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DPReview TV shootout: New Tamron 35mm F2.8 vs. Sony’s 35mm F2.8 ZA for E-mount

07 Dec

The new Tamron 35mm F2.8 Di III OSD M1:2 lens for E-mount has an attractive price, but how does it stack up against Sony’s own 35mm F2.8 ZA Carl Zeiss Sonnar T* lens? According to Chris and Jordan, pretty darn well. Find out what they like about this lens.

Subscribe to our YouTube channel to get new episodes of DPReview TV every week.

  • Introduction
  • Sample images
  • Size and weight
  • Sharpness
  • Chromatic aberration
  • Weather sealing
  • Autofocus speed
  • Minimum focus distance
  • Bokeh
  • Breathing
  • Flare
  • Conclusion

Want to pixel-peep? Check out the photos from this episode:

Tamron 35mm F2.8 Di III OSD M1:2

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Sony 35mm F2.8 ZA Carl Zeiss Sonnar T*

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Articles: Digital Photography Review (dpreview.com)

 
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Tips for Posing Models (videos)

07 Dec

The post Tips for Posing Models (videos) appeared first on Digital Photography School. It was authored by Caz Nowaczyk.

If you are interested in portrait photography, one of the hard parts (after learning your lighting and camera skills) is knowing how to pose your models. Particularly, if they aren’t professional models.

When you are taking portraits of men and women, their poses can be quite different because their bodies have different shapes and bend in slightly different ways. A pose that looks great for a guy, may look totally wrong for a girl and vice-versa.

So, to help you on your way to achieving better portraits by getting better poses from your models, I have compiled some videos for you to take a look at.

If, however, you don’t like to watch videos, you can grab yourself the dPS e-books, Portraits: Striking The Pose or 67 Portrait Poses (Printable).

Alternatively, see the list of articles you can read on posing models down below the videos.

Tips for posing men in portrait photography

This video is by photographer, Anita Sadowska.

This video is by photographer, Julia Trotti.

This video is from the perspective of a model agency, DLM Model Lifestyle, giving posing tips.

Tips for posing women in portrait photography

This video is by CreativeLive, featuring photographer, Lindsay Adler. These tips are for photographing people in a seated position.

?

This video by AtchatChannel Ubonratchathani, gives 60 model poses in 1 minute.

You may also like:

  • 8 Posing Guides to Inspire Your Portraiture
  • Posing Guide: 21 Sample Poses to Get You Started with Photographing Women – Part I
  • Posing Guide for Photographing Women: 7 Poses to Get You 21 Different Photos
  • Tips for Posing People in Outdoor Portraits
  • How to do Gentle Posing: A Collection of Prompts to Get You Started
  • Tips for Posing Muscular Female Body Types
  • Portrait Tips for Posing Women
  • Beginner Tips for Posing People with Confidence

 

The post Tips for Posing Models (videos) appeared first on Digital Photography School. It was authored by Caz Nowaczyk.


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Sigma’s new Classic Art Prime Cine and /i Technology PL lens kits to sell for $44K

07 Dec

Sigma has announced the pricing and availability for its upcoming Classic Art Prime Cine and /i Technology-compatible Cine Art Prime PL-mount lenses. These are variants of its Art Cine Prime with simpler coatings for a classic cinema aesthetic. The company plans to release the Classic Art Prime Cine line as a set of 10 lenses in January 2020 for $ 43,999; these lenses will only be available as part of the full set.

Unlike the Classic Art Prime Cine lenses, the /i Technology-compatible versions will be released for individual purchase in two different batches, the first going up for sale later this month and the second going up for sale in late January 2020. The lenses will be available from authorized dealers.

The /i Technology versions communicate shooting metadata to camera bodies that are compatible with Cooke’s communication protocol.

The following /i Technology-compatible lenses will be priced at $ 3,899 each with availability listed below:

  • 20mm T1.5 (late December 2019)
  • 24mm T1.5 (late December 2019)
  • 28mm T1.5 (late January 2020)
  • 35mm T1.5 (late December 2019)
  • 40mm T1.5 (late January 2020)
  • 50mm T1.5 (late December 2019)
  • 85mm T1.5 (late December 2019)

The remaining three new /i Technology-compatible lenses will be priced at $ 5,499 each:

  • 14mm T2 (late January 2020)
  • 105mm T1.5 (late January 2020)
  • 135mm T2 (late January 2020)

The movie Top Gun: Maverick scheduled to hit theaters early next year was shot using early versions of Sigma’s new FF High Speed Prime /i Technology-compatible lens, according to the company. As the name indicates, these lenses are compatible with the /i Technology communication protocol from Cooke Optics.

Articles: Digital Photography Review (dpreview.com)

 
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15 Global Photography Events You Should Participate In

07 Dec

Meeting experienced and amateur photographers from around the world gives you the opportunity to expand your skill set, whilst getting inspiration for your future projects. A great way to do this is by participating in photography events and competitions. Fortunately, there are countless photography events around the world for you to choose from. If you’re new to the photography scene, Continue Reading

The post 15 Global Photography Events You Should Participate In appeared first on Photodoto.


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Photokina confirms Canon, Panasonic and Sony will be at 2020 expo

07 Dec

Photokina has shared a press release confirming Canon, Panasonic and Sony will be attending the 2020 expo in Japan and ensures the manufacturers ‘once again promise a fireworks display of new products at Photokina.’

The press release, titled “Photokina 2020: A Visit to the Motherland of Imaging,” comes three months after Photokina confirmed Leica, Nikon and Olympus won’t be attending the trade-show and reads as a rebuttal of sorts to remind the photography industry that Photokina is far from over, despite three main players dropping out.

The release of the press release follows a trip to Tokyo wherein delegation from the City of Cologne, Koelnmesse (the trade fair organizer responsible for Photokina) and the association of the photo industry (PIV) met with Canon executives, as well as other ambassadors and ‘high-ranking company representatives’ from Japan.

After briefly talking about the meeting in the introduction, Photokina follows with statements from Canon, Panasonic and Sony executives, which we’ve gathered below.

Canon Chief Executive Officer Image Communication Business Operations, Go Tokura, says:

As the imaging industry is at a significant turning point, we expect Photokina to be a leading show of the worldwide photo and imaging industry. Canon is eager to introduce new products and concept products at Photokina, thereby contributing to the industry’s success.

Panasonic Director of Smart Life Network Business Division, Yosuke Yamane, says:

For many years, Photokina has been the ideal platform for us to present our product innovations. The Imaging industry is facing big changes and challenges these days. In 2020, we will also be coming to Cologne with big expectations in the new Photokina format and are looking forward to contributing with great innovations.

Sony Senior General Manager of the Marketing Division at Sony Imaging Products & Solutions, Yosuke Aoki, says:

Sony is very glad to be part of Photokina again next year. Photokina 2020 gives us the opportunity to present our latest innovations and to maintain a direct dialog with all Digital Imaging Lovers. Sony is looking forward to seeing you all in Cologne.

The press release wraps up with statements from Koelnmesse President and Chief Executive Officer Gerald Böse and Chairman of the photo industry association (PIV), Kai Hillebrandt.

The press release isn’t necessarily unusual when viewed in a vacuum, as using quotes from the exhibitors to promote the expo is nothing new or out of the ordinary. But when looked at in context of Leica, Nikon and Olympus dropping out just three months ago, it does seem as though the press release and statements are a mutual pact to at least give the illusion of Photokina being no different than before, if not better.

Press release:

Photokina 2020: A visit to the motherland of imaging

The twinning arrangement between Cologne and Kyoto has been in place since 1963. It is characterised by an active exchange ranging from sports to art and culture. The economic relations are also close: the state of North Rhine-Westphalia, with Cologne as its largest metropolis, has long been one of the most important locations in Europe for Japan. More than 600 companies have settled here. Photokina is also an integral component of the good connection with Japan. A delegation of the City of Cologne, Koelnmesse and the association of the photo industry (PIV) once again strengthened this bond during a visit to Tokyo.

The Mayor of Cologne, Henriette Reker, the President and Chief Executive Officer of Koelnmesse, Gerald Böse, and the Chairman of the PIV, Kai Hillebrandt, were warmly welcomed at a celebratory reception in the German Embassy in Tokyo by Ambassador Ina Lepel and high-ranking company representatives. Also among the guests were many representatives of the Japanese imaging industry, which can look forward to a big year in 2020: the Olympic Games are taking place in Tokyo and, thanks to outstanding photo and film technology, people around the world can experience these up close. Many millions of snapshots and selfies by spectators and athletes will travel around the world in the social media. This is made possible by the achievements of imaging, the latest developments of which can be seen shortly before the start of the Olympic Games at Photokina in Cologne.

Articles: Digital Photography Review (dpreview.com)

 
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Sandmarc brings its anamorphic, tele, wide-angle and macro lenses to iPhone 11 devices

07 Dec

Smartphone accessory manufacturer Sandmarc has launched its new line of cases for Apple’s iPhone 11, 11 Pro and 11 Pro Max smartphone that enables its collection of lenses to work with the latest iOS devices. The new lineup works with Sandmarc’s anamorphic, telephoto, wide-angle and a macro lenses.

The anamorphic lens is a 1.33x anamorphic lens that offers a 2.4:1 aspect ratio once the footage is de-squeezed from the 16:9 video the iPhone captures. The telephoto lens offers 2x magnification on the iPhone 11 and 4x magnification when paired with the telephoto camera module on the iPhone 11 Pro and 11 Pro Max.

The Macro lens will work with any of the camera modules on Apple’s latest iPhones and a protective translucent lens hood will both protect the front element and diffuse light on the subject matter.

The wide lens seems a bit unnecessary considering all of the iPhone 11 models feature both a wide-angle and super-wide-angle lens, but much like Moment’s new wide-angle lens, using Sandmarc’s wide-angle lens atop the standard wide-angle lens on the iPhone 11 devices means you can get ultra-wide-angle shots with Apple’s Night Mode capture mode, as it’s limited to the ‘standard’ wide-angle camera onboard the iPhone 11, 11 Pro and 11 Pro Max devices.

All of these lenses are compatible with Sandmarc’s collection of filters, including their hybrid filter, circular polarizer filter, ND filters and others. They are constructed of aluminum and feature multi-coated elements to reduce flares and ghosting. The anamorphic lens costs $ 159.99, the macro lens costs $ 89.99 and the telephoto and wide-angle lenses cost $ 99.99.

When you purchase a lens, you will have the option to choose an accompanying case for your iPhone 11, 11 Pro or 11 Pro Max device that the lenses will mount to (in addition to receiving a clip mount for more versatile shooting). If you already have a Sandmarc lens (or a whole kit, you can purchase just the cases as well. You can find all of the new cases, lenses and filters on Sandmarc’s website.

Articles: Digital Photography Review (dpreview.com)

 
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Weekly Photography Challenge – Lamps

07 Dec

The post Weekly Photography Challenge – Lamps appeared first on Digital Photography School. It was authored by Caz Nowaczyk.

This week’s photography challenge topic is LAMPS!

Image: Ant Rozetsky

Ant Rozetsky

Lamps can be beautifully designed, and they can add lovely ambient light to your photos.

Whatever form they take, we’d love you to go out and capture their many looks and feels in this week’s challenge!

They can be color, or black and white. They can be a small part of a wider composition or you can focus in on their fine details. They can add light to a portrait, or a still life scene, or an interior architectural scene, or they can be street lamps in a landscape – the decision is yours!

So, check out these inspiring pics, have fun, and I look forward to seeing what you come up with!

Image: Michelle Houghton

Michelle Houghton

Image: Roberto Lopez

Roberto Lopez

Image: Suhyeon Choi

Suhyeon Choi

Check out some of the articles below that give you tips on this week’s challenge.

Tips for Shooting LAMPS

3 Tips for Photographing Mixed Lighting in Interiors

Stealing Light – Using Street Lights for Portraits

4 Tips to Help People Photographers Shoot Interior Spaces

3 Easy Tips for Photographing Details in a Scene

Shooting Details to Tell a Visual Story

Architecture: Photographing Exterior Details

Tips for Getting Started with Still Life Photography

Simply upload your shot into the comment field (look for the little camera icon in the Disqus comments section) and they’ll get embedded for us all to see or if you’d prefer, upload them to your favorite photo-sharing site and leave the link to them. Show me your best images in this week’s challenge.

Share in the dPS Facebook Group

You can also share your images in the dPS Facebook group as the challenge is posted there each week as well.

If you tag your photos on Flickr, Instagram, Twitter or other sites – tag them as #DPSlamps to help others find them. Linking back to this page might also help others know what you’re doing so that they can share in the fun.

The post Weekly Photography Challenge – Lamps appeared first on Digital Photography School. It was authored by Caz Nowaczyk.


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7 Tools for Photographing Children That Will Get You Great Shots Everytime!

06 Dec

The post 7 Tools for Photographing Children That Will Get You Great Shots Everytime! appeared first on Digital Photography School. It was authored by Jackie Lamas.

tools-for-photographing-children

When it comes to photographing children at portrait sessions, most often it’s not the gear that gets them to enjoy the session or has them laughing. In this article, we are going to share the best tools for photographing children that are not gear related and useful for every portrait session with children.

7 Tools for Photographing Children That Will Get You Great Shots Everytime!

1. The squeaky chicken (rr any noisy toy)

When it comes to tools for photographing children, there is nothing more fun than a toy that makes noise. A weird, interesting, noisy, and curious squeaking chicken is all of those things and more. They come in various sizes and offer lots of ideas for getting the attention of smaller children and laughs from older children.

Tools-for-Photographing-Children-that-are-not-Gear-Related

This is the chicken that I have. When squeezed, it makes a sound that is able to capture anyone’s attention. As you can see it gets used quite a bit.

Use the toy as a way to get the child’s attention toward the camera. A great tip is to bang your head with it and pretend that it hurt in a fun and interesting way. Children love unexpected reactions, and you’ll definitely get big smiles using the chicken.

You can also play hide and seek with the chicken popping it from behind you in a different direction each time. The child won’t know where it’ll pop up from next! A huge hit!

Tools-for-Photographing-Children-that-are-not-Gear-Related

These laughs are brought to you by the chicken hitting me on the head. Camera is on a tripod to avoid shaking.

When the children are a bit older, you can plop the chicken, or any other noisy toy, on your camera and ask “Hey, where did my chicken go? Have you seen it?” This can get a great reaction out of the child and also keep their attention as a fun way to look at the camera long enough to shoot off a few frames.

2. Bribes

This one is a staple for all children at portrait sessions, but first, make sure you consult with the parents before the session to know if bribery is okay.

7 Tools for Photographing Children That Will Get You Great Shots Everytime!

Ask your clients if you should bring candy or if they can bring a favorite treat for the child when its time for the session. Only use in emergencies since children can lose interest if they have to continuously work for it.

A small lollipop or chewable candy works wonders when you need them to smile. You can bribe them with a taste or piece. Make sure to work quickly, though, because they’ll want that bribe instantly!

Tools-for-Photographing-Children-that-are-not-Gear-Related

Here we used two different games with the parents. The swing game while they walked and the tickling game. Smiles all around!

3. Play games

Games are probably not going to get you many of those photos where the children are looking at the camera, however, they will bring about some smiles and great photos of the family interacting. Luckily, you don’t need much for this other than some interesting games for all ages!

One that works great with children is to pick them up, especially for the younger age group. Have mommy and daddy tickle them too.

7 Tools for Photographing Children That Will Get You Great Shots Everytime!

Another one is to ask the family to look at each other and make some silly faces! Children love to make silly faces. You can ask them to do one with silly faces and then one where they smile big at the camera!

Chase is a great game, just make sure you focus fast and can capture the motion! Children are pretty quick and mommy and daddy will also get a kick out of chasing their little one around while getting big laughs!

Peek-A-Boo is a great game to play with smaller children under the age of 3! They know it so well from playing with their parents that when you do, it will seem familiar. They might even want to play along! Play peek-a-boo from behind your camera or use a toy to hide and pop out. Both work really well to grab the attention of the child.

7 Tools for Photographing Children That Will Get You Great Shots Everytime!

A game that gets the biggest laughs is also when you get close and tickle them and then back away quickly. Only, the next time you go in to tickle you don’t actually tickle. It’s good to say “I’m gonna get you” as you play this game so they anticipate the game!

This trick works best when you have an assistant so that you don’t miss any shots. If you have to do this yourself, try and put your camera on a tripod with a wireless shutter release so you get the smiles even if you’re not at your camera. That works wonders! If the parents don’t want contact, have one of them play the game with their child and it can also work to get lots of laughs!

7 Tools for Photographing Children That Will Get You Great Shots Everytime!

Also, children are great at making up games. So when they start to play, have everyone play along and then ask them to smile or look your way! Sometimes you’ll get the child looking at you and other times you will get great interaction among the family members. Both make great additions to the final gallery of images!

Tools-for-Photographing-Children-that-are-not-Gear-Related

Children are great at playing games, let them have fun and they’ll look at the camera soon enough.

4. Children’s playlist

When it comes to tools for photographing children, consider music. Children love music. So it would be a good idea to have a playlist on your phone of all the classic favorites like Wheels on the Bus, The Ants Go Marching In, Twinkle Twinkle Little Star, and others.

Also, ask your clients what the child likes to listen to as far as music goes and create a specific playlist for that session.

7 Tools for Photographing Children That Will Get You Great Shots Everytime!

A good plus would be to have a small external speaker so you can have it on location. That way, you don’t really have to move or hold onto your phone for the songs to hear the songs. External speakers also sound a lot louder than just your phone, which can grab the attention of the child.

5. Mommy and Daddy

One of the best tools for photographing children is Mom and Dad! Using mom and dad as a way to get the attention of the child can help because the children can recognize their voice and identify them quickly, even when they are very young!

Have the parent stand behind you or at least very close to the camera. That way, when the child looks at them, it’ll seem like they were looking at the camera.

7 Tools for Photographing Children That Will Get You Great Shots Everytime!

It’s also fun to play games while the parent is close to you and have them bonk your head or act like daddy farted. That one works best when the children are around 4 years old and usually gets a laugh out of them.

Getting the parents involved in the fun makes the child feel more comfortable around you, who is new to them or maybe not so familiar. Have the parents toss the child up into the air or just raise them up high and smile.

7 Tools for Photographing Children That Will Get You Great Shots Everytime!

They can also go exploring, dig in the sand, and walk hand-in-hand with the parents if they’re willing to participate! It will get a lot more laughs and more authentic expressions from the child.

This tool works great, especially when the child isn’t cooperating, or it’s difficult to get their attention. The parents know their child best and can help get those smiles, and they’ll be glad to help!

6. Using the Uh-Oh method

When a child is small, typically around 3 years and under, the sound of “uh-oh” can get their attention much more than a solid “no”.

Tools-for-Photographing-Children-that-are-not-Gear-Related

Using “uh-oh” can be a great way to get a child’s attention and stop them from doing something that is not allowing them to look at the camera or follow instructions. Of course, they’re young, and sometimes won’t follow instructions at all, so using “uh-oh” can divert them much better.

7. Props

Props work for various reasons as they can help with the session set up and overall look. However, when it comes to children, props help keep children engaged and, most often, in one spot.

Tools-for-Photographing-Children-that-are-not-Gear-Related

Speak with your clients and see what props will work best for the age of their child(ren). For little ones perhaps cars, blocks, and plush toys work. For a bit older children, perhaps a kite, picnic set up, or game works best.

Look for items that add to the session rather than take attention away from your clients. Choose toys or props that are neutral in color or go with the color scheme.

Tools-for-Photographing-Children-that-are-not-Gear-Related

In conclusion

7 Tools for Photographing Children That Will Get You Great Shots Everytime!

While your gear is important during portrait sessions, especially with children, adding in games, toys, and noisemakers to your set of skills and gear can really change the way they experience the session. Your clients will thank you for providing a fun experience for everyone, all while capturing great images of their children!

Do you have any other tools for photographing children that are not gear related? Share with us in the comments!

The post 7 Tools for Photographing Children That Will Get You Great Shots Everytime! appeared first on Digital Photography School. It was authored by Jackie Lamas.


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How to Achieve Awesome Black and White Photos with Digital Filters

06 Dec

The post How to Achieve Awesome Black and White Photos with Digital Filters appeared first on Digital Photography School. It was authored by Adam Welch.

black-and-white-digital-filters-photography

When we think about black and white photographs, we generally associate them with an absence of color.

This is certainly not the case.

Like all photographs, black and white images are made from light, and light consists of innumerable wavelengths that produce the colors we see with our eyes. With black and white photography, we might not see the saturation of colors the same way, but the luminance values of these colors remain the same whether we view them in color or black and white.

This is why it’s so important to shoot digital black and white photos in RAW mode so that we can later manipulate these intact luminance values to control the contrasts within our digitally-converted black and white photos.

Black-and-White-digital-filters

All of this is based on the use of physical “color” lens filters, which filter out different wavelengths of light to produce varying contrast effects in black and white photography.

A red filter produces dark, dramatic skies in landscape photos while orange filters can radically reduce the appearance of freckles and other skin blemishes in your portraits.

Of course, this means carrying a set of filters with you constantly and also compensating for the slight reduction in light with adjustments to your exposures.

Black-and-White-digital-filters

But what if I told you that your DSLR or MDC (mirrorless digital camera) most likely has all of the color filters you will need for outstanding black and white work right at your fingertips?

I know, I was initially just as surprised as you are. Read on.

Black and white digital filters

Real black and white color filters work to filter out other wavelengths of light that don’t fall into the color spectrum of the filter. This means red filters allow red wavelengths to pass, blue allows blue, etc.

The cool thing is, many major camera manufacturers have seen fit to include digital amalgamations of these color filters. They could very well be slightly buried in your camera’s settings, but Canon, Nikon, Olympus, and Panasonic all offer models which sport built-in black and white color filters.

As always, your camera user manual is your best friend. However, you may often find these filter options (if you have them) in the monochrome settings of your digital camera. In our example, I’ll be using a Canon 5D MKIII.

Black-and-White-digital-filters

I’m about to say something not usually encountered when it comes to digital photography these days – when using these digital black and white filters, it can be best to shoot JPEG…not RAW.

Sure, you’re going to lose some post-processing leverage, but seeing that you can see the effects of your filter choices and you likely intend to end up with a black and white photo anyway, there’s not much reason to save the color information with a RAW file.

The wonderful thing about digital black and white filters is that you can enjoy real-time feedback of the filter effects.

Which filter to use?

We’ve touched on a few of the circumstances where color black and white filters are best suited. In most cases, your digital camera will have a set of digital color filters from which to choose: red, yellow, orange, green and blue. These options, however, will vary. For instance, my 5D MKIII has no blue filter option.

Have a look at some examples and each of these below. I’ve used the same scene to show the varying effects of each filter. I’ve also listed a few quick scenarios that may help you choose a particular filter setting.

Here’s the original color photo for reference:

Image: Color image with no in-camera black and white filters applied.

Color image with no in-camera black and white filters applied.

Red Filter

This filter is a great way to pump in instant drama to most black and white landscape photos.

Black-and-White-digital-filters

Notice the immediate darkening of the blue sky with the red filter

The red filter drastically reduces the transmission of blue wavelengths, thus darkening blue skies and making clouds pop. Some scenes can take on an almost infrared appearance.

Orange Filter

Taking it down a notch from the heavily-apparent effects of the red filter, the orange filter produce similar, yet subdued, contrasts to its red cousin.

How to Achieve Awesome Black and White Photos with Digital Filters

Orange color filters are great “general purpose filters” for adding in contrast to your black and white photos. They darken blue skies and help to bring out the appearance of clouds.

For portraits, they work great for reducing skin blemishes like moles and freckles.

Orange filters are also great for reducing atmospheric haze and fog.

Yellow Filter

A yellow color filter produces effects even less “in your face” than the orange filter. A yellow filter is a good option for bringing out the contrasts of foliage and can also be a good choice for a general black and white photography filter when the orange filter is a bit too harsh.

How to Achieve Awesome Black and White Photos with Digital Filters

The next two filters are less useful for most shooters but still bear mentioning. Well, not less useful, but perhaps not found as commonly in black and white photography as the other color filters I’ve mentioned.

Green Filter

Of course, this filter allows the transmission of green light. This makes it a good choice for flower and foliage photography as it helps to add contrast between the often green-colored stems and leaves of the plants. All while providing separation from the different-colored flowers and blossoms.

How to Achieve Awesome Black and White Photos with Digital Filters

Green filters can also brighten blue skies but not as much as the last filter we’re about to discuss.

Final thoughts on in-camera digital filters…

Digital photography has made many things easier and more accessible for photographers. Even more fortunate, many of the same tried-and-true technical and optical principles still apply to our digital cameras. Built-in digital black and white color filters are just one of the many benefits of our brave new digital age.

Black-and-White-digital-filters

Many popular camera manufacturers have included digital black and white color filters with their digital camera offerings, so check your particular model.

Black and white color filters allow you to add instant strength and contrast to your black and white photos.

Depending on your particular scene or subject, you can produce amazingly powerful black and whites before you ever download them from your camera. Color black and white filters have long been a standby of serious photographers, and it’s great to see them still holding their own, albeit in a more modern, digital incarnation.

So go out and try these black and white digital filters, and share your photos with us in the comments section!

The post How to Achieve Awesome Black and White Photos with Digital Filters appeared first on Digital Photography School. It was authored by Adam Welch.


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Gear of the Year 2019 – Carey’s choice: Sigma 45mm F2.8

06 Dec
Photo: Dan Bracaglia

Sigma’s 45mm F2.8 DG DN Contemporary lens is, in many ways, not a great lens for pixel-peepers. It exhibits some fringing, it isn’t particularly sharp, and it has a pretty pedestrian maximum aperture. But I really enjoy it anyway, and it’s served as a reminder that any given lens doesn’t have to be perfect to be fun.

I first got to shoot around with the 45mm F2.8 Contemporary on a trip to Japan for the release of Sigma’s fp, their staggering 35mm F1.2 Art, and the newly designed 14-24mm F2.8 Art. No surprise, the little 45 mil was easily overshadowed by its headline-grabbing brethren. But during my time on that trip, it was glued to the a7R III I was using while traveling from one locale to another. The biggest reason for that is that the lens itself is so small.

Sigma fp | ISO 160 | 1/100 sec | F4

Small gear is unobtrusive and far less intimidating for subjects, and this definitely has an impact on the way I take pictures: namely, I take more pictures of people when I’m working with less intimidating gear. I also just tend to take pictures more often, as I’ll always have a smaller camera and lens combo slung over my shoulder, whereas larger gear is more likely to be tucked away in a bag when I’m not actively using it.

We’ve touched a bit on the Sigma 45mm’s image quality at the outset out of this article, but I’d like to backpedal a bit. The biggest ‘issue’ with it is uncorrected spherical aberration, essentially trading-off some sharpness for more attractive bokeh: a deliberate decision on Sigma’s part. And I have to admit that there’s something about its rendering that I find appealing. I also appreciate its very close minimum focus distance, which helps you get shallower depth-of-field than you might expect with an F2.8 aperture, though images get a bit hazy if you’re focusing very close with the aperture wide-open.

Sony a7R III | ISO 100 | 1/320 sec | F2.8
Taken with a pre-production lens

And then there’s the build quality. The 45mm Contemporary is not weather-sealed, which is a big disappointment; especially considering how well it pairs with Sigma’s fp, which is very well-sealed throughout. But the lens still has a premium feel, with its all-metal build. The focus ring is so perfectly damped that I fiddle with it all the time even though I’m exclusively an autofocus kinda guy, and the aperture ring has just the right amount of clickiness to it. Autofocus is very fast, and works well with the DFD technology in Panasonic’s S1-series of cameras.

There is room in the market for less ‘serious’ tools that are still excellent in actual use

I think my main grumble concerns the price. It’s currently still hovering around its launch price of $ 559 USD, which is unequivocally a lot of coin for a slow, non-weather-sealed prime lens that has, perhaps, a bit more optical ‘character’ than people may expect nowadays.

Sigma fp | ISO 100 | 1/125 | F8

On the other hand, I’m pleased that Sigma is making it. It’s a company with a portfolio chock-full of glass that was created with size and weight considerations taking a back seat to optical excellence. There is room in the market for smaller, lighter, less ‘serious’ photographic tools that are nonetheless engaging in actual use. That’s the type of tool the Sigma 45mm F2.8 is, and I hope it’s not the last lens of its type we see from Sigma.

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Articles: Digital Photography Review (dpreview.com)

 
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