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Posts Tagged ‘unveils’

Peak Design unveils redesigned ‘Greatest Hits’: All new Clip, Slide and Slide Lite

07 Nov

Peak Design—the makers of top rated and much loved camera accessories that have raised nearly $ 15 million on Kickstarter since their first got into crowdfunding—have just launched a special ‘greatest hits’ 5-day Kickstarter campaign to fund their latest products: a totally redesigned Capture Camera Clip and revamped Slide and Slide Lite camera straps.

The campaign launched this morning, and already Peak Design is racing towards its funding goal at record speed—which was, after all, the point.

“We wanted to bring these redesigned products back to Kickstarter because our backer community brought them to life in the first place,” says Adam Saraceno, Peak Design’s Marketing Director. “We also wanted to get gear into folks’ hands before the end of the year. These are busy times so we opted to keep our Kickstarter short and sweet.”

Here’s the company’s Kickstarter video, to give you an overview of the new products:

Capture Camera Clip

First up, the one that started it all: The Peak Design Capture Camera Clip. The first product Peak Design launched on Kickstarter, the Capture clip is a staple in many a photographers’ camera bag (or rather ON their camera bag), but the original design needed some love.

Enter former Apple design engineer Max Maloney, who took some time to show us the improvements they’ve made on the Clip at PhotoPlus this year.

The clip has been totally redesigned to be smaller, sleeker, and more functional all at the same time. It now features an all aluminum built (no plastic parts in sight), a lighter and smaller build that should still fit on almost any belt or backpack strap out there, an embeddable grip on the backplate so you don’t have to tighten the thing so much for it to stay in place, and a much sleeker profile that’s less likely to snag on clothing or gear.

Here’s a closer look at the new Clip, including a side-by-side with the old version:

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The new Capture v3 will cost you a $ 55 pledge (MSRP $ 70). Find out more on Kickstarter.

Slide and Slide Lite

The Capture v3 is probably the most exciting ‘Greatest Hits’ release, but for those of you who love Peak Design’s camera straps, the Slide and Slide Lite revamp is definitely worth looking into.

The Slide (meant for DSLRs) and Slide Lite (meant for mirrorless cameras) are some of Peak Design’s most popular camera straps, and now they’ve been upgraded with updated dual adjusters that keep a lower profile, a new anchor mount for ‘low-profile connection point to bottom of camera’, smooth and durable nylon webbing for easier adjustment, and updated anchor connectors for easier one-handed use.

Here’s a closer look:

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The Slide and Slide Lite will MSRP for $ 65 and $ 50, respectively, when they hit store shelves, but if you contribute to the Greatest Hits Kickstarter you’ll be able to get them for $ 50 and $ 35. Click here to learn more.

To see check out either of the new products for yourself or contribute to the campaign—which has already raised nearly $ 50,000 in funding in just a couple of hours!—click here. Estimated delivery for all of the new products is December of 2017.

Articles: Digital Photography Review (dpreview.com)

 
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Hasselblad unveils 135mm F2.8 for X1D, promises 80mm with fastest aperture yet

04 Nov

Medium format camera and lens maker Hasselblad has released its XCD lens roadmap for 2018, revealing the nine total lenses that will be available for X1D-50c shooters by the end of next year. Mainly, the company has added two new models to the system in the shape of a 135mm F2.8 with a built-in teleconverter, and what it is describing as an 80mm with the widest aperture Hasselblad has ever produced.

In addition, Hasselblad has altered the spec of its already announced 22mm wide lens. It will now come to market as a 21mm F4 after a slight change of plan in what Hasselblad says is a response to feedback from customers.

The new XCD 135mm F2.8 is due to arrive in the first half of 2018, and will come with a built-in 1.7x converter that will transform the lens into a 230mm F4.8. With the sensor of the X1D, this lens will deliver the same sort of angle of view we’d expect from a 110mm lens on a full-frame system, while with the converter that becomes just over 180mm.

The maximum aperture of the promised 80mm hasn’t been disclosed, but if it is to be the widest aperture Hasselblad has ever produced it will need to be wider than the F2 of the 110mm Planar T*. The company has said more will be revealed closer to the launch date at the end of 2018.

Aperture details of the forthcoming XCD 35-75mm zoom and the XCD 65mm have also been released, with the zoom varying between F3.5 and F4.5, and the 50mm-equivalent focal length coming in at F2.8. Prices are also to be released at a later date.

For more information, visit the Hasselblad website.

Press Release

Hasselblad expands the XCD lens range to a total of nine lenses in 2018

Hasselblad updates the XCD lens roadmap for the award-winning X1D-50c with the XCD 135mm and the 80mm lenses, rapidly expanding the XCD lens range to a total of nine dedicated lenses. By end of 2018 X1D users will have a wide range of lens options to maximize their creative vision.

The XCD 135mm f/2.8 lens comes with a dedicated 1,7x converter that extends the tele lens to 230mm f/4.8, while the XCD 80mm is set to become the highest aperture lens that Hasselblad has ever introduced.

In addition to these two new lenses, the previously announced XCD 22mm ultra-wide-angle lens has been updated to 21mm to meet the Hasselblad users’ demand for a better wide-angle lens experience.

Like the other XCD lenses, all new XCD lenses have an integral central shutter offering a wide range of shutter speeds and full flash synchronisation up to 1/2000th second.

Hasselblad is also releasing aperture details for previously announced XCD lenses: the XCD 21 ultra-wide-angle lens will feature f/4.0, the XCD 35-75mm zoom lens will have f/3.5-4.5, and the XCD 65mm lens will have f/2.8.

All new XCD lenses, besides XCD 80mm, are expected to be available during the first half of 2018, while the XCD 80mm high aperture featuring lens is planned for the second half of 2018.

The demand for the previously announced XCD 120mm macro lens and the XH lens adapter exceeded Hasselblad’s expectations, but the production is now being ramped up and orders are being fulfilled globally.

In addition to the nine dedicated XCD lenses, the XH lens adapter allows the X1D owners to use all twelve HC/HCD lenses.

Pricing and additional technical specifications will be provided closer to the availability of each lens. Specifications are subject to change.

Articles: Digital Photography Review (dpreview.com)

 
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Macphun unveils Luminar 2018, takes on Adobe Lightroom CC

02 Nov

Macphun—the photo editing software company that will rename itself ‘Skylum’ at the end of the year—has just unveiled the latest version of its full-featured photo editing suite Luminar. Meet Luminar 2018: a photo editor and (eventually) digital asset manager that seeks to compete with Adobe’s Lightroom at a time when many Lightroom users are looking for an out.

Available for pre-order starting today, Luminar 2018 features speed improvements, a dedicated RAW develop module, LUT support, AI-powered filters that can do some strange/interesting things like create intelligent light rays, and a digital asset management system (coming soon) that will allow you to organize your photo library sans subscription.

Macphun is very much hoping disgruntled Lightroom users will give Luminar 2018 a go:

Luminar 2018 has been re-built from the ground up for dramatic performance boosts.

[…]

Instead of stuffing menus with boring effects and old technology, Luminar only puts in filters that photographers want and need. Luminar offers more than 40 filters to correct color, sharpen details, and release creativity. New filters include the ability to enhance color with Brilliance, selectively lighten or darken specific areas of an image with Dodge & Burn, as well as the ability to change the lighting in a photo with Sun Rays.

Want a whole new way to stylize images? Try the new Lookup Table adjustments, known as LUTs . Creative color, perfect black and white conversions, and even digital films stocks are just a click away. Lightroom users who rely on custom presets created for Lightroom can also easily convert those presets into LUTs (with a free 3rd party tool) and use them inside of Luminar 2018.

Here’s a closer look at the interface:

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And a few before and after images to show what Luminar 2018 can do when you put it to work on your images:

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Most of the features discussed will launch with Luminar 2018 later this month, with the exception of the DAM, which is scheduled to ship “in 2018.” Pre-orders start today at a special discount price of $ 60 for new users (usually $ 70) and $ 40 for users of the current Luminar (usually $ 50).

To learn more about Luminar 2018, head over to the Macphun (soon Skylum) website by clicking here.

Press Release

The new Luminar 2018 takes on Adobe Lightroom

New Luminar 2018 delivers a breakthrough photo editing experience for photographers on Mac & Windows with new filters, tools, non-destructive editing, major speed boosts, and a digital asset management platform that will arrive in 2018.

San Diego, CA – November 1, 2017 — Macphun, the California-based software developer today announced Luminar 2018. New users will be able to purchase Luminar 2018 for $ 59, and current users of Luminar may upgrade at a special price of $ 39. Preorders start November 1 at www.macphun.com/luminar.

Luminar 2018 offers everything a modern photographer needs for photo editing, including new filters powered by artificial intelligence, major speed improvements, a dedicated RAW develop module and a forthcoming in 2018 digital asset management platform. Users will also benefit from the new intelligent Sun Rays filter, LUT support, and real-time noise removal. With adaptive workspaces that match styles of shooting, Luminar adapts to deliver a complete experience that avoids clutter and complexity.

Luminar 2018 has been re-built from the ground up for dramatic performance boosts. Existing filters deliver richer colors and depth in less time. A brand new streamlined user interface speeds up working with presets, filters, and masks. With full support of pro options like layers, masks, and blending modes, complex repairs and photo composites can be easily accomplished.

And, importantly, Luminar works on both Mac- and Windows-based desktop computers*.

“We’ve taken the time to listen to photographers, and what they want is performance and quality. The less time photographers have to spend in front of computers, the more time they have for taking pictures,” said Alex Tsepko, CEO of Macphun. “Our mission is to get Luminar streamlined with just the tools and controls photographers need. The goal is simple: enable the best-looking images with the least amount of effort.”

Luminar offers a new RAW Engine that can handle high-quality images faster. Plus, it’s easy to solve image problems caused by camera lenses with Lens Correction features that resolve vignette, distortion, and color aberrations. If the photo has unwanted perspective problems, a new Transform tool can quickly solve them.

Instead of stuffing menus with boring effects and old technology, Luminar only puts in filters that photographers want and need. Luminar offers more than 40 filters to correct color, sharpen details, and release creativity. New filters include the ability to enhance color with Brilliance, selectively lighten or darken specific areas of an image with Dodge & Burn, as well as the ability to change the lighting in a photo with Sun Rays.

Want a whole new way to stylize images? Try the new Lookup Table adjustments, known as LUTs**. Creative color, perfect black and white conversions, and even digital films stocks are just a click away. Lightroom users who rely on custom presets created for Lightroom can also easily convert those presets into LUTs (with a free 3rd party tool) and use them inside of Luminar 2018.

Luminar 2018 will become available in November 2017, and in 2018 a free update will provide a new image browser/digital asset manager to help photographers manage their image libraries.

Photographers will be able to sort, rate, organize, and backup their photos at great speed. The new digital asset management platform in Luminar will work without subscription and will work with any storage (cloud or local). It will also bring a number of unique features, that the current Lightroom library can’t boast.

* Workspaces, Clone & Stamp, blend modes for layers, luminosity masking, flip and rotate, as well as some other tools and features will be available in the Mac version at launch, and arrive in the PC version with free updates by the end of the year.

** Look-Up Table (LUT) – is mathematically precise way of taking specific RGB image values form a source image – and modifying them to new RGB values by changing the hue, saturation and brightness values of that source image. LUTs are used creatively to impose a specific ‘Look’ on a source image.

Availability

Pre-order for Luminar 2018 will run from November 1 until November 16.

Pre-order customers will receive a special price and value-add bonuses such as:

  • A pack of signature presets & textures from a Pro photographer Nicolesy.
  • An exclusive pack of LUTs.
  • 1-year Power plan from SmugMug ($ 72 value). For new accounts only

Pricing

Mixed-computer households can share the same product key for Mac and PC which can be activated on five devices.

Current users of Luminar may upgrade at a special pre­-order price of $ 39

New users can purchase Luminar at a special pre­order price of $ 59

The retail price for Luminar 2018 after November 16 will be:

$ 49 upgrade for current Luminar HDR users

$ 69 for new users

The digital asset management platform will arrive in 2018 as the free update for all the users of Luminar 2018.

Articles: Digital Photography Review (dpreview.com)

 
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X-Rite unveils i1Studio: An all-in-one spectrophotometer that can calibrate all your devices

31 Oct

X-Rite has launched the i1Studio, an all-in-one spectrophotometer designed to make it easy to color calibrate a variety of devices—including projectors, scanners, monitors, printers, and mobile devices. The spectrophotometer is joined by new i1Studio software, the ColorTRUE Mobile App for calibrating iOS devices, and the ColorChecker Calibration for Cameras, a standard 24-patch target.

The i1Studio offers dedicated profiling for the aforementioned devices, as well as Black & White prints. Module features include ambient light measurement, Flare Correct, adaptive profiling technology, support for several video standards including NTSC and PAL, multiple monitor profiling, and extended user controls over luminance, gamma, contrast ratio, and white point.

The device’s related software is based on the platform X-Rite used for its 1Profiler software, promising a “perfect balance” between controls and automation alongside what X-Rite describes as a “streamlined user experience.” ColorMunki Photo & Design customers are offered a complimentary i1Studio software update, as well.

The kit is available now from X-Rite for $ 490 USD.

Press Release

X-Rite Announces its New i1Studio for Expert Color Results from Capture-to-Print

All-In-One color control solution with unmatched versatility for cameras, scanners, displays, printers, projectors and iOS mobile devices

X-Rite Incorporated, the world leader in color management and measurement technologies announces the i1Studio, an all new start-to-finish color management solution that delivers expert results from capture through to print.

The i1Studio enables exceptional color accuracy for photographers, filmmakers and designers of all levels to achieve consistent and predictable results across their workflow – saving time and money. The package comprises the i1Studio all-in-one spectrophotometer, i1Studio software, X-Rite’s market leading ColorChecker camera calibration tools and the ColorTRUE mobile app.

“Photographers tell stories with their pictures. Along with light, color plays an essential role in telling these stories. We want to make sure that your story is told as perfectly as possible, whether it’s color or black and white. Managing color should be easy with getting accurate repeatable results every time as the ultimate goal. i1Studio provides an intuitive, start-to-finish color management solution for every device in our users’ workflow so they can easily achieve this goal and get amazing results.”

– Liz Quinlisk, Marketing Director Photo & Video, X-Rite.

The i1Studio package comes with:

  • i1Studio Device: The all-in-one i1Studio spectrophotometer is the only device creatives will need to profile their monitors, projectors, scanners, mobile devices and printers.
  • NEW i1Studio software for Displays, Projectors, Scanners and Printers: The i1Studio software, based on X-Rite’s award winning i1Profiler software, provides an easy to navigate interface that delivers expertly calibrated and profiled monitors (including video pre-sets), projectors, scanners and printers, including a new dedicated Black & White print module for creating custom profiles for five unique B&W looks.
  • ColorChecker Calibration for Cameras: The included industry standard 24 patch target allows creatives to create custom camera profiles, set a custom white balance and have a neutral starting point no matter what light photographers are shooting in for a more streamlined editing process. (Also includes Adobe® Lightroom® Plug-In)
  • ColorTRUE Mobile App for iOS Devices: A simple way to calibrate Apple® iOS mobile devices for a true mobile to desktop color match of all images. (Downloadable from Apple App Store)

X-Rite’s i1 brand has long been the choice for color perfectionists around the world and is now extended to the i1Studio.

Amongst its wide array of features, i1Studio includes dedicated profiling for Black & White prints, scanners, mobile devices and video monitors. The new i1Studio software is engineered on the same platform as X-Rite’s i1Profiler, offering a streamlined user experience with the perfect balance of automation and creative controls. This gives users more options and more control, while delivering prints perfectly matched to their creative vision.

X-Rite’s i1Studio is now available through our global reseller network and on xritephoto.com, xritephoto.eu and xrite.com.

Existing ColorMunki Photo & Design customers can obtain a complimentary upgrade to i1Studio software at xrite.com/geti1Studio.

Articles: Digital Photography Review (dpreview.com)

 
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Tamron unveils lightweight 100-400mm F4.5-6.3 ultra-telephoto zoom for $800

29 Oct

Tamron just revealed its newest ultra-telephoto zoom. Meet the Tamron 100-400mm F4.5-6.3 Di VC USD (Model A035) for full-frame Canon and Nikon DSLRs—a lens that combines compact, lightweight construction with ‘superior’ image quality and ‘fast and precise AF’, according to Tamron. The lens’ tagline: heavyweight performance in a lightweight lens.

The new lens was revealed this morning, and its claim to fame is its size and weight. At just 39.3 oz., the new 100-400mm lens is the lightest in its class thanks to the use of magnesium allow in ‘key areas’ of the lens barrel. Inside that barrel you’ll find 17 lens elements in 11 groups—including three low dispersion (LD) elements—and Tamron’s high-speed Dual MPU that allows for ‘fast and precise AF’ as well as four stops of stabilization.

Below are some sample photos captured with the new Tamron 100-400 F4.5-6.3 Di VC USD at the racetrack by photographer Takahito Mizutani for Tamron:

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The Tamron 100-400mm F4.5-6.3 Di VC USD will be available starting November 16th, in both Canon and Nikon mounts, for $ 800. To find out more or see more impressive sample photos, read the full press release below or head over to the Tamron website.

Press Release

100-400mm F/4.5-6.3 Di VC USD (Model A035)

Tamron announces the launch of a new ultra-telephoto zoom lens with fast and precise AF, superior image quality and a lightweight, compact design

October 26, 2017, Commack, New York— Tamron USA, Inc. , announces the launch of a new ultra-telephoto zoom lens, 100-400mm F/4.5-6.3 Di VC USD (Model A035), for full-frame Canon and Nikon DSLR cameras. The Model A035 delivers fast and precise AF performance and consistently powerful VC (Vibration Compensation) 4 stops*1 benefits thanks to the high-speed Dual MPU (Micro-Processing Unit) control system that is found in the latest Tamron lens models. The advanced optical design of Model A035 includes three LD (Low Dispersion) lens elements for aberration reduction and Tamron’s original eBAND Coating for superior anti-reflection performance. At 1,115g (39.3 oz), the new lens is the lightest in its class*2 and features magnesium alloy in key areas of the lens barrel to ensure weight reduction, and improve strength and portability. Model A035 is compatible with Tamron’s 1.4X tele converter and the Tamron TAP-in ConsoleTM that enables lens customizations for focus adjustments, VC mechanism adjustments and more. Additionally, an Arca Swiss compatible tripod mount is available as an optional accessory. The new Tamron 100-400mm will be available in both Canon and Nikon mounts on November 16th at $ 799.

PRODUCT HIGHLIGHTS

1. High-speed Dual MPU (Micro-Processing Unit) control system delivers quick and highly responsive autofocus performance plus outstanding VC image stabilization

The Dual MPU system includes an MPU dedicated to vibration compensation processing, enhancing the computational capacity of the entire system. An MPU with built-in DSP (Digital Signal Processor) provides high-speed digital signal processing and achieves outstanding autofocus performance and vibration compensation, both indispensable for ultra-telephoto photography.

2. Superb image quality in an ultra-telephoto zoom lens

The Model A035 includes three LD (Low Dispersion) lens elements for optimal optical design and aberration correction. Lighter weight, increased light transmission and crisp images with excellent contrast are achieved by reducing the number of lens elements while ensuring an appropriate balance with aberration correction. The A035 has minimum object distance (MOD) of 1.5 m (59 in) and a maximum magnification ratio of 1:3.6 for close-up work.

3. Exclusive eBAND Coating reduces flare and ghosting

The new A035 features Tamron’s eBAND (Extended Bandwidth & Angular-Dependency) Coating, which has an extremely low refractive index and fine multiple-layer coating technology, to achieve outstanding antireflection performance. BBAR (Broad-Band Anti-Reflection) Coating, with excellent antireflection characteristics, increases light transmission. These coating technologies greatly reduce the ghosting and flare that can occur when subjects are backlit.

4. Lightest weight, 1,115 g (39.3 oz) lens in the ultra-telephoto zoom lens class*, and only 196.5 mm (7.7 in) long

Magnesium alloy is used in key areas of the lens barrel to improve weight reduction, strength and portability. Total length of 196.5 mm (Nikon mount) means a compact size for an ultra-telephoto zoom lens covering up to 400 mm, and the A035 can therefore be easily carried in a standard camera bag. Combined with excellent vibration compensation functions, the compact size enables successful handheld ultra-telephoto photography.

*Length is the distance from the front tip of the lens to the lens mount face.

5. Optional accessory tripod mount is Arca-Swiss compatible

An Arca-Swiss style tripod mount is available as an optional accessory. Designed exclusively for Model A035, it provides quick and secure attachment to a tripod and greater stability. An easy-to-hold grip shape includes an expanded mounting plane, and the use of magnesium helps achieve lighter weight, thereby further facilitating handheld photography.

6. Compatible with tele converters and TAP-in Console

Model A035 is compatible with tele converters designed exclusively for Tamron lenses to achieve 1.4X and 2X the original focal length*. It’s also compatible with Tamron’s TAP-in Console (Model TAP-01), an optional accessory enabling users to update lens firmware and customize the lens settings, including adjustments of focusing positions for autofocusing and the operation modes for the lens’s Vibration Compensation system.

*Use of the 1.4× tele converter results in light reduction of 1 F stop; use of the 2× tele converter results in the loss of 2 F stops

7. Moisture-Resistant construction and fluorine coating for enhanced weather protection

The surface of the front element is coated with a protective fluorine compound that has excellent water- and oil-repellant qualities. The front surface is easier to wipe clean and is less vulnerable to the damaging effects of dirt, dust, moisture or oily fingerprints, allowing for much easier maintenance. Also, with active use of the A035 for outdoor photography likely, sealant is used in each of the movable and joining areas of the lens barrel to resist the intrusion of moisture.

8. Electromagnetic diaphragm system now used also for Nikon-mount lenses

An electromagnetic diaphragm system, which has been a standard feature for Canon-mount lenses, is now employed in Nikon-mount lenses*. More precise diaphragm and aperture control is possible because the diaphragm blades are driven and controlled by a built-in motor through electronic pulse signals.

* Available only with cameras compatible with the electromagnetic diaphragm (D5, D4s, D4, D3X, Df, D850?D810, D810A, D800, D800E, D750, D600, D610, D300S, D500, D7500, D7200, D7100, D7000, D5600, D5500, D5300, D5200, D5100, D5000, D3400, D3300, D3200, D3100). (As of October, 2017; Tamron)

9. External design places importance on functionality and ease of use

While inheriting the design that makes use of many organic curves and the delicately polished form down to fine details that characterize the SP lens series, the new Model A035 comes with a highly sophisticated design that also places a lot of importance on the lens’s functionality and ease of use, featuring an overall form that faithfully encompasses the internal structures within, a slim Luminous Gold brand ring and the switch shape design.

Tamron 100-400mm F4.5-6.3 Di VC USD specifications

Principal specifications
Lens type Zoom lens
Max Format size 35mm FF
Focal length 100–400 mm
Image stabilization Yes
CIPA Image stabilization rating 4 stop(s)
Lens mount Canon EF, Nikon F (FX)
Aperture
Maximum aperture F4.5–6.3
Minimum aperture F32–45
Aperture ring No
Number of diaphragm blades 9
Optics
Elements 17
Groups 11
Special elements / coatings Three LD elements + eBAND coating
Focus
Minimum focus 1.50 m (59.06″)
Maximum magnification 0.28×
Autofocus Yes
Motor type Ring-type ultrasonic
Full time manual Yes
Focus method Extending front
Distance scale Yes
DoF scale No
Physical
Weight 1135 g (2.50 lb)
Diameter 86 mm (3.39″)
Length 199 mm (7.83″)
Materials Magnesium alloy
Sealing Yes
Colour Black
Zoom method Rotary (extending)
Filter thread 67.0 mm
Hood supplied Yes
Tripod collar No
Optional accessories Tripod collar

Articles: Digital Photography Review (dpreview.com)

 
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FLM unveils Berlin 38.4 carbon tripod on Indiegogo

28 Oct

The US and Canada arm of tripod manufacturer FLM is planning to introduce a new carbon fibre tripod with a maximum load capacity of 40kg/88.18lbs, but that that weighs only 2.25kg/4.96lbs itself. The forthcoming Berlin 38.4 has four-section legs made from 10-layer carbon fibre and an apex that accepts a flat screw plate or two sizes of leveling bowl.

FLM has launched the Berlin 38.4 on Indiegogo in the second of its crowdfunded projects—the company has already successfully launched the CP26-Travel tripod this same way. It hopes to raise $ 9,500 to get production underway, and says it has already completed prototyping for the legs.

It is unusual for a tripod apex to be able to handle more than one size of leveling bowl, but FLM says the Berlin 38.4 can be used with both 75mm and 100mm bowls via adapters. Leveling bowls are ideal for video users, while most stills shooters will want the flat base plate so a normal tripod head can be attached.

With no centre column, the Berlin 38.4 stands at a maximum height of 143mm/56.29in, but can support the camera from 8cm/3.14in off the ground via the three-position legs. It folds to 52cm/20.47in and the widest leg has a diameter of 38mm.

FLM expects the Berlin 38.4 to retail for $ 809, but is offering it to crowdfunding backers for packages starting as cheap as $ 558. For more information, visit the Berlin 38.4 Indiegogo campaign page.

Articles: Digital Photography Review (dpreview.com)

 
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Microsoft unveils updated Surface Book 2

17 Oct

Microsoft has announced the next generation of its Surface Book hybrid device, the Surface Book 2. Like its predecessor the Surface Book 2 is targeted at creative types and gamers. Microsoft says it offers “the power of a desktop, the versatility of a tablet, and the freedom of a light and thin laptop in one beautifully designed device.”

The new models come with Intel’s 8th generation Core processors and NVIDIA GeForce GTX 1050 and 1060 GPUs. According to Microsoft that makes the Surface Book up to five times more powerful than the original model and twice as powerful as the latest MacBook Pro.

Despite powerful processing components the hybrid device offers all-day battery life, with up to 17 hours of video playback. The detachable 15″ PixelSense multi-touch display comes with a 3240 x 2160 resolution, the smaller 13″ variant still offers a very dense 3000 x 2000 pixel count but is lighter than its larger cousin (3.38lbs vs 4.2lbs).

In addition the new Surface Book 2 comes with a full array of ports, including USB-A, USB-C, and a SD card reader, reducing the need for dongles or other connection accessories. You can find the complete Surface Book 2 specifications on the Microsoft website. The new model can be pre-ordered from November 9 and will start at $ 1500.

Articles: Digital Photography Review (dpreview.com)

 
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Samyang unveils 35mm F1.4 autofocus lens for Sony full-frame mirrorless

10 Oct

Samyang has officially unveiled its fourth autofocus lens for Sony FE mount cameras: the long-rumored Samyang AF 35mm F1.4 FE. The new 35mm joins Samyang’s three other AF lenses—the AF 14mm f/2.8 FE, AF 35mm f/2.8 FE and AF 50mm f/1.4 FE—and offers Sony full-frame mirrorless shooters yet another affordable (and fast) prime to shoot with.

As with all previous Samyang autofocus FE lenses, the company claims that they offer exceptional image quality across the whole image field.

This particular lens features 11 lens elements in 9 groups, including 2 aspherical lenses and 2 high-refractive lenses. At its core is a 9 (circular) blade aperture that opens up all the way to F1.4, and a Linear Super Sonic Motor promises “fast, precise and quiet autofocus performance.”

The lens is scheduled to ship in November at a suggested retail price of £600 and €650, which should put US pricing around $ 750. To learn more about the new lens, head over to the Samyang website.

Press Release

Samyang Announces the Fourth Autofocus Lens – AF 35mm F1.4 FE

October 10th, 2017, Seoul, South Korea – Global optics brand, Samyang Optics (http://www.samyanglensglobal.com) is pleased to announce the release of their fourth autofocus lens: AF 35mm F1.4 FE. The bright F1.4 aperture and absolute resolution turn every moment into artwork. This lens now expands Samyang’s autofocus lens line-up to four which includes three existing autofocus lenses, AF 14mm F2.8 FE, AF 35mm F2.8 FE and AF 50mm F1.4 FE.

Aim High, Create Artwork

This new AF 35mm F1.4 FE works in harmony with full frame mirrorless cameras in Sony E mount such as Sony ?7 or ?9 series. It is designed to appeal to enthusiasts and professionals who are ready to take the next step up in photography. It is the excellent companion to create artworks from everyday moments, while the tiny AF 35mm F2.8 FE released in June of this year is the perfect partner for everyday photographers.

High Performance beyond Expectation

Absolute resolution across the entire image field is the key feature of Samyang AF 35mm F1.4 FE. The lens includes 11 elements in 9 groups and features 2 aspherical lenses and 2 high-refractive lenses, plus Ultra Multi Coating. The optical design minimises various aberrations and unnecessary light dispersion to deliver outstanding resolution. Fast, precise and quiet autofocus performance meets Samyang’s exceptional optical technology to capture any moments clearly. The bright F1.4 secures fast shutter speed and creates shallow depth of focus images in wide-standard angle of view. The new 35mm F1.4 lens is ideal for professional photography including low-light events, landscapes and portraits with expressive characteristics.

Available from November 2017

Samyang AF 35mm F1.4 FE, a lens for photographers aiming high in photography, will be available globally from November and will carry a suggested retail price of EUR 649.

To celebrate launching, Samyang Optics will hold various consumer events on Facebook (http://www.facebook.com/samyanglensglobal) and Instagram (http://www.instagram.com/samyanglensglobal). For more information on product, visit Samyang Optics official website (http://www.samyanglensglobal.com/).

Articles: Digital Photography Review (dpreview.com)

 
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Manfrotto unveils Element Carbon entry-level carbon fibre tripod range

09 Oct

Popular tripod and accessory maker Manfrotto has just revealed a new range of entry-level carbon fibre tripods that it hopes will attract photographers looking for good quality gear at a slightly more affordable price. The two new Element Carbon tripods are aimed at travel photographers and come in two sizes with payload recommendations of 4kg/8.82lb and 8kg/17.64lb.

The three-position carbon fibre legs feature twist locks, and the larger of the two has a detachable leg that can be fitted to the centre column to form a full-sized monopod. The ball-and-socket heads that come with the legs are made from aluminum and use an Arca-style quick release plate.

The maximum height of the Manfrotto Element Carbon tripods is 143cm/56.3in for the small version and 164cm/64.57in for the large one, and they weigh 1050g/2.3lb and 1400g/3.08lb, respectively. The new tripods will be priced at £175 and £200—US pricing has yet to be released. For more information, visit the Manfrotto website.

Press Release

INTRODUCING THE NEW MANFROTTO ELEMENT CARBON

Fast Setup. Perfect shot.

  • Smart traveller tripods for photographers who want to learn, experiment and travel free
  • Lightweight on your shoulders, stable on the ground.
  • Essential design ensures instant set up for an enjoyable shooting experience

Manfrotto, world leader in the photography, imaging equipment and accessories industry, presents Manfrotto Element Carbon. The Manfrotto Element Carbon tripods are the perfect fit for travel photographers who are just starting out and enthusiasts.

The two new Element Carbon traveller tripods are reliable, lightweight and easy to carry. Both feature a compact and sturdy carbon fibre construction that makes them strong but still very portable. The three leg-angle positions mean they are highly versatile so they are perfect for experimenting with all kinds of creative shots. The twist lock mechanism enables photographers to get into the right position fast, in a few, easy moves, while the aluminum ball head is designed to deliver the fast movement when framing and a firm lock for setting equipment up exactly as you need it. The ball head mounts an Arca-type quick release plate with a 1/4″-20 camera screw on top that ensures equipment is balanced even when using zoom lenses.

In addition, the Element Traveller Carbon Big Tripod features a detachable leg that, when removed and attached to the centre column, becomes a full size lightweight monopod.

The Element Carbon Tripods have a payload of 4kg on the small tripod, and 8kg on the big tripod and feature a branded Manfrotto bag, an additional set of spike feet (big tripod only) and an Allen key to fix and tighten your gear.

The Element Carbon Tripods are available from £174.95.

For more information, please visit www.manfrotto.co.uk

Articles: Digital Photography Review (dpreview.com)

 
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RED unveils Monstro 8K VV full-frame sensor with 17+ stops of dynamic range

07 Oct

RED has just announced its new Monstro 8K VV full-frame sensor for Weapon cameras. The device features a 35.4MP 40.96mm x 21.60mm sensor and is able to record at a full 8K/60fps resolution. RED explains that the Monstro 8K VV replaces its existing DRAGON 8K VV sensor, and that anyone who has ordered the DRAGON 8K VV will be offered the Monstro as of October 5th.

The Monstro 8K VV sensor has full support for RED’s IPP2 image processing pipeline, as well as an “unprecedented dynamic range [of 17+ stops] and breathtaking color accuracy,” according to RED President Jarred Land. When coupled with the Weapon 8K VV, the device can simultaneously record Redcode RAW and either Avid DNxHD/HR or Apple ProRes, likewise offering data speeds up to 300MB/s. The sensor’s full technical spec sheet is insane, and available for your viewing pleasure here.

Existing carbon fiber Weapon customers have the option of upgrading for $ 29,500, while the new Weapon with the full-frame Monstro sensor is priced at $ 79,500. New orders for the device will start shipping to customers in early 2018.

Press Release

RED ANNOUNCES THE NEW MONSTRO 8K VV

Today RED announced a new cinematic Full Frame sensor for WEAPON cameras, MONSTRO™ 8K VV. MONSTRO is an evolutionary step beyond the RED DRAGON 8K VV sensor with improvements in image quality, including dynamic range and shadow detail.

This new camera and sensor combination, WEAPON 8K VV, offers Full Frame lens coverage, captures 8K full format motion at up to 60 fps, produces ultra-detailed 35.4 megapixel stills, and delivers incredibly fast data speeds of up to 300 MB/s. Like all of RED’s DSMC2 cameras, WEAPON shoots simultaneous REDCODE RAWand Apple ProRes or Avid DNxHD/HR recording and adheres to RED’s dedication to OBSOLESCENCEOBSOLETE—a core operating principle that allows current RED owners to upgrade their technology as innovations are unveiled as well as move between camera systems without having to purchase all new gear.

“RED’s internal sensor program continues to push the boundaries of pixel design and MONSTRO is the materialization of our relentless pursuit to make the absolute best image sensors on the planet,” says Jarred Land, President of RED Digital Cinema. “The Full Frame 8K VV MONSTRO provides unprecedented dynamic range and breathtaking color accuracy with full support for our IPP2 pipeline.”

The new WEAPON will be priced at $ 79,500 (for the camera BRAIN) with upgrades for carbon fiber WEAPONcustomers available for $ 29,500. MONSTRO 8K VV will replace the current RED DRAGON 8K VV sensor in RED’s lineup, and customers that had previously placed an order for a RED DRAGON 8K VV sensor will be offered this new sensor beginning today. New orders will start being fulfilled in early 2018.

RED has also announced a comprehensive service offering for WEAPON carbon fiber camera owners called REDARMOR-W. RED ARMOR-W offers enhanced and extended protection beyond basic RED ARMOR, and also includes one sensor swap each year.

“‘Good’ has never been ‘good enough’ for RED,” says Land. “We put ourselves in the shoes of our customers and see how we can improve how we can support them. RED ARMOR-W builds upon the foundation of our original extended warranty program and includes giving customers the ability to move between sensors based upon their shooting needs.”

Additionally, RED’s enhanced image processing pipeline (IPP2) is now available in-camera for all cameras with HELIUM and MONSTRO sensors through today’s v7.0 release firmware update. IPP2 offers a completely overhauled workflow experience, featuring enhancements such as smoother highlight roll-off, better management of challenging colors, an improved demosaicing algorithm, and more.

Articles: Digital Photography Review (dpreview.com)

 
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