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Hipster offended after mistaking himself for hipster in study about lookalike hipsters

09 Mar

Gideon Lichfield, editor-in-Chief of MIT Technology Review, recounted a hilarious story of mistaken identity on Twitter this week. According to Lichfield, the publication received an angry email from a man who accused the site of using his portrait without permission to illustrate an article about hipsters who all look the same. The problem? This unnamed complainant wasn’t the man in the image.

The issue began when MIT Technology Review published an article detailing a study called The Hipster Effect: When Anti-Conformists All Look The Same. The article includes a properly licensed header image depicting a prototypical hipster sourced from Getty Images, but the angry email writer didn’t know that, instead believing it was an image of himself.

The publication’s Creative Director Eric Mongeon contacted Getty Images to verify the photo’s model release, and that’s when the mystery was solved:

Lichfield’s amusing Twitter story seemingly underscored the study’s premise, but sadly it didn’t include an image of the email writer for comparison.

Articles: Digital Photography Review (dpreview.com)

 
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Weekly Photography Challenge – Abstract

09 Mar

The post Weekly Photography Challenge – Abstract appeared first on Digital Photography School. It was authored by Caz Nowaczyk.

This week’s photography challenge topic is ABSTRACT!

© Megan Kennedy

Your photos can include anything includes anything that is abstract. It can be motion-blurred, cropped, minimalist, color-based, use nature, objects or anything really! They can be color, black and white, moody or bright. You get the picture! Have fun, and I look forward to seeing what you come up with!

© Peter West Carey

 

Some Inst-piration from some Instagrammers:

 

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A post shared by Rachel Harris-Huffman (@rachharrhuff) on

 

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A post shared by Ali Haider Khan (@alih4213) on

 

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A post shared by timothy sens (@timothysens) on

 

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A post shared by Helena Arendt (@helenaarendt) on

 

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A post shared by Anke Drewitz (@jenanke42) on

 

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A post shared by Jeremy Beckman (@jeremybeckman) on

 

Check out some of the articles below that give you tips on this week’s challenge.

Tips for Shooting ABSTRACT

How to Create Abstract Photos with Oil and Water and a Little Dish Soap

4 Refraction Ideas to Use In Your Photography

How to Make Funky Colorful Images of Ordinary Plastic Objects Using a Polarizing Filter

How to Create Abstract Photos with Colored Paper

How to Make Use of Foggy Surfaces for Abstract Photography

How to Create a Kaleidoscope and Make Unique Abstract Images

Getting Started with Abstract Macro Photography

6 Tips on How to Create Abstract Photos

 

 

Weekly Photography Challenge – ABSTRACT

Simply upload your shot into the comment field (look for the little camera icon in the Disqus comments section) and they’ll get embedded for us all to see or if you’d prefer, upload them to your favorite photo-sharing site and leave the link to them. Show me your best images in this week’s challenge.

Share in the dPS Facebook Group

You can also share your images in the dPS Facebook group as the challenge is posted there each week as well.

If you tag your photos on Flickr, Instagram, Twitter or other sites – tag them as #DPSabstract to help others find them. Linking back to this page might also help others know what you’re doing so that they can share in the fun.

The post Weekly Photography Challenge – Abstract appeared first on Digital Photography School. It was authored by Caz Nowaczyk.


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Leica Q2: What you need to know

08 Mar

Leica Q2: What you need to know

Almost four years since the original Q was launched, Leica has unveiled the Q2, which adds a higher-resolution sensor, revamped interface and improved video capabilities. Those changes come at a higher price, with the Q2 retailing for $ 4995, compared to $ 4250 on the original model.

Here’s everything you need to know about Leica’s new luxury compact.

New 47MP sensor

The original Q offered a variant of the 24MP sensor used in the SL and M Typ 240, but the Q2 debuts a new 47MP sensor which we suspect is similar the one used in the new Panasonic Lumix DC-S1R (and presumably a future Leica SL model). As such, it’s almost certainly not related to similar resolution sensors used in current Nikon and Sony mirrorless cameras.

Expanded ISO range

The new sensor brings an expanded ISO sensitivity range, from ISO 50 up to 50,000. Although we haven’t yet completed our full testing, the base of ISO 50 appears to be a true ‘native’ base ISO, which should offer additional dynamic range in Raw mode compared to ISO 100.

35mm, 50mm and 75mm equivalent crop modes

All those pixels makes cropping a little more practical than it was on the 24MP Q. The Q2 now includes three cropped capture modes instead of two, offering fields of view equivalent to 35mm, 50mm and 75mm. Resolution in the ’35mm’ mode is a more than usable 30MP, dropping to 15MP at ’50mm’ and 6.6MP at ’75mm’.

Redesigned controls

Imagine an original Q crossed with an M10 with a splash of CL thrown in, and that’s the Leica Q2, basically. The lens controls are unchanged – there’s a large, locking focus tab and faux mechanical aperture dial there if you need them, and a neat auto/manual focus ring with a collar-type macro switch, all of which we loved in the Q and still love in the Q2.

Redesigned controls

The big changes are on the rear, where the five rear buttons of the Q have been whittled down to three, with the video button removed entirely. Meanwhile a push button serves as a customizable control at the hub of the main dial on the top of the camera. The touchscreen can also be used as a control surface for positioning the AF point and reviewing photos you’ve taken.

Dust and splash-resistant build

The Q2 is build to withstand moderate use in tough conditions, offering the same IP52 rating as the SL. Technically this should guarantee “limited protection against dust ingress [and] falling drops of water, if the case is disposed up to 15 degrees from vertical”. While this might not sound particularly impressive, consider that most photographic equipment is not rated by its manufacturers at all, and as such, even a modest IP rating should inspire a degree of confidence in wet or dusty conditions.

Despite its new weatherproofing, the Q2 maintains the same shape and size as the original Q, thanks (according to Leica) to a redesign of some internal components.

New 3.68M-dot OLED viewfinder

While the Q2’s electronic viewfinder appears to offer the same resolution as its predecessor (3.68 million dots) the original Q’s finder was of the field-sequential type, which only showed you 1.04 million dots at a time. The Q2’s finder is OLED, which offers a significant step up in terms of sharpness and contrast, compared to the older camera. Blacks are actually black, and you no longer have the rainbow effect associated with field-sequential displays. The finder is also slightly larger, offering 0.76X magnification and improved optics. Leica claims that the eye-sensor has been improved too, and should operate without any perceptible delay.

Automatic image stabilization

The Q2 takes the optical image stabilization system of the original Q and adds an extra layer of control. As well as on and off, stabilization can be set to kick in only at exposure times of longer than 1/60 sec, to save on power drain at faster shutter speeds where camera shake isn’t likely to be a significant concern. How much difference this makes to total battery life in normal shooting situations remains to be seen but it’s a feature that makes sense on a fixed focal length camera.

Improved battery life

Compared to the original Q, the Q2’s battery life has increased by 30% from a stated 270 shots to 350 (CIPA). The Q2 uses the more powerful battery originally found in the SL, and we’d expect that in normal use, you should expect a lot more than 350 shots per charge out of it if you shoot sensibly.

Extended shutter speed range

Easy to miss on a spec sheet, but the Q2 benefits from a redesigned shutter, with mechanical shutter control up to 1/2000 sec – the same as the Q – but now flash sync has been given a boost, from a maximum of 1/500 to 1/2000 seconds in the new camera. The shortest shutter duration using electronic shutter has is now 1/40,000 sec, compared to 1/16,000 in the older model.

SD Cards and 4K video

Thanks partially to the change in batteries, the Q2 now has a separate door for the SD card and also supports the faster UHS-II card format (the original Q would only operate at UHS-I speeds). This will be especially handy for fast burst shooting and the addition of 4K video.

While the form factor of the Q-series might not lend itself naturally to serious videography, the option of high-quality video capture in such a small lightweight camera is pretty appealing. The Q2 offers DCI / UHD 4K at up to 30p, and Full HD at 120p for slow-motion capture. The new ‘true’ base ISO of 50 should reduce the need for neutral density filters when shooting video in bright light, too, as well as offer respectable dynamic range – something we’re currently putting to the test.

The rest

In all, we find the improvements Leica has made to the Q2 are well judged and all the more impressive considering the camera is almost the exact same size as the previous model. The basic formula remains the same, and the Q2 should promise to be just as engaging a tool for discerning photographers as the original.

Is the Q2 the camera for you? For those of you that have owned or used an original Q, what do you make of the new model? Let us know in the comments.

Articles: Digital Photography Review (dpreview.com)

 
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GimbalGun aims to spread the load for videographers

08 Mar

If you find your biceps bursting through the arm of your shirt at the end of a day’s video shoot you might be glad of something to make your gimbal feel a little less heavy. A project about to be launched on Kickstarter claims to have the answer – GimbalGun.

GimbalGun is a support system that aims to take the weight of a gimbal and associated accessories off the operator’s arm and onto his or her shoulder and upper back. The device consists of a long metal box to which a single-handed gimbal can be mounted and a shoulder strap that helps redistribute the weight of the gimbal and camera. GimbalGun has a number of 1/4in thread holes that allow monitors, microphones, tripods and a host of other accessories to be attached as well, so the whole set-up can be supported on the same system.

The manufacturer claims that GimbalGun lets videographers shoot longer without getting tired, and that it also provides the means to mount monitors and microphones in more effective positions than when they are simply attached to the gimbal handle. Users can choose whether to suspend the GimbleGun from a shoulder using the strap, or to mount it on the shoulder like a bazooka.

The device is made from lightweight aluminium alloy and is hollow, but it is also quite big and must add a significant weight itself to any videographer’s kit. Sample footage is available for inspection on the GimbleGun website…that was shot while the videographer drank a coffee with his spare hand.

The Kickstarter page is in draft mode and the campaign hasn’t started yet, but you can see more information there. It looks as though GimbalGun will cost $ 200, but discounts will be available for early-bird supporters.


Disclaimer: Remember to do your research with any crowdfunding project. DPReview does its best to share only the projects that look legitimate and come from reliable creators, but as with any crowdfunded campaign, there’s always the risk of the product or service never coming to fruition

Articles: Digital Photography Review (dpreview.com)

 
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The New Panasonic Lumix S1 and S1R – Could these Full-frame Mirrorless Cameras be Cameras of the Year? [video]

08 Mar

The post The New Panasonic Lumix S1 and S1R – Could these Full-frame Mirrorless Cameras be Cameras of the Year? appeared first on Digital Photography School. It was authored by Caz Nowaczyk.

In this video by Art of Photography, he gives us a first look at the testing of the new Panasonic Lumix S1 and S1R full-frame mirrorless cameras.

This is a preproduction look at the camera, so all images are jpegs coming straight out of the camera with no editing done at all. All noise reduction features were switched off in the camera to show how good the noise reduction features of these cameras are too.

?

S1: 24mp, S1R: 47mp big still images
If you are a fan of Panasonic Lumix cameras, you’ll feel at home using both these cameras. Dual IS

The video focuses on:

Image quality

outstanding. Color rendition and contrast are great. Worked well with portraits, still life, low light.

Autofocus

Autofocus is an area Panasonic has struggled with over the years, but this is one of their best autofocus systems. Uses contrast detection autofocus. Very usable in most situations. Additional processing layer for Autofocus. This is the technology that drives or defines what they call AI Autofocus. Defines object recognition, animal recognition, face recognition etc. detection. So while the Autofocus is not perfect, the way the technology works means that Panasonic can work on improving Autofocus and update them as Firmware.

Shooting video

Low light performance and Panasonic dual IS image stabilisation

Best image stabilisation used on any camera. Great for low light situations – Low light performance is one of the best features of this camera. It performs beautifully right up to 12800 ISO. Low noise even with the noise reduction features switched off.

Pixel Shifting

Pixel Shifting feature takes 8 images and shifts the sensor around so you end up with a really high resolution image of up to 180mp. In reality, this feature is only limited to still life shooting. If anything moves around in the image it doesn’t work well. So may not work well for landscapes where there is any wind or trees moving. This may be something that Panasonic can work on to fine-tune.

Ergonomics

The cameras are quite large but very easy to use. They are lighter than the Leica SL. When using all day it does become heavy. This can work well when hand-holding for video because the camera doesn’t shake as much. If you are a photographer who wants to travel light, these cameras may not be for you.

It is a very quiet camera, even using the mechanical shutter.

Is this the perfect Panasonic camera?

While this camera is amazing it still has a couple of weak points, mainly the Autofocus system and the Pixel Shift technology.

Also, the fast continuous shooting mode uses 6K film shooting that you can then take stills from. This means you can only use jpegs, which for many photographers is not ideal.

However, overall, both the Panasonic Lumix S1 and S1R are are very exciting cameras.

 

Pixel Shift High Resolution images of the Panasonic S1R at work

In this video by Adorama, see the Pixel Shift technology of these cameras at work.

 

You may also find the following articles interesting:

Gear Review: The Lumix G9 Mirrorless Camera

Canon EOS RP Full-frame Camera – Why Some People Won’t be Buying this Camera

Fujifilm X-T3 versus Fujifilm X-H1: The Best Mirrorless Camera for You?

The 19 Most Popular Compact System and Mirrorless Cameras with Our Readers

Sony a6300 Mirrorless Camera – Thoughts and Field Test

DSLR vs Mirrorless: Guide to help you decide which is right for you?

The (Almost) Perfect Autofocus of the Sony a7R III: a Hands-On Review

The post The New Panasonic Lumix S1 and S1R – Could these Full-frame Mirrorless Cameras be Cameras of the Year? appeared first on Digital Photography School. It was authored by Caz Nowaczyk.


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Leica Q2 sample gallery

08 Mar

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The Leica Q2 has arrived on the scene and we’ve been busy pointing its 47MP full-frame sensor and 28mm F1.7 Summilux stabilized lens at as many subjects as possible. Initial impressions of image quality suggest excellent detail and ISO performance, with impressive edge-to-edge sharpness from the lens. But we’re less than impressed with default JPEG color, so we included a lot of Raw conversions. Have a look…

See our Leica Q2 sample gallery

Articles: Digital Photography Review (dpreview.com)

 
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Leica Q2 boasts 47.3MP sensor, 4K video and weather-sealing

08 Mar

Leica has introduced the Q2, updating its predecessor with a higher resolution full-frame sensor, splash and dust resistance on par with the SL’s and an updated OLED viewfinder. The Q2 offers a 47.3MP full-frame sensor capable of DCI and UHD 4K video recording, and sticks with the stabilized 28mm F1.7 offered on the first Q.

The built-in viewfinder has been upgraded from a field-sequential LCD to an OLED panel with 3.68M dots. The Q2 is the same size as the Q but boasts the same IP52 weather-resistance rating as the SL, with a new internal structure to support weather sealing. The camera’s controls have been somewhat simplified, and drive mode options have been removed from the power switch.

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The Q2 continues to offer 35mm and 50mm in-camera crop functions, along with a new 75mm mode. Wi-Fi connectivity is now offered alongside Bluetooth Low Energy, a handy means of connecting camera to smartphone without constant re-pairing. The Q2 also uses a higher-capacity battery than the Q, bumping it up to 370 shots per charge.

The Leica Q2 begins shipping today for $ 4995.

Leica Q2: The Highly Anticipated Sequel to a Modern Milestone from Leica Camera

Achieve unparalleled photographic results in the most accessible way with Leica’s latest innovation

March 7, 2019 – Leica Camera raises the bar with the introduction of the Leica Q2 camera. Keeping consumer feedback top of mind following the immensely successful Leica Q, the Leica Q2 offers photographers expanded creative freedom via unprecedented imaging quality, added weather protection, an upgraded viewfinder, supremely precise autofocus and more. The Leica Q2 is the quintessential tool for available light photography, rain or shine, that promises to carry the torch of its predecessor forward to new heights and possibilities without making sacrifices.

Superior Imaging Quality Meets Unmatched Versatility
As with any Leica Camera, exceptional image quality reigns supreme, allowing photographers to consistently capture show-stopping imagery. The new Leica Q2’s full frame sensor is the highest resolution sensor in its class at 47.3 megapixels, offering users more resolution than the original Leica Q, and captures both impeccably detailed still pictures and 4K video. Together with its Leica Summilux 28 mm f/1.7 ASPH. lens, the Q2 ensures all-around exceptional imaging performance. This top-tier Leica optic guarantees optimum picture quality with exquisite bokeh characteristics in even the most difficult lighting scenarios.

With its high resolving power matched to its high-resolution sensor, the Leica Q2 goes beyond the conventional use cases of a 28 mm focal length via its built-in crop functions for equivalent focal lengths of 35 mm, 50 mm, and the newly available 75 mm – bringing with it more possibilities in the world of portraiture and close-up work. Thanks to the software design ingenuity of Leica engineers, when shooting cropped DNG files the full sensor image is still recorded, allowing photographers to undo or change the crop after the fact.

The Leica Q2 also adds 4K UHD and Cine4K video recording to its arsenal of features, with myriad frame rate options across 4K and 1080p, giving users impressive video recording from such a large sensor on the go to document memories or record short films.

Exceptional Quality and User Handling
The design of the Leica Q2 carries forward the Leica tradition of reduction to the essentials. The ‘Made in Germany’ seal of quality guarantees that only the finest and most resilient materials are employed in its construction. The distinctive thumb rest of the new Leica Q2 and the sophisticated diamond pattern of its leather trim ensure optimum grip and highlight the symbiosis of function and form.

Also new is the camera’s uniquely intuitive handling concept, following refined design language cues established from its brethren in the Leica M10 and Leica CL families – such as the single-stage On/Off switch, simplified three-button interface on the rear of the camera and programmable button within the thumb wheel dial. A new highlight of the Leica Q2 layout is the push-button diopter compensation dial on the back of the camera that locks and prevents accidental changes to the user’s desired setting. Every refinement, both large and small, pushes Leica’s design forward without losing sight of the core philosophy of the camera.

Following in-tune with impeccably intuitive user handling, in combination with the Leica FOTOS App, the camera’s integrated Wi-Fi module makes it possible to quickly and easily share pictures and video via social media. Bluetooth LE (Low Energy) enables a permanent connection to be established between camera and smartphone, making it possible for user to remotely wake the camera and connect any time when in range.

Make It Your Own With Accessories
A comprehensive and stylish range of optional accessories is also available for the Leica Q2. These include matching camera protector cases and carrying straps in premium-quality classic black and brown leather, and more vibrant versions in red and pink. The elegant new ‘Ettas’ line of soft, coated canvas pouches for various Leica camera models will also be launched at the same time as the Leica Q2. The pouches will initially be available in midnight blue, stone gray and red colorways, with more still to come. The accessory selection also includes technical equipment for the Leica Q2 such as the Leica SF 40, SF 60 flash units, the SF C1 remote flash control unit and an additional add-on thumb rest and handgrip. All accessories are functionally designed for easy handling, perfectly matching the quality and design of the camera and are manufactured from only the finest materials to ensure reliability for a lifetime of use.

An exhibition of Leica Q2 photography is on view at the Elga Wimmer Gallery in New York City for a limited engagement of 24-hours on March 7th featuring the works of Hiram Garcia, President of Production of Seven Bucks Production and film/television producer. The series, titled ‘Behind the Seen’, is a diverse collection of images that strive to highlight the beauty and intrigue of the movie industry and marks Garcia’s debut photographic gallery exhibition. Garcia’s ‘Behind the Seen’ is the first and only exhibition worldwide shot exclusively on the new Leica Q2 camera.

The Leica Q2 is on sale beginning today at Leica Stores, Boutiques and Dealers. The camera will be sold in black paint finish for $ 4,995.

Leica Q2 specifications

Price
MSRP $ 4995
Body type
Body type Large sensor compact
Body material Magnesium alloy
Sensor
Max resolution 8368 x 5584
Other resolutions 28mm: 6000 x 4000, 4272 x 2848 | 35mm: 6704 x 4472, 4800 x 3200, 3424 x 2288 | 50mm: 4688 x 3128, 3360 x 2240, 2400 x 1600 | 75mm: 3136 x 2096, 2240 x 1496, 1600 x 1072
Image ratio w:h 3:2
Effective pixels 47 megapixels
Sensor photo detectors 50 megapixels
Sensor size Full frame (36 x 24 mm)
Sensor type CMOS
Color space sRGB, Adobe RGB, ECI RGB
Color filter array Primary color filter
Image
ISO Auto, 50-50000
White balance presets 5
Custom white balance Yes
Image stabilization Optical
Uncompressed format RAW
File format
  • JPEG
  • DNG
Optics & Focus
Focal length (equiv.) 28 mm
Optical zoom 1×
Maximum aperture F1.7
Autofocus
  • Contrast Detect (sensor)
  • Multi-area
  • Center
  • Selective single-point
  • Single
  • Continuous
  • Touch
  • Live View
Digital zoom Yes (1.2x (35mm equiv), 1.5x (50mm equiv), 2x (75mm))
Manual focus Yes
Normal focus range 30 cm (11.81)
Macro focus range 17 cm (6.69)
Number of focus points 49
Screen / viewfinder
Articulated LCD Fixed
Screen size 3
Screen dots 1,040,000
Touch screen Yes
Screen type TFT LCD
Live view Yes
Viewfinder type Electronic
Viewfinder coverage 100%
Viewfinder magnification 0.76×
Photography features
Minimum shutter speed 60 sec
Maximum shutter speed 1/2000 sec
Maximum shutter speed (electronic) 1/40000 sec
Exposure modes
  • Program
  • Aperture priority
  • Shutter priority
  • Manual
Scene modes
  • Sport
  • Portrait
  • Landscape
  • Night portrait
  • Snow/beach
  • Fireworks
  • Candlelight
  • Sunset
  • Digiscoping
  • Miniature effect
  • Panorama
Built-in flash No
External flash Yes (via hotshoe)
Flash X sync speed 1/2000 sec
Continuous drive 20.0 fps
Self-timer Yes (2 or 12 secs)
Metering modes
  • Multi
  • Center-weighted
  • Spot
Exposure compensation ±3 (at 1/3 EV steps)
AE Bracketing ±3 (3 frames at 1/3 EV steps)
Videography features
Resolutions 4K/30/24p, 1080/120/60/30/24p
Format MPEG-4
Microphone Stereo
Storage
Storage types SD/SDHC/SDXC
Connectivity
USB charging No
HDMI No
Wireless Built-In
Wireless notes WiFi and Bluetooth Low Energy
Remote control Yes (via smartphone)
Physical
Environmentally sealed Yes (IP52 rated)
Battery Battery Pack
Battery description BP-SCL4
Battery Life (CIPA) 370
Weight (inc. batteries) 718 g (1.58 lb / 25.33 oz)
Dimensions 130 x 80 x 92 mm (5.12 x 3.15 x 3.62)
Other features
Timelapse recording Yes
GPS None

Articles: Digital Photography Review (dpreview.com)

 
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Android TV ‘Photos’ feature disabled after bug reveals hundreds of user accounts

08 Mar

Following reports of a bug on Twitter, Google has temporarily disabled the Photos feature on Android TV. The decision was made in light of complaints from some Android TV users who say hundreds of strangers appeared under the platform’s ‘Linked Accounts’ menu. Though those users’ photos weren’t accessible, impacted Android TV owners could view their names and profile pictures.

The issue was first reported by Android Police, which points to a video shared by Twitter user ‘Prashanth.’ In the video, hundreds of Google Photos accounts are listed under the Google Home app’s Ambient Mode, which allows users to display a feed of their Google Photos images on an Android TV or Chromecast.

As part of the Ambient Mode feature, Google makes (made) it possible to enable displaying images from other Google Photos users by linking their accounts. This feature was intended to be used with other known users — friends and family, for example — but this surprise bug had apparently linked hundreds of unknown accounts.

Android Police has identified complaints related to the Vu LED TV 55SU134, which has Android TV built-in, as well as another related to the iFFalcon 32F2A Android TV from a TCL subsidiary. Prashanth told the site that he wasn’t able to replicate the bug on a Xiaomi Mi Box 3 running Android 8 Oreo; the Vu TV was still running the older Android 7 software.

The problem may only impact older hardware that hasn’t received the latest security updates.

Though he was able to view users’ names and profile pictures under Linked Accounts and the Ambient Mode feature, Prashanth did say in a tweet that wasn’t able to view the other users’ actual Google Photos images. Google is expected to bring back the feature with a bug fix in the future.

Articles: Digital Photography Review (dpreview.com)

 
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Repair site ifixit gives us a closer look at the Samsung Galaxy S10 cameras

08 Mar
Galaxy S10 triple-camera, image: ifixit

Gadget repair site ifixit has torn down the new Samsung Galaxy S10 and S10e smartphones, allowing us to get a closer look at the devices camera modules.

The S10 comes with the same main triple-camera as the S10+, featuring a 12MP primary module with 1/2.55″ sensor, 26mm equivalent focal length and a variable f/1.5-2.4 aperture. A 12MP tele lens comes with a 52mm equivalent focal length and F2.4 aperture lens in front of a 1/3.6″ sensor and the 16MP super-wide-angle has an equoivalent focal length of 12mm. S10e has to make do without the tele lens.

Galaxy S10 fron and main cameras (left) next to the equivalent S10e components, image: ifixit

In the teardown we get a close look at the triple-module which is encased in a yellow ABS or nylon plastic frame. Both tele and main camera come with optical image stabilization. ifixit says any further teardown of the camera components would have been too destructive but an X-ray image of the tele-camera shows the sensor and OIS electromagnets.

If you are thinking about repairing your S10 – camera or other components – yourself, you should probably think twice. ifixit gave the S10 a fairly low 3/10 repairability score. The good news is that a single Phillips driver takes care of all the screws and many components are modular and can be replaced independently but the charging port soldered to the main board and battery replacement is quite difficult.

X-ray of the Galaxy S10 tele-camera, image: ifixit

The ifixit team also says that glued-down glass at both front and back of the device increases the risk of breakage and makes any repairs more difficult to start with. Head over to ifixit.com for the full report.


Images used with permission from ifixit

Articles: Digital Photography Review (dpreview.com)

 
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Watch out Profoto, the Godox V1 round head flash is just around the corner

08 Mar

At Photokina 2018, Godox revealed plans to release a round head speedlight designed to compete with the Profoto A1. That product, the Godox V1, has finally arrived under Adorama’s Flashpoint brand and is expected to launch under the Godox name through B&H Photo soon.

The Flashpoint Zoom Li-On X R2 / Godox V1 features a round zoom head with both automatic and manual zoom control, a magnetic head rim for light modifiers, backlit matrix LCD, support for 330-degree rotation and 120-degree tilt, and a guide number of 92 ft / 28 meters at ISO 100 (50mm). The model’s removable Li-ion polymer battery can power up to 650 full-power flashes per charge with a full-power recycle time of less than 1.5 seconds.

Photographers can use the Godox V1 as an on-camera standalone TTL flash and as a ‘wireless command center’ for the company’s other monolights and speedlights. As well, the new model is fully compatible with the Canon E-TTL system with support for EXIF inscription, HSS, flash value lock, and exposure compensation.

When used as a master, the Godox V1 is able to control four wireless groups, and as a slave, this flash supports both intelligent and regular optical modes.

Other features include the promise of a ‘stable’ color temperature held at 5600±200K across the full power range, HSS shutter speeds up to 1/8000s, front and rear curtain sync, laser AF assist lamp, SMD LED modelling lamp, and the inclusion of multi-purpose buttons.

The Godox V1 is currently listed as pre-release by Adorama. Neither price or availability date are provided, though it is expected to be cheaper than the Profoto A1.

Articles: Digital Photography Review (dpreview.com)

 
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