C. It comes with a two-year warranty and retails for $ 79.99.


    Update (January 4th, 2019): a previous version of this article incorrectly stated the possible transfer speeds of UHS-II memory cards. While the USB 3.1, Gen. 2 interface is technically capable of supporting 10Gb/s (1.25GB/s) transfer speeds, UHS-II memory cards top out at 312 MB/s (HD312), which would make for a theoretical maximum transfer speed of 624 MB/s if offloading two cards simultaneously.

    Articles: Digital Photography Review (dpreview.com)