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Meike announces an 85mm F1.8 lens for Sony E-mount cameras

06 Mar

Meike has announced the MK 85mm F1.8 lens, a manual focus lens designed for Sony E-mount cameras.

The lens is constructed of nine elements in six groups and features a nine-blade aperture diaphragm. It features a 67mm filter thread and a field of view of 28.5 degrees.

Meike has shared a few sample photos on its product page (shown under the ‘Photo samples’ tab towards the bottom of the page), but they’re not full-resolution and it’s not clear what Sony E-mount camera they were shot with.1

The lens is currently listed on Amazon, but pricing and availability aren’t yet mentioned.


1 We try to share sample photos in our articles when provided, but Meike inexplicably decided to provide their sample images as one long image, which measures 790 x 16,187 pixels.

Articles: Digital Photography Review (dpreview.com)

 
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Simple Yet Unique Ways to Add Creativity into Your Photos

06 Mar

The post Simple Yet Unique Ways to Add Creativity into Your Photos appeared first on Digital Photography School. It was authored by Karthika Gupta.

A lot of us get into a creative rut when it comes to winter time or gets into a winter slump! For some, the start of a new year means new goals and new resolutions which also means trying out everything that they possibly can.  If you are like me, and always love looking for new and creative ways to push yourself further or merely interested in just trying out a new technique, here are some tips. Without breaking the bank of course!

#1 Experiment with double exposures or even triple exposures

Karthika Gupta of Memorable Jaunts Creative Photography Multiple Exposures

Three exposures to indicate multiple personalities of people for an editorial photoshoot.

I own a Canon Mark III and doing double exposures is relatively easy.

You can find the drop-down menu from the main menu screen. Select multiple exposures and then select the number of exposures you want. Get creative with 2, 3, or 4 exposures.

Try shooting the next few frames in live view to see how your images overlap. You can get that cool multiple exposure effect.

#2 Creative images with slow shutter with intention

The use of a slow shutter speed in landscapes is common. However, try bringing that in with portraits or even your everyday lifestyle photos. There are many unique ways you experiment with slow shutter speeds:

  1. Have a subject stand still while everything else is moving in the frame. You can do this with self-portraits, outdoor scenes or even with clients. Keep your shutter speed at 1/50th or even 1/80th. If it drops below that, you might get motion blur even if you are as still as possible.
  2. Use a flowing dress or a scarf to indicate movement by using a slow shutter.
  3. Slow shutter speed shows the movement in the frame. If you use it intentionally to tell a story within your frame, it’ll be your best friend! Shutter speed is powerful. When we are so used to using it always set high to freeze movement, especially with kids running around, the opposite can have a different effect when used intentionally.

If you are super-brave, try combining double exposures with slow shutter speed.

You have just opened up a whole new way to get out of a creative rut and spend hours ‘playing’ with your gear. Yes, we all know some of us really don’t need that! We can spend hours with our gear anyway!

Remember there is no right or wrong here, and experimentation is always for fun. If you get it right, you know what to do next time, and if you think it didn’t turn out the way you like, well you know what not to do next time!

Karthika Gupta Photography - Memorable Jaunts DPS Article- Creative Photography Slow Shutter Speed

Slowing down the shutter to capture a ghostly effect on the waves and the fog that rolled in.

Karthika Gupta Photography Memorable Jaunts Creative Photography Slow the shutter

A slightly unintentional slow shutter speed moment but I love this image of the young monk running.

#3 Try using objects to shoot through

This is one of my favorite techniques when I want to try something new. I don’t know about you, but I crave the creative freedom to experiment – even if they end up being a fail sometimes.

I always find I learn something new when I experiment with techniques, tools and even photography subjects. One of my favorite ways to experiment is by shooting through various objects.

Here are a few options:

  • A fabric cloth
  • Shooting through glass or a window
  • Glass cube or prism
  • Bubble wrap
  • Twinkle lights
  • Leaves
  • Plastic colorful flowers

Your creativity is only limited to your imagination.

Karthika Gupta Photography - Memorable Jaunts DPS Article Creative Photography Techniques

This was using fake flowers and I love the light leak effect here, almost similar to old film cameras.

Karthika Gupta Photography - Memorable Jaunts DPS Article Creative Photography Photographing through objects

This was more intentional where I was behind a bush and decided to shoot through the leaves

#4 Free lensing

Why not step out of your comfort zone and experiment with a little free-lensing?

Free-lensing is a technique where you disconnect the lens from the camera and use the viewfinder and manual focus to photograph.

I will caution, that depending on the size and weight of your lens, this is a bit difficult to maneuver. Also, be careful not to drop your lens! I would recommend you try this with a lightweight lens or an older lens that you are not too attached. Free-lensing works best with manual focus.

Free-lensing adds much creativity to photos because:

  1. It truly helps you let go of the perfection and you begin to appreciate the beauty in simplicity
  2. If you love dreamy images that tell a story
  3. It helps you with your storytelling

#5 Creative photography projects

Dedicated photography projects are a great way to force yourself to photograph consistently. Sometimes it is committing to photographing every day for a year.

Alternatively, it could be something like a weekly theme.

Both are great ways to channel your creative energy.

Doing something every day is one of the easiest ways to get good at it. Shooting every day is something every photographer can do to get better and better at their craft.

It doesn’t have to be stressful or take laborious effort. You don’t have to worry about models and outfits. Instead, focus on the techniques – shoot at different times of the day, shoot in different lighting conditions, use still objects or moving subjects likes kids and pets, or practice motion blur. The possibilities are endless.

Think outside the box and do something different every day. Maybe even start an exercise like a 365 project (one photograph every day for a year). Soon enough you will find that you are not only better at the technical parts of photography but the creative aspects as well.

Karthika Gupta Photography - Memorable Jaunts DPS Article Creative Photography Photographing iPhone Photography

I love photographing horses at the barn we visit and often times challenge myself to get action shots with just my iPhone – this was with the burst mode

Karthika Gupta Photography - Memorable Jaunts DPS Article Creative Photography Photographing iPhone at sunset

This is another personal project of capturing sunrise and sunsets just with my iPhone. I love the two runners who happened to come in the middle. Rather than waiting for them to pass, I used them as a creative subject here.

#6 Try a new genre

Trying a new genre helps you reconnect with the basics of photography without the pressures of trying to be perfect at it. Sometimes we get in a creative rut because we are doing the same thing over and over again. If this is you, perhaps try another genre of photography.

I recently took a class on food photography. I am a terrible cook and always thought that food photographers have to be fantastic cooks to not only cook the food but also photograph it.

However, my instructor was super nice and let us in on a secret – store-bought cheesecake is just as good as homemade, and no-one knows the difference. The basics and rules of photography apply to across genres. So go ahead and give yourself permission to experience and experiment with something new to you.

Karthika Gupta Photography - Memorable Jaunts DPS Article Creative photography food photography

I hope these tips help you add a little bit of fun, creatively and freshness to your photography. Remember, always keep learning and trying something new to keep the fun element front and center of everything that you do.

Do you have other creative tips you’d like to share in the comments below?

 

The post Simple Yet Unique Ways to Add Creativity into Your Photos appeared first on Digital Photography School. It was authored by Karthika Gupta.


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Blackmagic Pocket Cinema Camera 4K gets Raw and URSA Mini 4.6K gets 2nd-gen update

06 Mar

Blackmagic has announced its new Camera 6.2 update, adding Blackmagic RAW codec support for the Pocket Cinema Camera 4K. Upon updating, BMPCC 4K owners will be able to use the camera to record in Blackmagic RAW with 3:1, 5:1, 8:1, and 12:1 constant bit-rate encoding and constant quality Q0 and Q5 recording options.

Blackmagic RAW was introduced in September 2018, but was only available for the URSA Mini Pro at that time. The format’s arrival on BMPCC 4K gives users the option to prioritize image quality or file size, depending on need, including recording at the highest settings while keeping file size to a relative minimum.

According to the company, users can record more than two hours of footage in 4K ‘full cinematic quality’ via Blackmagic RAW on a 256GB SD UHS-II card. These same inexpensive cards can now also be used when recording 4K DCI images using Blackmagic RAW 12:1. On the flip side, Blackmagic has removed the CinemaDNG formats.

Joining the Blackmagic Camera 6.2 update is the URSA Mini Pro 4.6K G2, a second-generation update to the URSA Mini Pro. The new G2 model offers ‘dramatic enhancement’ over the original, according to Blackmagic, bringing a new Super 35mm 4.6K sensor with 15 stops of dynamic range and all-new electronics for faster processing.

The URSA Mini Pro 4.6K G2 captures 4.6K images at up to 120fps and 1080p video at up to 300fps. It’s also capable of recording Blackmagic Raw. As with the first-generation URSA Mini Pro 4.6K, the G2 model features interchangeable lens mounts and ships standard with Canon’s EF mount. Blackmagic has also added a USB-C expansion port for recording to external disks. Full details can be found on Blackmagic’s website.

The Blackmagic Camera 6.2 update is available to download for free. The URSA Mini Pro G2 camera is now available to purchase for $ 5,995 USD from the company’s global resellers.

Articles: Digital Photography Review (dpreview.com)

 
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Huawei P30 Pro to come with periscope-style tele lens and updated night mode

06 Mar

Huawei will unveil the successor of its P20 series smartphone at an event in Paris on the 26th of March. However, the company has already revealed a couple of interesting details about the P30 Pro camera to Android Central during a meeting at MWC in Barcelona.

According to Huawei’s VP of Global Product Marketing, Clement Wong, the top-of-the-range model in the P30 series will feature a periscope-style tele camera, similar to what we’ve seen on OPPO’s 10x prototype that is expected to make an appearance in a finalized product any day now.

Huawei hasn’t provided any information about the exact magnification the module will provide but given the P20 Pro already offered a 3x optical and 5x optical zoom last year, we’d expect an improvement over that. So maybe, the P30 Pro will beat OPPO to the line and be the first smartphone on the market to come with a 10x optical zoom.

A photo of the moon that was recently captured with the device in question by Huawei CEO Richard Yu would certainly indicate a zoom factor that is not available on any current smartphones.

Photo: Huawei

In addition to the powerful zoom, Huawei engineers have also been working to improve the previous generation’s low light capabilities. The company did not provide any detail but suggested the next version of its night camera will be major upgrade over the already pretty impressive existing one. Despite the current lack of detail, it seems there’s a lot to look forward to for mobile photographers at the Huawei launch in a few weeks time.

Articles: Digital Photography Review (dpreview.com)

 
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Would you delete all your Instagram photos to fly free for a year? JetBlue hopes so

06 Mar

Budget American airline JetBlue has announced a new promotional contest called ‘All You Can’ that offers Instagrammers the chance the win free flights for a year. The catch? To enter the contest, users must delete (or archive) every image from their Instagram account.

Once they have removed all the images from their account, Instagram users must upload an image from JetBlue that features the ‘#AllYouCanJetSweetstakes’ hashtag and the caption ‘All You Can’ in order to enter the contest. The Instagram account must be publicly visible so that JetBlue can confirm the eligibility.

It’s unclear why JetBlue requires the images to be removed as part of its contest, but it does reassure people who enter the contest that they will be able to ‘post pics from everywhere we fly,’ assuming they are one of the contest’s three winners.

Users who enter the contest must keep their Instagram profiles clear — with the exception of JetBlue’s All You Can image — until March 8, 2019, at 11:59PM ET to remain eligible. Participants can find (and optionally customize) the contest’s hashtag image here.

Articles: Digital Photography Review (dpreview.com)

 
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Review: Seagate 14tb Ironwolf Disks for all of Your Photographs

06 Mar

The post Review: Seagate 14tb Ironwolf Disks for all of Your Photographs appeared first on Digital Photography School. It was authored by Sime.

Which Hard Disk For Photography

The Seagate 14TB Ironwolf hard disks

Recently I was offered the opportunity to try out a pair of the Seagate 14tb Ironwolf hard disks. If you have read any of my previous articles about storage, drives, and NAS (Network Attached Storage) for photographers, you’ll know one thing about me; I consider spinning media hard drives to be either “Dead or Dying from the moment they’re powered up.” This is mostly true.

These devices have what is called an MTBF (Mean Time Between Failures) meaning they can’t just spin forever. While reviewing disks is great, I wanted to find a good use for the pair of storage monsters aside from saying, “yes, they work just like a disk should!” (Which they do, but…)

So, after thinking about having to move house, and how much room I wouldn’t have, I found the PERFECT use! Physical down-sizing of my NAS.

Works well for small spaces

I primarily use a Synology DS1517+ as my main NAS, and a cute little DS216 as my backup. Well, I did until December!

I had to close my office for renovation and move everything into a nook that is only 106cm wide and about 137cm deep. This move meant I had to custom re-make the top of my stand-up desk (I’m getting old, it’s a necessity!), and the shelf for my working storage. My working storage includes my directly connected Promise R8 and my G-Technology 8TB main image drive, as well as my NAS that I use to deliver client images. It also includes backups of all of the computers and devices in the house, as well as for media that streams to the TV. The 1517+ simply wouldn’t fit along with everything else on the shelf.

So, I thought “I need to downsize, but maintain the storage space on my NAS!” Enter stage left, the behemoth Seagate Ironwolf 14tb disks.

I wasn’t joking about the super-small office space!

And my “Storage Shelf”

Spin rate

The Seagate units are a regular 3.5″ internal hard drive, like what you’d have inside your desktop computer. They spin at 7200RPM and have a 3-year warranty. That MTBF thing I was talking about earlier, the 14tb Ironwolf disk is rated at 1 Million hours (Yes, I said that in a Dr Evil voice!) Which is quite a while! (Before you whip out your calculator, that’s 114.155251 years)

So, if you turned the thing on and left it spinning in a controlled environment, not doing anything, it’d be rated to last that long.

Real world, this isn’t how it goes; we read and write to these disks over and over, and they can get jostled around and sometimes even unexpectedly powered off (Dad! What does this switch do?!)

Synolgy Seagate 14TB Ironwolf Review Photography

Setting up the Seagate Ironwolf 14tb disks

Moving swiftly on, out came the pair of Seagate Ironwolf 4tb disks and in went the 14tb disks. No mess, and no fuss. The Synology NAS is very well made and easy to work on.

I wanted to have some level of protection (fault tolerance) using the two disks, so they’re set up using SHR (Synology Hybrid Raid) which gives me 1-disk tolerance. It pretty much halves my space, but essentially means that if something goes wrong, it can go wrong twice before I cry to the sky and ask nobody in particular “WHY?”!

I worked in I.T. long enough to see grown men (and women) cry when disks failed. It isn’t pretty. So, backup! (You’ve been warned.)

I’m finding the disks nice and quiet, despite being only 15cm to my left. They have not skipped a beat (remember that bit I said about dead or dying disks) to date (They have about 100 years before that nasty MTBF rating even gets close!)

I happily leave the NAS on 24/7 as I’ve found another location for my other network attached storage box, which means the two can sit quietly at night talking to each other via the internet and sync my important client data! Great!

The new 14TB IronWolf drive also supports Seagate’s leading IronWolf Health Management (IHM) software. Designed to operate on enabled Synology DiskStation NAS, Asustor NAS, and QNAP NAS when populated with Seagate IronWolf or IronWolf Pro drives, IHM improves the overall system reliability by displaying actionable prevention, intervention or recovery options for the user.

These specific disks aren’t exactly inexpensive due to their size, but you can get them from 1tb to 14tb based on how much data you produce and need to store and share.

Conclusion

I can’t give a hard disk a rating out of 5 as I typically do, not for at least a year of spinning. However, based on my other Seagate disks, these new ones will do just fine! Also, the Synology DS units are five stars all the way!

 

The post Review: Seagate 14tb Ironwolf Disks for all of Your Photographs appeared first on Digital Photography School. It was authored by Sime.


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Canon patent shows off ultra-fast, ultra wide 14-21mm F1.4 RF lens

06 Mar

Canon hasn’t been shy about the improvements and flexibility its new RF mount affords lens designers, but if a recent lens patent ends up coming to fruition, it might just be the most interesting RF lens we’ve seen yet.

U.S. Patent Publication Number US 2018/0314060 details the optical design for an RF 14-21mm F1.4 lens, an ultra-fast, ultra-wide-angle lens that will inevitably have astrophotographers picking their jaws off the floor.

As with all patents, there’s a good chance the lens design will never make its way past the drawing board, but recent rumors suggest this very lens could be amongst the RF lenses Canon will be announcing in 2020.

Canon assured us the new RF mount would lead to unique lens designs — this may very well be one of the designs it had in mind.

Articles: Digital Photography Review (dpreview.com)

 
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How to Edit Silhouette Photos in Lightroom

05 Mar

The post How to Edit Silhouette Photos in Lightroom appeared first on Digital Photography School. It was authored by Kunal Malhotra.

Clicking silhouette photos is in itself a different kind of experience. Unlike photos where the subject is exposed correctly, here the subject appears completely dark.

However, there must be situations when you are not able to capture a proper silhouette image in-camera. The reasons could be anything from incorrect exposure settings to the insufficient dynamic range in the frame.

Even if you can capture a proper silhouette, chances are the colors might not be as saturated as you desire. Using Lightroom, we can get a proper silhouette with the required saturation.

Achieve ideal contrast

As I mentioned earlier, there can be silhouette images which might not have your subject appear as pitch black. Now to make your subject appear black and preserve details in the backdrop, you need to make a few changes in Lightroom.

As you can see in the photo above, I tried my best to capture a silhouette while maintaining details in the background. You can see the boat clearly, and the clothes are still visible. I have opened this image in Lightroom and made few adjustments, after which I was able to achieve a perfect silhouette.

If you refer to the toolbar on the image above, all I did was adjust the shadows and blacks. Usually while working on I silhouette, I always play with the shadows first and then blacks if needed.

In this situation, I was able to make the subject appear completely dark within seconds. However, this silhouette still lacks saturation, right? Let’s work on that too and make it a perfect silhouette.

Enhancing colors

You might make a colorful silhouette or convert it to monochrome, depending on what you like. If you plan to keep it colored, you might have to enhance the colors present in your frame. You can do this in Lightroom, and it is uncomplicated.

Primarily you have to play with four sliders: Vibrance, Saturation, Temperature, and Tint. Vibrance and Saturation allow you to boost all the color tones in the image whereas Temperature and Tint allow you to adjust the color tones ranging from blue to yellow or green to pink.

Using these four sliders, you can get your desired combination of color tones and vividness. As you can see in the two images shared above, the first one had cooler tones while the second had warmer feel to it.

If you wish to go a step forward and make fine adjustments to each color in the frame, you can use the HSL (Hue, Saturation, and Luminance) slider. Let me take another example at the above image does not have multiple primary colors.

As you see in the comparison above, the image on the right looks much more punchy and vibrant. If I wanted something like the image on the left, I could have simply adjusted the vibrance and saturation. However, I knew that I could achieve more by adjusting the HSL sliders. You can increase/decrease hue, saturation, and luminance of a particular color without affecting other colors in the image. This is the primary reason to use HSL sliders.

In this scenario, I enhanced the saturation of the majority of colors as per my need and reduced where I felt the need. If I had merely increased the saturation from the basic saturation slider, all the colors would have been affected equally. Whereas now using the saturation slider under the HSL toolbar, I can individually adjust the saturation as well as hue and luminance.

So next time if you try to click a silhouette and feel the in-camera file is not perfect, Lightroom is there to take care of it. Just follow these few steps, and I am sure you can achieve your desired results.

Feel free to share your views or silhouette images in the comment below.

The post How to Edit Silhouette Photos in Lightroom appeared first on Digital Photography School. It was authored by Kunal Malhotra.


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Fujifilm GFX 50R Review

05 Mar

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The Fujifilm GFX 50R is a 50 megapixel rangefinder-styled medium format mirrorless camera. It shares most of its components with the existing GFX 50S, including both its sensor and processor, but re-arranges them into a slightly smaller and less expensive package. And though the GFX 50R provides essentially the same image quality as its elder sibling, the handling and controls make for a very different shooting experience.

Key Specifications

  • 51.4MP medium format CMOS sensor (43.8 × 32.9mm) with Bayer filter array
  • 3.69M-dot OLED EVF
  • 3.2″ 2.36M-dot touch LCD tilts up/down
  • AF-point-selection joystick
  • Weather-sealing
  • 1/125 sec flash sync speed
  • 3 fps continuous shooting
  • 1080/30p video capture
  • In-camera Raw processing
  • Dual SD card slots (UHS-II)
  • USB C socket
  • Wi-Fi with Bluetooth

The Fujifilm GFX 50R is available now with a recommended selling price of $ 4500.

Fujifilm has also announced a GF 50mm F3.5 ‘pancake’ lens, shown here in mockup form at Photokina 2018.

Alongside the announcement, Fujifilm also added a 40mm-equivalent ‘pancake’-style 50mm F3.5 lens to its lineup. This lens hasn’t arrived as of this writing, unfortunately, but should pair well with the (comparatively) compact 50R body.


What’s new and how it compares

The GFX 50R contains many familiar ingredients but what’s new?

Read more

Body and controls

The GFX 50R has a different body style, how does that impact the handling and operation?

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Image quality

Check out how the GFX 50R performs in front of our standard studio test scene.

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Image quality vs. full-frame

The GFX 50R’s sensor is excellent but so are those of its full-frame peers. Even in a high dynamic range scene there’s little real-world difference.

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Autofocus and video

With a contrast-detection AF system and 1080P video, the GFX 50R isn’t a barnstormer in these areas. But then again, it’s really not meant to be.

Read more

Conclusion

The GFX 50R is capable of incredible detail, but there may be other better-rounded options out there better for you and your style of photography.

Read more

Sample gallery

Take a peek through our full production sample gallery from the GFX 50R.

Read more

Specifications

See the full list of the GFX 50R’s specifications.

Read more

Articles: Digital Photography Review (dpreview.com)

 
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SmallHD launches Focus 7, a $699 seven-inch touchscreen monitor

05 Mar

SmallHD has launched Focus 7, a new seven-inch on-camera model that features a 1000 nit display and which offers dual battery slots. The Focus 7 has a 1920×1200 pixel resolution which equates to 323 pixels per inch of the 16×9 display, and can accept footage of up to 4K in 30p.

Designed with a pair of mounts for Sony L-Type batteries and the ability to power the camera via an optional battery adapter cable, the Focus 7 allows batteries to be swapped out during recording. The monitor offers full size HDMI input, a 3.5mm headphone socket and SD card storage. SmallHD says the screen has a viewing angle of 160-degrees, so it is able to be comfortably used by more than one person at a time.

The monitor runs the company’s OS3 software that allows users to customise tools, pinch to zoom, to desqueeze anamorphic footage and view waveform, vectorscope and histogram displays. LUTs can be loaded via the SD card slot or the USB port.

The SmallHD Focus 7 is available now, and costs $ 699. For more information see the SmallHD website.

Articles: Digital Photography Review (dpreview.com)

 
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