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Posts Tagged ‘Things’

Essential Photography Business Kit: 5 Things to Keep Handy at All Times

27 Oct

Even if you don’t have a business plan, or much of a business to speak of, if you’re going to be or already are a professional photographer, there are certain things you will need and often will be asked for over and over again. Luckily, you don’t have to do extra work every time to meet these needs — instead, Continue Reading

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Five Things You Need to Know Before Starting a Pet Photography Business

02 Oct

Pet photography is a fast growing and super fun genre of photography, and it’s awesome to see so many people wanting to celebrate animals and the role they play in our lives! But how do you turn your passion for animals and photography into a thriving and successful business? What do you need to consider before setting up your business? Today I’m sharing the knowledge I’ve gathered over the last three years to help you prepare yourself for what is the best job in the world.

Image Nine

#1 Do you really love animals?

Pet photography is messy, dirty, and at times incredibly frustrating work. You need to be comfortable with being jumped on by Great Danes, pawed by pugs, and scratched by cats. You need to be happy crawling through the mud, and bending and stretching at weird angles.

Image Six

This was shot lying on the wet ground on a freezing cold morning – but totally worth it!

You also need to be exceptionally patient. Often at the start of a shoot your subject will spend about half an hour running around like crazy, and jumping all over the place before finally calming down enough for you to photograph. You also need to accept that you will never have that much control over your subject – try telling a puppy to sit still and tilt his head 45 degrees!

At some point, your camera equipment will get covered in drool, your shoes will get peed on, and you will end up ruining several pairs of pants. So if you don’t really, truly, love animals, you are going to find the whole process miserable and give up very quickly.

#2 Is there a market for it?

I am lucky enough to live in a city (Melbourne, Australia) that has the highest rate of dog ownership in the country. People here absolutely adore their pets. There are high-end pet stores, hundreds of dog friendly cafes and parks, and so many Pet Expos that I have lost count. But that’s not always going to be the case for your area, so do your research. Some good things to find out are:

  • What’s the rate of pet ownership? Your local council is a good resource.
  • What is the general attitude towards pets? Do people see dogs as “just dogs” or are they part of the family or substitute children?
  • Are there lots of pet friendly cafes, restaurants, and parks? What are the pet shops in your area like? Do they sell just the basics or are they a bit fancier?
Image One

Kimbo is most definitely part of the family.

It’s also a good idea to factor in things like the amount of disposable income the average pet owner has, and the general cost of living. One really handy tip – if the area you are in isn’t particularly pet friendly, focus your marketing on areas further afield.

#3 Do you have the right equipment and know how to use it?

Pet photography is similar to sports and wedding photography in the sense that if you miss a moment, it’s not likely to be repeated. We all know that equipment doesn’t make the photographer, but at a minimum you want to have a DSLR, prime lenses that autofocus (the 50mm f/1.4 is a great place to start), a good quality zoom lens, high-speed memory cards, and an speedlight you can use off-camera if necessary.

Image Two

Proof that with the right equipment, you can make it look as if a puppy is standing still.

Get to know your equipment back to front before you start charging for your work. Figure out how to change your shutter speed, aperture, and ISO without looking, and know how to change your lenses quickly. Some of the best shots come without warning, and if you’re staring at your camera wondering why something isn’t working, you’ll miss the shot.

As you know, practice makes perfect, and the only way to get really good at photographing pets and knowing your equipment is to find the most badly behaved animals you can and shoot, shoot, shoot. There’s no point in using well behaved, well trained dogs, because there are so many that aren’t. You know the friend who has a dog that jumps all over the furniture and runs in circles constantly? The friend with the cat who hates everyone? Practice with these sorts of pets and your camera will become like an extension of you before too long.

#4 What’s your style?

You know you’ve made it as a photographer when people can pick out your work from a line up. Having a distinct style is so important for setting you aside from the crowd. Here are some things to consider to help you find your style:

Are you a natural light or a studio photographer?
Do you like clean, clear backgrounds that don’t distract from the pet, or do you like contrasting backgrounds that add to the photo?
Do you like posed shots or natural?
How do you feel about styled shoots? Using props?
Do you want a soft or high contrast feel to your shots?
Do you like obvious post production or a more subtle approach?
Do you want to incorporate the pet owners in the shots?

When I started my business, I saw a gap in the market for really beautiful, shallow depth of field shots of pets. I also happen to love shooting with my lenses wide open, so that became my style. It has been refined over the years, but people hire me because they want beautiful, close up, emotive shots with a sense of warmth and humour to them. I only shoot in soft natural light, no direct sun, and I don’t do high action shots such as agility shows. I also very rarely photograph people with their pets, because it’s not my thing.

Image Four

Props can be an awesome way to bring a bit of humour to your shots.

Remember – do what you love and what feels good for you. Copying another photographer’s style is a waste of time and won’t help you grow.

#5 How are your animal handling skills and knowledge?

This is such an important thing to consider before you start your business. Safety (both yours and your subject’s) is extremely crucial. At best, you can be opened up to a law suit, at worst, you could seriously injure or kill someone’s pet.

Image Eight

When you’re dealing with 40 kilos (88 pounds) of Doberman, you want to be confident with your animal handling skills.

Be honest with your skill level. For example, I have grown up and volunteered around cats my entire life, and I’m very comfortable with them. I also know their body language, signs of stress, and how to play with them properly. But I didn’t know nearly as much about dogs. I volunteered for a shelter walking dogs, taking photos, and doing general handling, which helped me a huge amount. I also did some basic dog handling courses, as well as reading up on different breeds and their personalities. I’m now at the stage where I’m 100% comfortable dealing with all breeds and sizes of dogs.

Image Three

Ellie is fourteen years old, so I was very mindful of her range of mobility. She was happiest lying on her bed, so I shot around this rather than forcing her to stand up.

Even if you grew up with dogs, it’s a great idea to read up on the different breeds and their traits. This will help you so much when you are shooting, and by knowing what makes a certain breed tick you’ll be able to produce some great pictures.

Image Five

Ralph and Gidget were on lead for this session, and the leashes were removed later in Photoshop. We had so much more fun knowing that there wouldn’t be any unforeseen accidents.

Unless you’re shooting in a fenced in, off-lead area, it’s better to be safe than sorry and keep the dog on a long lead. That way you avoid any accidents, and you can always edit leads out later in Photoshop (a big secret of pet photographers). Never, ever force a dog or cat to do something physically uncomfortable.

Lastly, one final safety tip – always talk to the owner BEFORE you start shooting. Find out as much as you can about their pet. That way, if certain things terrify or stress them, you know what to avoid. Always check for food allergies before offering treats!

Image Seven

Did someone say treats??

I hope that this article has given you some things to consider – and most importantly, don’t forget to have fun!

The post Five Things You Need to Know Before Starting a Pet Photography Business by Erin McNulty appeared first on Digital Photography School.


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8 Things You Should Know if You are Dating a Street Photographer

24 Sep

Let’s face it, photographers are a breed of their own. Street photographers may belong to an even more extreme category… so here are eight things you should know if you are dating a street photographer:

#1 You cannot walk where you want on your own

No matter which side of the street your favorite shops or restaurants are, you will be required to walk on the side that offers the best dappled light, long shadows, reflections, backdrops, etc. You may also occasionally be used as a decoy to approach a situation inconspicuously.

Date night often means going downtown and it's also my opportunity to explore areas I would go on my own. We have fun, even if I'm the only one with a camera! ©Valérie Jardin

Date night often means going downtown and it’s also my opportunity to explore areas where I would not go on my own. We have fun, even if I’m the only one with a camera!   ©Valérie Jardin

#2 You may visit a lot of back alleys

If you and your partner are on a shopping spree, you may often be required to exit a building through the back door. Back alleys hold secrets, interesting subjects and magical light that are too good to pass.

#3 Good luck having a romantic night just the two of you (without a camera)

Unless your street photographer date is blindfolded, you will rarely have a romantic night out in the city without a camera. Yes, we live and breathe street photography. The camera is an extension of ourselves. The temptation is too great and you might as well let us grab a shot or two to prevent mood-breaking frustration.

#4 Do not expect to have your date’s full attention

You will have a hard time spending an evening in public gazing into each other’s eyes. A street photographer is conditioned to be on constant alert to notice every gesture, expression and lighting in the immediate radius, with or without a camera. Hey, you knew all along you were dating a photographer…

#5 You can expect to meet lots of new people

Expect to stop often and talk with strangers of all walks of life, at any moment and on any given day. This can happen unexpectedly in the subway, at the bus stop, in the cab, at the coffee shop or while you are waiting to cross the street. Just know that the street photographer who shares your life has a keen eye at spotting interesting people from a mile away!

#6 You may temporarily lose your date at a moment’s notice

I must admit, I had an ulterior motive when I suggested that we go for an evening walk over a bridge, down next to a highway so I could get this shot... ©Valérie Jardin

I must admit, I had an ulterior motive when I suggested that we go for an evening walk over a bridge, down next to a highway so I could get this shot…   ©Valérie Jardin

Do not worry if your street photographer takes off in a hurry in the middle of a conversation. The right subject may be entering the perfect backdrop for the shot of a lifetime. Or maybe an interesting person just passed you on the sidewalk and your street shooter now needs to run the other direction, well ahead of the subject, to find the best way to frame the shot.

#7 You’ll need to have patience

Bring a book! Setting a stage and waiting for the story to develop may very well be your partner’s favorite pastime. This can take a few minutes, or a few hours…

#8 Your vacation destinations will be predetermined for you

If your significant other is a street photographer, do not be surprised if your next vacation destination has an ulterior motive. We much prefer to walk the streets of a large city than to lie on the beach of an exotic island.

Vacation on the beach? Sure, as long as it's not too isolated and there are people to photograph! ©Valérie Jardin

Vacation on the beach? Sure, as long as it’s not too isolated and there are people to photograph!   ©Valérie Jardin

Conclusion:

Street photographers are not the easiest people to live with. Honestly I’m not sure I’d want to live with me if I wasn’t a photographer. We require a lot of patience. If you love one, don’t think for a second that you will be able to keep him/her away from that camera for more than a few hours. Be generous, give the street photographer in your life some time to pursue their passion on their own or with like-minded people. After all, wouldn’t you rather do your own things too? Look at it this way: We are the way we are because we have a true passion for people, it’s not such a bad thing.

Blue hour by the lake? At the very least I'll get a shot of my drink, or his... Sometimes both.  ©Valérie Jardin

Blue hour by the lake? At the very least I’ll get a shot of my drink, or his… Sometimes both.
©Valérie Jardin

If you read this article, you’re probably a photographer. Please share with the non-photographer in your life. And if you plead guilty to any of the above, please share your experience.

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6 Things You Can Do With Your Old iPhone

18 Sep
Extra photos for bloggers: 1, 2, 3

It’s Apple season everybody! The newest iPhone’s are ripe for the picking.

This is the biggest (literally) iPhone update since the beginning of iPhones.The iPhone 6 and 6 Plus have made their debut, and will be available in stores tomorrow!

If you’re getting ready to part ways with your current iPhone, we’ve rounded up some ideas of what you can do with them instead of tossing them in a desk drawer!

What Do I Do With My Old iPhone?

p.s. Not getting a new iPhone? Cheer yourself up with a chuckle over at whatshouldidowithmyoldphone.com. You might not need that advice, but honestly, it’s not very good. hehe.

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Read the rest of 6 Things You Can Do With Your Old iPhone (599 words)


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Week in review: 8 things we learned

30 Aug

It’s been a busy week and as we head into a long weekend here in the US, it seemed like a good time to take a look back at everything that’s happened in the past seven(ish) days. With new products from Fujifilm, Olympus and Ricoh, Photokina fever is definitely taking hold. And the week wasn’t without an oddball moment or two, including the emergence of Sony’s Asia-only ‘perfume bottle selfie camera.’ Relive the highs, the lows, the weird and the wonderful with us, in this slideshow.

Articles: Digital Photography Review (dpreview.com)

 
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Things they carried: Thom Atkinson’s ‘Soldiers’ Inventories’

23 Aug

‘What’s in your bag?’ is a question we ask a lot of photographers, because, well, we’re nosy that way. Asking the very same question, photographer Thom Atkinson posed it (figuratively) to centuries of British soldiers. He’s assembled what would have been the belongings and clothing of a dozen combatants, ranging from medieval to modern-day soldiers. Take a look and learn how it all came together in our Q&A. See gallery

Articles: Digital Photography Review (dpreview.com)

 
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Weekly Photography Challenge – All Things Green

09 Aug

Earlier I posted a set of photos with a green theme.

It’s summer in the northern hemisphere and with summer comes lots of green. Green grass, trees, all over nature we see green. It happens to be my favorite color so it makes me happy.

This week I want to see your Green photos. Look around in your world, what do you see that’s green? How many shades can you find? Natural things and man-made. Big and little things. Show us your green!

Weekly photography challenge this week is – all things green!

Here are a few more images of green to get you started:

By John Clare

By Nomadic Lass

By Dandelion Salad

By paige_eliz

By Barb Dunn

By Miikka H

By Parée

By premier-photo.com

Can you tell I picked those before eating dinner?

Now it’s your turn!

Share your Green photos

Simply upload your shot into the comment field (look for the little camera icon in the Disqus comments section as pictured below) and they’ll get embedded for us all to see or if you’d prefer upload them to your favourite photo sharing site and leave the link to them. Show me your leading lines using pathways and roads in this week’s challenge.

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10 Things Google Should Consider in Launching a Standalone Photo Sharing Service

02 Aug

Google used to have a standalone photo sharing service. It was called Picasa. I never really liked it. It wasn’t a very social site. I thought Flickr was a lot better.

Today’s news out of Bloomberg is that Google is looking to spin off Google Photos from Google+. Maybe it’s true, maybe it’s not. You never know. The timing of Friday afternoon stories and leaks always makes you wonder. Usually when companies want to push something they release it more like Tuesday mornings or make a big deal about it at I/O or something.

Whatever the case, photos has been one of the highlight use cases for G+. Many photographers have flocked to the site and I think it’s done a pretty good job with photos overall.

*If* Google is going to launch a standalone photo service though, they should really go all out. I worry that they’ll launch something less than fully baked — it will generate a bit of initial excitement and then lack stickiness.

With that in mind, here are 10 suggestions that I’d give Google in launching a standalone photo sharing service.

1. Flickr has raised the bar by giving everyone a full terabyte of high res photos. Flickr made one big mistake with this offering though. *Private* high res photos are of very little value to a photo social network. Public photos are *very* valuable to a photo social network. Public photos are worth more to a social network than the cost to store the photos. Flickr just gave everyone a terabyte without distinguishing the visibility of the photos. Google should offer at the launch either unlimited or 2TB of high res public photo storage with every account. This will get great press and attention.

Go big or go home I say. Nobody can maintain cheaper enterprise storage than Google, and it’s only going to get cheaper in the future. Don’t be blinded by the open-ended liability of high storage limits. Public photos on the web are only going to get more valuable in the future and storage is only going to get cheaper.

2. Partner with photographers to sell their photos. Flickr just leaked something like this earlier this week. Partnering with photographers to sell photos is not just about stock photos as revenue (although the stock photography market is in fact a multi-billion dollar market ripe for disruption). This is about attracting the sorts of high quality photographers to your network because they will be *paid* for participating through photo sales. By providing photographers an avenue to sell their stuff and make real money, you endear them to your network. Tie the visibility of their work, in part, to their level of activity on the network — not directly, but just float that out there so that photographers feel like the more active they are on the network, the more $ $ $ they may make.

3. Create a super light weight mobile client like Instagram. Make it so simple. Tap/tap to +1, like, fave, whatever. Really dumb it down. Just something to follow your friends’ stuff and favorite it without all the other clutter of G+/Facebook getting in the way.

4. Build an intelligent way to organize albums by keywords. Manual album management sucks big time. Let me build albums by keywords (this will also encourage more keywording which is valuable organizational metadata for Google to have). Study what Jeremy Brooks has done with SuprSetr and build something like that but even more intuitive and easy to understand and use.

5. Build intelligent groups for photographers to hang out in on the photo network. Unfortunately Google got one thing very wrong with communities in G+, which is why communities never took off. They refused to bump threads based on new comments. This ensures that all threads die quickly. It’s the longevity of conversations that fuel community interaction. Refusing to bump threads based on comments makes large groups completely chaotic and unusable. Why invest in a conversation that will be completely buried and dead in 24 hours and that I’ll never be able to find again? Let me mark conversations as favorites and feed all my favorite conversations to me in a feed ordered by recent comments/activity.

6. Go mosaic big time. On the web, give users a huge wall of photos with infinite scroll to just scroll through and +1. Code the site so that if you are hovering over any photo and press the “f” key it +1s it. Lubricate social activity on the web. Social activity begets social activity. The more you make it easy for people to like/fave/+1 stuff and the faster you make it, the more you get. The more people get, the better they feel about the network.

7. Spend some serious money the first year on community management / evangelism. Hire a whole bunch of photo community managers and partner with influencers all over the world. Require community managers to host at least 2 photowalks a month in their geographic region. Require them to spend 10 hours a week inside of social groups interacting with photographers on the new site. Bombard your users with interaction from Google Community Managers. Make sure Googlers are using the site to share their photos, especially visible senior management. Keep track of how many +1s, comments and other interactions Googlers have with photos on the network and make sure Googlers know that this matters.

8. Open some fine art physical galleries. These can be used to host meetups and gallery shows for G+ photographers. You can also sell physical prints and DVDs of photo series from these galleries. Social photographers love doing shows with their work. Digital displays make doing temporal shows easier than ever. The ego boost a photographer gets when they are showing their work in a group show is substantial. Capitalize on this to draw the finest photographers in the world to your network.

9. The Nik Software stuff from Google is really good. Snapseed is the best mobile photo editing software out there. Analog Efex Pro 2 really is some of the best photo processing software I’ve used in years. Google could create something as good as Lightroom, maybe even better. Build this into the site for processing but also give people the ability to download the software to their computers for when they don’t want to work in the cloud and want to work locally. Sell this software for $ 99 with a six week free trial. Users who upload at least 5 photos on different days to the new photo network for six weeks should be given a promotion code to get the software for free.

10. Prioritize Google Photos photographs in Google Image Search. Create a button that photo buyers can click in Google Image Search to show photos available for licensing. Leverage the power of Google Image Search to both drive traffic back to photos in the social network and sales through the social network.

That’s all for now.


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Weekly Photography Challenge Things at the Beach

12 Jul

Earlier today I shared a bunch of jaw-dropping images of beaches. As you may have guessed, this week’s photography challenge is one in the same.

Even if you aren’t near the ocean you can get out and find a body of water somewhere near you – perhaps a lake, pond, stream or even the reflecting pool at your local town hall. The idea is to get out and photograph the stuff near the water including:

  • the beach and the sand
  • pathways
  • reflections
  • clouds and sky
  • rocks
  • silhouettes of people against the sun or sunset
  • marine life in tidal pools
  • the local flora or vegetation
  • go wide, and go closer and do some macro photography

You get the idea. Need some more examples?

By @Doug88888

By C/N N/G

By Pete

By Dan Queiroz

By Mike Pratt

By Peter Gorges

By John Turnbull

By kristos_b

By Moyan Brenn

Show use your things at the beach

Simply upload your shot into the comment field (look for the little camera icon in the Disqus comments section as pictured below) and they’ll get embedded for us all to see or if you’d prefer upload them to your favourite photo sharing site and leave the link to them. Okay, ready to impress us?

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20 Cool Things You Can Do With Nik Software’s New Analog Efex Pro 2

27 May

I’ve been playing around with Nik Software’s new Analog Efex Pro 2 photo processing software (brought to you by the good folks at Google) all weekend long and I’m super impressed. The purist film photographers out there are probably going to hate this new software, but for you digital photographers who dig an analog look and feel, you are going to love this.

I shot film exclusively for about 15 years before switching to digital in the early 2000s. While there is an absolute undeniable romance with rolling your own film, hanging out in a darkroom with your college girlfriend, and licking the fixer off your own prints you made yourself, it’s not something I think I’ll ever go back to — unless and maybe when my hipster buddy Daniel Krieger finally convinces me to buy a film Hasselblad.

I used to joke around with anyone who asked me what camera I shot and tell them a Holga. Now it’s like I really am shooting a Holga, just with my Canon 5D Mark III. ;)

Anyways, check out 20 different looks you can create with Analog Efex Pro 2. I’m a fan. You can buy it here if you want.

Motion Blur. It’s like owning a lensbaby without having to actually use one of those horrible awkward things. Just kidding, lensbabys are great!

How did I ever get a double exposure of this classic neon sign? I’ll never tell.

Hey It’s Amanda Morgan shot with my cool Toy Camera #9.

Wet plate photography, without all the sticky wet plates.

Jenna Jamieson shot with Toy Camera #1.

Every respectable concert photographer brings their Toy Camera #2 to the photo pit these days. Chvrches rock!

Instant triptychs.

Classic Camera #7 has such a nice warm film feel, doesn’t it?

Hey tilt shift and I didn’t even have to buy the $ 2,500 Canon TS-E 17mm f/4L Tilt-Shift Lens! Which is a totally awesome lens by the way that I actually will buy someday. Canon L lenses are the best. I cannot say enough positive things about all my Canon glass. I’m not being sarcastic there, I’m being serious.

One of my neon signs that I took back in 1972 while on a photography junket across America with Stephen Shore.

Motion blur with Jeremiah Owyang. It’s just like Star Wars only better because it’s got Jeremiah in it.

Colorcast #2 makes butterflies look so pretty.

Colorcast #2 makes models look so pretty too, but this one was already pretty to begin with. :)

I think this painting from the Met in New York City looks better this way, don’t you? I could totally print this up and hang this in my house. So can you too, because I licensed it Creative Commons non-commercial. Friends share right? ;)

Oopsie, a little light leak thing happened in my Holga again.

Doing wet plate photography in Holbrook, Arizona.

Love the authentic real life colors from Classic Camera #2 on this San Francisco victorian in the Mission District. A couple million in stock options and this too can be yours.

Smoothdude let me borrow his Hasselblad to make this photo on our Route 66 trip last year.

I took a photo of my Kodak Instamatic with my Kodak Instamatic. Get it?

More Seattle fun with Toy Camera #2.


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