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How to Create a Double Exposure Effect Using Photoshop

21 Jun

What is a double exposure effect?

In days of yore, back when DSLR cameras were SLR, a roll of film was inserted in the back of your camera to give you 24 or 36 exposures. A double exposure was created in-camera by taking two different photos on the same frame of film.

How to Create a Double Exposure Effect Using Photoshop

The Double Exposure Effect created in Adobe Photoshop using Blend Modes, Layer Masks and of course two or more images.

When I did shoot with an SLR camera, I managed to achieve this effect more by accident than intent. In order to take another shot, you had to manually wind onto the next exposure!

With the onset of digital, this technique is very easy to replicate in Adobe Photoshop. If you don’t have Photoshop, get GIMP, it’s free to download and use. If you do a search on YouTube, there are plenty of tutorials on making double exposure effects to choose from. The more popular tutorials seem to use images of a portrait and a landscape.

However, you can use any images you want as this is quite a stylistic technique.

The ingredients

In essence, all you need are two images.

One of these images will have to be cut out using a layer mask so that the other image can be clipped to it.
Then it’s a case of using the blending modes, reducing the opacity, and other color effects to produce the desired result. Depending on what images that you use, experiment with the different blending options to see which effect you like the best.

The technique – step-by-step

In this article, I will show you a step-by-step tutorial on how to create your very own double exposure effect using Photoshop. The hardest part will be selecting the two images that you want for the composition.

Select your images

For my first image, I’ll be using this photo of the Hook Lighthouse. I took this shot a couple of years ago while on holidays along the hook peninsula in Wexford, Ireland.

How to Create a Double Exposure Effect Using Photoshop

Hook Lighthouse on the Hook Peninsula in Wexford in South of Ireland.

However, I didn’t get to snap any seagulls. This is exactly what I wanted for my second image, a close up side shot of a seagull.

I found one on Pixabay. If you don’t have images ready to hand. You can go to sites such as Pixabay or Unsplash. These two sites alone have excellent quality images to choose from and you can download any image for free (note: please read the usage terms for the Creative Commons license and be sure to follow them).

How to Create a Double Exposure Effect Using Photoshop seagull

Seagull image from Pixabay.com

Cut out the subject from the background

So, first I needed to make a selection of the seagull. The Quick Selection Tool did a good job and I finished it off by using the Refine Mask. I was able to save this out on its own layer with a layer mask.

How to Create a Double Exposure Effect Using Photoshop

Using the Quick Selection Tool and Refine Mask in Photoshop to isolate the subject from the background.

I decided to add a blue background in keeping with the nautical theme but also the seagull is predominately white, so he stands out more.

How to Create a Double Exposure Effect Using Photoshop background

I added a blue background after I isolated the seagull from the original background.

Add the second image and adjust the Layer Blend Mode

I brought the lighthouse image in as a Smart Object above the seagull layer and resized it. Next, I dragged the seagull layer mask to the lighthouse layer (which copies and applies it to the second layer) and changed the Blend Mode to Vivid Light. Finally, I then reduced the opacity to 68%.

How to Create a Double Exposure Effect Using Photoshop

I used the Blend Mode – Vivid Light which produced some funky colors on the beak of the seagull. But I liked the effect it created on the lighthouse image in comparison to the other Blend Mode options.

How to Create a Double Exposure Effect Using Photoshop

The Layers Panel in Photoshop and how the double effect in Photoshop is achieved.

Adjustments

At this stage, the colors on the seagull went a little too funky, especially around the eye and its beak.

So, I added a Hue & Saturation Adjustment Layer, checked the colorize tick box, and dragged the Hue slider to 183 and increased the Saturation to 10.

I added a Hue & Saturation Adjustment Layer to get rid of the funky colors that the Vivid Light Blend Mode created around the beak of the seagull.

The lighthouse rocks were still a little too sharp, but I didn’t want to reduce the opacity of the overall image any further. So I duplicated the seagull layer and dragged it to the top of the layer stack. I chose a big soft brush and I dabbed a couple of times on the layer mask around the rocks and the lighthouse to give it more of an opaque/ghostly look.

Final image

A GIF animation illustrating the different stages in creating a double exposure effect.

I had hoped to put a video together to accompany this article. But honestly, Adobe Creative Cloud have done a great job with a video on their YouTube channel, in illustrating this technique in under 45 seconds!

Now it’s your turn, let’s see what you can do. Why not give this technique a go? Please post your questions, comments and results in the section below.

Disclaimer: the author was not sponsored by Adobe, Pixabay or Unsplash. Words and opinions are those of the author only.

The post How to Create a Double Exposure Effect Using Photoshop by Sarah Hipwell appeared first on Digital Photography School.


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How to Make and Apply a Bokeh Overlay Using Photoshop

08 Jun

Bokeh overlays are an excellent way to add a trendy stylized look to your portraits. You can purchase overlays, but I would instead suggest making your own. It’s easy, fun, and best of all, it’s free!

In this video, I take you through the process of making and applying a bokeh overlay to a portrait using Photoshop. You will also learn to how to color tone your image to create a stylized look.

How to Make Your Own Bokeh Overlays

You can create bokeh overlays from almost any photo that is not too bright, and which has good contrast. The photos themselves do not have to be great photos at all; they can even have boring subjects and be totally out of focus.

To demonstrate the power of this technique, we will work with two bad cell phone pictures; a photo of a hamburger and a photo of a street.

How to Make and Apply a Bokeh Overlay Using Photoshop

It’s a good idea to look through your phone and experiment with the photos that you already have.

To create a bokeh overlay, place the image into your working document by going to File > Place Embedded. Once the image is in the Layers panel, right-click on it and select Convert to Smart Object. This will make it so that any filter that you apply is non-destructive and you can edit it later if you need to.

To blur the image, and get the bokeh effect, go to Filter > Blur Gallery > Field Blur.

Start by dragging the Blur slider to the right to make the image blurrier. In most cases, you’re going to want to keep the bokeh small, so don’t take the blur slider past 200px.

How to Make and Apply a Bokeh Overlay Using Photoshop - field blur

You can then fine-tune the effect by adjusting the Light Bokeh, and the black and white points in the Light Range. You can introduce more colors to your bokeh effect by dragging the Bokeh Color slider to the right.

Here are my results:

How to Make and Apply a Bokeh Overlay Using Photoshop

How to Applying a Bokeh Overlay to Your Photo

Once you have made your bokeh overlays, you can apply them to any image by using layer Blending Modes.

For this type of effect, the Screen Blending Mode will be the best to use in most cases. But you can try any of the Blending Modes in the Lighten Category to see if they can give you a result that works better for your image. If you’re not familiar with Blending Modes and how they work, then check out this comprehensive look at Blending Modes where I explain each one in detail.

The Screen Blending Mode allows you to keep the bright pixels of an image and hide the dark ones. In this case, the bokeh is bright, so it will stay, and it will hide the darker background.

How to Make and Apply a Bokeh Overlay Using Photoshop

How to Use Layer Masks to Hide Problematic Areas

Some overlays will not be perfect matches for your photos. Sometimes the bokeh may cover up important parts of the portrait, such as the eyes or even the entire face. Create a layer mask and paint on the mask with black to hide those problematic areas.

When you paint with black on a layer mask, you hide pixels. To reveal them again paint on the mask with white. Painting with different levels of gray will give you different levels of transparency.

How to Make and Apply a Bokeh Overlay Using Photoshop

Use Levels to Change How the Bokeh Blends

The bokeh overlay may not give you the best results by simply changing the Blending Mode to Screen. In many cases, you will have to modify the luminosity of the layer to change how the bokeh blends. Remember, the Screen Blending Mode reveals bright pixels and hides dark pixels.

By using a Levels or Curves Adjustment Layer, you can control the brightness of the layer which will control how much of the bokeh is revealed. When using an Adjustment Layer add a Clipping Mask to make sure that the changes only affect the bokeh layer. To clip an Adjustment Layer to the layer blow it, you can press Command/Control+Option+G.

How to Make and Apply a Bokeh Overlay Using Photoshop

Apply a Color Tone to the Image

To finalize the stylized effect, you can color tone your image by using a Selective Color Adjustment Layer.

Under the Colors dropdown menu select Blacks and slide the Cyan slider to the right, and move the Yellow slider to the left to subtract yellow. Doing so will add a blue tint to the shadows, and it will give your image a retro feel.

How to Make and Apply a Bokeh Overlay Using Photoshop

You can watch a video of the whole process below:

Conclusion

Here is the before and after comparison of the image.

Before tutorial

Before

Finished tutorial

After

There it is, a quick and easy way to make and apply your own bokeh overlays. Try it and please share your images in the comments below.

The post How to Make and Apply a Bokeh Overlay Using Photoshop by Jesus Ramirez appeared first on Digital Photography School.


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How to Make Your Own Frames and Borders Using Photoshop

29 May

Give your photos an edge! This tutorial will show you how to make your own frames and borders using Photoshop.

Picture frames have been around for most of art history. This hasn’t change in our digital age. Whether you print your photo or leave it digital, adding an edge to it will always help its presentation. Here are three creative frames and borders that are easy to make in Photoshop.

How to Make Your Own Frames and Borders Using Photoshop

Back in the analogue-photography era, it was very common to leave a white edge around your photo so that the passé-partout wouldn’t cover any part of your image. If the photograph was an artwork, the blank part in the bottom would be bigger than the rest so that you could put your signature there.

Nowadays, a classic and elegant presentation can still be achieved with Photoshop following this idea. Of course you can get also much more creative! Let’s start with the basics:

FRAMES

White Frame

If you want to print your photo and have it framed in a traditional way, follow these easy steps:

  1. Open your image in Photoshop.
  2. Go to the top Menu >> Image >> Canvas Size. In the popup window you will have the choice for the New Size. There you need to change the measurement to Percent, that way it will be even all around your photo without you having to make a lot of calculations. Then choose how big you want your frame. In this case I chose to add 10% so the total size will be 110%. Make sure your anchor point is in the center (as shown in the picture below). At the bottom you can also choose the color of your frame. Click OK to apply.

How to Make Your Own Image Frames and Borders Using Photoshop

  1. Open the Canvas Size window again, but this time you will put your anchor point on the top center square (as shown in the image below). Add an extra 10% to the top/bottom so you leave the width at 100%, and change only the height to be 110%.

WhiteFrame2

  1. Add your signature, copyright or dedication under your image.
WhiteFrame3

Photo with white border and signature applied using this method.

Composed Frames

This basic idea of the white frame can be elaborated a little more in order to create a composition with a very elegant result. This is perfect for minimalistic or classic photographs.

  1. Open your image in Photoshop.
  2. Go to the top Menu >> Image >> Canvas Size and choose size and width of your frame just like you did for the white frame. This time you can get a little more creative, just remember to keep the anchor in the center. When you are done click OK.
  3. Repeat step #2, changing to a different color and size. For example, for this one I decided to first use a gray frame of 3% and then a slimmer one in the color of the grapes to complement the image.
  4. Repeat as many times as you like. In this case I added a third frame in black that was wider than the previous two.

How to Make Your Own Image Frames and Borders Using Photoshop

TIP: To select a color from your photo, choose “Other” in the color menu of the Canvas Size window. A new window will open with all the colors for you to choose from. At that point, passing your mouse through the image, the pointer becomes an eyedropper. Then you just have to click on the color you want and Photoshop figures out the rest!

How to Make Your Own Image Frames and Borders Using Photoshop

BORDERS

While frames consist of one or more solid rectangles, borders are much more complex. A border can even be an image in itself. Therefore you are not constrained to a specific shape which gives you a wider variety of options. Here is one example:

Creating a Grunge Border

First, choose an image of a skyline; it can be an urban or nature scene. In this case, I am using a photograph of trees in a pond. Open it in Photoshop.

Next, go to the top menu; Image >> Adjustments >> Threshold and set it to a very high number so that you end up with an image that is basically black and white (no gray tones).

How to Make Your Own Frames and Borders Using Photoshop

Select your image (CTRL/CMD + A) and copy it (CTRL/CMD + C). Then paste it in a new blank canvas (CTRL/CMD + V).

Go to the top menu; Edit >> Free Transform and squeeze your image over to one of the edges.

Grunge2

Duplicate the layer by going to the top menu; Layer >> Duplicate Layer. Do this three times so that you will have four layers.

Select each layer and place them on each side (use Transform to rotate and resize each one) creating a rectangular border. You can choose a different blending mode for each layer so that they don’t look so uniform. You can do this from a drop-down menu on the Layers panel. You can also go to the top menu and choose; Layer >> Layer Style >> Blending Options if you want more control over the blending mode.

How to Make Your Own Frames and Borders Using Photoshop

Now you have a very original border to use with any image you want! Remember that the borders not only complement the image but also show your creativity and personality.

How to Make Your Own Frames and Borders Using Photoshop

If you don’t know how to apply borders to your images don’t worry, it’s very easy. Check out the appendix below to learn how.

Appendix: How to use borders

Now I will place an image inside the border to show you how it’s done. I think a grunge border goes well with urban scenes, but that is up to you.

Open the border file.

Go to the top menu and choose; File >> Place >> and select your photo. This will paste the photo you want in the file of your border already resized. You will have to do the final size adjustments manually though by dragging the edges (hold down the Shift key if you’re using the Transform tool to maintain your image aspect ratio).

How to Make Your Own Frames and Borders Using Photoshop

Change the blending mode of the layer so that it looks integrated. In this case, I used the Darken Mode. Try different ones until you are satisfied. Remember you can you can do this from a drop-down menu on the Layers panel. You can also go to the top menu and choose; Layer >> Layer Style >> Blending Options if you want more control.

How to Make Your Own Frames and Borders Using Photoshop

Conclusion

That’s it! Try using the same border on different images to create a specific style to a photo collection you can hang on your wall.

How to Make Your Own Frames and Borders Using Photoshop

Graffitti author unknown, found on the streets of Milan, 2017.

Borders and frames are great for displaying photos in a digital photo-frame but also for printing. You will save a lot of money and have some one of a kind décor in your home. The possibilities of frames and borders are limitless so explore, create, and have fun.

The post How to Make Your Own Frames and Borders Using Photoshop by Ana Mireles appeared first on Digital Photography School.


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How to Crop to Exact Pixel Size Using Photoshop – with Phil Steele

10 May

If you’ve struggled to resize images to an exact pixel size watch this video tutorial by Phil Steele. He will show you exactly how to crop your images to fit a specific pixel size (like for a Facebook banner, etc.) using one quick step in Photoshop.

Crop to pixel size using Photoshop

Phil also mentioned that it’s a good idea to sharpen your image after cropping. Here is some help on that topic:

  • Photoshop Tip: Using the High Pass Filter to Sharpen Images
  • Smarter Sharpening in Photoshop using Adobe Camera Raw

If you want more Photoshop tutorials, try these:

  • How to Understand the Curves Tool in Photoshop
  • How to Use the Levels Tool in Photoshop
  • How to do Digital Blending in Photoshop to Create a Composite Photo
  • How to Create a Rim Light Effect Using Photoshop
  • How to Add a Sun Flare to Your Images Using Photoshop
  • How to do Non-Destructive Editing in Photoshop

Want more from Phil? Check out his Photoshop Basics course here. 

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How to Create Abstract Images With a Soft-Focus Look Using Vaseline

09 May

As a rule, sticky substances and photography don’t mix. For a beloved camera, any liquid substance is a cause for concern. So naturally, I was surprised when I stumbled upon a neat trick used by glamor photographers back in the day. Actresses of the 1920s and 30s were photographed in the soft-focus style that photographers like Alfred Stieglitz and Edward Steichen developed.

Arnold Grethe and Victor Georg, photographers of Vanity Fair used hazy focus, diffusion filters, and other techniques to soften the portraits of actors, particularly women. This stylized softness was adopted by American filmmakers who before then had stuck to the sharpest focus possible. Doris Day, queen of romantic glamor portraiture was rumored to have insisted that photographers use diffusion filters to soften the focus of her photographs. And sometimes, in a pinch, photographers applied Vaseline or petroleum jelly to the lenses.

How to Create a Soft-Focus Look With Vaseline

An abstract photograph of yellow flowers, taken with Vaseline or petroleum jelly applied to a clear filter. The waves in the image reflect the density of the petroleum jelly applied to the lens.

How to make a soft-focus look with petroleum jelly

Creating a diffusion filter with petroleum jelly is actually quite simple, and a lot less messy than it sounds. First, raid your bathroom cupboard for some Vaseline. If you don’t already have a supply, you can purchase a tub from your local pharmacy.

Next, you’ll need to apply the jelly to your lens. There are two ways to go about this. One method is to first stretch a layer or two of cling wrap over the front of your lens, forming a barrier between the jelly and the lens. Fix the cling wrap with a rubber band and double check for holes in the plastic before you start applying the jelly. The potential risk of this method is that the plastic might rupture, causing the jelly to ooze all over your lens instead.

How to Create a Soft-Focus Look With Vaseline

Alternatively, if you have a spare clear filter handy, you could smear petroleum jelly all over that instead. This is a little simpler and you can remove the jelly with alcohol wipes later. Either way, DO NOT apply the petroleum jelly directly to your camera lens – it won’t end well.

How to Create a Soft-Focus Look With Vaseline

This abstract photograph of water was taken with only a thin level of petroleum jelly applied to the center of the lens filter.

Method of application

Start off by adding very small amounts of petroleum jelly to your lens or cling-wrap rig. You can apply the petroleum jelly with your finger, a brush, or some additional plastic for varying results. I’ve found that if you use your finger to apply the jelly, it can leave abrupt areas that affect the softness of the resulting image. Even in very small amounts, the softening effect of the petroleum jelly is quite pronounced. The more you add, the more abstracted the resulting photograph will be.

How to Create a Soft-Focus Look With Vaseline

The direction in which you apply the petroleum jelly also has a significant impact on the outcome of your photograph. Swiping the petroleum jelly in one direction could result in a completely different effect to that of jelly applied in the opposite direction. Experiment with different application methods by tracing different shapes into the lens with your finger.

I also pack some alcohol or glass wipes in case I want to remove a portion of the Vaseline for artistic purposes.

How to Create a Soft-Focus Look With Vaseline

How to Create a Soft-Focus Look With Vaseline

The direction that the petroleum jelly is applied impacts how the resulting photograph will look. For this image, I applied streaks of petroleum jelly around the outer edges of the filter. I then used a tissue to clear the center area. This resulted in a clearer view of the subject in the center of the photograph, and streaks of color on the edges.

How to Create a Soft-Focus Look With Vaseline

A balance between abstraction and soft-focus, this effect was achieved with different densities of petroleum jelly distributed over the lens filter.

How to Create a Soft-Focus Look With Vaseline

For this effect I used my finger to draw zig-zag patterns in the layer of petroleum jelly on my filter. The resulting image is clearly shaped by the sharp edges I traced.

How to Create a Soft-Focus Look With Vaseline

An abstracted image of tree branches with diffused light peaking through the leaves.

When finished, carefully remove the cling wrap or filter. You can wipe the filter down with some alcohol wipes before stowing it away for later use.

Try it

Give this fun abstract soft-focus technique a try and share your results in the comments section below.

The post How to Create Abstract Images With a Soft-Focus Look Using Vaseline by Megan Kennedy appeared first on Digital Photography School.


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Let’s Have a Laugh! – Using Humor in Photography

05 May

Go on! You know it is good for you! Let’s have a laugh! This article is about using humor in photography.

Let’s Have a Laugh! - Using Humor in Photography

Clearly, somebody has something to laugh about – even in the rain.

This article is not so much Five Handy Tips, as it is more a case of Three Gentle Nudges. Maybe you are like me and can be a bit too serious about your photography. I am suggesting that you let go a little. Even one photograph which makes you smile has got to be worth letting go, relaxing a little. It may be that it is only you who is caused to smile, but I absolutely think that is worth it on its own. Then again, you might make tens, hundreds, even thousands of others smile. That has got to be a good thing, hasn’t it?

1. It is not that funny

Please notice that above that I said smile, I did not say laugh.

Let’s Have a Laugh! - Using Humor in Photography

You think you’re funny, don’t you?!

I once asked the teenage daughter of a friend of mine why she liked a particular teacher. She said that the teacher was funny. She gave the example that he would lean against the board, put a piece of chalk in his mouth, and pretend to smoke it as if it were a cigarette. Even 20 years ago, this was a bit dodgy, but the thing which really struck me was … it was NOT that funny! Mildly amusing, worth a smile, but not really what you would call funny.

Let’s Have a Laugh! - Using Humor in Photography

Captions for a postcard, please.

That may be the first lesson which we need to learn in respect to seeking humor in photography. It is unlikely that you will ever, in your whole life, take a photograph which is going to cause people to roll on the floor, kick their legs in the air, and clutch their ribs with laughter. You will have done very well, to even cause a mild chuckle.

Much more likely is that you will raise a smile. But, frankly, that is enough. I think you should relax about it and be happy to raise one single smile. Surely, if you manage to make just one other person smile, that is a good thing.

2. The great snapshot!

Though I have admitted above that I can be too serious about photography, I have long been a strong advocate of the snapshot. That is a photograph, taken quickly, with little premeditation, with no great artistic pretensions, with any camera which is at hand.

Let’s Have a Laugh! - Using Humor in Photography

Those girls do!

If you have a daughter, it is very likely that you have an image like one the above. I wonder, though, is that image in your mind, or did you actually take the photo? Whether it is your big “proper” camera, your phone, or pocket camera, I would encourage you to abandon all other thoughts. Just get on with it, and take that snapshot.

Let’s Have a Laugh! - Using Humor in Photography

Pink Cadillac? Taken through a window, with whatever phone I had 10 years ago.

I would have thought that the above meets most peoples’ definition of a snapshot. It certainly lacks any artistic pretentions. But, a pink Lamborghini has got to be something which makes most people smile, even if they have very little interest in cars.

The fact that it is parked in handicapped reserved parking is only funny because the evidence would seem to be that there was, in fact, plenty of parking available. The whole thing is also somewhat of a reflection of the culture of the location in which it was taken.

Listen to Wayne

One of my favorite quotations was born in ice hockey, but very applicable to photography.


I think this is a good thought to have in your mind for any type of photography. It is especially pertinent in respect of these type of snapshot photographs. Just for a moment, abandon your aspirations as a serious photographer, and simply take the shot. There is almost zero chance of any downside, no negative consequences, and you might just manage to create an extra smile or two in the world.

3. No thinking here, please

This is an extension of the above point. It is consistent with saying, “take the shot”. However, can I urge you further in that direction?

Do not question the process of taking the photograph in any way at all, please. Don’t think about it, just point the camera and push the button. I think we are in the territory of sports again, and the Nike slogan “Just do it” applies here. Take the shot. (Is anybody else hearing Judi Dench as M, from a recent James Bond film, or is it just me?).

Let’s Have a Laugh! - Using Humor in Photography

Al-fresco hairdressing.

You should not overthink it. If you see something which pricks your interest even slightly, which even starts to elicit a smile … raise the camera and take the shot. You don’t know why it might be funny, you do not even know for sure that it is funny. Again, my advice to you would be, take the shot.

Let’s Have a Laugh! - Using Humor in Photography

Do as you are told!

Just enjoy it

I took the above photograph a few years ago, in Malaysian Borneo. It is not printed and displayed on my wall, nor is it of great importance to me. But it does pop its little head up now and then, and when it does, it makes me smile. Does it make you smile at all? If so, why does it make you smile?

It makes me smile because of what I assume is the obvious reason, the irony of telling people to walk by means of a notice on a motorbike. That is why I took the shot. Years later, I realized that it is also the declamatory nature of the exclamation mark which makes me smile. You are not being asked, you are being told to walk, by someone from the comfort of sitting on a motorbike.

Yes, of course, in this context, “walk with” has a different meaning, but you should not worry too much about letting the facts get in the way of a bit of humor, should you?

Let’s Have a Laugh! - Using Humor in Photography

Relax!

I did not think about anything like all of the above as I was taking these photographs. As I suggest, if you see something which even makes you think about smiling – photograph it! It is not likely to be that funny anyway, the humor might only fully reveal itself later, so take the shot, it’s only a digital file.

Let’s Have a Laugh! - Using Humor in Photography

Which way are you going?

Further thoughts

I would like to talk about unguarded moments, juxtapositions, discovered photographs, constructed photographs, kids, smiles eliciting smiles, distortions of reality, and the strange things people do. But for now, can you please just take this article as a firm nudge to be open to possibilities.

In summary

  1. Do not worry about trying to be funny. It is unlikely that you will take a photograph which will actually make people literally LOL (Laugh Out Loud, just in case anyone is not sure).
  2. Stop being a serious photographer for a moment. It is a snapshot!
  3. Take the shot! Do not think about it for one millisecond, just do it.
Let’s Have a Laugh! - Using Humor in Photography

Let’s dance! 

Go on! Have a go! I hope you have been nudged in the right direction. I don’t think I am alone in wanting to see something of a humorous nature from you. Please share your humorous images in the comments below.

Editor’s note: keep it clean, please. No nude or partial nude photos, or images which are disparaging, disrespectful, or hurtful to any other person. 

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How to Photograph People Outdoors Without Using a Reflector

28 Apr
How to Photograph Outdoors Without Using a Reflector

Subject: Kota Wade

You just got booked for a marvelous portrait photo shoot out in a gorgeous natural landscape. You run out the door, with camera gear in tow. Then you arrive at the location, the fresh air filling your nose, the beautiful natural world flourishing all around. You meet with your lovely portrait subject. The sun is beating down on you from above. Then it hits you… you forgot your reflector at home.

Or maybe you don’t have a reflector, maybe you just never felt the need to spend money on one. All of this is totally okay because there are some tips and tricks to take stunning photographs without the use of a reflective disc! Keep reading to learn more.

How to Photograph Outdoors Without Using a Reflector

Subject: Bina Monique

What is a reflector?

A reflector is a simple tool that redirects existing light. A reflector does not illuminate, it merely allows you to manipulate the light that you already have.

Photographers use reflectors to fill shadows, which is why you often see them used in outdoor settings where you cannot control the light. Being at the mercy of the sun, you add a level of control to your situation with the use of a reflector. However, there are ways to take advantage of your situation without one.

How to Photograph Outdoors Without Using a Reflector

Subject: Skylar Roberge

Find even lighting

Essentially, part of the trouble with shooting outdoors comes from the lighting. Clients often see a clear blue sky with the beaming sun and think that is an absolute joy for photographers. But we shooters silently scream in agony at the prospect of overblown highlights, underexposed shadows, and the dreaded contrast.

What’s the best solution for this? Find some even lighting!

Positioning your subject under a tree, in the shadow of a building, or simply positioning yourself so that the sun hides behind a mountain can all make for some nice even lighting. Although the background might be overexposed if you are simply using a small patch of shadow, try to change your perspective to make the most of the situation.

How to Photograph Outdoors Without Using a Reflector

ISO 400 – Shutter Speed: 1/100 – Aperture: f/2.8
Even Lighting: Rooftop overhang

Make even lighting

Are you out in a field or a desert and don’t have access to any form of even lighting? Is the sun too bright to have on your subject’s face? Then it’s time to get creative!

You can make your own even lighting utilizing things you may already have in your car. Use an umbrella and position that over your subject, or to block out the sun in your frame. You can use a vehicle windshield cover or shade to do the same.

How to Photograph Outdoors Without Using a Reflector

ISO 1250 – Shutter Speed: 1/500 – Aperture: f/2.8
Even Lighting: Umbrella

Use the contrast to your advantage

Are neither of the aforementioned tips applicable to your scenario? Well then, this is where we get inventive.

Photography is an art form, and artists are creative, imaginative, and inspired. Instead of fighting against the contrast, why not use it to your advantage? Work your shoot around the contrasting shadows and highlights, and create dramatic photographs. Several well-known clothing designers, such as Prada and Dolce & Gabbana, use contrast in their fashion editorials to stage a theatrical scene and illicit an intense response in the viewer.

How to Photograph Outdoors Without Using a Reflector

ISO 200 – Shutter Speed: 1/1000 – Aperture: f/2.8

Shoot at the right time of day

When a choice presents itself, shooting at the correct hour of the day can ease your lighting woes. The golden hour is infamous for being an excellent time to photograph. Aiming to photograph when the sun is low and producing a more even light removes the need for a reflector.

How to Photograph Outdoors Without Using a Reflector

ISO 1600 – Shutter Speed: 1/640 – Aperture: f/2.8

Fill shadows by finding a natural reflector

Various surfaces can double as reflectors, such as water or windows from a building. Positioning your model just right can garner the same effect as if you had a reflector yourself.

How to Photograph Outdoors Without Using a Reflector

ISO 2000 – Shutter Speed: 1/320 – Aperture: f/2.8
Reflector: Car windshield, parked to his right side

Fill the shadows in post-processing

The computer is your friend, and it is okay to use programs to help you bring your vision to light (no pun intended). Shooting in RAW format (an image file that contains minimally processed data from the image sensor of a camera – Raw files are named so because they are not yet processed) gives you better control over your image when you edit it. RAW files have more shades of colors compared to JPEG files, higher image quality, significantly better control over editing lightness, white balance, hue, saturation, etc., and all of the changes made on a raw image file are non-destructive. You can use any post-production software to lighten the shadows in your image and darken the highlights.

Original image before processing.

How to Photograph Outdoors Without Using a Reflector

After processing.

There you have it, sounds like you have a solution to your no-reflector problem.

The post How to Photograph People Outdoors Without Using a Reflector by Anabel DFlux appeared first on Digital Photography School.


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Lighting 103: Using Gels to Shift the Ambient

21 Apr

Abstract: By combining a white balance shift in your camera with a complimentary gelling of your flash, you can easily and efficiently alter the ambient color temperature of an entire environment.

In addition to controlling the color of light from your flash, gels can also allow you to control the color of the ambient areas of your frame. This can allow you to tweak, enhance or drastically an ambient color environment. Read more »
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How to Create a Retro Faded Look Using Lightroom or Photoshop

15 Apr

You’ve probably seen images floating around because it’s popular these days, you know, the ones with the retro faded look. It’s pretty popular with the instagram and wedding photography crowd. It’s not my fancy but I am all about empowering photographers to shoot what they have in mind. If that happens to be retro-faded here’s how to achieve that look in Lightroom and Photoshop.

How to Create a Retro Faded Look in Lightroom and Photoshop

Why this look is so popular

Here’s why I believe this look is very popular, it’s a quick and easy way to de-digitalize digital images. When you click that shutter release button, you get a straight, clinical, boring representation of reality. The faded retro look makes the images seem dreamy and ethereal because the colors are muted. Since it’s easy to do and already built into apps like Instagram, you have a recipe for popularity.

How to Create a Retro Faded Look in Lightroom and Photoshop

How to get this look using Lightroom

In Lightroom go ahead and process the image the way you want first. Once you are done, go to the Develop Module and scroll down until you reach the Tone Curves panel. Click the button on the bottom right.

How to Create a Retro Faded Look in Lightroom and Photoshop

First, click the button on the bottom right. Next, click on the little circle on the bottom left of the graph and drag it up. The higher you put it, the more faded the look. Adjust to your tastes and you’re done!

What you are essentially doing is putting a cap on how dark the black pixels will be. Imagine you had 3 groups of students with black, gray, and white shirts. The darkest shirt is black. But if you tell the group of students in black to become grey, the darkest shirt will be grey. It’s the same principle here, you are taking pixels that would normally be black to become dark gray.

How to get this look using Photoshop

In Photoshop the principle is the same. After you have processed the image, go in Image>Adjustments>Levels. You could also alternatively make an adjustment layer to do non-destructive edits by going to Layer>Adjustment Layer>Levels.

How to Create a Retro Faded Look in Lightroom and Photoshop

Drag the black output adjustment to the right to taste and you are done!

Examples

So to recap, take your straight image:

How to Create a Retro Faded Look in Lightroom and Photoshop

Straight original image.

Post-process to taste:

How to Create a Retro Faded Look in Lightroom and Photoshop

Post-processed with basic adjustments.

Then edit the blacks using Levels/Curves:

How to Create a Retro Faded Look in Lightroom and Photoshop

Black level lowered using Levels or Curves.

Further customization

Just like for any new technique, the trick is in experimenting, mixing, and finding your own favorite style. You can add some grain in Lightroom (My favorite, de-facto settings are 50-50-50 for Amount, size, and roughness) but you can also play around with the colors of the photograph for an added effect.

Under the Develop Module, you will find Split Toning in the right-side panel.

How to Create a Retro Faded Look in Lightroom and Photoshop

Split-toning adjustment panel.

The top is where you color the highlights of your image, the saturation controls how strong that color will be. The bottom is where you select the color for your shadows and saturation does the same as above. The Balance slider adjusts which direction you want the colors to lean more toward. If you push that slider to the right, the image will lean more towards the color you have chosen for highlights. If you push the slider left, the overall image will lean more towards the colors selected for the shadows. It’s usually best to keep it at 0 (in the middle) and play around with it after selecting the colors.

Starting points and examples

I personally keep my saturation levels around 10 for Highlights and Shadows because too much saturation will make the image go completely one color. Color images, I find 35 maximum saturation fit my tastes. Here are some results:

How to Create a Retro Faded Look in Lightroom and Photoshop

Playing with split-toning to add to the retro look. Top left is the original faded image.
Top right: Highlights color 299, Saturation at 25, Shadows at 99 and Saturation 31 (Balance at 0)
Bottom right: Highlights color 101, Saturation at 25, Shadows at 47 and Saturation 31 (Balance at 0)
Bottom left: Highlights color 30, Saturation at 25, Shadows at 253 and Saturation 31 (Balance at 0)

Yes, that is indeed how you get a cross-processed look in Lightroom. It fits in well with the overall retro faded look.

Conclusion

That’s it. It’s pretty easy to do if you ask me. It probably takes a bit more time (and you have more control) than using Instagram filters but it’s worth the time to learn if the look resonates with you. You will quickly learn “the numbers” that you like most and be able to be consistent throughout your images. Be yourself, stay focused and keep on shooting.

Please sure your faded retro look images in the comments below and tell us how you achieved it.

The post How to Create a Retro Faded Look Using Lightroom or Photoshop by Olivier Duong appeared first on Digital Photography School.


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Lighting 103: Using Gelled Flash to Correct Ambient Light

07 Apr

Abstract: You can alter your camera's white balance and gel your flash to "correct" nearly any ambient light color shift. But should you?Read more »
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