RSS
 

Posts Tagged ‘unveils’

Google unveils Pixel 2 phones: Adds OIS, Dual Pixel powered Portrait Mode and more

05 Oct

Ever since the iPhone 8 Plus and iPhone X were announced, we’ve been waiting for Google’s response. When the original Google Pixel came out, it quickly became one of the most raved about smartphone cameras in the world… would the Pixel 2 follow suit? The short answer, at least according to Google, is yes.

Just this morning, we sat down in the SF Jazz Center and, after an hour of other updates, Google finally unveiled the 5-inch Pixel 2 and 6-inch Pixel 2 XL.

The new phones house a 12.2MP sensor with 1.4um pixels, Dual Pixel phase detect autofocus and an F1.8 lens on the back, and an 8MP camera with 1.4um pixels, fixed focus and an F2.7 lens on the front. The newer 1/2.55″ sensor is smaller than the previous-gen’s 1/2.3″ sensor, but the brighter aperture nearly perfectly compensates.* Video specs for the rear camera max out at 4K 30fps (sorry, no 4K/60p like the new iPhones) while the front camera can do up to 1080p at 30fps. The camera units are now raised above the back glass surface, which remedies the nasty flare issues the previous Pixels had.

As we hoped, the whole phone is encased in an IP67 water and dust resistant aluminum unibody, and is powered by the latest and greatest Qualcomm Snapdragon 835 processor.

More impressive than the base specs are how Google uses its hardware in concert with software and machine learning technology to deliver a better photography and video experience.

Instead of opting for a dual camera on the back of the phone, the Google Pixel 2 and Pixel 2 XL uses just one camera, and combines this with Dual Pixel technology (split left/right pixels) and computational photography to create the now-ubiquitous fake bokeh Portrait Mode effect. And since stabilization is incredibly important, they’ve worked out how to use both optical and electronic image stabilization at the same time when you’re shooting video, which should deliver incredibly smooth footage. (more on that from San Francisco shortly…)

Unfortunately, in our brief time with the cameras so far, we discovered that Portrait mode is still not rendered live on either camera… it seems there are downsides to using a single camera instead of a dual cam setup, or in Google’s (we think correct) choice to use a more computationally intensive ‘lens’ blur as opposed to the more Gaussian (smooth) blur that Apple opts for.

Finally, no modern smartphone is complete until you look at the display your photos and videos will be viewed on.

Unfortunately, Google made no mention of color management or proper display profiles—which caused issues with the previous Pixel smartphones—but the new AMOLED (for the 5-inch model) and pOLED (for the 6-inch model) displays are wide-gamut. The Pixel 2 claims 93% DCI-P3 coverage while the Pixel 2 XL claims full 100% coverage of the same standard.

We bring this up because last year’s Pixel phones also offered a wide color gamut and high contrast ratio, thanks to their OLED display technology, but often displayed wildly inaccurate colors due to the lack of color management. It’s still possible the displays will come calibrated properly for the P3 or sRGB color spaces, but without any explicit mention of calibrated display modes that the OS automatically switches between based on the color space of the content (as Apple claims to do), we remain skeptical.

The lack of any talk of HDR display of video or photos was also a disappointment after the announcement of iPhone X’s support for HDR10 and Dolby Vision video, and HDR display of photos. The latter should make HDR photos pop on the bright contrasty OLED display of the iPhone X, rather than give them the flat tonemapped look we’re often used to. It seems Google has chosen to go the traditional method of compressing a high contrast scene into a flatter image, rather than take advantage of the HDR display capabilities of its OLED display.

We’re currently spending some time with the Google Pixel 2 and Pixel 2 XL in person today at the Jazz Center, so stay tuned for our hands-on impressions as the designated photography nerds at this event.

In the meantime, you can find out more about either of these phones on the Google Store, check out our Live Blog to see what we were thinking as the announcements were going up, or argue about your Apple vs Google allegiance in the comments.


* At least for low light performance, but perhaps not dynamic range. The discussion is complicated by the use of computational photography, of course, so it’s difficult to speculate on the overall impact of the smaller sensor / brighter aperture.

Articles: Digital Photography Review (dpreview.com)

 
Comments Off on Google unveils Pixel 2 phones: Adds OIS, Dual Pixel powered Portrait Mode and more

Posted in Uncategorized

 

Adobe unveils Photoshop Elements 2018: Can open closed eyes, find your best photos and more

04 Oct

A before and after of Photoshop Elements’ new Open Closed Eyes featured at work.

While the professional photography market waits with bated breath to see what Adobe has in store for us at AdobeMAX, the company behind Lightroom and Photoshop unveiled something that appeals to a bit broader of an audience today: Photoshop Elements 2018 and Premiere Elements 2018.

The new, user-friendly versions of Adobe’s photo and video editors come with some really creative and easy-to-use features that the company says are aimed at “memory keepers.” The idea was to create two programs that make finding, enhancing and sharing the precious memories hidden away inside random memory cards, hard drives and (most likely) smartphones almost totally automatic.

Photoshop Elements 2018

Photoshop Elements 2018 tackles the same problem that everyone—Google’s Photos App, Apple Photos, etc.—is trying to tackle: how do you help the typical shutterbug find their best images out of the thousands they take every week on their smartphone, and enhance those images so they look ‘professional’ and worth sharing on social media?

As with everybody else, Adobe is leaning heavily on machine learning and computer vision (different types of ‘AI’) for this trick.

It starts with an easy-to-use Organizer view and something called Auto Curation, which uses computer vision and some nifty algorithms to guess (because it can’t REALLY know, can it?) which of your images are the best. So if you have a group of 200 images, you can ask Photoshop Elements to cull those down automatically to just 15.

Once you’ve selected your shots, you can use the program’s new Guided Edits and a new feature called Automatic Selection to do things like drop in a new background, create a double exposure effect using two of your images, or add ‘artistic’ overlays.

The coolest feature, though, has to be Open Closed Eyes, which allows you to select two frames, and replace the closed eyes in one with the open eyes from another. The results are incredibly lifelike given that whole thing can be done in a matter of seconds.

Premiere Elements 2018

Like Photoshop Elements, Premiere Elements 2018 also leans heavily on AI-powered features to make video editing as automatic and pain-free as possible.

Smart Trim does for videos what Auto Curate does for photos, namely: it asks you what ‘style’ of video you want to create, tries to intelligently find the best clips that match this style, and tosses out the rest to create a coherent clip.

Another interesting addition is a feature called Candid Moments, which tries to find the best candid ‘photo’ hidden within a video clip and pull it out for you. With new smartphones like the iPhone 8 Plus shooting gorgeous 4K 60p, we could see this feature being a huge hit with those ‘memory keepers’ Adobe is all trying to target.

Admittedly, neither Photoshop Elements 2018 nor Premiere Elements 2018 are really targetted at more professional photographers out there (read: many of the people who enjoy reading DPReview). But as these beginner-focused programs get more and more powerful, amateur photographers who are allergic to the subscription model and don’t like to do much post-processing anyhow might actually enjoy using Photoshop and Premiere Elements 2018.

Of course, that’s not to say we won’t be keeping a very close eye on AdobeMAX this year.

To learn more about Photoshop Elements 2018 and Premiere Elements 2018, head over to the Adobe blog by clicking here, or visit their dedicated landing pages by clicking on the program names above. Both programs are available now for $ 100 new or $ 80 as an upgrade. You can also buy them together for $ 150 new or upgrade both programs at once for $ 120.

Articles: Digital Photography Review (dpreview.com)

 
Comments Off on Adobe unveils Photoshop Elements 2018: Can open closed eyes, find your best photos and more

Posted in Uncategorized

 

Cravar unveils new Rana Series of leather messenger bags for photographers

04 Oct

Leather goods company Cravar has launched a new range of Rana Series messenger bags, and its attempting to crowdfund the release through Kickstarter. The new series is comprised of four leather messenger bags designed for photographers to use as either a camera bag or an everyday carry. All four bags feature solid brass hardware, a full grain veg-tanned leather exterior, closed-cell foam padding, and an interior made with linen and Sunbrella fabrics.

The Cravar Rana Series is comprised of the Rana 7, Rana 10, Rana 13, and Rana 15 leather messenger bags—each number approximates the bag’s width.

The Rana 15 is the largest of the bunch, and is able to accommodate most 15″ laptops as well as a full-frame DSLR and three lenses or more, depending on the size of said lenses. The bag has an aluminum-reinforced top flap, three vertical and two stack dividers, a luggage handle slot, two front pockets, and one rear pocket.

Similar, but slightly smaller, is the Rana 13 which is also able to fit a full-frame DSLR and three or more lenses, in addition to a smaller 13″ laptop. The Rana 10, meanwhile, can fit a full-frame DSLR, two or more lenses, and a 9.7 – 10.5″ tablet. Finally, Rana 7 can accommodate a full-frame DSLR and one or more lenses, depending on size, plus an iPad mini or other small tablet.

Cravar is offering the Rana Series bags at the following Kickstarter pledge prices ahead of the higher planned retail costs (assuming the bags are successfully funded and brought to market):

  • Rana 7: $ 165 or more
  • Rana 10: $ 195 or more
  • Rana 13: $ 245 or more
  • Rana 15: $ 275 or more

To learn more about these bags or order your own, head over to Kickstarter. Shipping to backers is expected to start in February 2018.

Articles: Digital Photography Review (dpreview.com)

 
Comments Off on Cravar unveils new Rana Series of leather messenger bags for photographers

Posted in Uncategorized

 

Polaroid unveils flexible LED panel you can bend into different shapes

29 Sep

Polaroid has been on a lighting spree of late, and the brand continued that trend this week by launching a lightweight, flexible LED light panel that can be bent into various positions and shapes.

The 12×12-inch (30.5 x 30.5cm) panel offers flicker-free 5600K color temperature light at a thickness of just 16mm / 0.6in. Inside are embedded 256 total LEDs that output 4500 lumens of light, which Polaroid says makes it nearly as bright as direct sunlight; however, the panel does include a diffusion filter to produce a softer “dreamy glow.”

According to the product’s Amazon page, Polaroid’s new panel includes a remote control for toggling the light’s channels and settings, it is dimmable, and it’s being described as durable, though Polaroid doesn’t detail the exact materials it used to make the product.

The Polaroid flexible LED panel is available now for $ 125 USD.

Press Release

Polaroid Announces the Polaroid Flexible LED Lighting Panel; Brings Bendable, Controlled Lighting to Photographers and Videographers

Super-bright, featherweight LED light that folds and bends into the perfect shape for every shot

Edison, NJ – September 26, 2017 – Polaroid today announced the Polaroid flexible LED lighting panel, an incredibly lightweight, bendable light source that is a must-have accessory for any photographer or videographer. Mold the light to the desired form and position, as the pliable flat-mat material can be reshaped to give focused control over the light’s direction and fall-off. Anyone from professional photographers to casual enthusiasts can use the simple wireless remote control to quickly dim the daylight balanced light source, making it perfect as a main light or as a versatile fill light in larger set-ups.

The Versatile Light That Fits Any Situation

Perfect for both indoor and outdoor use, the 5600K color temperature light source delivers flicker-free brilliant light wherever you take it. Bright and flexible enough to be part of a larger professional shoot, the Polaroid flexible LED lighting panel is also light enough for use at solo outings, weddings and location shoots. The compact design and bendable material make this the perfect accessory for the photographer on-the-go.

Perfect Lighting for Portraits, Products or Macro Photography

Measuring at 12×12” and just 16mm wide, the super slim Polaroid flexible LED panel mat weighs a mere one pound, making it easy to arrange and mold the light into your ideal position. Even at this ultra-portable size, the Polaroid flexible LED lighting panel delivers superb color reproduction similar in comparison to a natural light source; with 256 LEDs it can produce up to 4500 Lumens – nearly the brightness of direct sunlight. For those looking to achieve a softer look, the included special diffusion filter turns the brilliant LED light into a dreamy glow – perfect for portraits and product shots!

Photographers and videographers can purchase the Polaroid flexible LED lighting panel from Amazon for 124.99 USD.

Articles: Digital Photography Review (dpreview.com)

 
Comments Off on Polaroid unveils flexible LED panel you can bend into different shapes

Posted in Uncategorized

 

Lensbaby unveils Creative Bokeh and Sweet 80 optics

21 Sep

Lensbaby just released two new “optics” for portrait photographer and other shooters who want to add a bit of creative flare to their photography. The first is the Sweet 80: an 80mm optic that gives portrait shooters that trademark Lensbaby ‘sweet spot’ of focus; the second is the Creative Bokeh optic: a 50mm single-element lens that comes with 11 drop in apertures in a variety of shapes.

You can see both optics in the gallery below:

Product Photos

$ (document).ready(function() { SampleGalleryV2({“containerId”:”embeddedSampleGallery_8408114371″,”galleryId”:”8408114371″,”isEmbeddedWidget”:true,”standalone”:false,”selectedImageIndex”:0,”startInCommentsView”:false,”isMobile”:false}) });

Both the Sweet 80 and Creative Bokeh optics join the so-called ‘Lensbaby Optic Swap System’ that allows you to pop different creative lenses onto your Composer Pro I or II Composer, Muse, Scout, and Control Freak.

Lensbaby Sweet 80 Optic

At its core, the Sweet 80 is an 80mm F2.8 selective focus optic with a 12-blade aperture that closes down to F22. As with Lensbaby’s other ‘Sweet’ optics, you select the size and location of your ‘sweet spot of focus’ by tilting the lens and adjusting the aperture.

Here are a few sample photos captured with the Sweet 80:

$ (document).ready(function() { SampleGalleryV2({“containerId”:”embeddedSampleGallery_9030360224″,”galleryId”:”9030360224″,”isEmbeddedWidget”:true,”standalone”:false,”selectedImageIndex”:0,”startInCommentsView”:false,”isMobile”:false}) });

Lensbaby Creative Bokeh Optic

As mentioned above, the Creative Bokeh optic is a 50mm, single-element lens that you attach to a Composer Pro II. Inside you’ll find a 12-blade aperture that ranges from F2.5 to F22, but the built-in aperture isn’t the main draw of this optic.

Instead, Lensbaby is including 11 magnetic drop-in aperture plates that will turn the out-of-focus points of light in your background into a variety of shapes, including: diamonds, dripsplat, slots, swirly, whirlpool, birds, sunburst, heart, star. There are also two blank disks so you can create your own.

Here are some sample images captured with the Creative Bokeh optic:

$ (document).ready(function() { SampleGalleryV2({“containerId”:”embeddedSampleGallery_6828106910″,”galleryId”:”6828106910″,”isEmbeddedWidget”:true,”standalone”:false,”selectedImageIndex”:0,”startInCommentsView”:false,”isMobile”:false}) });

Both of the new optics are available now from the Lensbaby store. The Sweet 80 is available by itself for $ 200 or in a kit with the Composer Pro II for $ 380, and the Creative Bokeh optic sells for $ 100.

To learn more, head over to the Lensbaby website.

Articles: Digital Photography Review (dpreview.com)

 
Comments Off on Lensbaby unveils Creative Bokeh and Sweet 80 optics

Posted in Uncategorized

 

Lastolite unveils two new ‘stone effect’ panoramic backgrounds for portrait photographers

15 Sep

Studio accessories manufacturer Lastolite has introduced a pair of new stone effects to its panoramic background range. Granite and Limestone are the first textured materials to join the range that currently just includes white, black and Chromakey Green plain finishes.

The Lastolite Panoramic Background system consists of a three-part collapsible frame that is self-supporting once erected. Plain or patterned covers stretch over the frame to form a 4×2.3m/13×7.5ft backdrop suitable for shooting groups, and once packed away the kit measures just 100cmx30cmx35cm/39x12x14in.

The new patterns will be available with or without the panoramic frame, and will cost £306 on their own or £600 with the frame (US prices still to be released). For more information see the Manfrotto website.

Press Release

Lastolite by Manfrotto presents new Granite and Limestone panoramic backgrounds to the collection

Lastolite By Manfrotto, the world’s leading manufacturer of backgrounds and lighting control systems has announced the launch of the new Panoramic Background in Granite and Limestone.

The Panoramic Background has quickly become the go to background for busy photographers needing a 4m wide, seamless, crease free, collapsible solution. Built around a three-panel collapsible lightweight aluminium framework, the Panoramic background is completely self-supporting so there is no need for additional stands and crossbars. The Panoramic Background is assembled in a matter of minutes and, once assembled, is simply clipped onto the framework. The stretchable cover fabric ensures a flat, crease free surface at all times. Unlike other large seamless background solutions, the Panoramic collapses down to an impressive 100cm x 30cm x 35cm size, making it very easy to transport. The Panoramic Background is perfect for shooting larger groups, shooting with props or creating the negative space in a photograph that agencies so often request.

The new themed covers now bring textured surfaces to the range and perfectly complement the existing black, white and Chromakey Green solid colour surfaces. There are two new covers available – Granite and Limestone. Granite offers a stone texture effect with a full range of grey tones and a dark vignette around the edges, whilst Limestone is much lighter, offering a subtle range of mid to light greys giving the effect of a Limestone surface.

The Granite and Limestone Panoramic background includes the framework and the cover. For existing Panoramic background users the new covers are also available separately.

Click here to see a video of the new Panoramic Background in action https://vimeo.com/230936776

The Granite and Limestone Panoramic Background has an RRP of £600.
The Granite and Limestone Panoramic Background covers have an RRP of £306.

For more information, please visit www.manfrotto.co.uk/lastolite

Articles: Digital Photography Review (dpreview.com)

 
Comments Off on Lastolite unveils two new ‘stone effect’ panoramic backgrounds for portrait photographers

Posted in Uncategorized

 

Polaroid is back! Unveils OneStep 2 instant camera and i-Type film

14 Sep

Remember those intriguing teasers Polaroid was scrolling through on its main website last week. Well, yesterday night was when that countdown ended, and it ended with a huge announcement that has the photo industry buzzing. In short: the old Polaroid you knew and loved is back from the dead with a new analog instant camera and a new type of instant film!

Announced on the 80th anniversary of the Polaroid brand, both products are being unveiled as part of a new brand called Polaroid Originals, which merges the Polaroid of old with years worth of work done by Impossible Project to keep that old Polaroid alive. In fact, the Impossible brand is being replaced altogether.

In addition to the new film and camera, you’ll now be able to purchase restored vintage Polaroid cameras and traditional Polaroid instant film in a variety of formats straight from the Polaroid Originals website. But first, let’s dive into that sweet new camera!

The Polaroid OneStep 2

$ (document).ready(function() { SampleGalleryV2({“containerId”:”embeddedSampleGallery_9226467734″,”galleryId”:”9226467734″,”isEmbeddedWidget”:true,”standalone”:false,”selectedImageIndex”:0,”startInCommentsView”:false,”isMobile”:false}) });

The Polaroid OneStep 2 is exactly what it sounds like: the spiritual (and in some ways literal) successor to the famous Polaroid OneStep—you know, the camera Instagram stole its original logo from.

Inspired by the original OneStep, Polaroid says they’ve updated the OneStep 2 “to create a simple, easy-to-use instant camera that works straight out of the box.” It sports a ‘high quality lens’ that can focus from 2ft to infinity, a ‘powerful’ flash, a rechargeable battery that allegedly lasts 60 days on a charge, a self-timer function, and it’s compatible with both the new i-Type instant film and the old 600 series film.

The camera is available in white and graphite, and you can already pre-order yours through the Polaroid Originals website for $ 100.

Polaroid i-Type Instant Film

Speaking of film, Polaroid Originals also debuted a new film format that will look familiar but is actually a bit different. It’s called i-Type, and it joins Polaroid’s vintage films (SX-70, 600, 8×10, etc.) as the newest kid on the block.

The “i” stands for “Incredible” … which is really irrelevant. The important bits is that this film is optimized for the OneStep 2—and, we hope, future Polaroid Originals cameras—is battery-free, and comes in Black and White and Color varieties for $ 16 per 8-pack or $ 45 for two 8-packs of color film and one 8-pack of black and white.

Keep in mind, because this is a battery-free film, it will not work in 600 cameras. That film has its own battery in the film, while the new i-Type OneStep 2 boasts a rechargeable battery of its own.

To learn more about this film or purchase a pack or two of your own, click here.

Vintage Polaroid Cameras and Film

Finally, since the Impossible Project brand is now a thing of the past, the Polaroid Originals website won’t just be a place to buy the new OneStep 2 and i-Type film. You’ll also be able to pick up all of the restored vintage Polaroid cameras and older film formats that Impossible kept going all of these years.

The old Polaroid 600 cameras start at $ 120, the famed SX-70 foldable model starts at $ 380, and Spectra camera models can be had for $ 120 and up. All of them are available on this product page.

And if you need film for those old cameras, you can pick up SX-70 film, 600 film, Spectra film, and even 8×10 sheet film here.

To say this is an exciting announcement for the analog photography world is to undersell this by far. The merging of Polaroid and Impossible project as Polaroid Originals would be big news itself, but add to that a new analog instant film camera and a new type of instant film and you’ve got hipsters, instant photography buffs, and nostalgic shutterbugs like tripping over themselves to support this resurrection.

To learn more about Polaroid Originals or any of the products mentioned above, head over to the brand’s new website here.

Articles: Digital Photography Review (dpreview.com)

 
Comments Off on Polaroid is back! Unveils OneStep 2 instant camera and i-Type film

Posted in Uncategorized

 

Alien Skin unveils Exposure X3 raw editor and organizer, available this fall

14 Sep

Alien Skin is gearing up to launch Exposure X3, the next installment in its Exposure software line. Exposure X3 is a non-destructive raw image organizer and editor, and it will bring multiple improvements and new features over the previous version. Among the changes will be new “toning enhancements” for B&W and color images, as well as a side-by-side view that allows you to compare two images.

Though the product hasn’t yet been fully fleshed out for the public, Alien Skin has revealed that X3 users will have the option of creating virtual copies of images so that the same photo can be edited in different ways without using up extra hard drive space. The company also shared that X3 will bring radial and linear brush shapes, plus adjustable borders.

Alien Skin plans to launch Exposure X3 on both macOS and Windows this fall for $ 150, though existing Exposure users will have access to a $ 100 upgrade option. Alien Skin will also offer a $ 200 bundle that includes X3, Snap Art and Blow Up, and anyone who owns at least one of these apps can get the bundle for $ 120.

Articles: Digital Photography Review (dpreview.com)

 
Comments Off on Alien Skin unveils Exposure X3 raw editor and organizer, available this fall

Posted in Uncategorized

 

Phase One unveils IQ3 100MP Trichromatic digital back, promises unmatched color quality

13 Sep

Phase One unveiled its newest IQ3 model today. A 100MP digital back designed in partnership with Sony, it’s called the Trichromatic because of its focus on exceptional color reproduction that supposedly matches the capacity of the human eye. In many ways the photographic foil of the Achromatic digital back, the Trichromatic is the “brain child” of Phase One’s long standing collaboration with Sony.

Not to put too fine a point on it, Phase One promises the Trichromatic will bring “unsurpassed color quality to the hands of the finest photographers across the globe.” No big deal… just unsurpassed color quality.

Here’s a quick video introduction to the new camera, and a hands-on look/ad by fine art photographer Tony Hewitt:

The Trichromatic achieves these color feats thanks to new Bayer color filter technology that has been implemented on the ultra-high res 100MP CMOS sensor. This technology is allegedly “exclusive” to Phase One, and “transforms digital color capabilities to render color more authentically than ever.”

Phase One also claims that the Trichromatic’s sensor design offers the “absolute lowest digital noise” of any medium format CMOS camera on the market thanks to a new base ISO level of just ISO 35.

Here are a few high res sample photos courtesy of Phase One:

$ (document).ready(function() { SampleGalleryV2({“containerId”:”embeddedSampleGallery_0745746730″,”galleryId”:”0745746730″,”isEmbeddedWidget”:true,”standalone”:false,”selectedImageIndex”:0,”startInCommentsView”:false,”isMobile”:false}) });

The IQ3 100MP Trichromatic Digital Back is available today at a wallet-shrinking suggested retail price of $ 44,990. Or, if you have an extra five grand and want to get a slightly better deal, you can pick up the Trichromatic alongside an XF camera body, a prime lens of your choice from the Schneider Kreuznach Blue Ring lineup, and a 5-year warranty for $ 49,990.

To learn more, head over to the Phase One website or read the full press release below.

Press Release

Introducing the Phase One IQ3 100MP Trichromatic Digital Back

The art of expression. The science of color.

COPENHAGEN, September 13, 2017 – Phase One today announced the Phase One IQ3 100MP Trichromatic Digital Back, based on a new CMOS sensor designed to capture color as perceived by the human eye. The new sensor technology in the IQ3 100MP Trichromatic Digital Back is the brainchild of a longstanding collaboration between Sony and Phase One. The result is astonishing color definition – with which champions of photography are able to create and express their artistic visions more accurately than ever before.

In this way, Phase One’s latest product brings unsurpassed color quality to the hands of the finest photographers across the globe.

The 100MP CMOS sensor in the IQ3 100MP Trichromatic Digital Back incorporates new Bayer Filter color technology, the result of Phase One’s close working relationship with Sony. Available exclusively through Phase One, this new technology transforms digital color capabilities to render color more authentically than ever – giving the world’s foremost photographers 101-megapixels of unprecedented creativity.

Click on the following link to learn more about the Phase One IQ3 100MP Trichromatic Digital Back: www.phaseone.com/trichromatic

As a photographer, one of the things that excites me the most is having the opportunity to use color to evoke emotion. The Trichromatic Camera System itself becomes a true extension of my vision, and what my eye sees and what my eye wants to express – the camera delivers. – Tony Hewitt, Fine Art Photographer

This pioneering sensor design has also established the lowest and therefore cleanest base ISO of any medium format CMOS sensor. At an impressive ISO 35, the results of the IQ3 100MP Trichromatic are crisp and clean, providing the absolute lowest digital noise for any CMOS system of its size.

“The ability to capture an image that reflects exactly what you see the moment you press the shutter button, with little interpretation or conjecture, is a fantastic leap for photography and more importantly, for the integrity of image quality,” said Niels Knudsen, Phase One Image Quality Professor.

Availability and Pricing:

The IQ3 100MP Trichromatic Digital Back is available now through Phase One Partners: www.phaseone.com/partners. Contact your local Phase One Partner to arrange a demo.

The Manufacturer Suggested Retail Price for the IQ3 100MP Trichromatic Digital Back is $ 44,990 USD.

The Manufacturer Suggested Retail Price for the XF IQ3 100MP Trichromatic Camera System, including XF Camera Body, free Prime Lens choice and a 5-year warranty is $ 49,990 USD.

All Phase One XF IQ3 Camera Systems are supplied with a free lens of choice from the Schneider Kreuznach Blue Ring Prime Lens range, valued up to $ 6,990 USD.

Phase One also announced their Feature Update #4 today, which is available immediately for downloaded free of charge for all XF Camera System owners at www.phaseone.com/Feature-Update-4

For more details, please go to: http://www.phaseone.com or book a demo on: www.phaseone.com/DemoSignup

Articles: Digital Photography Review (dpreview.com)

 
Comments Off on Phase One unveils IQ3 100MP Trichromatic digital back, promises unmatched color quality

Posted in Uncategorized

 

Kodak unveils the Printomatic: A point-and-shoot ‘instant print’ camera

12 Sep

There’s a new instant camera in town. Revealed by Kodak earlier today, the Printomatic is a point-and-shoot ‘instant print’ digital camera: meaning the photos it captures with its 10MP sensor are instantly printed out of the side of the camera Polaroid-style while you go on shooting.

Kodak is calling it “the ideal all-in-one solution for capturing and sharing vibrant prints instantly.”

To call the Printomatic a ‘no-frills’ camera is almost an understatement. Available in Gray or Yellow for just $ 70, the 10MP shooter comes with a built-in Li-ion battery, flash, low-battery indicator, print indicator, microSD card slot, and two pictures modes: vibrant color or black & white. In other words, it’s as close to fully automatic as you’re going to get.

The appeal of the camera, at least according to Kodak, is in its simplicity.

“The KODAK PRINTOMATIC is a contemporary camera with a wonderful balance of digital and analog technology,” Steven Overman, Kodak’s Chief Marketing Officer, said in a statement. “It’s an accessible device for anybody who wants to create a lasting memory in a tangible, colorful way.”

Each photo is printed at 2×3-inches on Kodak’s ZINK (stands for “Zero Ink”) Photo Paper, which means it comes out of the camera water-resistant, tear resistant and adhesive-backed.

The camera will be available online and in stores starting “late September” for $ 70, and comes with a 10-pack of ZINK Photo Paper included. ZINK refills are available online in 20 and 50 packs for $ 9 and $ 20, respectively. To learn more about the Printomatic, head over to the Kodak website.

Press Release

KODAK PRINTOMATIC Instant Print Camera Captures the Moment

Sleek new camera brings legendary Kodak style to the instant print camera game; prints beautiful, ready-to-share photos

Rochester, NY and EDISON, NJ, Monday, September 11, 2017

Today Eastman Kodak Company and its licensee C+A Global unveiled the KODAK PRINTOMATIC Camera, a brand-new instant print camera. The stylish new point-and-shoot camera instantly prints high-quality, full color photos right from the camera body, making it the ideal all-in-one solution for capturing and sharing beautiful, vibrant prints instantly.

The KODAK PRINTOMATIC Camera is the ultimate catalyst for a good time that can be shared instantly. Every day is a special occasion with the KODAK PRINTOMATIC Instant Print Camera – from graduations to family gatherings to relaxing getaways with loved ones. A perfect accessory for event planners, scrap-bookers, vacationers and partygoers, instant photography is the utilitarian-meets-fun solution for custom gifts and mementos. Wedding guests can snap candid photos of the ceremony and have them printed and framed before the reception starts. Creating custom scrapbooks is hassle-free when photos print immediately with adhesive backing ready to be added to the page. Events become more fun, weekend get-togethers are enriched, and moments that once were forgotten on a smartphone are cherished forever.

“The KODAK PRINTOMATIC is a contemporary camera with a wonderful balance of digital and analog technology,” says Steven Overman, President of Kodak’s Consumer and Film Division and Kodak Chief Marketing Officer. “It’s an accessible device for anybody who wants to create a lasting memory in a tangible, colorful way.”

“We feel honored to partner with Kodak, a company that has established itself as a leader and storied brand in color technology used the world over,” comments Chaim Pikarski, CEO of C+A Global. “This release is another step for Kodak entering into the growing instant digital camera market. The KODAK PRINTOMATIC Camera is the first of the full product lineup to be launched in 2017 and continue into 2018. The KODAK PRINTOMATIC Camera brings back the nostalgia of capturing and sharing KODAK MOMENTS, putting the print in the palm of your hand, the moment it happens.

With a maximum resolution 10-megapixel camera and no computer connection or even Wi-Fi needed, the KODAK PRINTOMATIC Camera produces 2×3” photo prints with no ink cartridges, toner or film necessary. Photo prints are durable, water- and tear-resistant with an adhesive back. Fun, fast and easy to use, the compact and fashionable KODAK PRINTOMATIC Device fits right in your back pocket and is perfect for sharing vibrant, smudge-free photos with friends and family, anywhere, anytime. Keeping up with all the fun, the camera can even shoot a new photo while still printing the previous shot, so you’ll never miss a special moment.

KODAK PRINTOMATIC Instant Print Camera Highlights and Benefits:

  • Maximum resolution of 10-megapixel camera
  • Built-in flash
  • Built-in lithium ion battery
  • Two picture modes: vibrant color, black & white
  • Low battery indicator
  • Printer status indicator
  • MicroSD™ card indicator
  • MicroSD™ card slot
  • Slots for neck strap
  • Comes in grey or yellow

The KODAK PRINTOMATIC Instant Print Camera will be available in late September for $ 69.99 USD at major retailers and online including Amazon. The camera comes with a USB cable, a Quick Start Guide, a 10-pack of KODAK ZINK Photo Paper and a memory card. KODAK ZINK Photo Paper comes in 20 and 50 packs, and is sold separately.

More information is available at www.kodak.com/go/printomatic.

Articles: Digital Photography Review (dpreview.com)

 
Comments Off on Kodak unveils the Printomatic: A point-and-shoot ‘instant print’ camera

Posted in Uncategorized