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6 Mistake to Avoid When You’re Starting Out in Photography

15 Jan

Like most hobbies or professions, every photographer started out somewhere. This usually means they also made mistakes along the way from which they have learned.

The thing to remember is that everyone makes mistakes – even seasoned pros might on the odd occasion get things wrong, but the key is to learn from your mistakes and move on. As you become more experienced the mistakes will get less and less, but in the meantime, here are six mistakes to avoid when you’re just starting out in photography.

6 Mistake to Avoid When You're Starting Out in Photography

#1 – Avoid Skipping Over the Camera Manual

I often get asked if I have any advice for people starting out in photography and my first tip is to read the camera manual cover to cover. Even now, whenever I upgrade my camera I always read the manual a couple of times. Besides the fact that your camera is the tool you need to use to capture photos so you need to understand how to use it, the manual also has a wealth of information about photography.

Set yourself a task of reading each part over and over again until you understand it, then practice it using your camera until it becomes second nature to you. In an instant, you should be able to change settings, focus points, review images, and so on.

Cameras these days offer so many possibilities and you can only use your camera to its full potential if you know and understand everything about it.

6 Mistake to Avoid When You're Starting Out in Photography

#2 – Avoid Blaming Your Gear

Every new photographer has probably at some point early on in their photography journey said the words, “If only I had a better camera I could take better photos”. While better cameras allow you to take better photos by giving you more control, bigger image sizes, less noise, etc., that alone will not make you a better photographer and thus make you capture better photos.

A good photograph requires that many elements come together and regardless of the camera that you have, a boring or uninspiring subject will still be boring and uninspiring even shot with the latest high-end camera.

If you really want to improve your photography, first you need to improve the creative and visual elements. Things like being able to light the scene or subject nicely, compose/frame your image correctly and actually find interesting opportunities to photograph. Once you have mastered these parts, your photos will look better regardless of the camera you are using.

6 Mistake to Avoid When You're Starting Out in Photography

#3 – Avoid Skipping the Theory Parts of Learning

Like most things, the more you practice photography the better you will become. It’s easy to forget that there is actually some science and theory behind photography.

Now while you don’t need to understand every intricate part of the theory (unless you want to) and be able to recite color temperatures off by heart, it still does help if you know some of the basics. It can help you in your photography, but also it can give you an indication of the limitations of modern day DSLRs.

The great thing is that there is tons of information about photography online these days and you can learn as much or as little as you want to, at your own pace, in your own time.

6 Mistake to Avoid When You're Starting Out in Photography

#4 – Avoid Comparing Yourself to Others

When you are starting out in photography there will always be a part of you that looks at your work and compares it to other people’s. While you should always look at other photographer’s work and be influenced by those who you admire, trying to compare yourself to others is not only a pointless exercise but it might actually be detrimental to your long-term success.

You will find yourself trying to copy other people rather than developing your own style which is what can help you and your photos stand out from the crowd. So don’t get consumed by comparing your work to others, view other people’s work with admiration but never envy.

6 Mistake to Avoid When You're Starting Out in Photography

#5 – Not Being True to Yourself

One of the great things about photography is that you could send a brief to multiple photographers and they will all likely come back with different work. Whether it’s in their interpretation, their vision or their style – the key is that their work will all probably look different even if that difference is subtle. It’s this uniqueness that makes photography such a wonderful art form to be involved in. But all of those photographers have one thing in common and that is that they stay true to their own way of working.

Sure, at times you’ll have to adapt when working for clients on a brief, but when photographing for yourself, there should always be a synergy in your work. If you want a test to see if you have developed your own style, lay out a whole load of your photos on a table. You should immediately see a connection between them. If you don’t, then ask yourself why and try to understand what is different.

6 Mistake to Avoid When You're Starting Out in Photography

#6 – Not Doing What You Love

Most photographers will tell you that they absolutely love what they do, and they wouldn’t want to be doing anything else.

If photography is a hobby for you, why would you want to photograph something you don’t enjoy? Most people get into photography with a part of it that they really enjoy. For some, it’s travel images, for others, it might be food or weddings. Some people like shooting wildlife photos and others like sports photography.

Whatever your passion is, you’ll be far better off focusing on the things you love photographing rather than things you don’t enjoy as that passion will likely be shown in the quality of your work.

6 Mistake to Avoid When You're Starting Out in Photography

Conclusion

While this may seem like an obvious list, it’s incredible how often people still fall into these pitfalls. If you want a few more mistakes to avoid – go here.

Photography for many people is a hobby, and as such should be like any other hobby, an enjoyable activity. Avoid these beginner pitfalls and you’ll be sure to enjoy your photography even more and it will show in your work.

The post 6 Mistake to Avoid When You’re Starting Out in Photography by Kav Dadfar appeared first on Digital Photography School.


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Announcing…our mid year sale! Starting with ebooks and posing guides for $9

28 Jun

If you’ve been eying off one of our photography eBooks, courses or presets packs – this week you’re in luck because today we kick off our mid year sale where we’ll be offering you some amazing discounts on dPS products as well as some special offers from our partners.

If you’re subscribed to our newsletter you’ll get notified of each of the deals as they come out but while you’re reading this – let me tell you about todays deal.

DEAL 1: All dPS eBook are just $ 9 USD

To get our mid year sale started, we’re offering all our ebooks and posing guides at just $ 9 each.

That’s up to 80% off what yo’d normally pay!

There are 23 eBooks and posing guides to choose from on everything from understanding the basics of your camera to portrait lighting as well as how to use natural light and improving your post production of your landscapes and much more.

Here are 3 of our most popular ebook guides:

  • Going Pro. Normally $ 49, get it today for just $ 9 (USD)
  • Living Landscapes. Normally $ 19, today just $ 9 (USD)
  • Portraits: Making the Shot. Normally $ 19, today just $ 9 (USD)

But that’s just scratching the surface of what is on offer – be sure to checkout all 23 titles here to find the guide that will take your photography to the next level.

Whether you pick up just one of our titles or pick the whole library – this is a fantastic way to invest in your photographing learning – but don’t wait long – this deal only lasts another 30 hours so don’t delay.

The post Announcing…our mid year sale! Starting with ebooks and posing guides for $ 9 by Darren Rowse appeared first on Digital Photography School.


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Creative Cloud subscribers in the UK and Sweden can expect price hikes starting next month

03 Feb

Citing ‘fluctuating foreign exchange rates’, Adobe has notified Creative Cloud subscribers in the UK and Sweden that they can expect to see their fees increase soon. The price hikes will take effect starting March 6 for month-to-month subscribers; members who have paid for a full year will see a price increase when they renew their plans.

Prices vary by plan, but users are reporting around a £10 per month increase. Emails sent to affected members pointed to a page on Adobe’s support site with an explanation:

‘Currency exchange rates have fluctuated significantly over the last few years. Like many US-based global companies, Adobe is making pricing adjustments in a number of countries to offset fluctuations in foreign exchange rate. Starting on March 6, 2017, the price of Adobe products in the United Kingdom and Sweden will be increased. Existing customers will receive information about their subscription pricing directly from Adobe.’

Are you affected by the price increase? Let us know in the comments.

Articles: Digital Photography Review (dpreview.com)

 
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10 things I wish I knew when starting my photography business

30 Dec

The moment I bought my first DSLR I knew that photography was my true passion. I didn’t consider myself a professional back then, but I was sure I wanted to become one. Well, the road  turned out a lot longer than I expected. I have learned there’s much more than meets the eye when it comes to the photographer profession. Continue Reading

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You can see Elton John’s rare print collection starting this week at Tate Modern

08 Nov

Photos from the Sir Elton John Collection at Tate Modern

Man Ray 1890-1976, Glass Tears 1932. Photograph, gelatin silver print on paper. 229 x 298 mm. The Sir Elton John Photography collection © Man Ray Trust/ADAGP, Paris and DACS, London 2016

London’s Tate Modern gallery is about to host an exhibition of ‘modernist photography’ drawn entirely from the Elton John Photography Collection that will feature only vintage prints made by the photographers themselves. The show, which comprises 150 images taken by over 60 photographers, is called The Radical Eye: Modernist Photography from the Sir Elton John Collection and will open this Thursday 10th November and will run until 7th May 2017.

The exhibition will concentrate on the ‘coming of age’ of photography which the museum says occurred between 1920 and the 1950s – a period when photography developed into a powerful tool for communicating as technology made it more flexible and convenient to use.

Visitors can expect to see works by Man Ray Kertesz, Rodchenko, Steichen, Tina Modotti, Imogen Cunningham and Margaret Bourke-White, as well as a collection of portraits of some of those photographers themselves taken by other famous artists. According to Tate Modern this will also be the first chance for the public to see an ‘incredible’ series of Man Ray portraits that John has collected and brought together over the last 25 years. Elton John has over 7000 fine art prints in a collection he started in 1991.

For more information on the exhibition, which will cost £16.50 to visit, see the Tate Modern website.

Press release

Tate Modern to exhibit unparalleled modernist photography from the collection of Sir Elton John

Tate Modern today announces a major new exhibition, The Radical Eye: Modernist Photography from the Sir Elton John Collection, opening on 10 November 2016. The show will be drawn from one of the world’s greatest private collections of photography and will present an unrivalled selection of classic modernist images from the 1920s to the 1950s.

Featuring over 150 works from more than 60 artists the exhibition will consist entirely of rare vintage prints, all created by the artists themselves. It will showcase works by seminal figures such as Man Ray, André Kertész, Berenice Abbot, Alexandr Rodchenko and Edward Steichen, offering the public a unique opportunity to see remarkable works up close. The quality and depth of the collection will allow the exhibition to tell the story of modernist photography in this way for the first time in the UK. It also marks the beginning of a long term relationship between Tate and the Sir Elton John Collection.

The exhibition introduces a crucial moment in the history of photography – an exciting rupture often referred to as the ‘coming of age’ of the medium, when artists used photography as a tool through which they could redefine and transform visions of the modern world. Technological advancements gave artists the freedom to experiment and test the limits of the medium and present the world through a new, distinctly modern visual language. This exhibition will reveal how the timeless genres of the portrait, nude and still life were reimagined through the camera, as well as exploring its unique ability to capture street life and the modern world from a new perspective.

Featuring portraits of great cultural figures of the 20th century, including Georgia O’Keeffe by Alfred Stieglitz, Edward Weston by Tina Modotti, Jean Cocteau by Berenice Abbott and Igor Stravinsky by Edward Weston, the exhibition will give insight into the relationships and inner circles of the avant-garde. An incredible group of Man Ray portraits will be exhibited together for the first time, having been brought together by Sir Elton John over the past twenty-five years, depicting key surrealist figures such as Andre Breton and Max Ernst alongside artists including Henri Matisse, Pablo Picasso and Dora Maar. Ground-breaking experimentation both in the darkroom and on the surface of the print, such as Herbert Bayer’s photomontage and Maurice Tabard’s solarisation, will examine how artists pushed the accepted conventions of portraiture.

As life underwent rapid changes in the 20th century, photography offered a new means to communicate and represent the world. Alexandr Rodchenko, László Moholy-Nagy and Margaret Bourke-White employed the ‘worm’s eye’ and ‘bird’s eye’ views to create new perspectives of the modern metropolis – techniques associated with constructivism and the Bauhaus. The move towards abstraction will also be charted, from isolated architectural elements to camera-less photography such as Man Ray’s rayographs and Harry Callahan’s light abstractions.

Further themes explored in the exhibition will include new approaches to capturing the human form, highlighted in rare masterpieces such as André Kertész’s Underwater Swimmer, Hungary 1917, while Imogen Cunningham’s Magnolia Blossom, Tower of Jewels 1925 and Tina Modotti’s Bandelier, Corn and Sickle 1927 will feature in a large presentation dedicated to the Still Life. The important role of documentary photography as a tool of mass communication will be demonstrated in Dorothea Lange’s Migrant Mother 1936 and Walker Evans’ Floyde Burroughs, Hale County, Alabama 1936, from the Farm Security Administration project.

Sir Elton John said: “It is a great honour for David and I to lend part of our collection to Tate Modern for this groundbreaking exhibition. The modernist era in photography is one of the key moments within the medium and collecting work from this period has brought me great joy over the last 25 years. Each of these photographs serves as inspiration for me in my life; they line the walls of my homes and I consider them precious gems. We are thrilled to be part of this collaboration with Tate Modern and hope that the exhibition audience experiences as much joy in seeing the works as I have had in finding them.”

Nicholas Serota, Director, Tate said: “This will be a truly unique exhibition. There are few collections of modernist photography in the UK, so we are delighted that Sir Elton John has allowed us to draw on his incredible collection and give everyone a chance to see these iconic works. Coming face-to-face with such masterpieces of photography will be a rare and rewarding experience.”

The Radical Eye: Modernist Photography from the Sir Elton John Collection at Tate Modern will run from 10 November 2016 until 7 May 2017. It is curated by Shoair Mavlian with senior curator Simon Baker and Newell Harbin, Director of the Sir Elton John Photography Collection, assisted by Emma Lewis. It will be accompanied by a major new catalogue from Tate Publishing, featuring an interview with Sir Elton John by Jane Jackson and an essay by Dawn Ades, Professor Emerita at the University of Essex.

Sir Elton John Photography Collection:

Sir Elton John began collecting photographs in 1991 and his collection is now regarded as one of the leading private photography collections in the world, distinguished by its exceptional quality and remarkable range and depth. From major vintage 20th century modernist works to cutting-edge contemporary images, the collection now holds over 7,000 fine art photographs. To make this exhibition possible Tate has worked in collaboration with Newell Harbin, Director of the Sir Elton John Photography Collection.

Photos from the Sir Elton John Collection at Tate Modern

Herbert Bayer 1900-1985, Humanly Impossible (Self-Portrait) 1932. Photomontage, bromoil gelatin silver print with gouache and airbrush on paper. 394 x 295 mm. The Sir Elton John Photography collection © DACS, 2016

Photos from the Sir Elton John Collection at Tate Modern

Dorothea Lange 1895-1965, Migrant Mother 1936. Photograph, gelatin silver print on paper. The Sir Elton John Photography collection

Photos from the Sir Elton John Collection at Tate Modern

Otto Umbehr (1902-1980), Cat 1927. Photograph, gelatin silver print on paper. The Sir Elton John Photography collection © DACS, 2016

Photos from the Sir Elton John Collection at Tate Modern

Ilse Bing 1899-1998, Dancer, Willem van Loon, Paris 1932. Photograph, gelatin silver print on paper. 276 x 184 mm. The Sir Elton John Photography collection © The Estate of Ilse Bing

Photos from the Sir Elton John Collection at Tate Modern

André Kertész (1894-1985) Mondrian’s Eyeglasses and Pipe, Paris 1926. Photograph, gelatin silver print on paper. 76 x 89 mm. The Sir Elton John Photography collection

Photos from the Sir Elton John Collection at Tate Modern

Alekandr Rodchenko 1891-1956, Shukhov Tower 1927. Photograph, gelatin silver print on paper. The Sir Elton John Photography collection © DACS, 2016

Articles: Digital Photography Review (dpreview.com)

 
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Tips for Starting a Photography Business the Right Way

07 Sep

Are you ready to make the switch from a hobbyist to full-time professional photographer? That,s great, congratulations on your decision. It’s a great profession to be in, one that gets your creative juices flowing every time you pick up a camera. But along with the desire to start your own photography business, there are a few necessary steps that you need to take to make sure you start off on the right note!

Memorable Jaunts Starting a business Article for Digital Photography School-20

Define who you are as a photographer and what is your business all about.

Get all the necessary legal paperwork in place

As per wikipedia, a professional is a member of a profession, or any person who earns their living from a specified professional activity.

The fact that you are charging money to clients in exchange for photos means you also need to document said money, and pay appropriate taxes. In most parts of the world, this means registering your business with the local governing body, reporting income accurately ,and paying appropriate taxes. Make sure you research what the legal requirements are where you live, and follow them.

You don’t want to get into trouble with the government at a later stage. Part of the registration process may require you to have a business name, as well as get a tax id. Many photographers pick their own name for their business, while others like me, choose a generic name to represent their brand. There is no right or wrong way, just pick one that works for you.

Memorable Jaunts DPS Article about starting a business

Maintain an online presence for your photography business

The important thing to maintaining an online presence is have a way to represent your body of work, i.e., your portfolio. Luckily, there are many free options for uploading your images to the Internet. Sites like WordPress and Blogger (previously called Blogspot) offer a way to create a blog. Flickr and 500px are other options to upload and host your images.

Getting a custom website, with a custom URL (in most cases your business name) takes it up a notch in terms of creating brand awareness (you can look at low cost options like Square Space). It is much easier to tell a client that your portfolio can be found at (for example) “www.memorablejaunts.com”, rather than saying “memorablejaunts.blogspot.com”. Depending on your business name this can be a mouthful and difficult to remember.

As you think about your online presence also consider social media. There are many options to choose from to be socially engaged with your clients, and more importantly, your potential clients. With so many social media platforms out there, it’s very easy to get overwhelmed. So my advice would be to pick two to three, and actively engage with your audience there. In the initial part of my career, I focused on Facebook, then added Twitter and Instagram to my social media strategy. As you create your own social media strategy, remember to be consistent across the board. Let your website and social media tools speak the same language, and showcase your style consistently.

Memorable Jaunts Urban Photography Article for Digital Photography School-20

Be social online AND offline

The internet has been a blessing in disguise for most small businesses. The world is no longer just limited to who we know, and our friends. It is very easy to find like-minded peers and colleagues all over the world. Reach out and form genuine connections. Don’t worry about what they can do for you. Instead focus on how you can help them.

Often times it is just being a positive voice – encourage them, congratulate them, and be genuinely happy for their success. Don’t be fake, being pretentious is a complete put-off. On that same note, make an effort to engage with local peers and colleagues. Take them out for lunch or just a cup of coffee – take the time to listen to their story and acknowledge their success. This is basic common courtesy, but you will be surprised at how many new and experienced photographers don’t seem to get this respect. It always pays to have a friend or a listening ear in the business!

Memorable Jaunts Starting a business Article for Digital Photography School-22

My Facebook Business Page speaks the same language as my website and Instagram business account – the look, the feel, as well as something as simple as a profile picture – they are consistent across all platforms.

Memorable Jaunts Starting a business Article for Digital Photography School-23

I have been more active on Instagram over the past six months and have met some really interesting people all over the world – it is such a perfect visual medium for photographers

Some sites that have communities of photographers (all various levels)

  • Meetup.com
  • Instagram – there are many photography related hashtags as well as geotags that you can search on to find other photographers, groups and peers.
  • Facebook – there are several public groups where photographers are welcome to join to ask questions, showcase their work, and get feedback
  • Local camera stores and community colleges – check your local camera store or community college to see if they have any groups that meet regularly. If not, don’t be afraid to start one.

Accurately track your income and expenses

I say this from experience! It is very painful, and time-consuming, to back-track and look through credit card receipts to tally expenses. The better and more sensible option is to spend one day every week to tally income and expenses. This will give you an idea on where you are financially at any given point of time.

Believe me, when you are just starting, expenses can add up very quickly. Before you know it, you can rack up a sizeable amount of debt that can be hard to get out of and handle.

Memorable Jaunts Starting a business Article for Digital Photography School-24

Keep it simple…I use a daily planner that has all items related to my business (to do tasks, as well as daily expenses). Once a week, I update a spreadsheet similar to this with all expenses, to keep a running tab of where I am financially.

Gear – need versus wants

This one is a hard one to control. It is human nature to want to have the best of everything, especially when you are starting something new. We have self-perpetuated this fantasy that having the best and latest/greatest, is essential to our success.

Gear, especially photographic gear, is very expensive and becomes obsolete very quickly. Really think through what you need to be successful in your job, and have a game plan on how to build up your gear. The first two years of my business I survived on a Canon 5D MarkII and Canon 24-70L 2.8 lens. My backup camera was an old Canon 10D whose battery life was less than two hours. But it was my backup, and I was really careful with my gear. If I needed another lens, I just rented it.

Once I started photographing weddings, for more than a year I rented the 70-200mmL 2.8 and a speedlight, before I saved up money to purchase them for myself. Also remember that there are other things that you will need to have a successful photography business like: a computer, editing software, and as well as business insurance. It is better to invest in those upfront (and they are needed to run a successful business) rather than just on camera gear!

Memorable Jaunts Starting a business Article for Digital Photography School-21

I shoot digital for client work and a mix of film and digital for personal work.

I hope all this did not scare you! Being a professional photographer is a hard thing to do, but it is incredibility satisfying. You can achieve a lot of success in this field if you are willing to put in the long hours and do what it takes to be successful.

Remember this is a business, one that you have willingly chosen to undertake. Give it your best, but also have fun. Don’t get too bogged down with all the mistakes you think you are making. They are not mistakes, they are learning opportunities, and they will make you a better photographer and better business owner in the long run.

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Sigma gets into the cinema lens game starting with 18-35mm T2 and 50-100mm T2 zooms

07 Sep

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Sigma has announced its own line of lenses for filmmakers. Sigma Cine Lenses are weatherproof and designed with an emphasis on optical performance and making the most of high-resolution sensors. An 18-35mm T2 and 50-100mm T2 for APS-C bodies will be the first introduced. 

A full-frame 24-35mm T2.2 and an assortment of primes will follow in 2017 and beyond. All lenses will be introduced in EF- and E-mounts, with PL versions coming later for each except the 24-35mm T2.2 FF. Pricing isn’t given at this time; Sigma says the first lenses will be available near the end of 2016 starting with Japan and the US.

Press release:

SIGMA ANNOUNCES NEW CINE LENSES

Amsterdam, The Netherlands — September 7, 2016 – The SIGMA CORPORATION is pleased to announce that it will enter into the cinema lens market with the release of its SIGMA CINE LENSES, designed specifically for cinematography. In the world of digital film production, there is an increasing demand for higher resolution, and SIGMA’s new lineup of high-performance lenses is compatible with the latest, high-resolution digital cinema cameras. SIGMA has developed its own production system by establishing the required technology for mass production of high-performance lenses for ultra-mega-pixel shooting. The company feels this valuable new lens line could create a fundamental change in digital film production, and provide a new solution for cinematographers.

  • Unbeatable value – the highest optical performance in its class and outstanding compact design
  • Wide range of lenses for professional use
  • Optimized for the latest digital moviemaking technology

For the first phase, SIGMA will release two zoom lenses in Japan and the USA for EF and E mount camera systems. Furthermore, another zoom lens and five prime lenses will be released to the market in sequence from 2017 onward. SIGMA plans to develop additional zoom and prime lenses as well as add support for PL mount camera systems. The latest release information will be sequentially updated on its official website.

High Speed Zoom Line
High Speed Zoom Line offers the constant aperture of T2 throughout the zoom range, and the optical performance is ready for high-resolution shooting such as 6K – 8K. Furthermore, while offering the highest image quality in its class, the High Speed Zoom Line has a compact construction and offers amazing value.

FF Zoom Line
FF Zoom Line is compatible with a full-frame image circle, and the optical performance is ready for high-resolution shooting such as 6K – 8K. It provides a rare option for cinematographers since very few lenses can cater to the requirements of the latest digital cinema cameras’ image sensor, which is larger than Super 35, and expand the range of compatible cameras. This is the cinema zoom lens offering the highest image quality and compact design. This lens is not available in PL mount.

FF High Speed Prime Line

The lineup ranges from 20mm to 85mm, and all five lenses are T1.5. They are compatible with full-frame sensors and, while being more compact, can offer superior resolution than other high-end prime sets do. With the five prime lenses from FF High Speed Prime Line, there is no need to change the lighting to shoot a variety of cuts. These lenses bring a consistent level of light to the production and offer greater consistency with regards to the film’s look and color/contrast before it enters post-production.

Each CINE lens model is weatherproof and has luminous paint markings to aid in changing and operating the lens in the dark. It touts a long focus rotation of 180 degrees and is guided by cams for smooth operation and accuracy. The CINE lens design features standardized essentials such as an 82mm front for ND filters* and a 95mm front diameter for matte box use and standard gear positions for accessories like follow focus. They also include a manual linear iris control and electronic mounts that provide vital camera metadata. Each lens is manufactured and inspected in the Sigma factory located in Aizu, Japan.

Availability/Pricing

Availability: toward the end of 2016 (in Japan and USA in the first phase)
Pricing: TBD
Mounts: Initially Canon-EF and Sony-E to be followed later by PL**

*20mm T1.5 FF doesn’t accept filters.
**24-35mm T2.2 FF is not available in PL mount. The appearance and specifications are subject to change without notice.

Articles: Digital Photography Review (dpreview.com)

 
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Fujifilm says photographic paper prices will increase starting in October

25 Aug

Fujifilm has announced an upcoming price increase that will be applied to photographic papers starting this October. The company says it expects the price increase will be ‘of at least [a] double digital percent,’ though a specific percentage has not been provided at this time. The price change will be implemented across the globe.

The company cites a decrease in demand for photographic papers as the cause, saying that while it has made changes to its production to deal with a ‘rising expense ratio,’ it expects that demand will continue to decrease in the future, necessitating a price increase.

Via: Fujifilm

Articles: Digital Photography Review (dpreview.com)

 
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Starting 2015/16 Winter Paddling Season on South Platte River

16 Nov
A middle of November. It’s time to start my winter paddling season. Of course, Horsetooth and other local lakes in Fort Collins are still open, so I can continue my summer style paddling. Nevertheless, I took the Sea Wind canoe, Pixel (aka water Corgi) and went for the first fall/winter paddling on the South Platte River.

We went to Masters and started to paddling upstream. However the dam just above Master bridge was closed and diverting water to Jackson Reservoir, so we paddled a couple miles downriver instead. Beautiful weather and a good flow of ~900cfs @ Weldona. Actually, I spent more time photographing than paddling.

I am hoping to do more paddling on different sections of the South Platte River during the incoming winter season and, finally, update my river guide. Would you like to join me? The South Platte with a typical winter flow is just a wading river and suitable for safe paddling with any boat – kayak, canoe or SUP. Well, a paddleboard would require some experience and a short fin due to possible shallows. I don’t think that you need to dress for immersion, but I always take extra clothes for change.

I am still sorting my blogs after migrating to a new server. If you encounter any problem or missing links please let me know.

aerial view of eastern Colorado landscape with South Platte River,  water channels, reservoirs and irrigated farmland

South Platte River in eastern Colorado below Masters with Jackson Reservoir ditch, looking downstream

aerial view of South Platte River in eastern Colorado with a canoe on sandbar, fall scenery

Looking down from Phantom 3 drone. Can you see the Sea Wind canoe, me and Pixel?

aerial view of expedition decked canoe on a sandbar, South Platte River in eastern Colorado

Let’s look a little closer

river sandbar texture and pattern - South Platte RIver in eastern Colorado

and, even closer

South Platte River in eastern Colorado between Greeley and Fort Morgan, a typical fall or winter scenery

A typical fall or winter scenery on the South Platte lit by the low setting sun


paddling with a camera

 
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Muji Huts: 3 Minimalist Prefab Dwellings Starting at $25,000

11 Nov

[ By WebUrbanist in Architecture & Houses & Residential. ]

muji wood hut

Three designers contributing to the Muji Hut project have pitched their tent-, cottage- and cabin-inspired ideas for tiny retreats at Tokyo Design Week, each structure borrowing lessons in simplicity from Japanese housing traditions. The spaces are intentionally essential, featuring just what one needs to relax and enjoy natural surroundings and family gatherings.

muji hut glass

The Wooden Hut by Naoto Fukasawa is both open and cozy, with floor-to-ceiling windows, a soaking tub hidden behind a wall and a wood-burning stove to warm the interior. A wood-burning stove heats the interior, which is furnished with a cot, dining table and chairs, and kitchenette.

muji bathtub

“When I hear the word hut, I’m attracted,” says designer Naoto Fukasawa. It’s not quite a villa but not as simple as a tent. With a small hut you can burrow into the wilderness whenever you want.”

muji hut cork

The Cork Hut by Jasper Morrison has space for cooking, eating, gathering and sleeping, featuring a trim aesthetic with simple lines brought to life by variegated cork surfaces.

muji living room

“Whenever I think about going to the country for the weekend, I start imagining a small house with everything needed for a short stay,” says Jasper Morrison.

muji dining eating space

“The dream usually collapses when I think of the complexity of building a new house, but with this project I realized there was a chance to design such a house as a product rather than a one-off.”

muji two story

The Aluminum Hut by Konstantin Grcic has a small footprint to avoid the need for building permits. A ladder leads occupants up to sleeping lofts while flexible aluminum awnings protect it in transit.

muji panel doors

“The hut is just a space — it doesn’t have to be a fully functioning place for living,” says Grcic.

muji ladder space

“There doesn’t have to be water or electricity. It is just a space for doing something.” The trio of huts will go on sale soon, starting at approximately $ 25,000 USD.

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[ By WebUrbanist in Architecture & Houses & Residential. ]

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