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Posts Tagged ‘zoom’

Hasselblad True Zoom Moto Mod hands-on preview

03 Sep

At IFA in Berlin, Lenovo has revealed its latest Moto Mod detachable smartphone accessory module: The Hasselblad True Zoom. It’s a camera module with a 10x zoom lens, physical shutter button, zoom lever and a Xenon flash. Like previous Moto Mods it attaches directly to a compatible phone – currently the Moto Z, Moto Z Force and also brand new Moto Z Play will work – magnetically and via a series of contacts on the back of the device. It offers the following specifications:

  • 12MP 1/2.3″ CMOS sensor with 1.55 um pixel size
  • 25-250mm equivalent 10x zoom lens
  • 12MP
  • F3.5-6.5 aperture
  • ISO 100 to 3200
  • 1080p video 
  • 2 built-in microphones 
  • Physical two-stage shutter button and zoom lever
  • Xenon flash
  • 145g
  • Available globally in September for $ 299/€299

We have had the chance to test a pre-production unit, attached to a Lenovo Moto Z Force, as well as with the new Z Play, for a few days. Read on to find out how we got on.

Operations and ergonomics

The docking process is extremely simple and quick. The Hasselblad True Zoom is literally ‘sucked’ in place on the back on the smartphone by magnetic force and usable instantly, without the need to restart the device. The process is much quicker and easier than, for example, attaching the LG G5 camera grip, which requires removal of the battery and a restart. It’s also easier than pairing the Sony QX or Kodak Wi-Fi camera modules. 

Both smartphone and camera module come with electronic connection pins. Once the two devices get close the camera clips into place by magnetic force.

The module body is made from a solid-feeling plastic material and the rubberized grip makes it comfortable to hold. In terms of overall dimensions, weight and ergonomics the Moto Z Force with the attached True Zoom module feels not too dissimilar to the Samsung Galaxy Camera models, but gives you the option to remove the module when it’s not needed. The physical shutter button supports half-pressing for locking exposure and AF and, like the zoom rocker, works just like on a compact camera. There is no noticeable lag, and overall operation is very responsive.  

With its rubberized grip the True Zoom feels comfortable and secure to hold. With an attached smartphone the combo feels similar to the Samsung Galaxy Camera series.

By default the True Zoom works with the standard Moto camera app, which makes things nice and easy for the user, as no adaption to a new user interface is required. More advanced users will appreciate the full manual control over shooting parameters in Manual Mode and the ability to save Raw files with the JPEG images. The final version of the app will come with a range of True Zoom-specific Hasselblad image modes, but those had not been implemented yet on our pre-production test device.

In the settings you select DNG Raw format. The final version of the True Zoom will come with a range of Hasselblad image modes.

You can also use the True Zoom module for capturing images straight from Instagram and similar apps but it appears that at this point manual control and Raw capture are not available in third-party camera apps that focus on photographic control, such as Manual camera or Camera FV-5.

Image Output

The 10x optical zoom is one of the True Zoom’s most obvious advantages over a smartphone camera and covers pretty much all focal lengths needed on a typical vacation or trip. The optical image stabilization works very efficiently and keeps things steady at longer focal lengths. On our pre-production unit sharpness does vary a bit across the zoom range though – at some settings there is noticeable softness around the edges. 

Wide angle, 25mm equivalent, ISO 100, 1/2000 sec

Tele, 250mm equivalent, ISO 100, 1/320 sec

In good light the True Zoom produces good exposure and consumer-friendly vibrant colors but in terms of pixel-level detail it does not offer any noticeable advantage over most built-in smartphone cameras. Images show the same smearing of finer low-contrast detail, highlight clipping and luminance noise levels at base ISO that you would expect from a smartphone camera. 

 ISO 100, 1/800 sec
 ISO 100, 1/500 sec

In lower light the True Zoom images are again on a similar level to built-in smartphone cameras. Image detail starts suffering as you go up the ISO scale and both luminance and chroma noise are becoming more noticeable. Partly this is caused by the comparatively slower apertures of the lens, especially at the longer end of the zoom range. Thanks to the efficient OIS camera shake is hardly an issue, even at longer focal lengths, but in Auto mode slow shutter speeds in low light can lead to motion blur on moving subjects. Thankfully shutter speeds can be manually increased, as long as you’re happy to shoot at higher ISOs.

ISO 560, 1/30 sec
ISO 2500, 1/100 sec, manual exposure mode

The Xenon flash is another big advantage of the True Zoom module. It’s much more powerful than the LED flashes of smartphone cameras and allows for the illumination of subjects farther away from the lens, such as groups of people, and even some of the background. In our testing, exposure was good and we did not see any red-eye effect. In flash mode the camera also keeps the ISO low which makes for decent detail. 

 ISO 200, 1/30 sec, flash

The True Zoom also shoots 1080p video at 30 frames per second. Image quality is again on smartphone level but the module’s big bonus is the zoom which, thanks to the very efficient OIS, allows for getting closer to your subject, even when recording handheld. The low light video below shot with the zoom set to approximately 150mm equivalent.

Studio test scene comparison

Below you can see how the Hasselblad True Zoom performs capturing our standard studio test scene, next to the Moto Z Play’s built-in camera for comparison. 

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Conclusion

The Hasselblad True Zoom is the best smartphone camera add-on I have used so far. Attaching it to the phone is super-easy and quick. When it’s not needed, it is swiftly removed and stored away. It feels nice in the hand and the controls work well. The zoom range is very useful and offers a big advantage over the fixed wide-angle lenses in smartphone cameras. The Xenon flash is much more powerful than a smartphone LED and helps keep the ISO down.

Those looking for premium-compact or even DSLR-like image quality will be disappointed, though. Looking at the True Zoom’s sensor specification, it is no surprise that pixel-level detail and dynamic range are on very similar levels to built-in smartphone cameras. In terms of image quality, the optical zoom, robust image stabilization and Xenon flash are the module’s real advantages.

Currently, the most obvious disadvantage is the fact that you can only use the Hasselblad True Zoom with a compatible smartphone. That said, the Lenovo Moto Z models are attractive devices in their own right and make a nice package with the module. I enjoyed using the True Zoom on a recent short vacation and, as a photographer, I really hope the module will be an economic success for Lenovo and its subdivision Motorola. This would mean that we’d be likely to see more models in this series. A ‘Pro’ version with shorter zoom range but larger sensor, and maybe a physical control dial, sounds like music to our ears.

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Articles: Digital Photography Review (dpreview.com)

 
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DJI launches iPhone-controlled Osmo+ gimbal camera with zoom

26 Aug

DJI has launched the Osmo+, an upgrade to its iPhone-controlled Osmo gimbal camera, offering a range of improvements including zoom. The Osmo+ comes with 3.5x optical zoom that can be combined with a 2x digital zoom for an overall 7x range. When recording video in 1080p resolution the digital zoom is ‘lossless’, but that’s not the case in 4K mode.

The equivalent focal range covers approximately 22-77mm and apertures vary from F2.8 at wide angle to F5.2 at the maximum tele setting. Like its predecessor the Osmo+ captures 12MP JPEG and Raw images or records up to 4K video on a 1/2.3″ Sony Exmor sensor. A 1080p 120fps slow-motion mode is available as well.

Also new on the Osmo+ is a timelapse feature that lets you set start and end points for the moving camera head. DJI says the 3-axis image stabilization system has been improved as well, especially for still image mode. The Osmo+ is available at the DJI Store for $ 649. A tripod, bike mount and an extension rod are some of the wide range of accessory options.

Articles: Digital Photography Review (dpreview.com)

 
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Hasselblad rumored to be working on 10x zoom camera module for Moto Z phones

05 Aug

The Lenovo Moto Z and Moto Z Force smartphones have a unique feature: they accept accessory modules, so-called Moto Mods, which attach to their back plates magnetically and via 16 connection pins. At launch, Lenovo showed the InstaShare projector, a JBL Soundboost 6 Watt speaker and a 2220 mAh battery pack, but unfortunately the previously rumored camera module did not materialize. 

However, now hellomotoHK found information on the Chinese microblogging site Weibo that might indicate that Hasselblad is working on a Moto Z camera module with, a 10x zoom lens, physical shutter button and zoom lever, Xenon flash and Raw capability. Unfortunately, no information on sensor size and resolution has been provided. 

With Raw capture, optical image stabilization and 13 and 21MP sensors respectively the Moto Z and Z Force are well-equipped in the camera department, but a 10x zoom lens with a potentially larger sensor than in the smartphone camera modules would definitely expand the creative potential of the devices. It’s impossible to know how much truth is in this rumor, especially given that the image is just a rendering, but we certainly hope Hasselblad and Lenovo will let us know soon.

Articles: Digital Photography Review (dpreview.com)

 
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Throwback Thursday: the Fujifilm FinePix S5100 Zoom and all those shiny new compacts

28 Jul

Twelve years ago today Fujifilm announced six new compacts all at the same time, which is something that camera manufacturers used to do a lot. Here’s a fun game: ask anyone who writes about cameras to tell you about CES in the mid-to-late 2000’s, but don’t be surprised if they start babbling incoherently about megapixels and run screaming from the room.

The Fujifilm E550 Zoom. Similar to its more elegant sibling, the F810, it offered a high ISO 800 setting at a reduced 3MP.

Back in August 2004, Fujifilm launched its FinePix E Zoom compact series, describing it as ‘no-nonsense’ and ‘sure to bring even the most hardened sceptic round to digital photography.’ The E500 and E510 boasted conventional 4.1MP and 5.2MP sensors respectively, while the FinePix E550 offered a 6MP SuperCCD HR sensor, Raw shooting and sold for a ‘competitive’ $ 350/£300. Also introduced was the FinePix F810 Zoom, with many of the same specifications at the E550, but with a few premium touches like a metal body and a 2.1″ widescreen LCD.

But there was more! Also announced were the FinePix S3500 and S5500/S5100 Zoom SLR-style bridge cameras (the latter being our own Richard Butler’s first digital camera). The S5100 used a conventional 4MP sensor rather than the Super CCD sensor used by its predecessor, and offered such luxuries as Raw shooting, VGA 30 fps video recording (with sound!), a 115,000-dot LCD and PictBridge compatibility.

The Fujifilm FinePix S5500, or S5100, depending on where you live. 

Priced at $ 399/£250, we liked the S5100’s ‘fuss-free operation’ but wished it included optical image stabilization for its 10x zoom lens. It falls just a bit short of the 50x zoom lenses we routinely see in superzooms these days, but all in all it was a great value proposition in its time.

Did you own any of these cameras? Let us know in the comments.

Articles: Digital Photography Review (dpreview.com)

 
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Voyager 4 Drone comes with 16x optical zoom and 4G connectivity

25 Jul

Most camera drones come equipped with wide-angle lenses. For most use cases this makes sense from an image framing point of view but it also helps keep camera shake at bay. That said, thanks to improved gimbal and stabilization technologies we are now seeing the first consumer drone cameras with optical zoom appear on the market. The recently released Zenmuse Z3, DJI’s first zoom camera, offers a 7x zoom. The new Walkera Voyager 4 drone is now more than doubling the DJI’s zoom range by offering a 16x optical zoom lens that tops out at 1500mm. 

The camera records 1080p Full HD video, can rotate 360 degrees and is stabilized by a gimbal. Drone and camera can be controlled from up to a mile away via a mobile app using the drone’s built-in Wi-Fi network. In addition the Voyager 4 offers a new 4G connectivity feature which means it can, as long as a mobile network is available, be controlled across much larger distances. 

Both new features, the 16x zoom and 4G connectivity, won’t help to alleviate the privacy concerns related to drone use, but we will have to wait and see how the new technologies will be used. The Voyager 4 also comes as a 4K version with wide-angle lens. At this time pricing information has not been released. A product video is available on the Walkera website.

Articles: Digital Photography Review (dpreview.com)

 
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Zenmuse Z3 is DJI’s first aerial zoom camera

15 Jul

Drone maker DJI has today announced its first aerial zoom camera, the Zenmuse Z3. The new model is optimized for still photography and combines a 3.5x optical zoom with 2x digital magnification, resulting in a 7x overall zoom factor, covering equivalent focal ranges from 22-77mm. Aperture ranges from F2.8 at wide angle to F5.2 at the long end of the zoom. Inside the 262-gram camera body images are captured on a 12MP 1/2.3-inch Sony sensor that can also record 4K video at 30fps and save DNG Raw files. 

 Drone shot at 22mm equivalent focal length
 Done shot at 77mm equivalent focal length (7x zoom)

The camera can be used on the DJI’s Inspire 1, Matrice 100 or Matrice 600 drones and the company’s dedicated HD video downlink allows for transmission from a distance of up to 3.1 miles (5km) away. The zoom is operated via the DJI GO app or the Drone remote control. DJI says it has refined and improved image stabilization, as any camera movement is magnified at the longer end of the zoom lens.  The Z3 also comes with an upgraded gimbal. The camera will be available from July 28th and retail for $ 899.

SHENZHEN, July 14, 2016 – DJI, the world’s leading aerial-imaging company, on Thursday announced the Zenmuse Z3, DJI’s first integrated aerial zoom camera optimized for still photography.

The Zenmuse Z3 will offer up to a 7x zoom. The camera incorporates DJI’s leading gimbal technology, which has been upgraded to work optimally with its zoom capabilities.

“The Zenmuse Z3 pushes the possibilities of use for industrial applications,” said Senior Product Manager Paul Pan. “Before this camera, the only way to zoom in on a subject or object was to fly closer to it. Now, pilots in a search-and-rescue situation, or conducting surveys or inspections, can maintain distance and still zoom in for sharp, detailed images.”

The zoom camera is aimed at providing new capabilities for industrial applications, such as inspection and surveying.

The Zenmuse Z3 is compatible with the Inspire 1, Matrice 100 and Matrice 600 drones and uses the company’s dedicated HD video downlink, Lightbridge and Lightbridge 2, providing up to 3.1 miles (5.0 kilometers) of HD transmission range.

The Zenmuse Z3 is fully integrated into the DJI GO app and provides a seamless user experience, including a live feed from the camera and the ability to change camera settings, swipe to zoom in and out, capture photos or video and to activate intelligent flight modes. Users may also choose to employ camera controls, such as capturing photos and video and zoom, through their drone’s remote controller.

The Zenmuse Z3 weighs 262-gram and achives up to a 7x zoom via a 3.5x optical zoom, combined with a 2x digital zoom. This gives the Zenmuse Z3 an effective zoom range of 22 millimeters to 77 millimeters. It has a maximum aperture of F2.8 and F5.2 at 22 millimeters and 77 millimeters, respectively.

When the camera zooms in, the smallest movements are magnified. Adding an additional layer of fine-tuning to the yaw control of the Z3 is a custom-designed reaction wheel. This works in tandem with the normal yaw motor to allow for more refined and controlled movement and greater stability.

The Zenmuse Z3 features the same highly refined Sony 1/2.3-inch sensor that is found on the Inspire 1 and the Phantom 4, leading the class in image quality. It can shoot still images at 12 megapixels with additional Adobe DNG Raw Support for maximum editing options in post-production. The camera also shoots video at up to 30 FPS in 4k resolution.

Flight time with the Zenmuse Z3 is up to 19 minutes on the Inspire 1. Pilots can extend flight time up to 30 minutes with the dual-battery-equipped M100 and up to 39 minutes with the M600.

The Zenmuse Z3 is priced at USD899 and will start shipping after July 28, 2016.

For more details please visit:
www.dji.com/product/zenmuse-z3

Articles: Digital Photography Review (dpreview.com)

 
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2016 Roundup: Consumer Long Zoom Compacts

12 May

Bridge and travel zoom cameras are two of the very few categories of compact cameras to survive the smartphone. Whether it’s a travel zoom, which puts a 25X-30X zoom into your pocket, or a bridge camera which offers even more zoom, phones just can’t compete. 

While there are now enthusiast-level long zoom cameras with 1″-type sensors – such as Sony’s Cyber-shot RX10 series – there are still plenty of more budget-friendly models, though their smaller sensors don’t offer the image quality or depth-of-field control of the pricier models. The one product in the group that is a bit more competitive with the enthusiast cameras is the Olympus Stylus 1s, which has a 1/1.7″ sensor, rather than the smaller, and more common (in this class) 1/2.3″.

The following cameras are included in our roundup:

  • Canon PowerShot SX60 HS
  • Canon PowerShot SX710 HS
  • Nikon Coolpix P900
  • Olympus Stylus 1s
  • Panasonic Lumix DMC-FZ300
  • Panasonic Lumix DMC-ZS60
  • Sony Cyber-shot HX90V
  • Sony Cyber-shot HX400V

Of those eight cameras, three are pocket-sized and offer 30X zooms. The other five are bridge (SLR-style) cameras with focal lengths ranging from 600mm to an unbelievable 2000mm (35mm-equivalent).

And with that, let’s take a look at some consumer-level travel zoom cameras!

Articles: Digital Photography Review (dpreview.com)

 
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Canon PowerShot SX620 HS brings 25x optical zoom to pocketable form

11 May

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Canon has announced a refresh to its compact superzoom lineup in the form of the PowerShot SX620 HS. It offers a 25x optical zoom covering an equivalent 25-625mm range, outdoing the 25-450mm equiv. range of its SX610 predecessor. The SX620 maintains a 20.2MP sensor, 3″ 922k-dot LCD, Intelligent image stabilization and built-in Wi-Fi with NFC.

The Canon PowerShot SX620 HS will be offered in your choice of black, red or silver for $ 279.99 and will be available later this month.


Press release:

SHARE MEMORIES ON THE GO WITH NEW COMPACT, CONNECTED POWERSHOT SX620 HS DIGITAL CAMERA

Latest Canon PowerShot Digital Camera Provides Impressive Image Quality and Zoom Range in a Compact Size 

MELVILLE, N.Y., May 11, 2016 – Canon U.S.A., Inc., a leader in digital imaging solutions, introduced today the new Canon PowerShot SX620 HS digital camera – ideal for individuals looking for a convenient, easy-to-carry compact digital camera capable of producing high-quality photos and videos. This new camera boasts a 20.2 Megapixel* CMOS imaging sensor and a powerful 25X Optical Zoom lens (25-625mm equivalent) in a form factor that will easily fit in a pocket or purse, making it an ideal camera for those passionate about photography to capture gorgeous imagery no matter where they are. 

The camera’s built-in wireless capabilities make it convenient to share images and videos on the go, and its powerful 25X optical zoom lens makes it ideal for those wanting to zoom in and out of the action. The Canon PowerShot SX620 HS digital camera is a great companion for those looking to visually document their daily adventures and easily share their experiences as they explore new places and do new things. 

As the successor to Canon’s PowerShot SX610 HS digital compact camera, the Canon PowerShot SX620 HS digital camera also features:

  • An Intelligent Image Stabilizer (IS) that helps optimize image stabilization for virtually shake-free images in a variety of shooting conditions
  • Built-in Wi-Fi®** and Near Field Communication (NFC™)***  to allow for easy sharing and transferring of images and videos to a personal computer or other compatible devices such as the Canon Connect Station CS 100
  • 20.2 megapixel* CMOS sensor with DIGIC 4+ Image Processor to help deliver stunning image quality, even in low light
  • The ability to capture spectacular 1080p Full HD video
  • Large 3.0-inch (approximately 922,000 dots) LCD to allow for easy viewing, even from a wide angle
  • Hybrid Auto mode that allows for recording up to four seconds of video before each image that is captured, then automatically combines each clip and still into a quick video recap of the day
  • Smart AUTO mode which intelligently selects the proper settings for the camera based on pre-defined shooting situations to help create the best possible image
  • Creative Shot mode that uses composition, color and lighting from an original image to create unique images with an artistic flair
  • An Auto Zoom feature that, when enabled, makes the camera automatically zoom in on subjects and help keep them in focus

Canon’s PowerShot SX620 HS digital camera, available in black, red and silver, is scheduled to be available in May 2016 for an estimated retail price of $ 279.991

1 Availability, pricing and specifications are subject to change without notice.  Actual prices are set by individual dealers and may vary.

* Image processing may cause a decrease in the number of pixels.

** Compatible with iOS® versions 7.1/8.4/9.0, Android™ smartphone and tablet versions  4.0/4.1/4.2/4.3/4.4/5.0/5.1.  Data charges may apply with the download of the free Canon Camera Connect app. This app helps enable you to upload images to social media services. Please note that image files may contain personally identifiable information that may implicate privacy laws. Canon disclaims and has no responsibility for your use of such images. Canon does not obtain, collect or use such images or any information included in such images through this app.

*** Compatible with Android smartphone and tablet versions 4.0/4.1/4.2/4.3/4.4/5.0/5.1.

Canon PowerShot SX620 HS specifications

Price
MSRP $ 279
Body type
Body type Compact
Sensor
Max resolution 5184 x 3888
Other resolutions 4:3 (5184 x 3888, 3648 x 2736, 2048 x 1536, 640 x 480), 16:9 (5184 x 2912, 3648 x 2048, 1920 x 1080, 640 x 360), 3:2 (5184 x 3456, 3648 x 2432, 2048 x 1368, 640 x 424), 1:1 (3888 x 3888, 2736 x 2736, 1536 x 1536, 480 x 480)
Image ratio w:h 1:1, 4:3, 3:2, 16:9
Effective pixels 20 megapixels
Sensor photo detectors 21 megapixels
Sensor size 1/2.3" (6.17 x 4.55 mm)
Sensor type BSI-CMOS
Processor DIGIC 4+
Color space sRGB
Color filter array Primary color filter
Image
ISO Auto, 80-3200
White balance presets 5
Custom white balance Yes
Image stabilization Optical
Image stabilization notes Intelligent IS
Uncompressed format No
JPEG quality levels Superfine, fine
File format
  • JPEG (Exif v2.3)
Optics & Focus
Focal length (equiv.) 25–625 mm
Optical zoom 25×
Maximum aperture F3.2–6.6
Autofocus
  • Contrast Detect (sensor)
  • Multi-area
  • Center
  • Selective single-point
  • Tracking
  • Single
  • Continuous
  • Face Detection
  • Live View
Autofocus assist lamp Yes
Digital zoom Yes (4X)
Manual focus Yes
Normal focus range 5 cm (1.97)
Macro focus range 1 cm (0.39)
Number of focus points 9
Screen / viewfinder
Articulated LCD Fixed
Screen size 3
Screen dots 922,000
Touch screen No
Screen type TFT LCD
Live view Yes
Viewfinder type None
Photography features
Minimum shutter speed 15 sec
Maximum shutter speed 1/2000 sec
Exposure modes
  • Hybrid Auto
  • Creative Shot
  • Scene
  • Program
Scene modes
  • Portrait
  • Smile
  • Wink Self-timer
  • Face Self-timer
  • High-speed Burst
  • Handheld Night Scene
  • Low Light
  • Fireworks
  • Long Shutter
Built-in flash Yes
Flash range 4.00 m (with Auto ISO)
External flash No
Flash modes Auto, on, slow synchro, off
Drive modes
  • Single
  • Continuous
  • Self-timer
Continuous drive 2.5 fps
Self-timer Yes (2 or 10 secs, custom)
Metering modes
  • Multi
  • Center-weighted
  • Spot
Exposure compensation ±2 (at 1/3 EV steps)
Videography features
Resolutions 1920 x 1080 (30p), 1280 x 720 (30p), 640 x 480 (30 fps)
Format MPEG-4, H.264
Microphone Mono
Speaker Mono
Storage
Storage types SD/SDHC/SDXC card
Connectivity
USB USB 2.0 (480 Mbit/sec)
HDMI Yes (micro-HDMI)
Microphone port No
Headphone port No
Wireless Built-In
Wireless notes 802.11b/g/n with NFC
Remote control Yes (via smartphone)
Physical
Environmentally sealed No
Battery Battery Pack
Battery description NB-13L lithium-ion battery & charger
Battery Life (CIPA) 295
Weight (inc. batteries) 182 g (0.40 lb / 6.42 oz)
Dimensions 97 x 57 x 28 mm (3.81 x 2.24 x 1.1)
Other features
Orientation sensor Yes
GPS None

Articles: Digital Photography Review (dpreview.com)

 
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2016 Roundup: Enthusiast Long Zoom Cameras

03 May

While most of new 1″ sensor enthusiast cameras have been on the shorter end of the focal length spectrum, there are now quite a few long zoom models, as well. Whether you want something pocketable or want to shoot for the moon (pun intended), you’ll find it in this group.

There are plenty of other long zoom compacts out there, some offering focal ranges reaching 2000mm though they almost always use much smaller 1/2.3″ sensors (the Olympus Stylus 1s is one exception). The cameras in this roundup eclipse those models, especially when it comes to image quality and control over depth-of-field.

The models we’re looking at in this article include:

  • Canon PowerShot G3 X
  • Panasonic Lumix DMC-FZ1000
  • Panasonic Lumix DMC-ZS100/TZ100
  • Sony Cyber-shot DSC-RX10
  • Sony Cyber-shot DSC-RX10 II
  • Sony Cyber-shot DSC-RX10 III (coming soon)

The cameras that have the shortest zoom are arguably the most robust, feature-wise: the Sony Cyber-shot RX10 twins. (The RX10 Mark III, which will cover soon, has a significantly longer lens.) The Panasonic Lumix DMC-ZS100/TZ100 is likely the best travel zoom ever, offering a good balance of size and zoom power, while the Canon PowerShot G3 X and Panasonic Lumix DMC-FZ1000 swing for the fences in terms of zoom power.

To further help you pick the right camera in this class, we’ve created the chart below, which breaks down the equivalent aperture for each camera, as you work your way through the zoom range. Our article here explains the concept of equivalence, but at a high level all you need to know is that the lower the line is on the graph below, the blurrier the backgrounds you’ll be able to get and typically, though not always, the better the overall low-light performance.

This graph plots equivalent focal length against equivalent aperture – with both axes taking sensor size into account so that they can be compared on a common basis. Equivalent focal lengths offer the same field-of-view and equivalent apertures give the same depth-of-field and similar total light capture. For more information, click here.

With its constant aperture (F2.8) lens, the Sony Cyber-shot RX10 I/II capture more total light and offers more control over depth-of-field compared to its peers, by 1 or 2 stops. The trade-off is that its focal length caps out at 200mm equiv. The Canon PowerShot G3 X has the longest lens, but it reaches its maximum aperture (F5.6) at around 200mm equiv., putting it 1 stop behind the Panasonic Lumix FZ1000, which tops out at F4.

And with that out of the way, let’s get right into exploring the enthusiast long zoom cameras!

Articles: Digital Photography Review (dpreview.com)

 
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2016 Roundup: Compact Enthusiast Zoom Cameras

29 Apr

The enthusiast compact market has exploded over the last couple of years, with almost every manufacturer offering a product with a 1″-type sensors. Most of those cameras are small (and sometimes pocketable) and feature fast (but short) lenses. They also vary in terms of design, control points, video specs and whether they have an EVF, so you’ll have some decisions to make. In this roundup, we’ll try to help.

Here are the cameras that we’ll be covering in this article:

  • Canon PowerShot G1 X Mark II
  • Canon PowerShot G5 X
  • Canon PowerShot G7 X
  • Canon PowerShot G9 X
  • Fujifilm X30
  • Fujifilm XQ2
  • Panasonic Lumix DMC-LX100
  • Panasonic Lumix DMC-ZS100/TZ100
  • Sony Cyber-shot RX100
  • Sony Cyber-shot RX100 II
  • Sony Cyber-shot RX100 III
  • Sony Cyber-shot RX100 IV

As mentioned above, the majority of offerings in this category utilize 1″-type sensor, however two cameras offer even larger sensors. The Canon PowerShot G1 X Mark II is built around the largest sensor of the bunch at 1.5″, while the Panasonic Lumix DMC-LX100 uses a slightly smaller Micro Four Thirds chip.

On the opposite end of the spectrum, the two Fujifilm options use significantly smaller 2/3″ sensors, which is important, because sensor size can be a major indicator of potential – particularly lowlight – image quality. Also, cameras with larger sensors will generally allow for much more control over depth of field.

To further help you pick the right camera in this class, we’ve also created the chart below, which breaks down the equivalent aperture for each camera, as you work your way through the zoom range. Our article here explains the concept of equivalence, but at a high level all you need to know is that the lower the line is on the graph below, the blurrier the backgrounds you’ll be able to get and typically, though not always, the better the overall low-light performance.

This graph plots equivalent focal length against equivalent aperture – with both axes taking sensor size into account so that they can be compared on a common basis. Equivalent focal lengths offer the same field-of-view and equivalent apertures give the same depth-of-field and similar total light capture. For more information, click here.

On the following pages, you’ll find what we liked and didn’t like about each camera, links to our test scenes for image quality comparisons, and real-world galleries to give you a sense of how each performs outside the lab.

Articles: Digital Photography Review (dpreview.com)

 
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