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  • Fujifilm announces the FinePix XP140, its latest ruggedized point-and-shoot

    Fujifilm has announced the impending release of the FinePix XP140, its latest rugged point-and-shoot that adds new automated features and improved durability against the elements.

    The compact camera is waterproof to 25m / 82ft, shockproof up to 1.75m / 5.9ft, freeze-proof to -10°C / 14ºF and dustproof. Compared to its predecessor, the XP130, this is an improved waterproof depth of 5m / 17ft, with all of the other stats staying more or less the same. The XP140 also includes a more pronounced grip for better handling in rough environments.

    At the heart of the XP140 is the 16.4 megapixel 1/2.3-inch backside illuminated (BSI) CMOS sensor with a maximum sensitivity of ISO 12800, a stop higher than the XP130. In front of the sensor is an optically stabilized Fujinon 5x optical zoom lens that starts at 28mm (35mm equivalent). With Fujifilm’s Digital Zoom technology, the camera reaches 10x zoom.

    An example of a scene using Fujifilm’s Eye Detection mode.

    New to the XP140 is Fujifilm’s evolved Scene Recognition Auto mode, which ‘can detect a main subject within a scene and automatically optimize the camera setting[s].’ Also included is an ‘Eye Detection’ feature that focuses on subjects’ eyes and other auto-intelligent modes including a timer mode that automatically triggers the shutter when the camera detects a smile.

    Fujifilm has also included 17 of its ‘Advanced Filters’ including its Rich & Fine and Monochrome (NIR) presets.

    On the connectivity front, Fujifilm has included Bluetooth for easy connection to smartphones via its Fujifilm Camera Remote app and Instax printers.

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    The FinePix XP140 will be available at authorized Fujifilm retailers in yellow, blue in the United States and yellow, blue, lime, white and dark silver in Canada. It’s expected to be released in March 2018 for $ 229.95 USD / $ 239.99 CAD.

    FUJIFILM EVOLVES ITS RUGGED XP SERIES FURTHER WITH THE LAUNCH OF THE NEW FINEPIX XP140

    Developed for adventure, the latest camera in the XP series boasts a variety of updated automatic shooting functions in a compact and lightweight design, with added protections to combat the elements.

    Valhalla, New York, February 14, 2019 – FUJIFILM North America Corporation today announced the launch of the FUJIFILM FinePix XP140 (XP140), the latest rugged camera in the XP series. The newest addition includes upgrades to the construction of former models in the XP series, making it waterproof to 82 feet, shockproof from up to 5.9ft1, freeze-proof to 14°F and dustproof– the ideal accessory to capture any adventure.

    The compact camera weighing in at only 7.3oz2 (207g) also features powerful image quality made possible with its FUJINON lens, which incorporates Fujifilm’s renowned color reproduction technology and 16.4 megapixel back-illuminated CMOS sensor. The XP140 also comes with variety of automatic functions such as main subject recognition and an easy-to-use interface, making it an ideal choice for a wide variety of shooting situations with ease-of-use for photographers of all levels

    Four Rugged Features: Waterproof, Shockproof, Freeze-proof and Dustproof The XP140 complies with waterproof and dustproof protection standards of products, stipulated by IEC (International Electrotechnical Commission). The XP140 is waterproof to 82 feet, which is 25% improvement from its predecessor XP model. With its stylish design enhanced, the XP140 is easy-to-use during outdoor activities with features including a grip and a double-locking mechanism for the battery compartment. With the XP140, users are able to enjoy capturing their adventures without worrying about water, sand or dropping the camera — making it the perfect camera for users looking for their first, serious camera experience as well.

    High-Performance Sensor and Lens for Premium Image Quality Equipped with a CMOS sensor and FUJINON’s 5x optical zoom lens with the zoom range starting from 28mm (35 format equivalent) on the wide-angle side, the XP140’s optical zoom range will reach up to 10x with Fujifilm’s Intelligent Digital Zoom technology. The camera also has an optical image stabilization mechanism and output sensitivity as high as ISO12800 (one stop higher than the XP130 model) to produce sharp images free of noise even in low light conditions. Fujifilm’s years of experience are reflected within its color reproduction technology, which ensures beautiful colors in any condition.

    Versatile Automatic Shooting Functions to Support Your Photography Experience With evolved ‘Scene Recognition Auto’ mode, the XP140 can detect a main subject within a scene and automatically optimize the camera setting. The ‘Eye Detection’ feature helps to capture portraits easily by automatically focusing on the eyes of the subject. A variety of other auto-intelligent features such as the self-timer mode – which automatically releases the shutter when detecting a smiling face– helps capture instant moments. The camera also features 17 variations of ‘Advanced Filters’ including the new “Rich & Fine” and “Monochrome (NIR)”. These selections are fully assisted with an implemented unique live-view interface.

    Bluetooth® Pairing and Wireless Connectivity for Automatic Photo Transfer and INSTAX® Printing Bluetooth® compatibility allows automatic and instant image transfer to smartphones and tablet devices by easy paring registration. The technology also syncs the time and location information from your device and attaches it to images, as well as enables remote shooting function via application. To utilize this feature, users can download the free “FUJIFILM Camera Remote” app to their smartphone or tablet device and easily transfer photos and videos in the camera to the device and download directly. For INSTAX SHARE SP printer users, images can be transferred from the camera directly to the INSTAX SHARE SP printer for quick printout.

    Availability and Pricing The FinePix XP140 will available in yellow or sky-blue in the U.S and available in sky blue, lime, yellow, white and dark silver in Canada. It is anticipated to be released in March 2019 for USD $ 229.95 and CAD $ 239.99.

    Articles: Digital Photography Review (dpreview.com)

  • Video: first impressions of the Canon EOS RP

    Got a couple of minutes? Then you have all the time you need to learn about Canon’s second full-frame mirrorless camera body. Technical Editor Richard Butler has been able to do some shooting with the camera and gives a full rundown of its feature set – and explains why it’s a compelling option for someone stepping into full-frame for the first time.

    Articles: Digital Photography Review (dpreview.com)

  • Kosmo Foto launches Mono 120 black-and-white film, now available for pre-order

    Kosmo Foto has launched pre-orders for its Mono film in 120 format, adding the new product alongside the 35mm version launched in 2017. According to the company, the first batch of Mono 120 has entered production and will be sold exclusively through the Kosmo Foto shop. Future batches of the film will be available through Kosmo’s retailers and distributors, as well.

    In its announcement today, the company explained:

    Mono has proven to be really popular with film photographers – it’s now stocked in photography shops all over the world, and been bought by photographers from Greenland to Greece and Costa Rica to the Czech Republic.

    Not everyone, however, shoots 35mm film. The resurgence that film has enjoyed over the last few years has also seen many people shooting on medium format cameras from humble Holgas through to Hasselblads.

    So Kosmo Foto is very pleased to be able to say that Kosmo Foto Mono 120 is now available to pre-order.

    According to Kosmo Foto, Mono features a traditional black-and-white chemistry that can be developed using Tetanal, Rodinal, Perceptol, and similar formulations, but it can’t be developed by mini-labs with only C41 processing. Mono 120 is suitable for use in a variety of shooting conditions, including both sunny and overcast environments.

    Kosmo Foto requires pre-order customers to purchase at least three, but no more than 10, rolls of Mono 120 when ordering. Each roll costs £4.50 / $ 5.80 and is available now through the Kosmo Foto store; the company expects its first batch to be ready for shipment in May.

    Articles: Digital Photography Review (dpreview.com)

  • Slideshow: International Garden Photographer of the Year Winners

    International Garden Photographer of the Year Winners

    ‘Fireworks’ by Jill Welham | IGPOTY

    The winning photographs from the International Garden Photographer of the Year Competition 12 have been announced, with the top prize going to photographer Jill Welham of North Yorkshire, England for the above photograph titled ‘Fireworks’ that was submitted under the Abstract category.

    Passionate about the cyanotype print process, ‘Fireworks’ showcases the details of three Allium heads created using a wet cyanotype process.

    ‘This image of three Allium heads was created using a technique known as wet cyanotype. Two chemicals, ammonium citrate and potassium ferricyanide, are mixed together to create a photosensitive solution which is painted onto the surface of watercolour paper and left to dry,’ says Welham in the image’s description. ‘This process needs to be conducted away from UV light, and once dry the paper must be kept in a light-proof bag until it is used.

    In addition to Welham’s photograph, we’ve rounded up the remaining dozen winners from each of the remaining twelve categories. The winning photographs were narrowed down from more than 19,000 entries from over 50 countries.

    The IGPOTY Competition 13 contest is already taking submissions. You can find out more information and submit your work on the IGPOTY website.

    International Garden Photographer of the Year Winners

    ‘Bressingham Gardens in Autumn’ by Richard Bloom | IGPOTY

    ‘Bressingham Gardens in Autumn’ by Richard Bloom | IGPOTY

    1st Place in Beautiful Gardens

    Norfolk, England, UK

    Glorious early morning sun bathed TheSummer Garden at Bressingham in rich, warming light. Ornamental grasses are featured with swathes of Aster and Rudbeckia.

    Gear/Settings: Canon EOS 5D Mark IV, Canon 16-35mm lens, 1/4sec at f/16, ISO 100. Tripod, cable release, polarising filter, neutral density graduated filter.

    Post-capture: basic image management.

    International Garden Photographer of the Year Winners

    ‘Farewell’ by Andrea Pozzi | IGPOTY

    ‘Farewell’ by Andrea Pozzi | IGPOTY

    1st Place in Breathing Spaces

    Torres del Paine National Park,Patagonia,Chile

    The sun had already risen and the dawn had been incredible. Wandering through the vegetation, however, I realised that the essence of the territory was only revealing itself in that moment. The extraordinary colours of the sunrise had dissolved, leaving behind a unique intimate feeling amongst one of the most beautiful mountain ranges on Earth.

    Gear/Settings: Canon EOS 6D, Canon 24-70mm lens, 1.3sec at f/13, ISO 200. Tripod, neutral density graduated filter, polarising filter.

    Post-capture: basic image management.

    International Garden Photographer of the Year Winners

    ‘Lost in the Lush Beauty’ by Vincenzo Di Nuzzo | IGPOTY

    ‘Lost in the Lush Beauty’ by Vincenzo Di Nuzzo | IGPOTY

    1st Place in Captured at Kew

    Royal Botanic Gardens, Kew, London, England, UK

    Opening the door of the Palm House at Kew is like entering a hidden paradise. It never fails to amaze me how fascinated and stunned I become in the presence of such natural beauty. I took this photograph whilst my friend was having a similar reaction to the sheer scale and abundance of lush tropical plants.

    Gear/Settings: Canon EOS 5D Mark III, Canon 24-105mm lens, 1/60sec at f/8, ISO 400. Post-capture: basic image management

    International Garden Photographer of the Year Winners

    ‘Cork Oak’ by Scott Simpson | IGPOTY

    1st Place in European Garden Photography Award

    Gazebo Cádiz, Andalucía, Spain

    There cannot be too many gardens in Europe that combinecork oaks (Quercus suber) with manicured gardens. I was commissioned to photograph such a place at a luxury real estate property in Andalucía. The garden had the added bonus of a raised gazebo, which was nestled amongst the mature cork oaks.

    Gear/Settings: Canon EOS 7D, Canon 70-200mm lens, 1/30sec at f/13, ISO 100. Tripod.

    Post-capture: basic image management.

    International Garden Photographer of the Year Winners

    ‘Greenbelt’ by Halu Chow | IGPOTY

    ‘Greenbelt’ by Halu Chow | IGPOTY

    1st Place in Greening the City

    Kowloon, Hong Kong, China

    I used infrared to precisely define the exact locations of plant life around the city, highlighting the scale and proximity of their presence. It is easy to forget the intimacy and importance of this relationship.

    Gear/Settings: Canon IXUS860 IS, Canon 28-105mmlens, 1/100sec at f/2.8, ISO 100.Infrared converted camera.

    Post-capture: basic image management.

    International Garden Photographer of the Year Winners

    ‘Tropical Wonderland’ by Jocelyn Horsfall | IGPOTY

    ‘Tropical Wonderland’ by Jocelyn Horsfall | IGPOTY

    1st Place: Portfolios, Abstract Views

    Royal Botanic Gardens, Kew, London, England, UK

    The magical, dreamlike effect of infrared was the perfect way to express the mystery and exotic intrigue of the Palm House at Kew Gardens. I captured a selection of different plants and foliage to feature across the portfolio in order to show the subtle variety of textures and forms within this tropical paradise. Together the images vividly demonstrate the sense of lushness and tranquillity that the space provides.

    Gear/Settings: Fujifilm X-E1, Fujifilm 14mm lens + Fujifilm 18-55mm lens + Fujifilm 18-135mm lens, 1/750sec to 1/125sec at f/7.1 to f/13, ISO 500 to ISO 800. Infrared converted camera.

    Post-capture: colour tones matched across portfolio, Topaz filter, basic image management.

    International Garden Photographer of the Year Winners

    ‘Lotus Tango’ by Kathleen Furey | IGPOTY

    ‘Lotus Tango’ by Kathleen Furey | IGPOTY

    1st Place in The Beauty of Plants

    Kenilworth Park & Aquatic Gardens, Washington D.C., USA

    There are many stages of lotus growth on display at theAquatic Gardens, but to come across two twisted dancing stems of Nelumbo nuciferawas unexpected and quite magical.

    Gear/Settings: Olympus OM-D E-M5 Mark II, Olympus 14-150mm lens, 1/320sec at f/5.3, ISO 200.

    Post-capture: basic image management

    International Garden Photographer of the Year Winners

    ‘Colourful Fields’ by Suwandi Chandra | IGPOTY

    ‘Colourful Fields’ by Suwandi Chandra | IGPOTY

    1st Place in The Bountiful Earth

    Sembalun Lawang, Lombok, Indonesia

    I hiked to the top of Pergasingan Hill early in the morning to catch the sunrise. The view was amazing as it overlooked the rolling hills opposite and Sembalun village below. Since most of the people here are farmers, they transform the valley floor into a patchwork of agriculture, growing rice, vegetables and even strawberries.

    Gear/Settings: Pentax K-3, Pentax 16-50mm lens, 1/2sec at f/8, ISO 100. Tripod, neutral density graduated filter.

    Post-capture: basic image management.

    International Garden Photographer of the Year Winners

    ‘View Over Trauttmansdorff’ by Harry Tremp | IGPOTY

    ‘View Over Trauttmansdorff’ by Harry Tremp | IGPOTY

    1st Place in The Spirit of Trauttmansdorff, a special award that celebrates the unique character and beauty of The Gardens of Trauttmansdorff Castlein Merano, South Tyrol, Italy.

    The golden hour was just approaching when I captured this view of Trauttmansdorff in October, the green of the deciduous trees just starting to begin their autumn transformation.

    Gear/Settings: Sony ?7R Mark III, Sony 24-105mm lens, 1/50sec at f/13, ISO 400.

    Post-capture: basic image management

    International Garden Photographer of the Year Winners

    ‘Misty Bayou’ by Roberto Marchegiani | IGPOTY

    ‘Misty Bayou’ by Roberto Marchegiani | IGPOTY

    1st Place in Trees, Woods & Forests

    Atchafalaya Basin, Louisiana, USA

    The Louisiana wetlands are a giant tangle of canals, swamps and forests of palm and cypress trees that encompass the great Mississippi estuary. Populated by numerous snakes, alligators, birds and venomous spiders, the often-hostile environment is capable of stunning beauty. Every day at dawn and dusk we motored out on a small swamp boat –the only way to get around the bayou –looking for the best light and conditions. A fog finally descended around a singular majestic cypress (Taxodium), framed by the other trees and adorned with Spanish moss.

    Gear/Settings: Nikon D850, Nikon 70-200mm lens,1/50sec at f/7.1, ISO 64.

    Post-capture: basic image management.

    International Garden Photographer of the Year Winners

    ‘Mount Rainier in the Mist’ by Robert Gibbons | IGPOTY

    ‘Mount Rainier in the Mist’ by Robert Gibbons | IGPOTY

    1st Place in Wildflower Landscapes

    Mount Rainier National Park, Washington, USA

    I came across a spectacular array of summer alpine flowers on Mazama Ridge, including Castilleja, Lupinusand Anemone occidentalis, all adding character and texture to the scene as if by design.

    Gear/Settings: Canon EOS 5D Mark II, Canon 24mm tilt-shift lens, 1/13sec at f/20, ISO 200. Tripod.

    Post-capture: basic image management

    International Garden Photographer of the Year Winners

    ‘Starlings’ by Jonathan Need | IGPOTY

    ‘Starlings’ by Jonathan Need | IGPOTY

    1st Place in Wildlife in the Garden

    Snowdonia National Park, Wales, UK

    A heavy snowfall brought a lot of hungry birds to my garden feeder. This old nearby tap provided a convenient resting place for this trio of starlings (Sturnus vulgaris) while they waited for their turn to feed.

    Gear/Settings: Nikon D3S, Sigma 500mm lens, 1/500sec at f/5, ISO 800. Tripod.

    Post-capture: basic image management.

    International Garden Photographer of the Year Winners

    ‘Ladies of the Meadow’ by Jake Kneale | IGPOTY

    ‘Ladies of the Meadow’ by Jake Kneale | IGPOTY

    1st Place in Young Garden Photographer of the Year

    Wiltshire, England, UK

    The rising sun backlit this group of lady’s smock (Cardamine pratensis) in a Wiltshire meadow.I used the aperture to turn the water droplets into beautiful bokeh and created a smooth, clean and glistening background.

    Gear/Settings: Canon EOS 7D, Canon 70-200mm lens, 1/160sec at f/7.1, ISO 100.

    Post-capture: basic image management.

    Articles: Digital Photography Review (dpreview.com)

  • Weekly Photography Challenge – Wrinkles

    The post Weekly Photography Challenge – Wrinkles appeared first on Digital Photography School. It was authored by Caz Nowaczyk.

    This week’s photography challenge topic is WRINKLES!

    Linnea Sandbakk

    Your photos can include anything has wrinkles. It could be wrinkles on an animal, aging lines on a face or hands, wrinkles in clothing or sheets, wrinkles in paper, etc. They can be color, black and white, moody or bright. You get the picture. Have fun, and I look forward to seeing what you come up with!

    Cristian Newman

    Some Inst-piration from some Instagrammers:

     

    View this post on Instagram

     

    A post shared by Prime Pet Photography (@prime_pet_photography) on

     

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    A post shared by Peter O’Doherty (@irishphotographer1) on

     

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    A post shared by Martin Covey (@goodbye.1979) on

     

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    A post shared by B (@easy__britt) on

     

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    A post shared by Freya Stockman (@shotsbyfreya) on

     

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    A post shared by hegde_photography (@photography_hegde) on

     

    Check out some of the articles below that give you tips on this week’s challenge.

    Tips for Shooting WRINKLES

    How To Easily Improve Your Street Photography Portraits

    Tips for Creative Plant Photography

    Tips for Better Forest Photography

    26 Expressive Images of Hands

    How to Pose Hands in Portraits

    Five Tips for Creative Pet Photography

    Tips for Great Lighting for Pet Photography

     

    Weekly Photography Challenge – WRINKLES

    Simply upload your shot into the comment field (look for the little camera icon in the Disqus comments section) and they’ll get embedded for us all to see or if you’d prefer, upload them to your favorite photo-sharing site and leave the link to them. Show me your best images in this week’s challenge.

    Share in the dPS Facebook Group

    You can also share your images in the dPS Facebook group as the challenge is posted there each week as well.

    If you tag your photos on Flickr, Instagram, Twitter or other sites – tag them as #DPSwrinkles to help others find them. Linking back to this page might also help others know what you’re doing so that they can share in the fun.

    The post Weekly Photography Challenge – Wrinkles appeared first on Digital Photography School. It was authored by Caz Nowaczyk.


    Digital Photography School

  • This website uses AI to generate portraits of people who don’t actually exist

    A new website called This Person Does Not Exist went viral this week, and it has one simple function: displaying a portrait of a random person each time the page is refreshed. The website is pointless at first glance, but there’s a secret behind its seemingly endless stream of images. According to a Facebook post detailing the website, the images are generated using a generative adversarial networks (GANs) algorithm.

    In December, NVIDIA published research detailing the use of style-based GANs (StyleGAN) to generate very realistic portraits of people who don’t exist. The same technology is powering This Person Does Not Exist, which was created by Uber software engineer Phillip Wang to ‘raise some public awareness for this technology.’

    In his Facebook post, Wang said:

    Faces are most salient to our cognition, so I’ve decided to put that specific pretrained model up. Their research group have also included pretrained models for cats, cars, and bedrooms in their repository that you can immediately use.

    Each time you refresh the site, the network will generate a new facial image from scratch from a 512 dimensional vector.

    Generative adversarial networks were first introduced in 2014 as a way to generate images from datasets, but the resulting content was less than realistic. The technology has improved drastically in only a few years, with major breakthroughs in 2017 and again last year with NVIDIA’s introduction of StyleGAN.

    This Person Does Not Exist underscores the technology’s growing ability to produce life-like images that, in many cases, are indistinguishable from portraits of real people.

    As described by NVIDIA last year, StyleGAN can be used to generate more than just portraits. In the video above, the researchers demonstrate the technology being used to generate images of rooms and vehicles, and to modify ‘fine styles’ in images, such as the color of objects. Results were, in most cases, indistinguishable from images of real settings.

    Articles: Digital Photography Review (dpreview.com)

  • Live Q&A with DPReview editors about the Canon EOS RP

    Want to know more about the Canon EOS RP? Dying to ask a question that hasn’t been addressed anywhere else online? Join the editors of DPReview for a live Q&A about this new camera next Tuesday, Feb. 19 on our YouTube channel.

    If you have a question but can’t watch live, leave it below in the comments and we’ll do our best to answer it during the event. We’ll post a direct link to the live stream shortly before it goes live. Here’s a list of what time to tune in depending on your location:

    Location Time Day
    Seattle 9:00 AM Tuesday
    New York 12:00 PM Tuesday
    UTC 17:00 PM Tuesday
    Europe (CET) 18:00 PM Tuesday
    Tokyo 02:00 AM Wednesday
    Melbourne 04:00 AM Wednesday

    Articles: Digital Photography Review (dpreview.com)

  • The Atomos Shinobi is a light, bright 5″ 1920×1080 HDMI monitor for $399

    Atomos has released the Shinobi, a new super bright 5in 1920×1080 HDMI monitor designed with vloggers and photographers in mind.

    The Atomos Shinobi weighs just 200g / 7oz thanks to its polycarbonate body and uses the same HDR display and color processing technology found in Atomos’ popular Ninja V monitor/recorder. It features a 1000nit screen for easy viewing in bright situations, has a pixel density of 427PPI, and includes a headphone on the side of the device to add external recording, even if the camera being used doesn’t have one built-in.

    Atomos says the Shinobi comes color calibrated straight from the factory, but also includes calibration support using Atomos’ free software and the X-rite i1Display Pro probe. It features a six-hour battery life on a single Sony NP-F750 battery, which is cleverly placed in the middle of the device to help keep it balanced on top of cameras.

    The device features Atomos’ AtomOS 10 touchscreen interface and all of the features that come with, including focus peaking, histogram, zebras, waveforms, guides, markers and magnification. There’s even a mirrored option for vloggers who will have the monitor facing backwards on their device.

    Despite having just a 1920×1080 display with 60fps support, the Shinobi’s HDMI port can actually accept signals up to 4K (4096×2160) at 30fps. The screen displays 10+ stops of dynamic range when being used with Log or HLG HDR video and built-in gamma presets are included to match popular camera systems when shooting Log or HLG.

    Up to eight LUTs can also be installed directly onto the Shinobi using its built-in memory, with the ability to add even more using the SD card slot. Once installed, the LUTs can be switched on-the-fly to compare one look to another.

    The Atomos Shinobi is available now from B&H and authorized Atomos retailers for $ 399 USD.

    Articles: Digital Photography Review (dpreview.com)

  • Fujifilm announces firmware version 2.00 for its X-T100 and X-A5 camera systems

    In addition to a barrage of product announcements, Fujifilm has also updated the firmware for its X-T100 and X-A5 camera systems.

    Both cameras will receive firmware 2.00 sometime this month, which will include three new and improved features.

    The first of the three major features in the updates is a new ‘Bright Mode,’ which Fujifilm says ‘provides a brighter and more vivid image when using the Advanced SR Auto mode.’ If the feature isn’t wanted, it can easily be turned on and off with a tap on the LCD touchscreen on either camera.

    Fujifilm has also added its Portrait Enhancer Mode to the X-T100 and X-A5 in these updates, which makes it easy to select from three levels of skin tone enhancement using the touchscreen.

    The last major addition is a new Night+ Setting. This new setting automatically adjusts ISO, brightness and vividness of the picture to better render the image in low or poor light situations.

    Firmware version 2.00 for the X-T100 and X-A5 and instructions on how to install it can be found on Fujifilm’s website.

    Articles: Digital Photography Review (dpreview.com)

  • Fujifilm XF 16mm F2.8 sample gallery

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    Fujifilm’s XF 16mm F2.8 compact prime is one of the widest lens of its type in the company’s lineup (tied with the existing 16mm F1.4 WR). It comes with a 24mm-equivalent field of view, an aperture ring, weather sealing and impressively fast autofocus. But most importantly, how are the optics? Take a look through our sample gallery (shot with a pre-production sample) to get a glimpse of just how well this lens performs against the backdrop of a snowy Seattle winter.

    Articles: Digital Photography Review (dpreview.com)