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Skylum shows off new water reflections in Luminar AI’s Sky AI feature

17 Oct
Image credit: Iurie Belegurschi

Last year, Skylum Software added a new feature to Luminar, AI Sky Replacement. The fully automatic feature, powered by artificial intelligence, can almost instantly replace the sky in an image and relight the overall scene. Next year in Luminar AI, Skylum is taking the feature even further with its new Sky AI tool. Sky AI will add a much-requested feature, water reflections.

Skylum has published a new blog post and video, seen further below, showing off how water reflection will work in 2021 when it is added to Luminar AI, which is scheduled to release this year. As is the case with AI Sky Replacement, Sky AI and its water reflections feature will be fully automated.

Sky AI 1.0 (left) versus Sky AI 2.0 (right). Sky AI 2.0 includes the new water reflections functionality. Image credit: Elia Locardi

With Sky AI, when the software detects water in your scene and you replace the sky, Luminar AI will ensure that the new sky is accurately reflected in the water. As Skylum writes, ‘That means no more duplicating your scene, flipping it and applying a bunch of masking to make it look realistic.’ The reflected sky will also adapt on the fly to your selected relight settings and be ‘blurred into the scene without any manual work from you.’

Further, any details in the water in your scene, such as waterbirds, will stay in your scene and not be overwritten by the reflected sky. Sky AI recognizes the objects in your image and works to preserve fine details in a scene. You can check out the upcoming feature in the preview video below.

As you can see in the video above, Sky AI has a similar selection of sliders to what’s currently available in Luminar 4’s AI Sky Replacement tool. However, Skylum has added Water Reflection and Water Ripples sliders. You can control the intensity of the reflection and even add user-adjustable ripples to the reflection by using these new sliders.

Image credit: Daniel Kordan

In addition to the new water reflection capabilities of Sky AI, Skylum is also adding the ability to browse through your library of skies in a thumbnail viewer in 2021. The browser will show you a preview of each sky, whereas in Luminar 4, you have a list of the names of different skies, but no visual preview.

Sky AI is one of many exciting new features coming to Luminar AI. You can discover more about Skylum’s Luminar AI and view preorder options by clicking here.

Articles: Digital Photography Review (dpreview.com)

 
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Fujifilm Instax Mini 11 review: the best easy-to-use Instax Mini model

16 Oct

Fujifilm Instax Mini 11
$ 60-70 | Instaxus.com

The Fujifilm Instax Mini 11 is a fresh entry-level instant camera from Fujifilm and a refinement of the Instax Mini 9 (there is no Mini 10). As the name suggests the camera makes use of the Instax Mini film format.

Improvements include a new ‘Selfie Mode’ and better auto exposure compared to its predecessor. But unlike its higher-end siblings, the Mini 25/26, Mini 70 and Mini 90, there are no additional creative exposure modes or special features to speak of. That said, the camera is simple to operate and capable of producing lovely images in a variety of lighting conditions.

Key specs:

  • Retractable 35mm equiv. F12.7 lens
  • Full-automatic exposure control (flash always fires)
  • Variable shutter speeds from 1/2 to 1/250 sec and slow synchro flash for low light
  • Selfie mirror on front of lens
  • Selfie/close-up mode
  • Auto frame counter
  • Powered by two AA batteries (100 shots / 10 packs per fresh set of batteries)
  • Available in: Blush Pink, Ice White, Sky Blue, Lilac Purple, Charcoal Black

Operation

The Mini 11 comes with two accessory buttons you can affix to the shutter release via double sided tape (included). I attached the glow in the dark button (shown above).

The Instax Mini 11 is really straightforward to use, making it a great choice for kids. Simply press the button next to the lens to pop it out, switch the camera on and hit the shutter button by the viewfinder to take a photo; there are no other buttons to fumble with. When you’re done, push the lens back into the body to turn it off.

The Instax Mini 11 is really straightforward to use, making it a great choice for kids

The camera does a have a selfie mode as well as a small selfie mirror on the front of the lens. To engage the mode, pull the very front of the lens outward until the words ‘Selfie on’ appear (see image below); it admittedly took some digging through the instructions to figure this out.

Usability

Selfie mode = engaged.

The camera is, by default, held in the vertical orientation, making it good for portraiture. The viewfinder is a bit small, but that’s par for the course with these Instax Mini format cameras.

In use, I found the shutter button can be easy to bump accidentally, and given the high cost of film, that’s a bummer. Fujifilm does include two accessory shutter releases that affix to the button via double-sided tape – one glows in the dark! Installation is tricky, but once attached, I did find my self less likely to pop off an unintended frame.

The shutter button can be easy to bump accidentally and given the high cost of film, that’s a bummer

Another note about usability: the selfie mode mechanism is a bit hard to engage and feels like it could be a fail point of the camera. It takes a good bit of force to yank the lens forward into selfie mode and retracting the lens after selfie mode has been engaged is a fiddly affair.

The Instax Mini 11 is held in the vertical orientation.

Image quality

Selfie shot in the camera’s standard mode. Focus is a little soft, but the exposure is on the money. Selfie shot using the selfie mode. The subjects are sharp but the exposure is hot.

Image quality from the Mini 11 is good through-and-through. The camera handles balancing ambient light with its flash output with ease, in most shooting scenarios. The addition of variable shutter speeds and slow synchro flash definitely seem to give it more versatility in tricky lighting than Mini 9, which has a fixed shutter speed of 1/60 sec.

When shooting in bright daylight, the inability to turn off the flash from firing can be annoying. There’s also no infinity mode, so shots in which the subject is far away can look a tad soft (see examples in the gallery below).

Using the selfie mode can sometimes result in blown highlights

Like most Instax Mini cameras, the Mini 11 produces its best images in good and moderate lighting conditions with subjects at relatively close distances (within the maximum flash range of 2.7 m / 8.85 ft). Shots in very low light tend to come out darker than desired. This is where some sort of exposure compensation would be useful. The Mini 25/26 and Mini 70, for instance, both offer a ‘High Key’ mode that adds +2/3rds exposure compensation.

I’m tempted to say skip the selfie mode all together. From my testing, a selfie in normal mode seems to produce a better exposure, though focus may be a tad soft. Using the dedicated selfie mode can sometimes result in blown highlights. That being said, I did have some success using the selfie mode for close-up subjects, like the pup shot leading the gallery below (which was shot in a very dark room).

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Conclusion

Ultimately, the Instax Mini 11 is for those seeking the easiest-to-use instant camera for the most popular instant film format. The addition of more reliable auto exposure is appreciated. And though I have hesitations about the selfie mode, my guess is most folks who didn’t read the instructions will never even find it. And that’s just fine.

The Instax Mini 11 is for those seeking the easiest-to-use instant camera for the most popular instant film format

For those desiring something with more creative control, we highly recommend spending a few more bucks and getting the Instax Mini 70, which is more feature-rich and our choice as the best Instax Mini camera, for the most people.

What we like:

  • Very easy-to-use
  • Powered by two AA batteries
  • Improved auto exposure over predecessor

What we don’t like:

  • No creative modes or exposure compensation
  • Easy to accidentally hit shutter before installing accessory button
  • Mechanism to engage ‘Selfie Mode’ feels fragile
  • Flash always fires

Articles: Digital Photography Review (dpreview.com)

 
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Joby Mobile Vlogging Kit Review: A Great Deal for Vloggers

16 Oct

The post Joby Mobile Vlogging Kit Review: A Great Deal for Vloggers appeared first on Digital Photography School. It was authored by Suzi Pratt.

As smartphones advance, mobile vlogging and filmmaking continue to rise in popularity. Thankfully, camera accessory brands have come up with whole systems to support phone vloggers. The Joby Mobile Vlogging Kit is the latest system to hit that market, and it is chock-full of accessories that you can use with your phone (or with other camera setups).

But what’s in the Joby Mobile Vlogging Kit? And how does it perform?

In this Joby Mobile Vlogging Kit review, you’ll discover the pros (and cons) of this product.

And you’ll leave knowing whether the Vlogging Kit is right for your needs.

Joby Mobile Vlogging Kit review

What’s in the Joby Mobile Vlogging Kit?

Here’s what’s included in the Vlogging Kit package:

Tripod

First off, Joby is the brand behind GorillaPods, the bendy-arm tripods that have been popular with vloggers and photographers for many years.

The base of this kit is the GorillaPod Mobile Rig: a small version of the GorillaPod that perfectly complements the size of modern smartphones. I used my copy with a Samsung Galaxy S10 and it fit perfectly.

The GorillaPod has a standard 1/4″ tripod screw, so you could also use it with another camera if you chose to.

Smartphone clamp

The Joby Mobile Vlogging Kit also comes with a smartphone clamp that has two extra bendy arms attached. The clamp is very sturdy and adjusts to fit just about any smartphone out there. The bendy arms are great for attaching accessories such as a light and/or an external microphone, but the arms can be removed.

One of the best features of the smartphone clamp is its ability to easily flip between portrait and landscape orientations. All you have to do is loosen the lock and the clamp swivels. This is especially helpful for those wanting to shoot vertical content for Instagram Stories or TikTok.

Joby Mobile Vlogging Kit review

Another great addition to the smartphone clamp is a cold shoe mount on top for mounting an accessory. Truth be told, I prefer using the Joby Mobile Vlogging Kit without the extra bendy arms; I simply attach my main accessory (usually the microphone) via the smartphone clamp cold shoe.

LED light and microphone

With this vlogging kit, Joby is branching out of the tripod market and debuting two other camera accessories: the Beamo Mini LED light and the Wavo Mobile microphone.

Both products are incredibly solid and perform very well. The Beamo light is reminiscent of other rugged light competitors such as the LitraTorch 2.0. It’s waterproof and rugged, has two cold shoe mounts to attach accessories, charges via USB-C, has multiple brightness settings, packs a magnetic attachment, and comes with a silicone diffuser to produce a flattering beam of light.

Joby Mobile Vlogging Kit review

The Wavo microphone looks like a clone of the Rode VideoMicro. But the nice part about the Wavo mic is that Joby includes two different cables: a TRRS cable so that the mic can be used with a smartphone, and a TRS cable for use with a regular camera.

Note that you have to use the correct microphone cable. Otherwise, sound will not be captured properly.

Using the Joby Mobile Vlogging Kit in practice

This vlogging kit comes with a lot of camera accessories.

But how do they perform?

The GorillaPod is as steady as ever, although parts of the legs can sometimes snap off if they are bent in one direction too forcefully. It’s easy to snap the legs back into place if that happens, but it’s just something to be aware of.

If you like to use multiple compact cameras, it’s very easy to take off the included smartphone clamp and stick another camera on the GorillaPod. I did this a lot with my GoPro when I wanted to change my filming style.

Joby Mobile Vlogging Kit review

Sound-wise, it’s tough to trust a microphone not made by a reputable sound company. Cheap mics often show their true colors via bad sound quality. However, the Wavo mic has very clear sound, and the windscreen does an excellent job of blocking out wind. The Rode VideoMicro has a slight edge in sound quality, but for the price and the fact that the Wavo mic is included as part of a kit, it’s a great deal. Plus, it can be used with a regular camera, which is even better.

After the sun went down, the Beamo light came out to play. After using similar light products made by Litra and Lume Cube, I have to declare the Beamo my favorite compact rugged light. It has a solid feel that is still lightweight, and the light quality is incredibly strong.

In fact, you must use the silicon diffuser if you plan to vlog with the Beamo light. Otherwise, the light is so powerful that it will wash out the video (and strain your eyes).

Joby Mobile Vlogging Kit review

Joby Mobile Vlogging Kit review: Conclusion

Now that you’ve finished our Joby Mobile Vlogging Kit review, you know all about the power of this handy little kit.

Overall, the Vlogging Kit is a great deal that gives you three high-quality products in a single package. You can use them together with a smartphone, or you can trade the phone for another compact point and shoot or action camera. You can even mix and match each accessory with different camera setups.

So whether you intend to vlog or simply want a good deal on three awesome camera accessories, you can’t go wrong with this kit.

To see the Joby Mobile Vlogging Kit in action, check out my video review:

The post Joby Mobile Vlogging Kit Review: A Great Deal for Vloggers appeared first on Digital Photography School. It was authored by Suzi Pratt.


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Fujifilm debuts mid-price X-S10 with six stops of in-body stabilization

16 Oct

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Fujifilm has just introduced its newest APS-C mirrorless camera, the X-S10. It brings the X-T4’s still image capabilities into a smaller, more affordable package, with nearly the same in-body stabilization rating.

The Fujifilm X-S10 features a 26.1MP X-Trans sensor and X-Processor 4, both borrowed from the X-T4. What isn’t lifted from the higher-end model is an all-new in-body image stabilization system, re-designed for the X-S10’s more compact form and 30% smaller than the X-T4’s IBIS unit. It’s rated up to 6 stops of shake reduction (compared to the X-T4’s 6.5) and achieves that level of performance with most of Fujifilm’s unstabilized lenses.

The X-S10 offers a fully articulating 3″ LCD with 1.04 million dots, and a built-in electronic viewfinder that’s a bit lower resolution than what you’ll find on the X-T4: 2.36M dots compared to 3.69M. The camera offers a single UHS-I SD card slot and its battery is rated to 325 shots per charge.

For video shooters the X-S10 provides 4K/30p recording, as well as microphone input and headphone connection via adapter. Flat F-Log recording is supported but, unlike the X-T4, footage can only be captured internally at 8-bit 4:2:0, though it can be recorded externally at 10-bit 4:2:2.

The Fujifilm X-S10 is scheduled to arrive in November for $ 1000 body-only, $ 1400 for XF 18-55mm F2.8-4 kit, or $ 1500 for XF 16-80mm F4 R OIS WR kit.

Press releas:

Fujifilm Introduces X-S10 Mirrorless Digital Camera

Up to 6.0-stops of In-Body Image Stabilization in a compact, lightweight body

Valhalla, N.Y. – October 15, 2020 – FUJIFILM North America Corporation today announced the launch of FUJIFILM X-S10 (X-S10), the newest addition to the X Series family of compact and lightweight mirrorless digital cameras. X-S10 is expected to be available in November with two lens kit options.

Equipped with key features including the 26.1MP X-TransTM CMOS 4 sensor, and the high- speed image processing engine, X-Processor 4, as well as In-Body Image Stabilization (IBIS), the X-S10 offers maximum functionality in a compact body.

“X-S10 is a perfect fit for anyone who needs a lightweight imaging solution with professional features for both photo and video,” said Victor Ha, senior director of marketing and product management for FUJIFILM North America Corporation’s Electronic Imaging Division. “It offers something for everyone; the popular AUTO/SP (Scene Position) Mode automatically adjusts camera settings to produce stunning images without the need to make fine adjustments to image settings. The advanced video capabilities can either produce sharp 4K/30P 4:2:2 10-bit video or high-speed full-HD video at 240fps, and the vari-angle LCD screen can also be flipped forward 180 degrees, giving everyone from photographers and filmmakers to vloggers and hobbyists something to love about this camera.”

Main product features:

A newly developed, smaller IBIS for its compact body

  • The camera’s IBIS mechanism is approximately 30% smaller in volume and weight than the previous, similar X Series model*1. Despite its small size, weighing just 465g (1.02lb), X-S10 delivers up to 6.0-stops*2 of five-axis image stabilization. It is also the first mid-range X Series camera to use a motion sensor retention mechanism, which is a mechanical shock absorber that guards against slight vibrations that may come from the shutter unit, adding another level of stability beyond what was previously available in X Series products to ensure that image clarity and resolution are maintained.
  • To further assist with hand-held stability, X-S10 features a large, ergonomic magnesium- alloy grip, making it easy to keep the camera stable when large lenses are mounted. The design also features a magnesium-alloy front and top-plate to keep the body rigid and robust.

Legendary Film Simulation Modes and updated AUTO functions for outstanding image quality

  • FUJIFILM Film Simulation Modes were created to celebrate the history of photographic film by digitizing some of the industry’s most iconic analog films. X-S10 features 18 Film Simulation Modes, including ETERNA Bleach Bypass, which creates a beautiful, desaturated, high-contrast look.
  • To complement these Film Simulation Modes, X-S10 also offers an updated [AUTO / SP (Scene Position)] mode that automatically adjusts shooting settings to the given scene, without the need to make further, fine adjustments in Settings. Now, photographing landscapes with clarity and vivid colors, making portraits with beautiful skin tones, and creating evenly-balanced images in back-lit conditions are possible, regardless of skill level.

Dependable AF and High-Speed Burst Mode performance for those important moments

  • The combination of X-S10’s high-speed AF and AF-tracking performance with the X- TransTM CMOS 4 sensor’s 2.16 million phase detection pixels and X-Processor 4’s computing power provides quick and accurate autofocus results, achieving focus in as fast as 0.02 seconds in some cases, even at -7.0 EV*3.
  • X-S10 is equipped with high-precision Tracking AF for moving subjects and Face/Eye AF function to track a subject’s face and eyes.
  • Offers blackout-free, high-speed burst shooting of 30fps with the electronic shutter and 8fps when using the mechanical shutter*4.

Vari-angle LCD monitor and viewfinder that supports three Boost modes

  • X-S10 has a vari-angle LCD monitor that can rotate up to 180 degrees, making it useful not only for selfies but also for stills and videos taken from various camera positions.
  • The viewfinder’s Live View function has three Boost modes available, including Low
    Light Priority, Resolution Priority Model, and Frame Rate Priority.

Extensive video-recording functions

  • X-S10 generates 4K video from the amount of data equivalent to 6K to ensure the footage is in high resolution with low noise. It supports recording 4K/30p 4:2:0 8-bit video onto an SD card inserted in the camera, and outputting 4K/30p 4:2:2 10-bit video via the HDMI port.
  • The X-S10 camera is also capable of high-speed full-HD recording at 240fps, producing up to 10x slow-motion footage of a fast-moving subject’s split-second motion.
  • In addition to X-S10’s IBIS, its Digital Image Stabilization (DIS) mode powerfully compensates for camera shake even when walking with the camera. Adding IS Mode Boost provides even more stabilization, nearly eliminating camera shake when it is used from a fixed, hand-held position.
  • With a dedicated movie recording button on its top-plate, X-S10 lets users start recording video even when the camera is set to stills mode. It will also automatically set exposure and focus settings if the camera is in an AUTO shooting mode*5.

Pricing and Availability

X-S10 is expected to be available in the U.S. and Canada markets commencing November 2020 in black color, and will be offered in both a body-only and two XF lens kit options.

FUJIFILM X-S10 body-only: $ 999.95 USD / $ 1,349.99 CAD

FUJIFILM X-S10 with XF18-55mmF2.8-4 R lens kit: $ 1,399.95 USD / $ 1,899.99 CAD

FUJIFILM X-S10 with XF16-80mmF4 R OIS WR lens kit: $ 1,499.95 USD / $ 2,049.99 CAD

For more information, please visit https://fujifilm-x.com/en-us/products/cameras/x-s10/.

*1 When compared with the IBIS function featured in the FUJIFILM X-T4 mirrorless digital camera
*2 Offering a 6.0-stop advantage to 20 out of the 30 currently available, interchangeable X Series lenses (XF/XC lenses)
*3 Referenced performance available using the X-S10 with an XF50mmF1.0 lens
*4 High-speed continuous shooting without blackout (i.e. without the viewfinder going dark during shooting, causing the user to lose sight of the subject) applies only when using the X-S10 electronic shutter.
*5 The AF mode automatically switches to Continuous AF in these instances.

Fujifilm X-S10 specifications

Price
MSRP $ 999 (body only), $ 1399 (w/18-55mm lens), $ 1499 (w/16-80mm lens)
Body type
Body type SLR-style mirrorless
Body material Magnesium alloy
Sensor
Max resolution 6240 x 4160
Image ratio w:h 1:1, 3:2, 16:9
Effective pixels 26 megapixels
Sensor size APS-C (23.5 x 15.6 mm)
Sensor type BSI-CMOS
Color space sRGB, Adobe RGB
Color filter array X-Trans
Image
ISO Auto, 160-12800 (expands to 80-51200)
Boosted ISO (minimum) 80
Boosted ISO (maximum) 51200
White balance presets 7
Custom white balance Yes (3 slots)
Image stabilization Sensor-shift
Image stabilization notes Up to 6 stops with select stabilized lenses. 5-5.5 stops with other lenses.
CIPA image stabilization rating 6 stop(s)
Uncompressed format RAW
JPEG quality levels Fine, normal
File format
  • JPEG (Exif v2.3)
  • Raw (Fujifilm RAF, 14-bit)
Optics & Focus
Autofocus
  • Contrast Detect (sensor)
  • Phase Detect
  • Multi-area
  • Center
  • Selective single-point
  • Tracking
  • Single
  • Continuous
  • Touch
  • Face Detection
  • Live View
Autofocus assist lamp Yes
Digital zoom Yes
Manual focus Yes
Number of focus points 425
Lens mount Fujifilm X
Focal length multiplier 1.5×
Screen / viewfinder
Articulated LCD Fully articulated
Screen size 3
Screen dots 1,040,000
Touch screen Yes
Screen type TFT LCD
Live view Yes
Viewfinder type Electronic
Viewfinder coverage 100%
Viewfinder magnification 0.93× (0.62× 35mm equiv.)
Viewfinder resolution 2,360,000
Photography features
Minimum shutter speed 900 sec
Maximum shutter speed 1/4000 sec
Maximum shutter speed (electronic) 1/32000 sec
Exposure modes
  • Program
  • Aperture priority
  • Shutter priority
  • Manual
Built-in flash Yes
Flash range 7.00 m (at ISO 200)
External flash Yes (via hot shoe)
Flash X sync speed 1/180 sec
Continuous drive 20.0 fps
Self-timer Yes
Metering modes
  • Multi
  • Center-weighted
  • Average
  • Spot
Exposure compensation ±5 (at 1/3 EV steps)
AE Bracketing ±5 (2, 3, 5, 7 frames at 1/3 EV, 1/2 EV, 2/3 EV, 1 EV, 2 EV steps)
WB Bracketing Yes
Videography features
Format MPEG-4, H.264
Modes
  • 4096 x 2160 @ 30p / 200 Mbps, MOV, H.264, Linear PCM
  • 4096 x 2160 @ 25p / 200 Mbps, MOV, H.264, Linear PCM
  • 4096 x 2160 @ 24p / 200 Mbps, MOV, H.264, Linear PCM
  • 4096 x 2160 @ 23.98p / 200 Mbps, MOV, H.264, Linear PCM
  • 3840 x 2160 @ 30p / 200 Mbps, MOV, H.264, Linear PCM
  • 3840 x 2160 @ 25p / 200 Mbps, MOV, H.264, Linear PCM
  • 3840 x 2160 @ 24p / 200 Mbps, MOV, H.264, Linear PCM
  • 3840 x 2160 @ 23.98p / 200 Mbps, MOV, H.264, Linear PCM
  • 1920 x 1080 @ 240p / 200 Mbps, MOV, H.264, Linear PCM
  • 1920 x 1080 @ 120p / 200 Mbps, MOV, H.264, Linear PCM
  • 1920 x 1080 @ 60p / 200 Mbps, MOV, H.264, Linear PCM
  • 1920 x 1080 @ 50p / 200 Mbps, MOV, H.264, Linear PCM
  • 1920 x 1080 @ 30p / 200 Mbps, MOV, H.264, Linear PCM
  • 1920 x 1080 @ 25p / 200 Mbps, MOV, H.264, Linear PCM
  • 1920 x 1080 @ 24p / 200 Mbps, MOV, H.264, Linear PCM
  • 1920 x 1080 @ 23.98p / 200 Mbps, MOV, H.264, Linear PCM
Microphone Stereo
Speaker Mono
Storage
Storage types SD/SDHC/SDXC slot (UHS-I supported)
Connectivity
USB USB 3.2 Gen 1 (5 GBit/sec)
USB charging Yes
HDMI Yes (micro-HDMI)
Microphone port Yes
Headphone port No
Wireless Built-In
Wireless notes 802.11b/g/n + Bluetooth
Remote control Yes (via smartphone)
Physical
Environmentally sealed No
Battery Battery Pack
Battery Life (CIPA) 325
Weight (inc. batteries) 465 g (1.03 lb / 16.40 oz)
Dimensions 126 x 85 x 65 mm (4.96 x 3.35 x 2.56)
Other features
Orientation sensor Yes
Timelapse recording Yes
GPS None

Articles: Digital Photography Review (dpreview.com)

 
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DPReview TV: Fujifilm X-S10 first impressions review

16 Oct

The Fujifilm X-S10 may have a less retro design than some of its siblings, but it’s a very capable camera for both stills and video. Watch our review to find out why Chris and Jordan think this camera hits the sweet spot.

Subscribe to our YouTube channel to get new episodes of DPReview TV every week.

  • Introduction
  • Complaining about the weather
  • Sample images
  • Controls
  • Stabilization
  • Grip
  • AF-on placement
  • Displays
  • Film simulations
  • Burst shooting and autofocus
  • Video capabilities
  • Video overheating test
  • Video autofocus and stabilization
  • Waterfalls!
  • Who's it for?

Sample images from this episode

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Articles: Digital Photography Review (dpreview.com)

 
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Fujfilm X-S10 pre-production sample gallery

16 Oct

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The Fujifilm X-S10 is the latest addition to the X-mount family of cameras. It sports a stabilized 26MP X-Trans BSI-CMOS sensor and is capable of producing those lovely JPEG colors we so enjoy. It also features a notably beefy grip and DSLR-esque stylings.

Note: Images are pre-production and Fujifilm has requested we provide JPEGs only at this time. We’ll publish a full-production gallery as soon as we can!

See our pre-production Fujifilm X-S10 sample gallery

Articles: Digital Photography Review (dpreview.com)

 
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Hands-on with the Fujifilm X-S10: Small camera, great grip

16 Oct

Hands-on with the Fujifilm X-S10

Meet the Fujifilm X-S10 – a camera the company is calling a cross between an X-T30 and its older X-H1. That basically means that here we have a compact camera with the best APS-C size sensor Fujifilm has to offer (from the X-T30 / X-T4) but with a really nice, sizable grip and in-body stabilization inspired by the X-H1.

In the time we’ve had the X-S10, we have to admit we’re impressed. We think it offers a lot of bang for the buck, and its simplified control scheme will appeal to a lot of users, including those upgrading from older DSLR cameras in particular.

Sensor, performance, and look at that grip

The X-S10 comes with the same 26MP X-Trans sensor we’ve seen in a handful of Fujifilm’s other cameras, and that’s a good thing. It offers excellent noise performance and very fast readout speeds, which help boost autofocus performance and video capability. Based on our preliminary testing, we’d expect autofocus performance to be essentially on par with the X-T30 / X-T3 / X-T4 cameras, which is to say, darn good.

Video specs are solid too: You can record up to 4K/30p, 8-bit files internally. If you use an external recorder, you can boost that to 10-bit 4:2:2 files, which is handy for people who want to do some post-production work on their clips.

Burst speeds are great for a camera of this class. You can shoot at up to 8 fps with the mechanical shutter, and up to 20 fps with the electronic shutter (and a further 30 fps with a 1.25x crop). Unfortunately, we don’t yet know the buffer depth of the X-S10 (how long you can shoot bursts before the camera slows down), but we’ll be testing this when we get a final review sample.

And lastly, check out that grip! It’s generous and comfortable, and makes handling the X-S10 a breeze with lenses big and small. But although the X-S10 feels incredibly solid in your hand, it doesn’t come with any claims of weather-sealing.

New stabilizer

The X-S10 is equipped with an all-new, compact stabilizer unit built specifically to fit inside the camera’s smaller body. It tops out at 6 stops of shake reduction with stabilized lenses, and varies from 5 to 5.5 stops with unstabilized lenses.

Those figures mean that with a 50mm-equivalent lens, you should be able to handhold images with a reasonable degree of success at shutter speeds of 0.6 seconds or even slower.

Control scheme

But where the X-S10 really stands out – among Fujifilm cameras, at least – is right here. Most Fujifilm cameras are covered in ISO, shutter speed and exposure compensation dials, but not this one. This one uses a mode dial, customizable control dials under your forefinger and thumb, and a third customizable dial on the left shoulder of the camera.

While manipulating those manual dials on other cameras could get you into a ‘program auto’ mode, on the X-S10, that’s made much easier by just rotating the mode dial to ‘P’. Fujifilm is banking on appealing to a different subset of users with the X-S10; a group that either sees no need for dedicated dials for exposure parameters, or those coming from other cameras with this style of control scheme, which is basically ubiquitous among entry-level and mid-level DSLRs.

Fujifilm has also said that the full Auto mode has been tweaked to give users a bit more control over autofocus and image quality parameters while also automatically choosing a film simulation mode depending on the scene. Lastly, it’s worth noting that the X-S10 has a built-in pop-up flash which you trigger with the small switch on the far left, and the top plate is also where you’ll find customizable ISO and movie record buttons. The ‘Q’ button brings up the camera’s customizable Quick Menu on the rear screen or in the viewfinder.

Control scheme

The rear of the camera is fairly spartan. You get a customizable drive-mode button on the top left, a customizable button just to the right of the EVF, the requisite Playback, Display / Back, Menu / OK and AEL and AF-ON buttons as well as an AF joystick. We actually find that, overall, we prefer the control scheme on the X-S10 to, say, the X-T30; we collectively thought the X-T30 was a bit cramped, and we’d knock the joystick by accident all the time. On the X-S10, there’s plenty of room for your grip hand and the joystick is perfectly placed.

The rear screen is touch sensitive, and as you can see, is a side-hinged design, which may appeal to video shooters more than a simple tilting design. At the top of the camera is a fairly middle-of-the-road 2.36M-dot EVF, which does at least offer a great refresh rate and good contrast.

Ports

Along the side of the X-S10, we see a 3.5mm microphone port as well as USB-C and micro-HDMI ports. The USB-C port can be used for data transfer, it can charge the battery or you can also attach an included dongle adapter to plug in a pair of headphones for audio monitoring while shooting video. However, based on your usage, it’s worth being aware of the fact that the positioning of the ports may get in the way of the fully articulating screen.

Battery and storage

Power for the X-S10 comes from the standard Fujifilm NP-W126S battery pack, found in a number of its other cameras. Battery life is rated by CIPA for 325 shots if you’re primarily using the rear LCD, but we’d expect far more than that in normal use, especially if you watch your Wi-Fi use and keep the pop-up flash popped down.

One small disappointment is that the single SD card slot is only UHS-I compatible, so you won’t gain any speed benefit from UHS-II cards. It’s not a huge deal on a camera at this level, but considering how fast the X-S10 can shoot burst images, it would have been nice to see the faster slot included.

Hands-on with the Fujifilm X-S10

And that concludes our short tour of the Fujifilm X-S10. While it may not be a revolutionary camera, it looks like a really well-rounded model at a good price, and one that may tempt new users into the Fujifilm ecosystem.

What do you make of the Fujifilm X-S10? Let us know in the comments.

Articles: Digital Photography Review (dpreview.com)

 
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Microsoft’s latest computer vision technology beats humans at captioning images

16 Oct
Seeing AI. Photo by Microsoft

Microsoft has expanded its existing efforts to improve life for the visually impaired by developing an AI system capable of automatically generating high-quality image captions — and, in ‘many cases,’ the company says its AI outperforms humans. This type of technology may one day be used to, among other things, automatically caption images shared online to aid those who are dependent on computer vision and text readers.

Computer vision plays an increasingly important role in modern systems; at its core, this technology enables a machine to view, interpret and ultimately comprehend the visual world around it. Computer vision is a key aspect of autonomous vehicles, and it has found use cases in everything from identifying the subjects or contents of photos for rapid sorting and organization to more technical use cases like medical imaging.

In a newly published study [PDF], Microsoft Researchers have detailed the development of an AI system that can generate high-quality image captions called VIsual VOcabularly (VIVO), which is a pre-training model that learns a ‘visual vocabulary’ using a dataset of paired image-tag data. The result is an AI system that is able to create captions describing objects in images, including where the objects are located within the visual scene.

Test results found that at least in certain cases, the AI system offers new state-of-the-art outcomes while also exceeding the capabilities of humans tasked with captioning images. In describing their system, the researchers state in the newly published study:

VIVO pre-training aims to learn a joint representation of visual and text input. We feed to a multi-layer Transformer model an input consisting of image region features and a paired image-tag set. We then randomly mask one or more tags, and ask the model to predict these masked tags conditioned on the image region features and the other tags … Extensive experiments show that VIVO pre-training significantly improves the captioning performance on NOC. In addition, our model can precisely align the object mentions in a generated caption with the regions in the corresponding image.

Microsoft notes alternative text captions for images are an important accessibility feature that is too often lacking on social media and websites. With these captions, individuals who suffer from vision impairments can use dictation technology to read the captions, giving them insight into the image that they may otherwise be unable to see.

The company previously introduced a computer vision-based product described specifically for the blind called Seeing AI, which is a camera app that audibly describes physical objects, reads printed text and currency, recognizes and reports colors and other similar things. The Seeing AI app can also read image captions — assuming captions were included with the image, of course.

Microsoft AI platform group software engineering manager Saqib Shaikh explained:

‘Ideally, everyone would include alt text for all images in documents, on the web, in social media – as this enables people who are blind to access the content and participate in the conversation. But, alas, people don’t. So, there are several apps that use image captioning as a way to fill in alt text when it’s missing.’

That’s where the expanded use of artificial intelligence comes in. Microsoft has announced plans to ship the technology to the market and make it available to consumers through a variety of its products in the near future. The new AI model is already available to Azure Cognitive Services Computer Vision customers, for example, and the company will soon add it to some of its consumer products, including Seeing AI, Word and Outlook for macOS and Windows, as well as PowerPoint for Windows, macOS and web users.

Articles: Digital Photography Review (dpreview.com)

 
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Sony brings its Imaging Edge Webcam utility to macOS, updates Windows version

16 Oct

Sony has announced the release of a macOS version of its Imaging Edge Webcam utility as well as an update for the Windows version.

Back in August, Sony followed in the footsteps of other manufacturers with the announcement of Imaging Edge Webcam, a utility that turned three dozen Sony cameras into webcams without the need of a capture card. At the time, the utility was Windows-only, but it’s now available for macOS.

Much like the Windows version, the macOS version (1.0) makes it easy to turn one of the following Sony camera systems into a dedicated webcam by simply connecting it over USB:

?: E-mount?ILCE-?

  • ILCE-7M2
  • ILCE-7M3
  • ILCE-7RM2
  • ILCE-7RM3
  • ILCE-7RM4
  • ILCE-7S
  • ILCE-7SM2
  • ILCE-7SM3
  • ILCE-9
  • ILCE-9M2
  • ILCE-5100
  • ILCE-6100
  • ILCE-6300
  • ILCE-6400
  • ILCE-6500
  • ILCE-6600

?: A-mount?ILCA-?

  • ILCA-77M2
  • ILCA-99M2
  • ILCA-68

Digital Still Camera?DSC-/Vlog camera)

  • DSC-HX95
  • DSC-HX99
  • DSC-RX0
  • DSC-RX0M2
  • DSC-RX100M4
  • DSC-RX100M5
  • DSC-RX100M5A
  • DSC-RX100M6
  • DSC-RX100M7
  • DSC-RX10M2
  • DSC-RX10M3
  • DSC-RX10M4
  • DSC-RX1RM2
  • DSC-WX700
  • DSC-WX800
  • ZV-1

The Windows version has also received a 1.1 update. No specific changes were mentioned, but it’s safe to assume there were a number of bugs dealt with.

You can download both the macOS (1.0) and Windows (1.1) versions of Imaging Edge Webcam from Sony’s website.

Articles: Digital Photography Review (dpreview.com)

 
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Fujifilm to improve X-T3 AF performance with new firmware, bringing it more in line with X-T4

15 Oct

In addition to announcing a camera, lens and more, Fujifilm has also revealed it will soon release a free firmware update for its X-T3 that will improve autofocus performance and more.

The firmware update will go live on October 28, according to Fujifilm’s press release. The improvements should see autofocus speeds more than double, taking focus times drop from 0.06 seconds to 0.02 seconds, bringing the X-T3’s autofocus performance more in line with the X-T4.

Fujifilm says it’s also improved the algorithm for predicting subject movements, which should result in a >90% ‘hit rate.’ The Face Tracking and Eye AF algorithm has also been re-written to double the tracking performance in continuous shooting modes.

Other improvements include the ability to use AF in low light levels down to -7EV with the new Fujinon XF 50mm F1.0 R WR lens, a new ‘Focus Limiter’ feature for setting pre-determined focus ranges, the ability to change the size of Single AF points while recording video and improvements that make it possible for third-party programs to read the ratings applied to pictures in-camera.

We will update this article when the firmware is released.

Articles: Digital Photography Review (dpreview.com)

 
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