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Posts Tagged ‘zoom’

Asus Zenfone 3 Zoom features dual-cam with 2.3x zoom

09 Jan

Last year’s Asus Zenfone Zoom was one of very few smartphones to feature a conventional style 3x zoom lens. The downside to that was a slightly thicker than usual device and at F4.8 a very slow aperture at the tele end, for smartphone standards. 

On the new Zenfone 3 Zoom, just announced at CES in Las Vegas, Asus has changed strategies and opted for an iPhone 7 Plus style dual-cam. The Zenfone 3 Zoom offers the usual ‘bokeh-effect,’ and similar to the Apple device comes with a ‘tele’ lens that offers a 59mm equivalent focal length next to a 25mm wide angle. Both modules come with a 12MP image resolution. On the wide angle image data is captured on a 1/2.55″ Sony IMX362 sensor with 1.4 µm pixel size, F1.7 aperture and optical image stabilization. The longer lens has an F2.8 aperture but sensor specifications have not been revealed yet. It’s fair to assume the chip will be smaller than the one in the wide angle module, though. 

The camera also comes with phase detection and laser assistance in the AF system, a dual-LED flash and 4K video recording. Other specifications include a 5.5″ inch 1080p display with Gorilla Glass 5, a Snapdragon 625 chipset and a huge 5,000 mAh battery. At 7.83mm the Zenfone 3 Zoom is considerably thinner than its predecessor and could be the first real Android alternative to the iPhone 7 Plus. It will become available in February at which point Asus will hopefully also reveal complete camera specifications.

Articles: Digital Photography Review (dpreview.com)

 
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Gionee M2017 comes with 2x optical zoom and 7,000 mAh battery

28 Dec

Gionee is a relatively new name in the smartphone world but the Chinese brand has already established itself in Asian markets and is growing quickly in the Western hemisphere as well. With a price tag of approximately $ 1,000, its latest model, the M2017, places itself firmly at the luxury end of the mobile device spectrum; but looking at the specifications, that seems justified.

The M2017’s headline feature is its battery. The engineers have combined two 3500mAh units to create a massive 7000mAh battery that rivals those on some tablets. Gionee claims the device offers  32 hours of talk time or 26 hours video playback on a full charge. Quick Charge 3.0 is supported as well.

The camera specs sound very interesting, too, although Gionee has not provided too much detail. For now we know that the device features a dual-cam with a 12 and a 13MP sensor. This combination allows for 2x optical zoom, like on the iPhone 7 Plus, or a 8x digital zoom. The front-facing camera comes with an 8MP resolution. 

The rest of the specification reflect the luxury price point as well. Images can be viewed and composed on a 5.7-inch dual curved QHD AMOLED display. In terms of memory, there are 6GB of RAM and 128GB of storage. Unfortunately though there is no microSD-card slot, and for some strange reason, Gionee decided to use the mid-range Snapdragon 653 chipset to power the M2017.

The device is made from premium materials, weighs in at 238 grams and, despite the massive battery, is 10.78mm thin. There is no information yet on international availability, but we’d certainly like to have closer look at that dual-camera.

Articles: Digital Photography Review (dpreview.com)

 
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Kamerar ZOOM is a lens attachment for the iPhone 7 Plus dual-camera

26 Dec

With the 28 and 56mm equivalent lenses of its dual-camera, the iPhone 7 Plus offers more flexibility in terms of focal length than most smartphones. If that’s still not enough, the Kamerar ZOOM is now the first lens attachment designed for the iPhone’s dual-camera. 

The system includes two lens attachments that slide into a special case and over the iPhone’s built-in camera lenses. One combines a fisheye lens for the iPhone’s wide-angle camera with a tele-converter for the 56mm lens. The other improves the macro capabilities of both lenses.

In the product images the tiny lenses and the attachment don’t have the same premium look as some of the high-end smartphone lenses, for example from Moment or Zeiss. However, at only $ 45 plus import duties the Kamerar Zoom could be an inexpensive way of widening the creative potential of the iPhone 7 Plus even further. It can now be ordered on the Kamerar website. 

Articles: Digital Photography Review (dpreview.com)

 
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Sony launches Cyber-shot HX350 with 50x zoom outside US

26 Dec

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Sony has launched the Cyber-shot HX350 in European markets, offering a 50x zoom lens and 20.4MP BSI CMOS sensor like its HX300 predecessor. In fact, very little has changed compared to the previous model – as best we can tell, it adds an up-to-date BIONZ X processor, lock-on AF and a new blue ‘Zeiss’ badge on the same 24-1200mm equiv. F2.8-6.3 lens.

It continues to offer a built-in EVF, optical image stabilization, 3″ tilting 921k-dot LCD, 1080/60p video recording and 10 fps burst shooting. Sony Germany lists the HX350 at €449 with availability in January 2017.

Press Release:

That’s so close! The compact 50x super zoom Cyber-shot™ HX350 is big on imaging power

  • ZEISS® Vario-Sonnar T* lens with 50x optical zoom and 100x Clear Image Zoom[i] for awesome close-ups
  • Shoot like a pro with manual controls and electronic viewfinder in a compact DSLR-style body
  • Back-illuminated Exmor RTM CMOS sensor with 20.4 effective megapixels and BIONZ X image processing engine
  • Optical SteadyShot and Intelligent Active Mode for smooth, stable stills and Full HD movies
  • Sharp, speedy focus of moving subjects with Lock-on AF and DMF (Direct Manual Focus)

From expansive landscapes to exotic wildlife and family portraits: every scene’s covered with the Cyber-shot HX350 high-zoom camera from Sony.

Discerning photographers graduating from smartphone snaps will love the mix of easy-to-use features and DSLR-inspired styling. Fitting beautifully in your hand, the HX350 packs big camera performance into a compact body – for limitless creative possibilities with a fixed lens.

You’re good for any shooting situation, with the ZEISS® Vario-Sonnar T* lens offering a huge 50x optical zoom range – corresponding to 24mm wide angle to 1200mmsuper telephoto (equivalent in 35mm format).Clear Image Zoom doubles maximum magnification to a breathtaking 100xi, bringing distant buildings, people and animals jaw-droppingly close.

Camera shake is the enemy of high-zoom shooting, as any pro knows. Optical SteadyShot cuts handheld wobbles for crisper stills, rapidly shifting a group of lens elements to correct for the slightest hand tremors. Intelligent Active Mode keeps Full HD videos equally sharp and blur-free with Sony’s proprietary frame analysis technology.

Enthusiasts will be impressed by the high-resolution back-illuminated Exmor R CMOS sensor with 20.4 effective megapixels and speedy BIONZ X image processing engine. Even if you’re shooting handheld indoors or in low light, you’ll value crisp, low noise images and pristine Full HD video footage.

The easy to use Cyber-shot HX350 is loaded with serious shooting options. There’s a manual ring for smooth adjustment of zoom/focus, plus an easily-accessible mode dial and custom button for quick adjustment of favourite settings. And with full P/A/S/M controls, you’ve got all the exposure options you need to craft stunning pictures and Full HD videos. Movie-makers will also welcome the extra detail of a 24p shooting mode that gives footage that authentically cinematic look.

The choice is yours when it comes to framing shots with confidence. Look through the camera’s high-contrast electronic viewfinder – just like you’d expect on a DSLR – or switch to the manually tiltable 7.5cm (3.0-type) LCD with 921k dot resolution.

Extra shooting refinements include Motion Shot Video that traces your tennis serve or golf swing as a split-second series of superimposed images. After shooting, connect the camera to your 4K television for a big, beautiful view of your photos. Support for TRILUMINOS™ Colour on compatible BRAVIA™ TVs ensures still shots bursting with vivid, vibrant colours.

[i] At optical wide-end

Sony Cyber-shot DSC-HX350 specifications

Price
MSRP €450
Body type
Body type SLR-like (bridge)
Body material Composite
Sensor
Max resolution 5184 x 3456
Image ratio w:h 1:1, 4:3, 3:2, 16:9
Effective pixels 20 megapixels
Sensor photo detectors 21 megapixels
Sensor size 1/2.3" (6.17 x 4.55 mm)
Sensor type BSI-CMOS
Processor BIONZ X
Color space sRGB
Color filter array Primary Color Filter
Image
ISO Auto, 80-3200 (up to 12800 in Multi-Frame NR mode)
Boosted ISO (maximum) 12800
Image stabilization Optical
Uncompressed format No
JPEG quality levels Fine, standard
File format
  • JPEG (Exif v2.3)
Optics & Focus
Focal length (equiv.) 24–1000 mm
Optical zoom 41.7×
Maximum aperture F2.8–6.3
Autofocus
  • Contrast Detect (sensor)
  • Multi-area
  • Center
  • Selective single-point
  • Single
  • Continuous
  • Face Detection
  • Live View
Autofocus assist lamp Yes
Digital zoom Yes (2x)
Manual focus Yes
Normal focus range 1 cm (0.39)
Macro focus range 1 cm (0.39)
Screen / viewfinder
Articulated LCD Tilting
Screen size 3
Screen dots 921,600
Touch screen No
Screen type TFT LCD
Live view Yes
Viewfinder type Electronic
Viewfinder coverage 100%
Viewfinder resolution 201,600
Photography features
Minimum shutter speed 30 sec
Maximum shutter speed 1/4000 sec
Exposure modes
  • Program
  • Aperture Priority
  • Shutter Priority
  • Manual
Scene modes
  • High Sensitivity
  • Night Scene
  • Handheld Twilight
  • Night Portrait
  • Landscape
  • Portrait
  • Soft Skin
  • Anti Motion Blur
  • Beach
  • Snow
  • Fireworks
  • Advanced Sports Shooting
  • Gourmet
  • Pet Mode
Built-in flash Yes
Flash range 8.50 m (at Auto ISO)
External flash No
Flash modes Off, auto, fill, slow sync, advanced, rear sync
Drive modes
  • Single
  • Continuous
  • Self-timer
  • Bracketing (Exposure, WB)
Continuous drive 10.0 fps
Self-timer Yes (2 or 10 sec, portrait)
Metering modes
  • Multi
  • Center-weighted
  • Spot
Exposure compensation -2–3 (at 1/3 EV steps)
WB Bracketing Yes
Videography features
Format MPEG-4, AVCHD
Modes
  • 1920 x 1080 @ 60p / 28 Mbps, AVCHD, MTS, H.264, Dolby Digital
  • 1920 x 1080 @ 60i / 24 Mbps, AVCHD, MTS, H.264, Dolby Digital
  • 1920 x 1080 @ 60i / 17 Mbps, AVCHD, MTS, H.264, Dolby Digital
  • 1920 x 1080 @ 24p / 24 Mbps, AVCHD, MTS, H.264, Dolby Digital
  • 1920 x 1080 @ 24p / 17 Mbps, AVCHD, MTS, H.264, Dolby Digital
  • 1440 x 1080 @ 30p / 12 Mbps, MP4, H.264, AAC
Microphone Stereo
Speaker Mono
Storage
Storage types SD/SDHC/SDXC + Memory Stick Pro Duo
Connectivity
USB USB 2.0 (480 Mbit/sec)
HDMI Yes (micro-HDMI)
Microphone port No
Headphone port No
Physical
Environmentally sealed No
Battery Battery Pack
Battery description NB-BX1 lithium-ion battery & charger
Battery Life (CIPA) 300
Weight (inc. batteries) 652 g (1.44 lb / 23.00 oz)
Dimensions 130 x 93 x 103 mm (5.12 x 3.66 x 4.06)
Other features
Orientation sensor Yes

Articles: Digital Photography Review (dpreview.com)

 
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Throwback Thursday: Olympus C-211 Zoom Digital Printing Camera

15 Dec

If you want to see a truly rare camera, look no further than the Olympus ‘Camedia’ C-211 Zoom Digital Printing Camera. The big feature of the C-211 Zoom ($ 800 at launch) is immediately obvious – it’s a camera and photo printer in one. Even if you found a C-211 in a thrift shop you probably couldn’t even print anything, as it uses the now-defunct Polaroid 500 instant film.

From a spec point-of-view the C-211Z wasn’t any different than other Olympus cameras in 2000. It had a 2 Megapixel CCD, 35-105mm equiv. lens, TIFF support and no manual exposure control. One interesting feature was its 113k-dot LCD, which used a ‘Hybrid Collector Backlight.’  Just above the panel was a window, through which light passed through, brightening the display when shooting outdoors without requiring additional power from the traditional LCD backlight. The C-211 used the wondrous storage format known as SmartMedia.

The C-211 used Polaroid 500 film packs, which held ten pieces of film as well as a small battery to advance to the next sheet. The print area of 500 film was 2.25 x 2.875 in. (57 x 73mm) and it took about 15 seconds for the camera to pop out a sheet.

There were a number of options for photo printing. Naturally you could select a photo in playback mode and hit that large blue print button and be done with it. You could also print a contact sheet or a crop of a photo (cropping must have been fun on that tiny LCD.) You could even print a series of frame grabs from a video you’d recorded at a whopping 320 x 240.

While clever, the C-211 Zoom was the only photo printing camera Olympus ever made, and the concept never went anywhere – until quite recently that is, when instant cameras like Fujifilm’s Instax became a big hit.

Read original C-211 Zoom news story

Articles: Digital Photography Review (dpreview.com)

 
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Have Your Say: Best Zoom Lens of 2016

09 Dec

Have Your Say: Best Zoom Lens of 2016

The end of the year is almost upon us, and as usual, 2016 saw plenty of new lenses released, including several excellent zooms. We’ve used a lot of them and tested some, but we want to hear from you – what were your favorite zoom lenses of 2016? 

For the sake of a manageable list, we’ve omitted ‘kit’ zoom lenses and most variable-aperture telezooms from this poll. If there’s a particularly high-performing example of either type which you’d like to see represented in our final selection, or a late 2015 release that you think should be under consideration, leave a comment!

Click through this slideshow for a reminder of the major releases and a chance cast your vote. Voting ends at midnight on December 31st.

Canon EF 16-35mm F2.8L III USM

The Canon EF 16-35mm F2.8L III USM is the third revision of Canon’s well-known ultra-wide zoom lens. It has 16 elements, one of which is dual surface aspherical, while the other is ground aspherical. The lens has a fluorine coating and is dust and water resistant. The minimum focus distance is 0.28m.

Our early impressions of this lens are very positive indeed. It’s  costly piece of glass, but for Canon photographers looking for a versatile wideangle zoom, the 16-35mm F2.8 III is hard to beat. Is this one of your lenses of the year? Cast your vote and let us know.

See full specifications, user reviews and more

Olympus M.Zuiko Digital ED 12-100mm F4.0 IS Pro

The M.Zuiko Digital ED 12-100mm F4 IS Pro is a powerful carry-everywhere zoom lens (24-200mm equiv.) that offers incredible versatility in a relatively small package. Combined with Olympus’ 5-axis IBIS in the new OM-D E-M1 II, it can offer up to 6.5 stops of image stabilization.

On top of that, the minimum focus distance at the 12mm end is a miniscule 1.5cm from the front element of the lens, and 27cm at the telephoto end of 100mm. All of that power is housed in a splashproof, dustproof, and freezeproof body. Is this powerful zoom on your wishlist? Cast your vote and let us know.

See full specifications, user reviews and more

Nikon AF-S Nikkor 70-200mm F2.8E FL ED VR

The Nikon EF-S Nikkor 70-200mm F2.8E FL ED VR is the company’s latest fast telephoto zoom. It offers up to four stops of shake reduction, a Silent Wave Motor, and assignable buttons on the lens barrel. It has six ED, one Flourite and one HRI elements as well as Nano Crystal and Fluorine coatings to make it easy to remove moisture and smudges from exposed elements. The lens is constructed of magnesium alloy and is sealed against dust and moisture.

Early test results suggest that this lens is a high performer, but the swapping of focus and zoom rings has angered some commenters. What do you think? 

See full specifications, user reviews and more

Sigma 50-100mm F1.8 DC HSM Art

Sigma’s 50-100mm F1.8 DC HSM Art provides a 75-150mm focal length range on the APS-C format DSLRs for which it’s designed. Offering a fast maximum aperture and standard ‘Art’-series construction quality the 50-100mm is solid, heavy and luxuriously engineered. 

The 50-100mm features three FLD (F Low Dispersion) glass elements, one SLD (Special Low Dispersion) glass element, and one high-refractive index, high-dispersion glass element. Is it one of your favorite lenses of 2016?

See full specifications, user reviews and more

Sigma 12-24mm F4 DG HSM Art

The Sigma 12-24mm F4 DG HSM Art is an ultra-wide-angle zoom for full-frame DSLRs, which features the largest aspherical glass molded element in the industry. The 12-24mm F4 also features lens elements made with FLD (“F” Low Dispersion) glass, which Sigma claims is equivalent to calcium fluorite in performance. 

The 12-24mm is a big lens, measuring 132mm long, with a diameter of 102mm and a weight of 1,150g (40.6oz) but optically, we’ve been very impressed by its performance. Is this the third-party wideangle you’ve been waiting for? Cast your vote and let us know. 

See full specifications, user reviews and more

Sony FE 24-70mm F2.8 GM

The Sony FE 24-70mm F2.8 GM is a premium standard zoom for the Sony A-mount. Construction comprises 18 elements in 13 groups, and features three aspherical elements, including an extreme aspherical (XA) element. An ED (extra low dispersion) and Super ED glass element help minimize chromatic aberration while maintaining high resolution and bokeh characteristics.

It’s big, it’s costly, and it’s built to last. Is Sony’s FE 24-70mm F2.8 GM one of your picks for best zoom of 2016?

See full specifications, user reviews and more

Sony FE 70-200mm F2.8 GM OSS

Sony had a big year this year, and alongside the 24-70mm F2.8 FE, it also released theFE 70-200mm F2.8 GM OSS telephoto zoom. Like the 24-70mm GM, this lens features XA, Super ED, and ED glass elements to help achieve high resolution and desirable bokeh characteristics. Construction comprises 23 elements in 18 group, and a ‘Nano’ anti-reflective coating ensures reduced flare and ghosting. An additional fluorine coating to the front of the lens help keep it clean, and the lens is dust and moisture resistant.

Like it’s 24-70mm cousin, this 70-200mm F2.8 zoom is a premium lens, with construction (and price) to match. Does it make your list of standout zoom lenses of 2016? Click to the next slide and cast your vote!

See full specifications, user reviews and more

Vote Now!

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Have your say

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Have Your Say: Best Zoom Lens of 2016
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Canon 16-35mm F2.8L III

Olympus M.Zuiko 12-100mm F4.0

Sigma 12-24mm F4 Art

Sigma 50-100mm F1.8 Art

Sony FE 24-70mm F2.8 GM

Sony FE 70-200mm F2.8 GM

Nikon AF-S Nikkor 70-200mm F2.8E

Voting is easy – you pick your favorite products by dragging and dropping. You can pick up to three, and rank them in order of priority.

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Articles: Digital Photography Review (dpreview.com)

 
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Throwback Thursday: Fujifilm FinePix F601 Zoom

17 Nov

One of the more unusually shaped cameras from the early 2000s was Fujifilm’s F601 Zoom. This vertically oriented compact wasn’t designed by F.A. Porsche like previous models, but its gentle curves and metal lens cover were still eye-catching. Fujifilm’s F601 Zoom was the world’s first 6 megapixel compact (along with its F610Z sibling), and through a trickery involving its Super CCD HR sensor, could output an image up to 12 million pixels!

In his review, Phil Askey liked its vivid color reproduction and welcomed the inclusion of manual exposure controls, but wasn’t a fan of the camera’s 89% coverage in live view. You can still find the camera brochure on Fujifilm’s website – go take a look, it’s a treat. 

While the F601’s unique design didn’t endure, it’s a reminder of experimental early days in digital photography. 

Read our full Fujifilm FinePix F601 Zoom review

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Articles: Digital Photography Review (dpreview.com)

 
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Throwback Thursday: Olympus C-3040 Zoom

10 Nov

In the year 2000, Olympus updated its enthusiast-friendly digital zoom compact. The C-3040 Zoom bears the adorably 90’s ‘Camedia’ logo, and when it was introduced updated the previous model with some cosmetic improvements, a faster lens and a couple of feature updates like one-touch manual white balance. This 3.3MP powerhouse fetched $ 800 when we reviewed it in 2001 – here’s what all those clams got you:

  • 3MP 1/1.8″ CCD sensor
  • Built-in optical viewfinder
  • 320 x 240 video at 12.5 fps without audio
  • 3.5 fps burst shooting
  • 1.8″ LCD
  • Auto, 100, 200, 400 ISO settings
  • Full manual exposure modes

The C-3040 Zoom offered a 35-105mm equiv. F1.8-2.6 zoom, a boost over its predecessor’s 32-96mm equiv. F2.8 constant aperture lens. When we reviewed it we found the new lens to be noticeably sharper, and welcomed the minor improvements, but considered Olympus to be trying to extend the shelf life of an already aging design without bringing anything new to the market. Still, for $ 800 in its time it was a good bargain.

Did you own the 3040 Zoom or its predecessor? Do you have fond memories of using one? Share in the comments below.

See our Olympus C-3040 Zoom Review

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Articles: Digital Photography Review (dpreview.com)

 
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Tamron 18-270mm travel zoom lens gets slight update with fluorine coating

08 Sep
 Tamron’s new 18-270mm…  …and the previous version.

Tamron has introduced an updated version of its 18-270mm travel zoom lens, the Tamron 18-270mm F3.5-6.3 Di II VC PZD model B008TS. Unlike the previous version (model B008), the B008TS features a fluorine coating on the front lens element, in addition to the existing Broad-Band Anti Reflection coating. With the fluorine coating, Tamron says the lens element is water and oil-repellant and less likely to be harmed by dirt, fingerprints, moisture, and dust.

While the fluorine coating is the new model’s biggest change, the folks at Imaging Resource have pointed out some minor cosmetic changes, as well. The gold trim ring found on the previous lens model has been replaced with a silver ring; as well, the overall lens design has been simplified, with both the zoom ring’s and focus ring’s styles being altered. According to Tamron, these changes ‘create an external design with a high-grade feel.’

According to Tamron’s website, the new lens will launch tomorrow in Japan with Canon and Nikon mounts for ¥83,000 before tax.

Articles: Digital Photography Review (dpreview.com)

 
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Lenovo announces Hasselblad True Zoom camera module for Moto Z smartphones

04 Sep

Lenovo offers a range of detachable smartphone accessory modules, called Moto Mods, for its Moto Z series smartphones. So far a power pack, a speaker and a mini-projector have been available. Now the company has launched a new addition at IFA in Berlin that is especially interesting to mobile photographers: the Hasselblad True Zoom.

As its name suggests the True Zoom camera module was developed in cooperation with Swedish camera maker Hasselblad, and with its 10x zoom lens and Xenon flash it converts any Moto Z device into a connected travel zoom camera. Like the other Moto Mods, the True Zoom is attached to the smartphone via magnetic force and can be used instantly – no need to restart the device or pair the phone. Communication between the devices takes place via a range of electronic contact pins.

The True Zoom’s body is made from a plastic material. Inside, images are captured on a 12MP 1/2.3″ CMOS sensor with a 1.55 um pixel size. The zoom lens offers an equivalent range of 25-250mm and a F3.5-6.5 aperture. Optical image stabilization is on board as well, and the module can record 1080p Full-HD video.

Currently compatible smartphone models are the Lenovo Moto Z, Moto Z Force and the just-announced Moto Z Play mid-range phone that comes with a 16MP camera, 5.5″ 1080p AMOLED display and a Qualcomm Snapdragon 625 octa-core processor. We have had the chance to test the Hasselblad True Zoom on a Moto Z Force for a few days – you can read about our experience with the module in our hands-on review.

The Hasselblad True Zoom will ship globally in September and will cost $ 299/€299, or $ 249.99 from Verizon in the US.

Lenovo’s Moto Mod range includes a power pack, a speaker, a projector and now the new Hasselblad True Zoom camera module.

Hasselblad True Zoom Moto Mod key specifications:

  • 12MP 1/2.3″ CMOS sensor with 
  • 25-250mm equivalent 10x zoom lens
  • 12MP
  • F3.5-6.5 aperture
  • ISO 100 to 3200
  • 1080p video
  • 2 built-in microphones
  • Physical two-stage shutter button and zoom lever
  • Xenon flash
  • 145g

Articles: Digital Photography Review (dpreview.com)

 
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