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Posts Tagged ‘unveils’

Lifeprint unveils larger, WiFi-enabled version of its AR-equipped mobile printer

06 Dec

Lifeprint, the company behind the mobile photo printers with embedded augmented reality technology, today announced its second model, which produces larger prints than the original version and offers Wi-Fi connectivity as well.

The new printer can print images that are 3 by 4.5 inches in size—compared to the original model’s minuscule 2 by 3 inch prints—and thanks to the new Wi-Fi feature you can remotely send an image for printing to a Lifeprint printer from anywhere, or send photos to printers owned by friends and family. For local printing, a Bluetooth connection is available as well.

As with the original Lifeprint, you can print video stills or a frame of an iPhone Live Photo and then view the full version via the Lifeprint app, merging physical print with digital display technology and offering a novel way of sharing videos with friends and family.

Like most mobile printers on the market, the Lifeprint prints on Polaroid’s ZINK paper, which does away with the need for ink cartridges and comes with an adhesive backside. Inside the app you can add stickers, captions and filters before printing. At more than $ 1 per photo, the luxury is not cheap, so select your images and videos wisely.

Lifeprint’s new larger printer is available exclusively through Apple Stores and on Apple.com for $ 150. A film pack of 20 is $ 30; $ 50 will get you a pack of 40.

Articles: Digital Photography Review (dpreview.com)

 
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CAMS unveils new camera plates for small DSLRs and mirrorless cameras

02 Dec

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Following in the footsteps of its successful Kickstarter campaign to fund the Pro Camera plate system, accessory manufacturer CAMS is looking to the crowdfunding platform once more to create scaled down plates for smaller DSLR and CSC bodies. The company hopes to raise $ 20,000 to fund a project that it says brings a host of new features to the plate and sling strap system.

The new CAMS standard and Mini Plates are designed to fit smaller camera systems while still allowing access to the battery compartment door so batteries can be changed without having to remove the plate. The plates also have their own storage slots for a spare SD card and to hold the hex key that fits the plate to the camera.

Those using Arca-Swiss type tripod heads will be able to mount the plate directly onto their tripod, while a further thread in the base allows the plates to attach to a standard 1/4in-20 tripod screw.

Here’s a quick intro to the new plates from the Kickstarter campaign:

A sling strap comes as an optional accessory and connects to the plate via a quick-opening attachment, while a hand strap can be used with the smaller lug close to the camera’s handgrip. In addition to the usual neoprene strap, the company is now offering Minima webbing strap and a Pelle leather version.

Prices start from $ 50 for either plate with no strap or $ 65 with a Minima strap. For more details, visit the CAMS Kickstarter campaign page or the CAMS website.

Articles: Digital Photography Review (dpreview.com)

 
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Phase One unveils Capture One 11 with ‘next level layers’ and more

01 Dec

Watch out Adobe. Early this morning, Phase One unveiled the next major update to Capture One. The new version, Capture One 11, promises improvements in every regard: from “new, highly responsive tools,” to “workflow enhancements” to a new “finely tuned processing engine.”

Here’s a quick introduction to what’s new in Capture One 11 straight from Phase One itself:

The major improvements can be broken down into three categories: layers, workflow, and performance.

Performance

When Phase One talks about ‘optimized’ performance, the company is not just talking about how quickly Capture One can open and edit your Raw files. Included in these improvements is ‘re-engineered’ color handling, as well as the addition of a LAB Readout option for “customers who wish to measure image output to critical values.”

‘Next Level Layers’

With this update, Phase One is now characterizing Capture One 11 as a ‘layer centric application.’ All of the program’s adjustment tools are now compatible with layers, masking tools have been improved with the ability to refine and feather masks after drawing, and you can now control the opacity of individual layers.

Workflow

Since Capture One 11 is trying to be “the professionals’ choice in imaging software,” several improvements have also been made on the workflow side.

You can now add annotations and graphics on top of your image as overlays, and export them as separate layers in a PSD file; crops can be added as a ‘Path’ when exporting to a PSD file, so you don’t lose any pixels if you transfer out to Photoshop; and, finally, you can now export watermarks as a separate layer in an exported PSD file as well.

As with all major Adobe competitors—and Capture One is arguably one of the best-known and most widely-used—the message Phase One wants to send loud and clear is, “we care about our customers’ needs.” In fact, you could say Phase One stopped just short of calling Adobe out by name in its announcement:

In keeping with Phase One’s commitment to its customers’ choice, Capture One 11 is available for purchase by either perpetual license or by subscription – whichever best suits the customers’ needs.

For photographers eager to escape Adobe’s subscription-only model, Capture One 11 represents a very tempting choice.

Capture One 11 is available now for both Mac and Windows at $ 300 for a brand-new perpetual license or $ 20/month on subscription (or $ 180 if you pay for a year in advance). If you already own Capture One Pro 9 or 10, you can get a perpetual license for just $ 120, and if you purchased Capture One Pro 10 on October 31st, 2017 or later, you can actually upgrade to Capture One 11 for free by using your same license key.

To learn more or download a fully-functional 30-day free trial, head over to the Phase One website.

Articles: Digital Photography Review (dpreview.com)

 
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Leica unveils retro version of the APO-Summicron-M 50mm F2.0 ASPH to honor the LHSA

01 Dec

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Hot on the heels of yesterday’s Noctilux-M 75mm F1.25 ASPH announcement, Leica has debuted yet another lens this week. This time, it’s a special edition: the Leica APO-Summicron-M 50mm F2 ASPH ‘LHSA’ released in honor of the 50th anniversary of The International Leica Society (LHSA).

What makes this lens special is, basically, that it meshes the styling of the original Summicon 50mm F2 from 1954 with the optics of the current APO-Summicron 50mm F2 ASPH released in May of 2012. Optically, it’s identical to the 2012 lens, but on the outside it features either a black paint or silver chrome finish, a 1950s style lens hood, and red engravings of the distance scale. Other special markings include:

The special serial number is engraved on the aperture ring and is picked out in black on the silver chrome version and is not coloured on the black paint lens. Further engravings are found on the bayonet ring: ‘MADE IN GERMANY’ and the LHSA Logo – both of which are not picked out in colour.

This special edition Leica APO-Summicron-M 50mm F2 ASPH ‘LHSA’ will be limited to just 500 copies—300 in the black finish and 200 in silver—and each of them will come in ‘high quality packaging’ with a certificate of authenticity.

Both colors will be available starting the 4th of December, and according to our contacts at Leica it will retail for $ 9,595. That’s $ 1,800 more than the non-special edition lens retails for.

To learn more about this lens, visit the Leica website.

Press Release

Leica APO-Summicron-M 50mm f/2 ASPH. ‘LHSA’: Special Edition to Celebrate the 50th Anniversary of ‘The International Leica Society’ (LHSA)

Wetzlar, 30 November 2017 – For the past 50 years, ‘The International Leica Society’ (LHSA) has dedicated itself to researching the history of Leica and the use of the company’s products. The beginning of the celebration of the 50th anniversary in 2018 will be marked by the launch of a special edition of the Leica APO-Summicron-M 50 mm f/2 ASPH. produced especially for the occasion. The appearance of the lens is reminiscent of the Summicron 50 mm f/2 from 1954. The special edition thus unites the outstanding imaging performance of the current lens—which was the first to be able to fully exploit the contrast and resolution offered by modern digital cameras—with the look of the nineteen-fifties.

Depending on the choice of colour of the ‘LHSA’ special edition, the outer brass elements of the lens are finished either in black paint or in silver chrome. This also applies to the separate lens hood in the style of the nineteen-fifties that is also made of brass. While the engravings of the distance scale in feet are picked out in red on both versions, the other engravings vary in colour depending on the version of the lens selected: these are in white on the black paint version and black in the case of the silver chrome option. The special serial number is engraved on the aperture ring and is picked out in black on the silver chrome version and is not coloured on the black paint lens. Further engravings are found on the bayonet ring: ‘MADE IN GERMANY’ and the LHSA Logo—both of which are not picked out in colour.

The cordial collaboration between Leica and the LHSA has a long tradition and has already been the source of a number of special editions in the past. These include, for example, a set comprising a silver chrome Leica M6 and three Summicron-M lenses of different focal lengths produced in 1993 and a Leica MP from 2003 finished in a special hammertone lacquer.

The LHSA special edition of the APO-Summicron-M 50 mm f/2 ASPH. is strictly limited to 500 examples, 300 in black paint finish and 200 in silver chrome. Both versions will be supplied together with a certificate of authenticity in particularly high-quality packaging and will be available from 4 December 2017.

Articles: Digital Photography Review (dpreview.com)

 
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Leica unveils Noctilux-M 75mm F1.25 ASPH lens with ‘hair-thin depth of focus’

29 Nov

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Leica unveiled a new low-light monster of a lens today, adding to the ‘Noctilux legacy’ with the Leica Noctilux-M 75mm F1.25 ASPH. According to Leica, the new lens boasts ‘impeccable speed’ and ‘exceptional imaging performance’ as well as “hair-thin depth of focus [that] isolates subjects with extreme precision.”

This is the fourth Noctilux lens ever created and only the second released this century, this lens follows in the footsteps of the Noctilux-M 50mm F0.95 ASPH released in 2008. But while Leica is calling this the “co-founder of a new family of lenses,” the company is also quick to point out that the new Noctilux-M 75mm F1.25 boasts some advantages over its older brother:

The upgraded features of the Noctilux-M 75 mm f/1.25 ASPH. open up entirely new opportunities in portrait and close-up photography, including a shallower depth of focus than that of the Noctilux-M 50 mm f/0.95 APSH. and a close focusing distance of 0.85m, making for a reproduction ratio of 1:8.8 for even more precise isolation of subjects. Additionally, the eleven blades of its iris ensure a soft and harmonious bokeh in out-of-focus areas.

Inside, you’ll find six groups made up of nine lens elements that have been manufactured from glasses with “high anomalous partial dispersion and low chromatic dispersion.” Two of those elements are aspherical, and the lens uses a floating element with what Leica describes as a “complex focusing mechanism” (aren’t they all?) that promises high-quality performance all the way from minimum focus distance to infinity.

You can read more about the Noctilux-M 75mm F1.25 in the full press release and tech specs below, but if you like what you read, be ready to drop some serious cash. According to Leica, the lens will retail for $ 12,795 when it shows up at Leica stores, boutiques and dealers in the beginning of 2018.

Press Release

Leica Camera Pushes Photographic Boundaries With the New Leica Noctilux-M 75 mm f/1.25 ASPH Lens

True to the Noctilux legacy, the new lens boasts impeccable speed and exceptional imaging performance

November 29, 2017 – For more than 50 years, the name ‘Noctilux’ has been synonymous with exceptional speed and outstanding optical design. Today, Leica Camera announces the newest addition to their lens portfolio – the Leica Noctilux-M 75 mm f/1.25 ASPH. Coupled with exceptional imaging performance and unique bokeh, its hair-thin depth of focus isolates subjects with extreme precision, ideal for portraits with an unmistakable “Leica look”.

A legacy of excellence

The first lens of the Noctilux family, the Leica Noctilux 50 mm f/1.2, was announced at photokina in 1966. While the original lens innovated with revolutionary optical properties, ongoing developments led to the launch of two additional generations of the Noctilux in 1975 and 2008. The additional lenses were developed under the premise of further pushing the envelope for imaging performance, each with a faster aperture than its predecessor. All Noctilux-M lenses to this day are special for their rendering and aesthetic when shot wide-open, yielding a three-dimensional “pop” that separates its subjects from the background like no other lenses. The out-of-focus areas behind the subject is smooth and pleasing to the eye, giving a lovely soft background even in the darkest of lighting scenarios.

Together with the Leica Noctilux-M 50 mm f/0.95 ASPH., the Leica Noctilux-M 75 mm f/1.25 ASPH. is the co-founder of a new family of lenses. The two current members of this family are both distinguished by their extreme maximum aperture and exceptionally high performance at all apertures, even wide open, and lend themselves to the creation of timeless images marked by a distinctive and revered Leica aesthetic.

Superior imaging performance

The upgraded features of the Noctilux-M 75 mm f/1.25 ASPH. open up entirely new opportunities in portrait and close-up photography, including a shallower depth of focus than that of the Noctilux-M 50 mm f/0.95 APSH. and a close focusing distance of 0.85m, making for a reproduction ratio of 1:8.8 for even more precise isolation of subjects. Additionally, the eleven blades of its iris ensure a soft and harmonious bokeh in out-of-focus areas.

To guarantee this extraordinary imaging performance, the nine elements in six groups that make up its optical design are manufactured from glasses with high anomalous partial dispersion and low chromatic dispersion. Two of the elements are aspherical, and reduce other potential aberrations to a hardly detectable minimum. The use of a floating element within the complex focusing mechanism guarantees a constantly high level of imaging performance throughout the entire focusing range of the lens – from its minimum focus distance to infinity.

When shooting at maximum aperture, the exceptionally shallow depth of field of the Noctilux-M 75 mm f/1.25 APSH. can be easily focused in when an electronic viewfinder such as the Leica Visoflex. Additionally, the Leica M-Adapter L transforms the Noctilux-M into an excellent lens to use in conjunction with the Leica SL. When the lens is mounted on the Leica SL, the 4.4 megapixel resolution of the camera’s EyeRes® electronic viewfinder enables particularly comfortable and extremely precise focusing.

The Noctilux-M 75mm f/1.25 ASPH. features the convenience of an integrated lens hood, which can be extended or retracted in one simple twist. The lens is complemented by a tripod adapter for safe and secure mounting of the lens on a tripod.

The Leica Noctilux-M 75 mm f/1.25 ASPH will be available at Leica Stores, Boutiques and Dealers at the beginning of 2018.

Technical Data

Angle of view
(diagonal, horizontal, vertical)

For 35 mm format (24 x 36 mm):

~ 32°, 27°, 18°

For Leica M8 models (18 x 27 mm):

~ 24°, 20°, 14°, equivalent to FL of ~ 100 mm in 35 mm format1

Optical design

Number of elements/groups

Aspherical surfaces

Position of entrance pupil

(at infinity)

9/6

2

26.9 mm (in front of the bayonet)

Focusing

Working range

Scales

Smallest object field/

largest reproduction ratio

0.85 m to ?

Combined metre/feet graduation

For 35 mm format: ~ 212 x 318 mm / 1:8.8,
For Leica M8 models: ~ 159 x 238 mm / 1:8.8

Aperture

Settings/functions

Smallest aperture

With click stops, half-stop detents

16

Bayonet

Leica M quick-change bayonet with 6-bit bar coding for Leica M digital cameras2

Filter mount

Inner thread for E67 screw-mount filters, non-rotating

Lens hood

Integrated, with twist-out function

Viewfinder

Camera viewfinder3

Finish

Black anodised

Dimensions and weight

Length to bayonet flange

Largest diameter

Weight

~ 91 mm

~ 74 mm

~ 1055 g

Compatible cameras

All Leica M-Cameras3, 4, Leica SL-Cameras with Leica M-Adapter L

1 The nominal focal lengths of the Leica M-Lenses relate to 35 mm format, i.e. original image frame dimensions of 24 x 36 mm. However, with dimensions of 18 x 27 mm, the sensor of the Leica M8 models is a little smaller, by a factor of 0.75. For this reason, the angle of view of this lens when mounted on a Leica M8 model corresponds to that of a lens with a focal length that is longer by a factor of 1.33 (1.33 = reciprocal of 0.75).

2 The 6-bit coding on the lens bayonet (7) enables Leica M8 digital models to identify the lens type mounted on the camera. The cameras utilise this information for the optimisation of exposure parameters and image data.

3 With the exception of the Leica M3 and the former version of the Leica MP ( professional version of the M3), all Leica M-Cameras without a 75 mm bright line frame can be retrofitted with this frame by the Customer Care department of Leica Camera AG (it then appears in the viewfinder together with the frame for 50 mm lenses).

4 This is independent of the image frame format of the respective camera – whether 18 x 27 mm (sensor size) for the Leica M8 models or 24 x 36 mm for all other Leica M models.

Articles: Digital Photography Review (dpreview.com)

 
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Matthews unveils C-stand shoulder and roller bags

23 Nov

Getting your equipment to location shoots can be a difficult logistical task, especially when you’re also hauling lighting equipment in addition to camera gear. Carrying your C-stands could soon be a lot less unpleasant, though, thanks to the new C-stand bags from Matthews Studio Equipment.

You can choose from a shoulder bag and a roller version. The shoulder bag resembles a guitar case and can hold two assembled C-stands. It also comes with am protective internal divider, a grip handle with “easy-catch” magnet and a padded shoulder strap.

The rolling bag is a little larger and can hold three C-Stands with the legs removed. The bag rolls on high density silicon skate wheels and comes with a zippered external compartment, customizable internal dividers for storing light stands or grip accessories and twin side handles, allowing for handling of the bag by two people.

Both bags are available to pre-order now. You’ll have to invest $ 250 in the shoulder bag, while the larger roller case will set you back $ 350.

Articles: Digital Photography Review (dpreview.com)

 
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Peak Design unveils limited edition Leica Backpack Capsule

23 Nov

Peak Design has teamed with Leica to launch the Peak Design Leica Backpack Capsule, a combination Peak Design Backpack, Cuff (wrist strap) and Leash (neck strap) designed specifically for lovers of that expensive Red Dot.

This limited edition version of the company’s backpack includes subtle Leica trim including the camera maker’s iconic red dot, as well as red stitching.

Peak Design’s Backpack is designed for everyday use by photographers who need to safely transport their gear while traveling or undergoing their daily commute. The bag sports a pair of expandable external side pockets, padded internal accessory pockets, a sleeve for laptops up to 15in, a pair of weatherproof side zips for dual side-loading, a MagLatch top access point, and customizable FlexFold dividers.

Here’s a closer look:

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The Leica Backpack Capsule is currently listed for preorder online at a price of $ 300, but visitors to Leica stores and Boutiques in North America can get one for free (while supplies last) if they purchase a Leica SL before December 31st.

The backpack’s specs are as follows:

  • Weight Empty: 1350g (2.9 lbs.)
  • Capacity: 12 L min to 20 L max
  • Max laptop dimensions: 15″x9.75″x1″ (38x25x2.5cm) – Designed to carry up to a 15 inch Macbook Pro Retina, 2009 or later.
  • Max Tablet Dimensions: 14″ X 8.5″ X 0.4″ (33X22X1CM)
  • Outer dimensions: 18” H x 12” W x 6.75” D (46 H x 30 W x 17 D cm) (These are unpacked dimensions. Actual size will expand/contract depending on load.)

Articles: Digital Photography Review (dpreview.com)

 
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Canon Japan unveils a few silly gear-themed gifts for Canon lovers

18 Nov

Ahead of the holiday shopping season comes a new catalog of gifts from Canon Japan. The gifts are styled after the camera company’s existing gear, including a coffee mug and travel thermos designed to resemble lenses, a pair of miniature USB flash drives that resemble classic Canon cameras, a photo album and thermal bottle with an illustrated history of Canon’s camera collection, a lunch bag styled after a camera bag, and a picnic mat with illustrations.

All eight products, plus a gift set, are available from Canon Japan now for the following prices:

  • Lens Mug MG001:?3500
  • Lens Mug MG002:?2500
  • Mini F-1 16GB USB: ?9,980
  • Mini IVSb 8GB USB: ?8980
  • Photo album: ?1800
  • Thermal bottle: ?3780
  • Lunch bag: ?1580
  • Picnic mat: ?3780
  • Mug Gift Set: ?5,800

Check them out for yourself below:

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Blackmagic unveils DeckLink 8K Pro capture card for ‘real time 8K workflows’

17 Nov

General opinion seems to be that 8K is a long way off, but it’s actually coming much faster than people think, and the industry is gearing up (literally) for it. Case in point: meet the new Blackmagic DeckLink 8K Pro capture card that ‘breaks new ground in high quality’ by supporting formats ranging from SD, to HD, Ultra HD, 4K, 8K and 8K DCI.

Oh, and it can also handle 64 channels of audio, stereoscopic 3D, and high frame rates… you know… just cause.

The card can do all of this because it’s the world’s first to feature quad link 12G?SDI bi-directional connections that Blackmagic says “can be used to either capture or playback quad link 8K, or for the simultaneous capture and playback of single or dual link SDI sources.” And as far as colors go, the DeckLink 8K Pro can work in 12?bit RGB 4:4:4 as well as Rec. 2020, which is, “a massive color space designed for high dynamic range Ultra HD and digital cinema work in 4K and 8K.”

All of this from this little powerhouse of a card:

Photo: Blackmagic

Of course, the bit Blackmagic won’t tell you is that you’ll need a monstrous computer to make any of this work… and an 8K monitor to boot. But if you were paying attention at the beginning of this article you’d already know: 8K is coming and it’s coming fast. Professional videographers and video editors may want to start preparing for it now.

And if that prep involves buying this monster of a card, you should know that the DeckLink 8K Pro will be available starting in early January for $ 645 USD. For more information, check out the full release below or visit Blackmagic’s website for a breakdown of all their DeckLink products.

Press Release

Blackmagic Design Announces DeckLink 8K Pro with Quad Link 12G?SDI

The world’s first quad link 12G-SDI capture and playback card designed for high resolution,?deep color high dynamic range 8K workflows!

InterBEE 2017, Tokyo, Japan – November 15, 2017 – Blackmagic Design today announced DeckLink 8K Pro, a new high performance capture and playback card featuring quad link 12G?SDI to allow real time high resolution 8K workflows. This new DeckLink 8K Pro breaks new ground in high quality as it supports all film and video formats from SD all the way up to 8K DCI, 12?bit RGB 4:4:4, plus it also handles advanced color spaces such as Rec. 2020 for deeper color and higher dynamic range. DeckLink 8K also handles a massive 64 channels of audio, stereoscopic 3D, high frame rates and more.

DeckLink 8K Pro will be available in early January for US$ 645 from Blackmagic Design resellers worldwide.

In addition, Blackmagic Design has also announced a new low price of US$ 895 for DeckLink 4K Extreme 12G.

DeckLink 8K Pro will be demonstrated at InterBEE in Japan on the Blackmagic Design booth 8211.

DeckLink 8K Pro is the ultimate digital cinema capture and playback card. Featuring four quad link multi rate 12G?SDI connections, DeckLink 8K Pro can work in all SD, HD, Ultra HD, 4K, 8K and 8K DCI formats and is compatible with all existing professional SDI equipment. The 12G?SDI connections are also bi-directional so they can be used to either capture or playback quad link 8K, or for the simultaneous capture and playback of single or dual link SDI sources.

When it comes to quality, DeckLink 8K Pro is better than any other solution because it lets customers work with both more pixels than ever before and better pixels than ever before. The 8K images have 16 times more pixels than a regular 1080 HD image, which lets you reframe or scale shots with incredible fidelity and precision. DeckLink 8K Pro also works in 12?bit RGB 4:4:4 as well as Rec. 2020, which is a massive color space designed for high dynamic range Ultra HD and digital cinema work in 4K and 8K.

The combination of higher resolution, a vastly larger color space and incredible dynamic range means that DeckLink 8K Pro delivers the sharpest and most vivid images customers have ever seen for editing, color and high end visual effects work.

DeckLink 8K Pro supports capture and playback of 8 or 10-bit YUV 4:2:2 video and 10 or 12?bit RGB 4:4:4. Video can be captured as uncompressed or to industry standard broadcast quality ProRes and DNx files. DeckLink 8K Pro lets customers work at up to 60 frames per second in 8K and supports stereoscopic 3D for all modes up to 4K DCI at 60 frames per second in 12?bit RGB.

The advanced broadcast technology in DeckLink 8K Pro is built into an easy to install 8 lane generation 3 PCI Express for Mac, Windows, and Linux workstations. Customers get support for all legacy SD and HD formats, along with Ultra HD, DCI 4K, 8K and DCI 8K, as well as Rec. 601, 709 and 2020 color.

DeckLink 8K Pro is designed to work seamlessly with the upcoming DaVinci Resolve 14.2 Studio for an incredibly seamless editing, color and audio post production workflow that lets you master full resolution high dynamic range projects in full 8K resolution. In addition, DeckLink 8K Pro also works with other professional applications such as Final Cut Pro X, Media Composer, Premiere Pro, After Effects, ProTools, Nuke and more. There’s even a free software development kit so customers and OEMs can build their own custom solutions.

“DeckLink 8K Pro is our most advanced PCIe capture and playback card ever,” said Grant Petty, Blackmagic Design CEO. “It’s exciting because the 8K images have so much clarity and detail that it’s as if you’re looking out a window. Whether it’s for the 2020 Olympics or the next generation of Hollywood blockbusters, DeckLink 8K Pro has the speed, quality and compatibility customers need to do their best work!”

Availability and Price

DeckLink 8K Pro will be available from Blackmagic Design resellers worldwide for US$ 645 in early January. DeckLink 4K Extreme 12G is available now from Blackmagic Design resellers worldwide for US$ 895.

Articles: Digital Photography Review (dpreview.com)

 
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Gates unveils underwater housing for RED cinema cameras, will probably cost around $15K

16 Nov

You’d have to be pretty brave to immerse your $ 50K RED cinema camera beneath the waves—or very sure of the quality of your underwater housing. Fortunately, underwater specialist Gates has been making housings for cinema cameras since 1969, and they just released their newest (not their first…) housing for RED cameras last week.

The new Pro Explore from Gates Underwater Products is designed for Red’s DSMC2 series of bodies, and thus will look after and allow access to the controls of the Weapon, Epic-W, Scarlet-W and Red Raven cameras.

The company hasn’t released any detailed spec yet, but claims the new housing is lightweight and easy to transport and that small PL lenses and DSLR lenses can fit within its domed ports. There’s a rear door for quick access to memory and the battery, and 14 assignable buttons to control the camera’s features.

Gates says the Pro Explore will come with a housing for an external monitor as well as tool kits, spare parts and cables.

The Gates Pro Explore will go on sale in the next month or so, but the price has yet to be announced. I can’t imagine it will be cheap. The Pro Action housing, which can go to 200ft, costs around $ 15,000.

For more information, visit the Gates website.

Press Release

NEW PRO EXPLORE UNDERWATER HOUSING

GATES UNDERWATER PRODUCTS ANNOUNCES PRO EXPLORE UNDERWATER HOUSING

Cinema to commercial, Natural History to enthusiast, Pro Explore delivers comprehensive features for the traveling underwater professional.

Gates Underwater Products – manufacturer of the world’s most reliable underwater housings – today announces the Pro Explore Underwater Housing. A dedicated, purpose built motion imaging acquisition tool for the RED DSMC2 platform, Pro Explore breaks barriers in underwater high resolution 8K imaging in a compact, travel-friendly rig.

Pro Explore Key Features include:

  • Expedition ready, Pro Explore packs tight and travels light.
  • Latched rear shell for fast media / battery change;
  • Full Camera and Lens management via housing controls and REDMOTE Controller
  • Tailored design for the RED DSMC2 for the finest user experience, including 14 assignable buttons to access *anything* on the camera;
  • Compact PL and all DSLR lenses readily supported;
  • Diverse V-Lock battery support including REDBRICK, Blueshape, and the popular travel friendly SWIT 8192-S 192 WHr split battery;
  • 60 and 80 series port compatibility;
  • Stackable Port Rings (SPR’s) cover a wide range of lenses with one base set;
  • Surface SDI and Gig-E options for topside DP viewing or AC camera control;
  • Surface, close-range wireless connectivity with foolcontrol;

“While Pro Action is perfect for high intensity, fast action situations, I needed a dedicated rig for my type of shooting on Helium 8K. Pro Explore is it. Control, flexibility, size. And a Gates…of course.”

Like all Gates professional systems, you get the works. Pro Explore housing price includes numerous items like RT47 External Monitor housing (with shade extension), Seal Check Lite, woven carry lanyard, tether points, spare kit, tool kit, interface cables, and more. Port and SPR’s are ordered a la carte to fit your lens(es) of choice and application.

Pro Explore is well considered for accessories, like:

  • GT14 underwater lights. 14,000 lumens, 90 CRI and 5000K color temperature;
  • Light bar offering a variety of light mounting options using the Ultralight Control System;
  • Support for Gates RT7 and RP5 External monitor housings;
  • Cheeseplates for mounting to poles, booms or your own rigging;

“Gates is part of my production team. I count on Gates to be there when needed. Tech support, parts, whatever – response is fast and experienced.”

Pro Explore is a Gates through and through. Durable, reliable, ‘bulletproof’. And backed by Gates legendary factory direct service and 2 year renewable warranty. Only Gates offers this level of commitment to your success.

Price: To be announced
Availability: Q4 2017

Articles: Digital Photography Review (dpreview.com)

 
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